Firmware release notes - VP4

2.0

APRIL 8, 2025​

NEW FEATURES & Updates​

NEW BLOCK MOVE FEATURE

• On the home page in FX Mode, select the desired block, hold the ENTER button, and turn SELECT to move.

NEW DRIVE BLOCK MODELS & IMPROVEMENTS

• NEW “PI Fuzz” model with classic, “Triangle”, “Ram’s Head”, and “Russian” versions.
• “Tone” switch which allows completely bypassing the tone circuitry.
• “Wicker” switch which removes the feedback caps.
• NEW “Colortone Booster” based on a Colorsound Power Booster (with added Master control).
• NEW “Colortone OD” based on a Colorsound Overdriver (with added Master control).
• NEW “MOSFET Distortion” based on an Ibanez MT10 Mostortion.
• NEW “Super Fuzz” based on a Univox Superfuzz. The model features a Tone control.
  

Tip: Use the expert “Bias” setting to simulate the “Octave” control found on some clones.

• NEW “Tube Drive 5-Knob” model based on Butler Tube Driver.
• Improved “Tube Drive 4-Knob” model. If you are using this effect, change the drive “Type” from Tube Drive 4-knob to any other type and then back to “soft reset” the block.
• Improved Blackglass 7K model.
• Updated “DS1 Distortion” model to Second Edition specs.
• Added 1N5819 Schottky and Yellow LED to drive Expert for types that support diode selection.
• General drive block improvements.

REVERB BLOCK UPDATES

• Reverbs based on real spaces have more natural sounding reflections and are more immersive.
• Improved all Spring Reverbs. A soft reset is recommended for these types to load new default values. You can perform this reset simply by changing the Type do a different reverb and then back.
  Note, the spring Drive control has been renamed “Dwell” as this is typically used on spring units.
• New type, Spring: Vibrato-King Custom type.
• For Expert Edit across all Reverb types, the “Q” is now adjustable for High and Low cuts when their slope is set to 12 dB.

NEW COMPRESSOR BLOCK MODELS & IMPROVEMENTS

• NEW Dynami-Comp algorithms: There are four “flavors”: Classic, Modern, Soft, and “Econo” which uses less CPU. Don’t miss the “Tone” control which is great if you want the sound to be more or less bright while the compressor is engaged.
• NEW “VCA” Compressor types. These replace previous “Studio” types and include a new VCA Bus Compressor based on a classic feedback design (e.g., SSL Bus Compressor).
• NEW Optical Compressor based on classic optical rackmount compressors. The smooth attack and release make it ideal for acoustic instruments. Attack and release times are “doubly” dynamic due to design of the compressor and the response of the virtual photocell. The minimum ratio is 4:1, but while hardware optical compressors typically have a fixed ratio and a separate limiter option, our version allows adjusting the ratio. The Emphasis control replicates an internal “Limiter Response” control of some models. The Drive control allows overdriving the output for added distortion.
• NEW JFET Studio Compressor type based on a classic rackmount compressor e.g. 1176. Perfect for fattening up your sound and adding grit. The Attack and Release times are the “native” times of the detector, and the actual Attack and Release times will be much shorter (about 5x). Due to the very fast attack times these types of compressors can distort but this is part of their sound — and often used for effect. (Low frequencies are distorted more.) The Drive control allows overdriving the output stage for added distortion. As with the new Optical compressor (see above) the minimum ratio is 4:1, but unlike an actual JFET hardware model, ours has a convenient variable threshold (and Automatic Makeup Gain).
• NEW JFET Pedal Compressor type (Replaces “JFET Sustainer”) based on a circuit design that is used in many compressor pedals.
• NEW Rockguy Compressor based on a Rockman; similar to the JFET Pedal but with dynamic release time and several other enhancements.
• NEW Vari-Mu Tube Compressor (replaces “Tube Compressor”). This type has big, swoopy curves and a warm tone making it useful for adding “glue” to sound. The compression ratio is somewhat nebulous but ranges from about 2:1 to about 20:1.
• Expert Edit includes a graph to assist adjusting interactive Threshold and Compression.
• The “Drive” control allows overdriving the output stage for added distortion.

PHASER BLOCK UPDATES

• NEW Modern Vibe based on a classic UniVibe but with modern tone and modulation.
• Updated “Vibe” algorithms. All types based on Univibe models have been improved. Existing presets are updated automatically. You may still wish to audition your presets.
• New Phaser Expert Edit parameters:
• LFO Mode; when set to UNIVIBE depth is roughly proportional to rate. When set to NORMAL the amplitude is constant, allowing deep phasing at slow rates.
• Low Cut and High Cut for the wet path.
• VCR Shape (not Sharp vs. Hitachi, this is the old “Exponent” control renamed ;-).

OTHER UPDATES & IMPROVEMENTS

• NEW Tremolo block “Ducking” control reduces the intensity of the effect when you play louder. This can occur naturally on an amp as the tremolo circuit is influenced by playing dynamics.
• NEW Plex Delay block Expert Edit “Filter” page.
• Improved Sweep Delay type in the Delay block, now with a selectable “Sweep Filter” type.
• Improved Diffusor types in the Multitap Delay block, now with stereo output, adjustable stereo spread, and LFO controlled filters.
• Improved Plex and Multitap Delay blocks when changing channels or presets. Now, the delay is cleared when a Type change would cause “Glitchy” noises.
• The tuner now shows a message when custom tuning offsets are active.
• Tuner Mute now works while VP4 Analog bypass is engaged.
• Fixed: Delay Master Time no longer attempts to set times longer than the maximum 8 seconds.
• Fixed: Delay Lines are now cleared correctly when changing presets with spillover is turned off, or when changing to a preset with different time-based effects.
• Fixed: Default Scene setting should now work consistently.
• Fixed: Pitch Block octave divider pan and Dual Detune expert delay times not working correctly.
• Fixed: Changing between presets with certain effect combinations no longer caused “clicking”.
• Fixed: Input pad 18 dB setting no longer causing small gain drop.
• Fixed: The first preset now loads correctly upon power up regardless of Ignore Redundant PC.
• SPDIF clock sync improvements.
• Various other fixes and improvements.

1.02

NOV 27, 2024​

NEW! VP4 Custom Scene MIDI - Each scene within every preset can be configured to send up to four MIDI messages — either Program Change (PC) or Control Change (CC)—to external MIDI devices. This feature enables seamless integration with other MIDI-compatible equipment, allowing for automated changes when switching scenes.

To set up Scene MIDI messages:

• Open the Scene MIDI page - From Home, press PAGE RIGHT 6x.
• The Scene MIDI page shows four scenes, each with four slots for MIDI messages.
• Turn SELECT to the desired Scene and message slot.
• Use Knob B to select the message type (PC for Program Change or CC#0-127 for Control Change).
• Use Knob C to choose the MIDI channel (1–16) on which the message will be sent.
• Use Knob D to set the specific value for the PC or CC message.
• Press ENTER on the selected row to test a single MIDI message.
• Switch to Scene Mode and use the footswitches to test all four messages for any scene.
• After configuring Scene MIDI, save the preset to retain your settings.
• When a new preset loads, the MIDI payload for the default scene is sent automatically.

Note: Scene MIDI is sent only to the physical MIDI Out port. It is not echoed to USB MIDI.

NEW! Integral Pre drive block type based on the TC Electronics Integrated Preamp.

NEW! Multitap Delay models: Matterhorn, Centaurus X-3, Kilmanjaro, Strange Things, Camera Obscura.

Improved the following effects based on the latest Axe-Fx III enhancements:

• Delay: Sweep Delay is improved and offers new options.
• Multitap Delay: “Diffusor” types now include Stereo Spread and Mod Filter options
• Filter: Fine-tuned dynamic response for Envelope Filter and Touch Wah types.
• Adjusted the mix curve for some time-based effects so the dry level decreases more gradually as mix is adjusted above 50%.

Fixed minor GUI issues in the Pitch Intelligent Harmony types.

Fixed footswitch mapping not updating correctly after the preset is changed remotely.

Plus additional updates and fixes.

1.01

Initial firmware release on the first shipped units.