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- *'''MIC L/R''' - Selects the microphone simulation type. There are ten different types **'''R121 COND''' - Based on the Royer R-121.3 KB (523 words) - 11:32, 13 February 2010
- *'''FEEDBACK R''' - Sets the amount of delay feedback for the right channel. *'''TIME R''' - Sets the time of the right delay line.12 KB (2,062 words) - 23:31, 24 November 2009
- :02 00 = Cab R :03 00 = Mic R22 KB (3,310 words) - 05:16, 25 March 2011
- <td width="669">'''Royer Labs R-121 Ribbon Microphone''' <br> ...ribbon microphones so thoroughly that Recording Magazine wrote "…the Royer R-121 is destined to become one of the classic microphones of the 21st centur15 KB (2,207 words) - 07:17, 21 June 2010
- ...ound lush, wide and spacious. Button 4 returns the delays to their usual L/R position, and combining 4 with 1, 2 or 3 gives more modulation options.4 KB (721 words) - 17:12, 28 September 2009
- L/R cabinets linked and audition the various cabs and mics. Then unlink the<BR8 KB (1,373 words) - 20:12, 8 November 2009
- L+R SUM - Use when you wish to sum two sources using the LEFT and RIGHT input11 KB (1,845 words) - 21:56, 18 November 2009
- No. Using the Mono '''L->R''' output selection ought to take care of most phase issues; however, the m13 KB (2,141 words) - 07:25, 21 March 2011
- ...2 6 dB greater than Output1 when using Out1-to-Out2 copy and Out1 set to L+R sum. *Fixed unequal L/R levels when Output1 mode set to SUM L+R.74 KB (11,544 words) - 21:25, 10 May 2011
- ...t Output1 to “Stereo” (I/O > Audio). If it’s mono, set it to “Copy L>R” (for now). ...ereo use only. If you're running in mono and audio output is set to “Sum L+R”, this effect will make the tone hollow, thin and glassy ("phase cancella192 KB (32,769 words) - 15:10, 7 August 2011
