List of amp simulations

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This is a list of the amps the Axe-Fx emulates, including their description in the manual and on the website, suggestions for matching cabinets and additional notes. The text in italics originates from the manual or website. Have fun.

Pictures of some of the amps

Axe-Fx name Details of model
TUBE PRE = STUDIO TUBE PREAMP

Completely neutral, low-gain tube pre-amp simulation. Useful for warming up vocals and other instruments' as well as direct guitar sounds

  • Cabinet suggestion: n/a
JAZZ = ROLAND JAZZ CHORUS JC-120

Based on a Japanese 2x12 solid-state combo amp with built-in stereo chorus. With essentially no tone shaping this amp has a warm, midrange-thick sound that is good for jazz and fingerstyle. With the Axe-Fx’s powerful tone controls you can tweak this type to get shimmering rhythm tones as well

  • Cabinet suggestion: none. Alternative: Red Wirez JC-120
  • Original controls: Volume, Treble, Middle, Bass
  • Original manual
BROWNFACE = FENDER VIBROVERB

Based on a classic American 40-watt tube amp with built-in vibrato. Great for gutsy blues, this type breaks up nicely, especially when the Master is cranked. The original had no Mid or Presence so set these to ‘0’ for classic tone

  • Cabinet suggestion: 1x10 Gold. Alternative: Red Wirez Fender Dual Showman
  • Original controls (Normal channel): Volume, Treble, Bass. Later models: Bright switch. Normal/Bright channel.
  • For authentic clean tone: crank the Master, Drive at 3.50, Mid at 5.00, Presence at 0 (noon). For more crunch turn up Drive
  • Fender tips in the Wiki
  • Wikipedia
  • Fender Forum The Fender Forum FenderTalk Fender
59 BASSGUY (formerly: BLUES) = FENDER BASSMAN

A low-to-medium gain sound great for blues. Based on a classic bass amplifier with four 10” speakers, it didn’t work so well for bass but guitar players quickly discovered it made a great blues amp. Try a treble booster in front for screaming blues work a la Albert Collins or Albert King

DELUXE VERB (formerly: TWEED) = FENDER DELUXE REVERB (AB763)

Based on the classic 1965 “Blackface” 1x12 combo amplifier. This amp features two 6V6 power tubes and has a great chimey tone. Turn the Drive and Master up and the amp starts to get a nice overdriven breakup

  • The former name "Tweed" and description didn't match with the modeled amp. The name was changed to Deluxe Verb in firmware 9.01 and the sim was remodeled
  • Cabinet suggestion: 1x12 or 2x12 Black, 1x2 Tweed or 2x12 Tweed. Alternative: Red Wirez Fender Twin or Tweed
  • Original controls: Volume, Bass, Treble
  • For authentic tone: crank the Master, Drive at 3.50, Mid at 6.8
  • Fender tips in the Wiki
  • Wikipedia
  • Fender Forum The Fender Forum FenderTalk Fender
DOUBLE VERB (formerly: BLACKFACE) = FENDER TWIN REVERB

Based on a popular, 100-watt American tube amp with two 12” speakers. This simulation captures the Normal Channel. Very similar to the Brownface model but a little more mellow. The tone-stack is also slightly different giving it just a bit different voicing

CLASS A = VOX AC30

A medium-gain emulation based on an early British tube amplifier. This type does not have the high-frequency emphasis like the American types and therefore has a darker sound. Try a treble boost in front for a snarling British “opera-rock” sound. This amp is notable in that it has no negative feedback around the power-amp and hence has a gritty character and less high-frequency response

  • Cabinet suggestion: 1x12 or 2x12 Brit. Alternative: Red Wirez Vox
  • Original controls: Cut, Volume. The original amp didn't have Bass, Middle and Treble controls, so leave them at noon and use Presence (= Cut) instead
  • Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model"
  • For authentic tone: crank the Master, keep Drive low, keep the 3 tone controls at noon, use Presence to cut the treble.
  • Try with a Tonebender or Treble Booster Drive block. Try with the Plexi tonestack. Or try the AC30TB tone stack (Bright on).
  • Wikipedia
  • Vox forum
TOP BOOST = VOX AC30TBX TOPBOOST

Based on the “Top Boost Mod” version of the Class A. The public yearned for a brighter amp and the designers responded by adding a treble boost circuit. At first this circuit was a retrofit but then included as standard. Our simulation captures the boosted high-frequency response and slightly reduced bass response of the original

  • Cabinet suggestion: 1x12 or 2x12 Brit. Or use (or combine with) Marshall greenbacks (4x12 20w or 25w). Alternative: Red Wirez Vox and Marshall greenbacks
  • Original controls: Volume, Cut (= Presence control), Bass, Treble
  • For authentic tone: crank the Master, set Drive to taste, Mid at noon. Use Presence only to cut the high frequencies (to the left of noon)
  • Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model"
  • Try boosting the input signal, for example with a Tape Drive or FET Boost Drive block
  • Another approach to get a good Topboost tone: use the Class A sim, set its tonestack to AC30TB, switch on Bright (source Scott Peterson)
  • Wikipedia
  • Vox forum
PLEXI 1 = MARSHALL SUPER LEAD (MODEL 1959 a.k.a. PLEXI)

Based on a classic British amp, the Plexi is great for crunchy rhythm work. The original was basically a copy of the 4x10 bass amp (see Blues type above) that guitar players adopted but with EL34 output tubes and other British components. Despite being essentially a copy it had a unique voice all its own. It has somewhat low preamp gain and works best with the Master and Drive both set fairly high

  • Cabinet suggestion: 4x12 20w or 25w, 4x12 Green. Alternative: Red Wirez Marshall greenbacks
  • Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel only)
  • Crank the Master, set Drive high. Experiment with higher Sag settings
  • Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain Source
  • Cliff: "One of the first mods people make to real 'Plexi' Marshalls is to "clip the bright cap". The bright cap varied over the years, supposedly depending on what was lying around in the shop. The model defaults to the bright cap in the circuit. If you turn the bright off you're effectively clipping the bright cap. With the bright cap in Marshalls can be very bright and harsh. However, if you crank the Master you might find the extra brightness helps compensate for the power amp getting darker."
  • Wiki: Bright switch
  • Wikipedia
  • MarshallForum
BRIT 800 = MARSHALL JCM800 (MODEL 2204)

The successor to the Plexi type was the vaunted 800 series lead amplifier. Many 80’s rock hits were born using this amp and we’ve captured its tone and put it into a neat little package. This amp had EL34 output tubes, some treble peaking on the input and a little more gain than the Plexi. Like the Plexi type it likes having the Master cranked. At low Master settings the amp can be brittle but bring the Master up and the true tone of this beast comes out. Try it with any of the 4x12 cabinet types for classic rock and metal tones. Try a drive block in front for more snarl

  • Cabinet suggestion: 4x12 V30, 4x12 20w or 25w. Alternative: Red Wirez Marshall
  • Original controls: Gain, Bass, Middle, Treble, Presence, Volume
  • For authentic tone: experiment with medium to high Master volume levels
  • The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright
  • Try with a TS808 or Tube Drive block, set the Drive block to zero Drive and full Level
  • Wikipedia
  • MarshallForum
BRIT 900 = MARSHALL JCM900

The successor to the 800 series was the 900 series. This amp had basically the same power amp but a new preamp with more tone shaping, more gain, and a solid-state clipping circuit that gave it a raspier sound. This amp was designed to get more of its distortion from the preamp than the earlier models but you can still keep the drive low and turn up the Master for more power amp distortion

  • Cabinet suggestion: 4x12 V30, 4x12 75w, 4x12 T75, 4x12 25w. Alternative: Red Wirez Marshall
  • Original controls: Gain, Bass, Middle, Treble, Presence, Volume
  • The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright
  • Experiment with medium to high Master Volume levels
  • Try with a TS808 or Tube Drive block. Set the Drive block to zero Drive and full Level
  • Wikipedia
  • MarshallForum
BROWN = EDDIE VAN HALEN'S MODDED MARSHALL

Based on a modified British style head with plenty of gain and lots of mids and highs. This type captures the sound of Eddie’s early work. Crank the Master and bring the drive up until you reach sonic nirvana

  • Cabinet suggestion: 4x12 20w or 25w, 4x12 Green. Alternative: Red Wirez Marshall greenbacks
  • Original controls: Volume, Bass, Middle, Treble. Bright (Lead channel)
  • For authentic tone: crank the Master Volume, turn up Drive. Or use the factory preset The Brown Sound
  • Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain
  • Tip in the Wiki about the Bright switch
  • Wikipedia
  • MarshallForum
BOUTIQUE 1

BOUTIQUE 2

= MATCHLESS CHIEFTAIN: RHYTHM / LEAD

BOUTIQUE 1: A medium-gain, thick, yet crisp, sound with a fair amount of power amp breakup. Based on a now-defunct amplifier that was renowned for its liquid tone and endless sustain. This amp had very unique tone controls and as a result a distinctive voice with a bell- like quality. The preamp gain is fairly low so crank the Master to get that gutsy crunch. Good for rhythm work in a sparse situation where fullness of tone is required

BOUTIQUE 2: Same as Boutique 1 but with more gain and a bit more high-frequency emphasis. The lead version of Boutique 1

  • Cabinet suggestion: 2x12 Boutique. Alternative: Red Wirez Matchless
  • Based upon a Vox
  • Original controls: Volume, Master Volume, Bass, Treble, Brilliance (Presence). No Mid
  • Keep Mid at noon. Turn up the Master Volume for crunchy leads
  • Tips in the Wiki
  • Original manual
  • Wikipedia
HIPOWER 1

HIPOWER 2

= HIWATT DR103: NORMAL / BRILLIANT CHANNEL

HIPOWER 1: A medium-gain, full sound based on a famous “High Wattage” amp. These amps had a unique tone-stack and industrial quality output transformers with tremendous frequency response. Chimey with a bit of power amp breakup. Plug in your Tele and crank out some Baba O'Reilly

HIPOWER 1: Like HiPower I but using the “Brilliant” channel

  • Cabinet suggestion: none. Alternative: Red Wirez Fane
  • Original controls: Volume, Master, Bass, Middle, Treble and Presence
  • Dialing in the Hiwatt
  • Wikipedia
USA CLEAN = MESA BOOGIE MKIV, CLEAN RHYTHM 1 CHANNEL

A somewhat neutral clean sound that can pushed into gentle clipping. Based on a classic California amp’s clean channel this type has a full tone with a gentle midrange dip. The power amp is punchy and clean but can be driven into light distortion if desired. Sounds best with the drive turned up fairly high

  • Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa
  • The clean channel is based upon a Fender circuit
  • Turn up Drive, keep Master Volume low (f.e. 3.50)
  • Original controls: Gain, Volume, Treble, Mid, Bass, Presence. Bright switch. Graphic Equalizer not modeled
  • John Petrucci's settings
  • Original manual MKIV: detailed descriptions of the controls and sample settings
  • Tips in the Wiki
  • Wikipedia
  • Grailtone
USA RHY 1

USA RHY 2

= MESA BOOGIE MKIV, CRUNCH RHYTHM 2 CHANNEL: FAT SWITCH NOT ACTIVE / ACTIVE

USA RHY 1: Crunchy California rhythm sound. Effective for solo use too with the gain turned up

USA RHY 2: Similar to USA Rhy 1 but with the “mid-boost” engaged. This effectively removes the midrange dip from the tone stack and gives a more focused sound and a bit more gain

USA LEAD 1

USA LEAD 2

= MESA BOOGIE MKIV Lead: Treble Shift NO / YES

USA LEAD 1: A tight, focused, hi-gain sound great for fusion and rock leads. Based on a modern Californian lead amp that set the standard for hi-gain lead tones. With the tone-stack before the preamp tubes this type has a more liquid response than the British types where the tone-stack is after the preamp. For the classic California lead sound turn the drive up and back of the Master a bit so that most of the distortion is coming from the preamp

USA LEAD 2: Similar to USA Lead I but with the “treble shift” engaged. This shifts the response of the treble control lower and gives a slightly different character to the tone. There is also a “treble peaker” on the input stage which slightly boosts the high frequencies giving this type a little more cut

  • Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa
  • Original controls: Gain/Drive, Treble, Mid, Bass, Presence (without/with treble shift). Bright switch (use for lower volume levels). Graphic Equalizer not modeled
  • Treble Shift: this shifts the range of the Presence control to higher frequencies on the original amp, it influences the Treble control. In LEAD 1 Treble Shift is off, which works well for recording. In LEAD 2 Treble Shift is switched on, which works well within a band context, but can generate squealing and noise at high volume or gain levels
  • Turn up Drive, keep Master Volume low (f.e. 3.50)
  • John Petrucci's settings
  • Original manual MKIV: detailed descriptions of the controls and sample settings
  • Tips in the Wiki
  • Wikipedia
  • Grailtone forum
RECTO ORANGE

RECTO RED

= MESA BOOGIE 2-CHANNEL DUAL RECTIFIER (OLD, SMALL LOGO): VINTAGE ORANGE CHANNEL (RHYTHM) / MODERN RED CHANNEL (LEAD)

--

  • The names and models changed from Recto 1 into Recto Orange and Recto 2 into Recto Red in 7.03, in firmware 7.03. The manual still lists Recto 1 and 2
  • Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa
  • Original controls: Master, Presence, Bass, Mid, Treble, Gain. No Bright switch
  • Turn up Drive, keep Master Volume low (f.e. 3.50)
  • Recto Red Defaults to no Damping, can be turned up
  • Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2."
  • Original manual: detailed descriptions of the controls and sample settings
  • Video demo
  • Wikipedia
  • Grailtone forum
SOLO 100 = SOLDANO SUPER LEAD OVERDRIVE (SLO-100)

Based on a high-gain hot-rod with a chrome chassis, this amp is noted for its snarling lead sound. Also great for aggressive rhythm work, this type “chugs” nicely without getting muddy. Pair it with one of the 4x12 cabinet simulations for modern rock tones

  • The Axe-Fx models the Overdrive channel
  • Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 green), G12H30 (4x12 30w), 4x12 Cali, EVL12. Alternative: Red Wirez Soldano (Eminence Legend), G12H30 or EVM12L
  • Original controls: Gain, Bass, Middle, Treble, Master, Presence. Bright switch (on the original amp only for Normal Channel)
  • Cliff: "The SLO100 is the loudest amp I've ever used. It feels like there's a small nuclear explosion going off inside when ever you hit a power chord. It's a wicked amp but not something I would recommend for anything but large gigs. If you like the SLO 100 model you might want to try the Recto models too. It's not widely known but the Rectifier preamp is a derivative of the SLO100. Some minor changes but the basic topology is identical."
  • Keep the Master volume low (f.e. 3.50). It's a very bright amp, keep Presence and Treble low
  • Original manual
  • Soldano forum
  • Wikipedia
SPEC OD1

SPEC OD2

= DUMBLE OVERDRIVE SPECIAL: CLEAN / LEAD

SPEC OD1: Based on a coveted but rare lead head that was made famous by Larry Carlton and others. Another amp with a very strange tone-stack, this amp has a singing voice and is great for modern blues/fusion work. This is the clean channel

SPEC OD2: The overdrive channel of the above

  • Cabinet suggestion: 2x12 Custom
  • Original controls: Master, Bass, Middle, Treble. Bright switch
  • Wikipedia
EURO BLUE

EURO RED

= 20TH ANN. BOGNER ECSTASY (XTC): BLUE / RED CHANNEL

EURO BLUE: Based on a German high-gain amp, these amps pay homage to the British amps but with lots more gain and more high-frequency emphasis. This type simulates the overdrive channel with the boost and “structure” switches off. Note: the description in the manual refers to the amp sim before firmware 9.0. In firmware 9.0 this amp sim was modeled after the Bogner XTC 20th Anniversay Blue channel

EURO RED: As above but with the boost and structure switches on. This one has lots of gain and plenty of low-end chunk along with a crispy top-end. Great for modern metal. But: the description in the manual refers to the amp sim before firmware 9.0. In firmware 9.0 this amp sim was modeled after the Bogner XTC 20th Anniversary Red Channel

  • In firmware 10.x the names have been changed from Euro 1 to Euro Blue, and from Euro 2 to Euro red
  • Cabinet suggestion: 4x12 German. Alternative: Red Wirez Bogner
  • Original controls: Gain, Bass, Middle, Treble, Volume, Presence. Bright switch
  • Euro Blue: try it with the Amp Boost on
  • Both models are quite dark, use Bright or a lot of Presence
  • Quote Cliff: "My actual XTC has a Log10 pot for the treble which is an odd choice. Treble pots are usually linear and the Axe-Fx model uses a linear pot. The problem with a log-taper pot is that the treble does almost nothing for the first 50%. So you can't use your eyes if you want to copy the tone. This is the case with several of the amp models. In these cases the taper used on the real amp is what I would call "a less than optimum" choice. I think in many cases the designer simply doesn't realize the affect the taper has on the locus. So, if I deemed the choice of taper to be "incorrect" the model uses the correct taper. The Bogner models fall into this category. The choice of a Log10 pot for the treble pot doesn't make sense so the model uses a linear taper which gives a smooth locus"
  • Original manual
  • 20th Ann. specifications
  • Sample settings
  • Sound clips
  • Bogner Amp Forum
  • Wikipedia
UKGC30 = LANEY GC30V

Based on a great British amp introduced in the 90’s this amp is a strange marriage of a USA style pre-distortion tone-stack, British voicing and a Class A power amp. Best for blues and lower-gain rock leads, has nice sustain qualities. Can get muddy at high drive levels, decrease the bass to compensate

  • Cabinet suggestion: none
  • Based upon the Vox AC30
  • Original controls: Drive, Bass, Middle, Treble, Volume. No Bright
  • Original manual
BUTTERY = BUDDA TWINMASTER

Loosely based on an 18-watt amp that gained notoriety during the late 90’s. This type is a low-gain amp that relies mostly on power amplifier distortion. Try a drive in front for smooth lead sounds

  • Cabinet suggestion: greenbacks (4x12 20w or 25w), 4x12 30w or something that resembles Eminence Legends
  • Original controls: Bass, Treble, Volume. Bright cap on the Volume control (Bright switch)
  • Turn up the Master volume, use Drive for volume and gain, turn down Bass
  • Try with a Drive block
  • Wikipedia
  • Budda Forum
  • Original manual
FAS METAL = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A custom type similar to a British type but with more gain for more grind. This simulation features quite a bit of high-frequency emphasis along with a modified British tone-stack. Capable of searing rhythm and lead tones

  • No equivalent original amplifier
  • Cabinet suggestion: try a Mesa (4x12 Recto1, Recto2 or Cali)
FAS BIG HAIR = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

Spandex, studded wrist bands, pyrotechnics and your Axe-Fx are all you'll need to relive the 80's metal scene. This custom type has a unique voicing and tone-stack that emphasizes mid frequencies without getting muddy. Now plug in and shred!

  • No equivalent original amplifier
  • Cabinet suggestion: none
FAS HELLBEAST = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A radical custom type with an unconventional tone-stack

  • No equivalent original amplifier
  • Cabinet suggestion: none
FAS SUPERTWEED = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

Like a vintage Tweed amplifier on steroids

  • No equivalent original amplifier
  • Cabinet suggestion: none
FAS FUSION = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A smooth, thick tone good for fusion/blues solo work

  • No equivalent original amplifier
  • Cabinet suggestion: none
FAS CLEAN = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

Combines the best features of the Blackface and the USA Clean into a hybrid clean tone that’s great for a variety of uses

  • No equivalent original amplifier
  • Cabinet suggestion: none
FAS CRUNCH = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A hybrid British/USA crunch sound

  • No equivalent original amplifier. Based on Mesa amp
  • Cabinet suggestion: none
FAS LEAD 1 = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A neutral high gain lead with a tight midrange

  • No equivalent original amplifier. Based on Mesa amp
  • Cabinet suggestion: none
FAS LEAD 2 = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

More gain and more sizzle

  • No equivalent original amplifier. Based on Mesa amp
  • Cabinet suggestion: none
FAS MODERN = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL

A high gain hybrid tone that’s equally suited to modern rhythm and lead work

  • No equivalent original amplifier. Based on Mesa amp
  • Cabinet suggestion: none
JR BLUES = FENDER BLUES JR

Based on a modern all-tube combo amp with two EL84 output tubes and a single 12” speaker. This amplifier has become an instant classic because of its gutsy tone at manageable volumes

BRIT PRE = MARSHALL JMP-1 PREAMP

Based on a rack-mount preamplifier version of the Brit 900. The preamp gained notoriety for its crunchy tone and was made popular by ZZ Top

  • Cabinet suggestion: try the 4x12 V30 or 4x12 JM2000
  • This sim uses the poweramp of the JMC800
  • The original preamp has two tubes inside
  • Original controls: Gain, Volume, Bass, Mid, Treble, Presence
  • Original manual
  • Wikipedia
  • MarshallForum
ENERGYBALL = ENGL POWERBALL, LEAD CHANNEL

Based on a very high-gain German amplifier. Lots of bass, great for aggressive, drop-tuned riff work

  • Cabinet suggestion: 4x12 Metal. Alternative: Red Wirez Engl
  • Original controls: Gain, Volume, Bass, Middle, Treble, Presence. Bright switch (Clean channel)
  • Original manual: sample settings
  • Wikipedia
RECTO NEW = MESA BOOGIE 3-CHANNEL DUAL RECTIFIER, RED "MODERN" CHANNEL

Based on the modern version of the Dual Rectifier amps. Some minor circuit changes made this version slightly more aggressive than the original

  • Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa
  • Original controls: Presence, Master, Gain, Bass, Middle, Treble. No Bright
  • Keep Master volume low (f.e. 3.50), use Drive to add gain
  • Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2"
  • To mimick the Orange Rectifier tonestack, use a PEQ or Filter (low shelf) after the Amp block to boost bass by 11 dB.
  • Original manual: detailed descriptions of the controls and sample settings
  • Tips in the Wiki
  • Wikipedia
  • Grailtone forum
HAD ODS 1 = DUMBLE OVERDRIVE SPECIAL

Revised model based on detailed analysis of a very rare Dumble Overdrive Special as used by the likes of Larry Carlton and Robben Ford

  • This sim is based on a real Dumble amp. The SPEC OD sims are based on schematics
  • Cabinet suggestion: 2x12 Custom
  • Original controls: Master, Bass, Middle, Treble, Level. Bright switch
  • Wikipedia
WRECKER 1 = TRAINWRECK EXPRESS

Based on another very rare and expensive amp designed by Ken Fischer

  • Cabinet suggestion: 4x12 20w or 25w (greenbacks). Or anything that sounds good
  • Original controls: Volume, Treble, Mid, Bass, Presence. Bright switch
  • Crank the Master Volume, use Drive for volume and gain. Keep bass low to prevent a flubby low end
  • FAQ
  • Sound clips
BRIT JM45 = MARSHALL JTM45

Based on a legendary British Blues amplifier. This amp was actually a copy of the American “bass” amp that many guitar players were using but with different output tubes and transformer. Made famous by Eric Clapton and others

  • This amp is based on the Fender Bassman and was the first Marshall amp, 45 watts and 4 Celestion 12" speakers
  • Cabinet suggestion: 4x12 20w or 25w, 4x12 Green. Alternative: Red Wirez Marshall
  • Original controls: Volume, Bass, Middle, Treble
  • Turn down bass
  • Wikipedia
  • MarshallForum
DAS METALL = DIEZEL VH4

Based on a high-gain, boutique German amplifier famous for its aggressive sound

PLEXI 2 = MARSHALL SUPER LEAD (MODEL 1959)

Similar to Plexi 1 but with a different “bright cap” value and different transformer model. Lower gain and more “vintage” sounding

  • Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 Green) or G12H30 (4x12 30w). Alternative: Red Wirez Marshall
  • Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel)
  • Crank the Master Volume and turn up Drive. Keep Bass low. Experiment with higher Sag settings
  • Because the bright cap (Lead channel) is very large, the Bright switch in the sim has a great impact on the amount of gain
  • Wiki: Bright switch
  • Wikipedia
  • MarshallForum
SV BASS = AMPEG SVT

Based on the Ampeg SVT (“Super Valve Technology”) that is used for decades by famous bassists the world over

  • Cabinet suggestion: 4x10 Alum, 8x10 Bass, 1x15 Bass. Alternative: Red Wirez SVT
  • Original controls: ?
  • Wikipedia
CA3+ RHY

CA3+ LD

= CUSTOM AUDIO ELECTRONICS 3+ SE: RHYTHM CHANNEL 2 / LEAD CHANNEL 3

CA3+ RHY: Based on a boutique rackmount preamp made by Bob Bradshaw. This models Channel 2 / based on channel 2 (Rhythm) of the 3+ SE preamp by CAE

CA3+ LD: This models Channel 3 / based on channel 3 (Lead) of the 3+ SE preamp by CAE designed by Bob Bradshaw

  • Cliff: "Channel 1 isn't modeled because it's very similar to a Fender Twin"
  • Cabinet suggestion: n/a
  • Original controls: Gain, Bass, Middle, Treble, Volume, Punch, Presence. Bright switch
  • Original manual
Eggie R20 = EGNATER REBEL 20

Based on the Egnater Rebel 20 20W amplifier head, offering perfect proof that good things really DO come in small packages, (or in this case, DSP packages)

USA IIC+ 1

USA IIC+ 2

= MESA BOOGIE MARK II LEAD: PULL BRIGHT OFF / ON

USA IIC+ 1: Based on an early model of the USA type famous for its smooth overdrive sound. This model is with the Pull Bright off

USA IIC+ 2: This model is with the Pull Bright on

FRYER D60L

FRYER D60M

= VHT DELIVERANCE 60: LESS / MORE

FRYER D60L: Based on Fryette Amplification D60 in the “Less” mode

FRYER D60M: Based on Fryette Amplification D60 in the “More” mode

  • Cabinet suggestion: one that comes close to a 2x12 or 4x12 cabinet with Eminence 50w speakers
  • Original controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth
  • Original manual
  • Wikipedia
  • User forum
MR. Z 38 SR = DR. Z MAZ 38 SR.

Based on a boutique amp popular with country and roots players / based on the Dr. Z Maz 38 SR, an amp popular with country and roots players

  • Cabinet suggestion: combinaton of Celestion Blue (2x12 Blue) and G12H30 (4x12 30w)
  • Original controls: Volume, Treble, Bass, Mid, Master, Cut
  • Cliff: "It's a low output amp. Turn up the Master"
  • Product page and video
  • Wikipedia
  • Tips in the Wiki
EURO UBER = BOGNER UBERSCHALL, HIGH-GAIN CHANNEL

Based on the aggressive "High Gain" channel of a 120W head, this model is reminiscent of an 800, modded for heavier, grinding lows and what some call insane gain

  • Cabinet suggestion: simulate a Bogner Uberkab by using a stereo cab or dual cabs with 4x12 German and 4x12 75w. Alternative: Red Wirez Bogner Uberkab
  • Original controls: Volume, Presence, Treble, Middle, Bass, Gain
  • Keep the Master volume low. Start with tone controls at 1 o'clock (original amp settings)
  • Reworked in firmware 10.x
  • Bogner manual: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam"
  • Bogner Twinjet model manual: "The TWIN JET features the original high gain channel with the exception that the presence control which works in the power amp circuit on the regular Uberschall is now in the pre amp circuit which gives you an additional control to shape the sound. Reason is, the TWIN JET has a global master depth and presence control. These affect both channels and will give you control over the overall bass response and presence. Start at 10 to 11 o'clock on the presence and adjust careful to your taste. The depth control is great to give a fuller sound at lower volumes, for higher volumes it will add massive bass and might cover up the rest of the frequencies, best to keep it low but adjust to your taste."
  • Sound clips
  • Original manual and recommended settings
  • Bogner Amp Forum
  • Wikipedia
PVH 5105 = PEAVEY 5150, LEAD CHANNEL, HI-INPUT

Based on a popular amplifier designed with the help of EVH / based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane

  • Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 Green). Alternative: Red Wirez Sheffield
  • Original controls: ?
  • Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated."
  • Keep the Master volume low
  • Wikipedia
  • Original manual
Solo X99 Clean

Solo X99 Rhythm Solo X99 Lead

= SOLDANO X99 PREAMP: CLEAN / RHYTHM / LEAD

Based on the Clean / Rhythm / Lead Channels of a very highly regarded rack mount preamplifier

Corncob R100 = CORNFORD RK100

Based on a boutique British amplifier, the Cornford RK100, which is said to have a Plexi-Meets-Modern tone and feel with both subtlety and big cojones

  • Original amp: single channel 100w head, with switchable "hot" control
  • Cabinet suggestion: something with Celestion V30s
  • Original controls: Presence, Bass, Middle, Treble, Gain, Volume
  • Turn down Bass and/or Depth to reduce boominess
  • Original manual
  • Videos
  • Audio
  • User forum
CAROLANN OD2 = CAROLANN OD-2R, OVERDRIVE CHANNEL

Based on the celebrated OD2 from CarolAnn Amplifiers as designed by the highly respected Alan Phillips

  • Introduced in 9.01, improved in 9.03 (collaberation with the designer of Carol-Ann amps)
  • Cabinet suggestion: EV-12 of something that sounds like a Celestion Lead 80. Alternative: Red Wirez EVM
  • Quote Alan Phillips: "In the real world the OD2 is very very fussy on speaker choice too. The real world speakers of choice are EVM12L in a 1x12 rear ported and 2x12 with Celestion Classic Lead 80's. I found the 12L emulation did a pretty good job. Some of the others sounded so artificial with that model. Like a rockman. Coupled with the right cab the emulated model does a good job of representing the basic tonal signature of the amp"
  • Original controls (overdrive channel): Master, Gain, Bass, Middle, Treble, Presence, Bright switch
  • Audio clips
  • User forum
  • Forum
CITRUS RV50 = ORANGE ROCKERVERB 50, DIRTY CHANNEL

We find that this model, based on the "dirty" channel of the 50W head offers all the warmth, tonal quality and rich harmonics generated by the valve-based original

SHIVER CLN

SHIVA LD

= BOGNER SHIVA: CLEAN CHANNEL / LEAD CHANNEL

SHIVA CLN: Based on the 90 watt anniversary model of this versatile amp, this model does powerful shimmering cleans

SHIVA LD: Based on the lead channel of this amp -- sweet rich sounding with an aggressive English style midrange punch

  • Introduced in 10.00
  • Original controls for Clean channel: Treble, Bass, Volume, Bright switch (less to none effective the higher Drive is set). Original controls for Lead channel: Volume, Treble, Middle, Bass, Gain, Bright switch (less effective the higher Drive is set but still noticeable). Master volume, Presence. Boost, Mode and Shift controls not modeled.
  • Cabinet suggestion: 4x12 German. Alternative: Red Wirez Bogner
  • If the Shiva Ld sim sounds harsh, try turning up the Master Volume
  • Shiva Ld is quite dark, turn up Presence or use Bright
  • Sound clips
  • Information
  • Original manual
  • Bogner Amp Forum
1987X MOD = MARSHALL 1987X PLEXI, MODDED (BRIGHT CAP REMOVED)

This model based on the 1987X Plexi features what many consider to be an "essential" mod to the amp's tonestack

  • Original amp: 50w reissue of the 60's Marshall 1959SLP. Part of the Vintage Series
  • Introduced in 10.00
  • Original controls: Bass, Mid, Treble, Presence, Volume
  • Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 Green) or G12H30 (4x12 30w). Alternative: Red Wirez Marshall
  • Cliff: "The 1987X MOD model is based on a 1987X Plexi Reissue with C5 removed (which is the most common mod done to this amp)"
  • Crank the Master volume, use Drive for volume and gain, turn down Bass, turn up Mid and Treble
  • Thread with suggested settings
  • Original manual
  • Wikipedia
  • MarshallForum
MARSHA BE BE

MARSHA HBE HBE

= MARSHA / FRIEDMAN by Rack Systems: BROWN EYE / HAIRY BROWN EYE

MARSHA BE: The Rack Systems Marsha (Friedman) is a new amp by renowned rig builder/amp modder/designer Dave Friedman. This guy knows tone! Here is the amp's Brown Eye channel

MARSHA HBE: The Marsha's (Friedman's) Hairy Brown Eye channel is chock full of even more attitude with some pretty wicked gain on tap

  • Original amp: EL34-based modded Marshall Plexi-style tube amp. Single channel, two voicings
  • Introduced in 10.00
  • The amp model name has been changed from Marsha to Friedman
  • Original controls: Volume, Treble, Mid, Bass, Gain, Presence, Master volume
  • Keep the Master low (f.e. 3.50), experiment with Boost and/or Bright
  • Cabinet suggestion: greenbacks (4x12 Green, 4x12 20w or 25w), G12H30 (4x12 30w) or something with V30s. Alternative: Red Wire Marshall
  • Forum
  • Amp information
  • YouTube clip with sample settings
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