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  • * To control the bypass state of a block using a modifier, you no longer modify the Bypass Mode parameter, but a dedicated ...e-Fx II and Axe-Fx III cannot share presets electronically. You can trying using [[FracPad and FracTool|FracTool]] to import Axe-Fx II presets into the Axe-
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  • ...ons or download those made available by others. You can access it directly using a browser, or from within the software editors.
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  • * Backward compatibility with Axe-Fx II Mark I/II presets via Axe-Edit software. ...t. IIRC the current Amplifire uses two 21369 so this new product is likely using two or more 2146x as the accelerator is not available on the 2136x series.
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  • ...ese blocks in parallel the user can turn Kill Dry on and set the wet level using the Mix control, leaving the Level control at 0dB. This also has the advant ...lock. This eliminates the slight squeaking sound as the gate releases when using aggressive settings.
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  • ...displayed CPU usage is the percentage of the CPU that the audio thread is using. ...high levels of aliasing. The logical conclusion is that these products are using low amounts of oversampling due to the lack of processor throughput.
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  • ...the Amp block is reset. It does not get reset when changing the model. If using the Axe-Fx II with a tube power amp and conventional guitar cab you may wan ...ttack switch controls a shelving filter on the input and can be replicated using the Tone control.
    194 KB (31,845 words) - 17:59, 14 February 2024
  • ...But you can transfer individual block settings from one product to another using the software editors. It's also possible to convert presets with 3rd-party When using the FXL block to create an AUX output, the FXL block must be placed in para
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  • '''Axe-Edit''' (legacy)<BR> [http://www.fractalaudio.com/downloads/axe-edit/Axe-Edit-Getting-Started-Guide.pdf Getting Started]
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  • ...ons or download those made available by others. You can access it directly using a browser, or from within the software editors.
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  • * Switch a block between X and Y on the grid using a shortcut key: ...at switches the block between X/Y. Then program a switch on the controller using that data.
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  • ==Using modulation and delay effects==
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  • ** IMPORTANT: When using TxMap for any Axe-Fx II, you must turn off “Total Sync” on the MFC-101. ...(“Bypass”) will show “X000 Bypass” in the MFC‐101 display. IMPORTANT: When using TxMap for any Axe­‐Fx II, you must turn off “Total Sync” on the MFC-
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  • ...can change the Global Detector to POST input, which you'll want to do when using the FX8 in a POST-only setup.
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  • When using [[Fractal-Bot]] to create backups of presets that contain Global blocks, yo ...m the appropriate backup preset, paste it into a preset with linked blocks using the correct global instance and save it.
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  • ...But you can transfer individual block settings from one product to another using the software editors. It's also possible to convert presets with 3rd-party When using the FXL block to create an AUX output, the FXL block must be placed in para
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  • ==Axe-Edit and MFC-101== ...cause audio gaps, and fast switching can cause communications issues. When Axe-Edit detects MFC-101 action, it automatically switches into Pause mode.
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  • * When using '''[[Global blocks]]''' in your presets, make sure to back up the system da * When using an Axe-Fx II, disable '''USB Adapter Mode'''.
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  • # Update as you normally would using Fractal-Bot. Firmware must be installed using [[Fractal-Bot]], Fractal Audio's updating utility, over an [[USB]] connecti
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  • [https://forum.fractalaudio.com/threads/bug-audible-glitch-when-using-midi-tempo-linked-to-the-delay-time.161248/post-1931097]
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  • Guitar players can fade in notes and chords using their pinky to operate the volume knob on their guitars. BOSS automated thi Added “Auto-Swell” type to Volume block. This simulates “pinky swells” using the guitar volume knob. Threshold sets the input power to start the volume
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  • Looper Control Mode is accessed using a F-switch.
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  • * NB The parameters values are interpreted using the latest firmware definitions versions, so viewing an old preset works bu
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  • ...an be handy to update the firmware on the [[MFC-101 MIDI foot controller]] using Fractal-Bot. This is explained in the Fractal-Bot's manual. Always disable this special feature when not using it, because it slows down all USB transfers.
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  • As an alternative to using the Panner block, attach an LFO to a panning parameter in a block.
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  • ...r pan parameters required. For best results turn the Diffusion Mix up when using this type. When using the Plex Verb the Low Cut and High Cut are very powerful controls. For pad-
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  • [http://forum.fractalaudio.com/threads/how-to-setup-2nd-fx-loop-using-send-return-blocks-in-series.132296/#post-1566162] ...ble to use the FX Loop as two mono loops in series, with a certain routing using feedback send/return.
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  • ...nd good. Amplification is required to make things loud. Usually this means using either a traditional guitar cab with a power amp, or a so-called FRFR monit When using a traditional cabinet, the preset shouldn't use a Cabinet model. If it does
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  • By using scenes and channels you can use a single preset for an entire song, an enti # If presets are using a lot of CPU then the gapless switching may not work as there is not enough
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  • * Make the sound fatter by using two Synth voices set to the same frequency. ...the pitch of the drone note, by switching the Synth between channels or by using [[Scene controllers]], attached to the Pitch or Shift parameter of the voic
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  • Regarding the OUTPUT: Using the Enhancer makes sense only when the output is stereo. Also, don't use it ...are no phasing problems when summing to mono. Don't use this type if just using one side (left or right) of a stereo output, because phasing effects may be
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  • ...s makes it possible to adjust presets for the output of a specific guitar using a pedal or switch. You can simulate the effect of a guitar into a Fuzz-Face using the Input-Z feature.
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  • ...ex.php?threads/using-the-mastermind-gt-with-an-axe-fx-iii.3400/#post-16806 Using the Mastermind GT with an Axe-Fx III (RJM forum)] ...or MIDI device. And you can still use the MIDI In port, as long as you're using bidirectional MIDI on the XLR MIDI Out to connect to the Axe-Fx. The only l
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  • ...ES output almost exclusively and never have any issues. I adjust the level using the interface's control panel. * [http://forum.fractalaudio.com/threads/are-you-successfully-using-your-ax8-via-s-pdif.130191/page-3#post-1549125 AX8-compatible SPDIF interfa
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  • ...ttack switch controls a shelving filter on the input and can be replicated using the Tone control. ...compressors output level dependent upon Ratio parameter of Studio type. If using these types in existing presets the presets should be auditioned to ensure
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  • ...he design and mechanical are done here too. The unit is assembled in China using components sourced globally sourced components. In the context of such ques ...e term DSP most correctly refers to any device that does signal processing using numerical computations. That device can be an FPGA, ASIC or fixed hardware
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  • ...as replaced previous connection methods for Fractal Audio foot controllers using MIDI and Ethernet. We rewrote everything using a client-server approach. You can have any number of clients attached, even
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  • ...channel A, while the same Delay in scene 2 is set to channel B. Note that using different types of Delay or Reverb in each state may impact spillover. Of c ...four presets. Scenes store the bypass state and channel for each block. By using scenes and channels you can use a single preset for an entire song, an enti
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  • ...ons protocol that links the [[Axe-Fx III, FM9 and FM3]] to FC controllers, using a single XLR (microphone) cable. The first connected FC controller gets its ...“Normal” assumes a “momentary make” switch. Use the option “Reverse” when using a “momentary break” switch, or for creative applications. Find this opt
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  • ...ch modulate each delay line at the same frequency but different phases. By using short delay times the Multitap Delay block can act as four parallel choruse ...talaudio.com/tmp/Ares-Quad-Choro-Flange.mp3 audio] I'm also thrilled to be using just one block to recreate my trust Ibanez BC-9, which was simply a 2-voice
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  • ; Intelligent : Faster and more stable noise gate, using a proprietary noise reduction algorithm ...r : Reduces noise while preserving the attack of the note. It does this by using intelligent filtering to remove line noise and high frequency hiss while le
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  • * Backward compatibility with Axe-Fx II Mark I/II presets via Axe-Edit software. ...t. IIRC the current Amplifire uses two 21369 so this new product is likely using two or more 2146x as the accelerator is not available on the 2136x series.
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  • FAS-FX Reverb requires activation using the free iLok License Manager from www.ilok.com. The manager allows you to
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  • ...at the full sweep of the pedal is being used. To do this, make sure you're using the correct menu. This depends on the physical connection of the pedal: ...h block automatically when moving the pedal. This is especially handy when using a spring-loaded pedal. To accomplish this, set [[Auto-Engage]] in the CONTR
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  • ...itar amps is micing the amp. Therefore the single most important aspect of using your Axe-Fx is the IR. ...is essentially painting with a broad brush where mic technique is akin to using a fine-point brush.
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  • ...I controller to send <samp>127</samp> for fast and <samp>0</samp> for slow using the CC of the switch.
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  • The Lowshelf2 and Highself2 types are "analog" types and derived using "k + low/high pass". Tilt EQ is a slope filter that allows broad adjustment of the tone using just two parameters: <q>Frequency</q> and <q>Gain</q>. The Gain parameter s
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  • ...displayed CPU usage is the percentage of the CPU that the audio thread is using. ...e CPU limit is reached. So try to keep CPU usage low (below 60 - 70%) when using pitch effects.
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  • ...esets. This can be prevented by keeping Mix and Level at fixed values, and using Input Gain to set the desired effects level.
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  • * "Scene changes can set relay states and send MIDI without using effect blocks." [https://forum.fractalaudio.com/posts/1124422] ...separate "On" states for the given relay. X/Y can be changed on any block using scenes or "stomp box" mode. If your amp requires a single relay output to t
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  • * To control the bypass state of a block using a modifier, you no longer modify the Bypass Mode parameter, but a dedicated ...e-Fx II and Axe-Fx III cannot share presets electronically. You can trying using [[FracPad and FracTool|FracTool]] to import Axe-Fx II presets into the Axe-
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  • * <q>ZOOM</q> view allows precise mic positioning using real-world centimeter (cm) or inch (in) units. ...amp tracks. Cab-Lab 4 is an excellent way to re-cab plugins or a tube amp using the Fractal-Audio X-Load LB-2 Load box.
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  • Tone Matching matches the sound of a preset using a Tone Match block to the sound of a real amp, a recording, or another devi ...djust the output of the mic preamp to get a good signal level into Input 2 using the Input 2 LEDs as a reference. Adjust the Input 2 trim in I/O > INPUT if
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  • # Program an IA switch to switch between Wah and Whammy, using the Mixer rows. Use the CC of the external controller that you specified wh '''Using Scenes and channels''':
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  • ...1-moaee-mother-of-all-effect-emulations.59591 Recreate the Boss CE-1 sound using a LFO-driven Flanger block] ...Processing". This can be turned on in any type. However I highly recommend using the Dimension Type as it sets the correct base algorithm, LFO type, delay t
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  • # If presets are using a lot of CPU then the gapless switching may not work as there is not enough ...use only Output 2, you can now hear both processed guitar and USB audio by using the settings Output 2 Copy: OUTPUT 1 and USB 1/2 Playback Destination: OUTP
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  • Axe-Edit III, FM3-Edit and FM9-Edit are the software editors for Fractal Audio's Axe ...of Axe-Edit III will only work with firmware versions <u>below</u> 19.06. Axe-Edit III 1.11.00+ will work with previous firmware versions 3.02 and greater.
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  • ...prevent issues when that controller is not connected. For example, you are using a controller (a pedal) to control the overall volume. To make sure that the '''Using Auto-Engage with scenes'''
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  • ...Write link text so that it describes the content of the link target. Avoid using ambiguous link text, such as ‘<u>click here</u>’ or ‘<u>read more</u> ...orman Group's article <q>[https://www.nngroup.com/articles/title-attribute Using the Title Attribute to Help Users Predict Where They Are Going]</q>.
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  • [[Impulse responses (IR) | Impulse responses]] are captured using microphones and mic preamps. ...like the Earthworks TC series are nearly omnidirectional. They operate by using a very small aperture as compared to traditional mics that have effective a
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  • ...the Amp block is reset. It does not get reset when changing the model. If using the AX8 with a tube power amp and conventional guitar cab you may want to r ...ttack switch controls a shelving filter on the input and can be replicated using the Tone control.
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  • ...istent way. Decide if you want them to reset or not when switching presets using the PC Reset parameter. * When using one Amp block on an Axe-Fx: use AMP 1, not AMP 2.
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  • [https://forum.fractalaudio.com/threads/am-i-the-only-one-not-using-high-or-low-cuts-anymore.155225/post-1847408] ...in the signal chain after the distortion-generating components. If you're using a tube amp, you'll need to do this to the mic'ed/recorded signal from the a
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  • ...r other controller is connected to the Axe­‐Fx II's MIDI IN port — whether using 5-­ or 7‐pin — use the standard 5‐pin MIDI THRU port. No special set ...when changing scenes, which can vary per scene. The FX8 can send MIDI data using a footswitch which is assigned to a MIDI footswitch block. It can send a PC
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  • ...L VCR Type the attack and release times of the photocell can be configured using the Photocell Attack and Photocell Release parameters. Typical photocells u ...at, however, may not be your idea of what it should sound like. If you are using Line 6 as a reference, their effects are often exaggerated caricatures of t
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  • ...displayed CPU usage is the percentage of the CPU that the audio thread is using. ...high levels of aliasing. The logical conclusion is that these products are using low amounts of oversampling due to the lack of processor throughput.
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  • The LB-2 is a load box, that allows using a traditional tube amp without having to connect a speaker cabinet, therefo ...r. Furthermore this allows you to record a DI that you can reprocess later using different IRs.
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  • ...0-and-flanger-pedals Eddie Van Halen on How He Created His Signature Sound Using MXR's Phase 90 and Flanger Pedals]</q> ...ack. Very little difference between using the delay block as a flanger and using the flanger block.
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  • * Nearly all amps have been “remastered” using new measurement techniques and analytical methods. ...lock. This eliminates the slight squeaking sound as the gate releases when using aggressive settings.
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  • * Nearly all amps have been “remastered” using new measurement techniques and analytical methods. ...ese blocks in parallel the user can turn Kill Dry on and set the wet level using the Mix control, leaving the Level control at 0dB. This also has the advant
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  • There are two internal Spring Reverb types. The type can be selected using the Tank Type parameter. This parameter defaults to the appropriate type ba Existing presets using Spring Reverb types are reset to default values. Audition as necessary.
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  • ...ting and sounding as intended. If you desire a different sound I recommend using the Synth block. You can engage a Whammy on the fly without using Auto-Engage (<q>Golden Whammy</q>, M@'s idea, [http://forum.fractalaudio.co
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  • ...ono after the Delay block (for example when placed before the Amp, or when using a mono cab), due to phase cancellation. ...delay effect positioned before the amp and after the amp, especially when using distorted amp tones. It's up to you. Most people place a delay after the Am
    29 KB (4,431 words) - 17:43, 16 April 2024
  • ...are typically using pedal compressors like the Keeley then you want to be using the "Dynamicomp" type. The other types are studio compressors and won't sou To manipulate pick attack using the Compressor:
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  • [http://forum.fractalaudio.com/other-midi-controllers/39161-using-sysex-recall-present-effect-bypass-status-info-available.html SysEx command Note, many examples on this page are using 3 for the Model #.
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  • * The Cab block normalizes its output level when using multiple IRs. The LEVEL parameter of each IR doesn't simply set the output ...e term DSP most correctly refers to any device that does signal processing using numerical computations. That device can be an FPGA, ASIC or fixed hardware
    86 KB (13,616 words) - 11:55, 23 April 2024
  • .../members/gotmetalboy.12026/#postings GotMetalBoy] created a tutorial about using the Liquid Foot+ MIDI controller with the Axe-Fx II. It explains how to con * Fractal Audio Systems Axe-Edit v3.14.2
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  • ...ese blocks in parallel the user can turn Kill Dry on and set the wet level using the Mix control, leaving the Level control at 0dB. This also has the advant ...lock. This eliminates the slight squeaking sound as the gate releases when using aggressive settings.
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  • If you are new to using mics on a guitar amp, you will find the Cab block is a fantastic way to lea ...the modeling world IRs are obtained from real speakers and when processed using an FIR filter produce extremely accurate results. In essence an IR is a "sa
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  • ...ne. The inputs are balanced so that you can get even more hum rejection by using a TS-to-TRS cable from the amp's send. ...-only processor (e.g. as a pedalboard or in an amp's effects loop) or when using the Four-Cable-Method (4CM) to connect to a guitar amplifier.
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  • ...the Amp block is reset. It does not get reset when changing the model. If using the Axe-Fx II with a tube power amp and conventional guitar cab you may wan ...ttack switch controls a shelving filter on the input and can be replicated using the Tone control.
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  • Use [[Fractal-Bot]], either the embedded version inside an editor, or by using the standalone version, to upload a <samp>.syx</samp> bank file to the hard ...Amp Modeling and Cab Modeling enabled in the [[Global Settings menu]], and using the instrument input on the device.
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  • ...is point is so advanced that measuring it is difficult. It doesn't show up using sweeps and pink noise because it's transient-related. Figuring out an analy Using neural networks is possible but training a NN takes hours and requires hard
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  • Using new measurement techniques we found that the real amps were creating more o ...ox resonances somewhat. All the speaker impedance curves have been updated using the new routine.
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  • # "I based the SLP on using it with G12H(55) speakers which have a resonance of 55 Hz. When mounted in ...in as a result. Otherwise things are pretty similar. You can simulate this using the Input Trim knob." [https://forum.fractalaudio.com/posts/1042144]
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  • '''Based on a modern 12” closed-back extension cabinet for a Supro Titan, using the same speaker as in the modern Jupiter Supro (Supro HP12). Source: Austi ...th four Classic Lead 80 speakers, aka "Cliff's Boogie", UltraRes, captured using the Mic+DI method, Cab Pack 14<BR>
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  • ...pedals and figured out a way to do a SPICE simulation in real time without using gobs of CPU. It's so simple I can't believe no one ever thought of it befor It solves the nonlinear ODE using a novel technique.
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