Difference between revisions of "Description of Mic Models"
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Description | Description | ||
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid microphone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise. | The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid microphone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise. | ||
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Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand. | Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand. | ||
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An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field). | An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field). | ||
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Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte. | Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte. | ||
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+ | Technical Info <BR> | ||
+ | Pick-up pattern: Dynamic<BR> | ||
+ | Frequency response: 80 - 15,000 Hz <BR> | ||
+ | Sensitivity: 1.4 mV/Pa<BR> | ||
+ | Nominal impedance: 150 Ohms <BR> | ||
+ | Dimensions in inches: 7.38 x 1.78 x 0.75<BR> | ||
+ | Weight: 8 oz<BR> | ||
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Revision as of 18:37, 5 August 2007
The following Mic Models are available in the Axe FX
Axe-FX Mic Type | Description |
67 COND | |
57 DYN | What can you say about the Shure SM57 It is a tool found in the workbench of every sound engineer, both for live and studio applications. There's simply no question: it's a "must-have" mic.
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58 DYN | |
421 DYN | The Sennheiser MD 421 is one of the most recognized microphones in the world. Its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcasting applications. The 5-position bass control enhances its "all-round" qualities. Features
|
87A COND | |
U87 COND | Over 50,000 Neumann U87 users can't be wrong, this microphone is the professional standard and sets the mark by which all others are measured. The U 87 will celebrate its 40th birthday in 2007 and is still going strong.
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E609 DYN | Sennheiser e609 Silver The e609 Silver is based on the legendary MD 409 microphone. Able to withstand high SPLs without distorting, the e609 Silver's flat-profile capsule allows extremely close miking of guitar cabinets and precise drum miking, particularly toms. The e609 Silver's super-cardioid design improves isolation while its increased output and wider frequency response improves performance. Its sound inlet basket, made of refined steel, is distinguished by a unique silver address side.
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RE16 DYN | Electro-Voice Model RE16 DYN Description
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid microphone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.
|