Difference between revisions of "Filter"

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(Added transclude on boost)
(Added Clyde Wah transclude since it uses the Filter block)
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====Clyde Wah====
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Revision as of 15:19, 13 June 2008

The Filter module is a simple programmable filter designed for general tone shaping. It allows a variety of different filters along with real-time control of the filter parameters. You can use the Filter module for quick, static tone shaping or for elaborate, dynamic tone manipulation.

It can be used as a straight gain block by setting the filter type to NULL. Another possibility is to use it as a treble booster (with more programmability than the one in the Drive module).

In the 60's guitarists began experimenting with booster pedals to increase the signal level into their amplifiers. This increased the amount of distortion their amps would produce. The more popular booster pedals had extra treble boost in addition to overall boost. This technique was essential to Brian May's tone on the early Queen recordings where a treble booster into a Vox AC-30 gave that unmistakable sound.

To use the Filter/Boost module as a treble booster set the TYPE to either HIGHPASS or BANDPASS. Experiment with the Q and FREQ controls to achieved the desired effect. Increase the level to increase the overall signal level out of the block.

The FREQ, Q, GAIN, LEVEL and parameters are all controllable. To attach a modifier to these parameters select the parameter and press ENTER. This brings up the MODIFIER menu. When any of these parameters are attached to a modifier an asterisk (*) appears after the name indicating such.

Parameters

  • TYPE - Sets the type of filter. All the standard filter types are available. A NULL type has a flat frequency response characteristic.
  • FREQ - Sets the center frequency of the filter.
  • ROFFS - Sets the right channel frequency offset as a multiple of the left channel. A setting of 0.5, for example, would set the right channel frequency to half the left.
  • Q - Sets the ‘Q’ of the filter. Higher values give sharper responses.
  • GAIN - Sets the gain at the center frequency for the bandpass, notch, low-shelf and high-shelf types. This control has no effect with the other types.
  • LEVEL - Sets the output volume level of the block.
  • PAN - Sets the output panning of the block.
  • BYP - Sets the bypass mode.


Modifiers

You can attach modifiers to the filter. There was no room on the display for the little symbol but as usual you press enter. When you've attached a modifier an asterisk (*) will show up next to the parameter.


Boost

A boost effect can be easily achieved using the Filter block. Simply set TYPE to NULL and adjust the LEVEL control for the amount of boost desired. Bypass the Filter for normal operation, then engage it for a boost. For a gain boost, place it before a Drive or Amp block. For a simple volume boost, place it after those blocks or at the very end of the chain. Keep in mind the boost will push the drive in a Delay placed after it, but cutting the volume of the output of a delay or reverb could sound unnatural.


Clyde Wah

You can Emulate the Clyde Wah by setting the Wah Block to:

  • TYPE: Bandpass
  • FMIN: 369hz
  • FMAX: 2369hz
  • RES: 4.17
  • TRACK: 5.08