Difference between revisions of "List of amp simulations"
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''Based on a blackface Fender Twin Reverb® 100-watt 2x12" combo, running the “Normal” channel. Known for amazing clean sounds it also breaks up very nicely'' | ''Based on a blackface Fender Twin Reverb® 100-watt 2x12" combo, running the “Normal” channel. Known for amazing clean sounds it also breaks up very nicely'' | ||
− | * Cabinet suggestion: | + | * Cabinet suggestion: 2x12 Black. Alternative: Red Wirez Fender Twin |
* Original controls (Normal channel): Volume (no Master), Bass/Middle/Treble, Bright switch (off by default) | * Original controls (Normal channel): Volume (no Master), Bass/Middle/Treble, Bright switch (off by default) | ||
* For authentic tone: crank the Master, Drive at 3.50 | * For authentic tone: crank the Master, Drive at 3.50 | ||
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* Cabinet suggestion: 1x12 or 2x12 Brit. Alternative: Red Wirez Vox, Red Wirez Blue, Ownhammer Blue | * Cabinet suggestion: 1x12 or 2x12 Brit. Alternative: Red Wirez Vox, Red Wirez Blue, Ownhammer Blue | ||
− | * Original controls: Cut, Volume. The original amp didn't have Bass, Middle and Treble controls, so leave them at noon and use Presence (= Cut) instead | + | * Original controls: Cut, Volume. Bright off by default. The original amp didn't have Bass, Middle and Treble controls, so leave them at noon and use Presence (= Cut) instead |
* Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | * Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | ||
* For authentic tone: crank the Master, keep Drive low, keep the tone controls at noon, use Presence to cut the treble | * For authentic tone: crank the Master, keep Drive low, keep the tone controls at noon, use Presence to cut the treble | ||
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* Cabinet suggestion: 1x12 or 2x12 Brit. Or use (or combine with) Marshall greenbacks (4x12 20w or 25w). Alternative: Red Wirez Vox and Marshall greenbacks, Ownhammer Blue and greenbacks | * Cabinet suggestion: 1x12 or 2x12 Brit. Or use (or combine with) Marshall greenbacks (4x12 20w or 25w). Alternative: Red Wirez Vox and Marshall greenbacks, Ownhammer Blue and greenbacks | ||
− | * Original controls: Volume, Cut (= Presence control), Bass, Treble | + | * Original controls: Volume, Cut (= Presence control), Bass, Treble. Bright on by default. |
* For authentic tone: crank the Master, set Drive to taste, Mid at noon. Use Presence only to cut the high frequencies (left of noon) | * For authentic tone: crank the Master, set Drive to taste, Mid at noon. Use Presence only to cut the high frequencies (left of noon) | ||
* Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | * Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | ||
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* Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks | * Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks | ||
− | * Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel only) | + | * Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel only) (on by default). |
* Crank the Master, set Drive high. Experiment with higher Sag settings | * Crank the Master, set Drive high. Experiment with higher Sag settings | ||
* Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain. [http://www.fractalaudio.com/forum/viewtopic.php?f=30&t=3179&p=31633#p31633 Source] | * Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain. [http://www.fractalaudio.com/forum/viewtopic.php?f=30&t=3179&p=31633#p31633 Source] | ||
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* Cabinet suggestion: 4x12 V30, 4x12 20w / 25w /75w. Alternative: Red Wirez Marshall, Ownhammer | * Cabinet suggestion: 4x12 V30, 4x12 20w / 25w /75w. Alternative: Red Wirez Marshall, Ownhammer | ||
− | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume | + | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume. bright cap (on by default). |
* For authentic tone: experiment with medium to high Master volume levels | * For authentic tone: experiment with medium to high Master volume levels | ||
* The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on lower Drive setings, switch off Bright | * The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on lower Drive setings, switch off Bright | ||
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* Cabinet suggestion: 4x12 V30, 4x12 75w, 4x12 T75, 4x12 25w. Alternative: Red Wirez Marshall, Ownhammer | * Cabinet suggestion: 4x12 V30, 4x12 75w, 4x12 T75, 4x12 25w. Alternative: Red Wirez Marshall, Ownhammer | ||
− | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume | + | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume. Bright cap (on by default) |
* The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright | * The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright | ||
* Experiment with medium to high Master Volume levels | * Experiment with medium to high Master Volume levels | ||
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* Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks | * Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks | ||
− | * Original controls: Volume, Bass, Middle, Treble. Bright (Lead channel) | + | * Original controls: Volume, Bass, Middle, Treble. Bright (Lead channel, on by default) |
* For authentic tone: crank the Master Volume, turn up Drive. Or try the factory preset The Brown Sound | * For authentic tone: crank the Master Volume, turn up Drive. Or try the factory preset The Brown Sound | ||
* Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain | * Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain | ||
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HIPOWER 1: ''Based on this medium-gain, full sound amp... unique tone-stack and a chimey grinding tone. Your ears may go numb (comfortably) with this one'' | HIPOWER 1: ''Based on this medium-gain, full sound amp... unique tone-stack and a chimey grinding tone. Your ears may go numb (comfortably) with this one'' | ||
− | HIPOWER | + | HIPOWER 2: ''A brighter model based on the amp’s "Brilliant" channel. Who's next to to plug in to this inspired amp model?'' |
* Cabinet suggestion: none. Alternative: Red Wirez Fane | * Cabinet suggestion: none. Alternative: Red Wirez Fane | ||
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* [http://fractalaudio.com/forum/viewtopic.php?f=11&t=14820&start=10 Dialing in the Hiwatt] | * [http://fractalaudio.com/forum/viewtopic.php?f=11&t=14820&start=10 Dialing in the Hiwatt] | ||
* [http://en.wikipedia.org/wiki/Hiwatt Wikipedia] | * [http://en.wikipedia.org/wiki/Hiwatt Wikipedia] | ||
+ | * Cliff: " I have a 1974 Hiwatt DR-103. The model is based on that. It is one of the Harry Joyce, Hylight era models. Still has the original tubes. Closet find and sounds glorious." | ||
|- | |- | ||
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* Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
− | * Original controls: Presence, Master, Gain, Bass, Middle, Treble. | + | * Original controls: Presence, Master, Gain, Bass, Middle, Treble. Bright cap probably because it's on by default |
* Keep Master volume low (3.50), use Drive to add gain | * Keep Master volume low (3.50), use Drive to add gain | ||
* Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | * Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | ||
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|- | |- | ||
− | | | + | |FRYETTE D60L |
− | + | FRYETTE D60M | |
|= '''VHT DELIVERANCE 60: LESS / MORE''' | |= '''VHT DELIVERANCE 60: LESS / MORE''' | ||
− | + | FRYETTE D60L: ''Based on the Fryette Amplification D60 in the "Less" mode'' | |
− | + | FRYETTE D60M: ''Based on the Fryette Amplification D60 in the "More" mode'' | |
* Cabinet suggestion: one that comes close to a 2x12 or 4x12 cabinet with Eminence 50w speakers | * Cabinet suggestion: one that comes close to a 2x12 or 4x12 cabinet with Eminence 50w speakers | ||
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''Based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"'' | ''Based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"'' | ||
− | * Cabinet suggestion: | + | * This model is probably based on a first generation 5150 (block letters) |
+ | * Cabinet suggestion: 4x12 South. Alternative: Red Wirez Sheffield | ||
* Original controls: ... | * Original controls: ... | ||
* Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated" | * Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated" |
Latest revision as of 10:14, 16 July 2011
This is a list of the amps the Axe-Fx G1 models emulate, including their descriptions (manual and website), suggestions for matching cabinets and additional notes. The text in italics originates from the manual or website.
Axe-Fx name | Details of model |
---|---|
TUBE PRE | = STUDIO TUBE PREAMP
This is a completely neutral, low-gain tube pre-amp simulation. Useful for warming up vocals and other instruments as well as direct guitar sound
|
JAZZ | = ROLAND JAZZ CHORUS JC-120
This model is based on a 2x12 solid-state combo amp, known for its warm, midrange-thick sound and built-in stereo chorus
|
BROWNFACE | = FENDER VIBROVERB
Our model is based on a 40W combo that's great for clear or grinding cleans and gutsy blues. This amp breaks up nicely, especially when the Master is cranked
|
59 BASSGUY (formerly: BLUES) | = FENDER BASSMAN
Model based on the Fender Bassman®, a low-to-medium gain amp designed for bass but more widely adopted by guitarists for its great blues and rock tones
|
DELUXE VERB (formerly: TWEED) | = FENDER DELUXE REVERB (AB763)
Model based on a 1965 Fender Deluxe Reverb® 1x12 combo. This model has great chimey tone with nice power amp breakup when you push the MASTER
|
DOUBLE VERB (formerly: BLACKFACE) | = FENDER TWIN REVERB
Based on a blackface Fender Twin Reverb® 100-watt 2x12" combo, running the “Normal” channel. Known for amazing clean sounds it also breaks up very nicely
|
CLASS A | = VOX AC30
Model based on the Vox AC30®, a combo that dominated the British Invasion sound. This model has the same gritty character, warm tone, and very playable feel
|
TOP BOOST | = VOX AC30TBX TOPBOOST
Model based on the Vox AC30TBX® Top Boost, an amp created in response to demand for "More Treble". Great highs and slightly reduced bass
|
PLEXI 1 | = MARSHALL SUPER LEAD (MODEL 1959 a.k.a. PLEXI)
Based on the classic British amp head that gave rise to the Marshall stack: the Super Lead Model 1959 Plexi. Great for crunchy rhythm work
|
BRIT 800 | = MARSHALL JCM800 (MODEL 2204)
Model based on the vaunted Marshall JCM800 (model 2204). Bring the Master up and the true 80s rock tone of this beast comes out
|
BRIT 900 | = MARSHALL JCM900
Based on the Marshall JCM900m this amp offers more tone shaping, more gain, and a solid-state clipping circuit for a raspier sound
|
BROWN | = EDDIE VAN HALEN'S MODDED MARSHALL
A faithful recreation of the pure, raw (some might say erupting...) "Brown Sound" -- the signature tone of perhaps the best-known guitarist of the late '70s/'80s
|
BOUTIQUE 1
BOUTIQUE 2 |
= MATCHLESS CHIEFTAIN: RHYTHM / LEAD
BOUTIQUE 1: Based on the Matchless Chieftain, known for its liquid tone and endless sustain -- a medium-gain amp, thick, yet crisp, with a fair amount of power amp breakup BOUTIQUE 2: Also based on the Matchless Chieftain but with a boost engaged for more gain and high-frequency emphasis. Great for leads
|
HIPOWER 1
HIPOWER 2 |
= HIWATT DR103: NORMAL / BRILLIANT CHANNEL
HIPOWER 1: Based on this medium-gain, full sound amp... unique tone-stack and a chimey grinding tone. Your ears may go numb (comfortably) with this one HIPOWER 2: A brighter model based on the amp’s "Brilliant" channel. Who's next to to plug in to this inspired amp model?
|
USA CLEAN | = MESA BOOGIE MKIV, CLEAN RHYTHM 1 CHANNEL
A somewhat neutral clean sounding model that can pushed into warm clipping. Based on a Mesa Boogie MKIV Rhythm 1 channel
|
USA RHY 1
USA RHY 2 |
= MESA BOOGIE MKIV, CRUNCH RHYTHM 2 CHANNEL: FAT SWITCH NOT ACTIVE / ACTIVE
USA RHY 1: A crunchy California rhythm sound based on a the Rhythm2 channel with the Mid Boost (“Fat”) switch OFF USA RHY 2: Based on the MKIV Rhythm 2 channel, this time with the Mid Boost (“Fat”) switch ON for a more focused sound and a bit more gain
|
USA LEAD 1
USA LEAD 2 |
= MESA BOOGIE MKIV Lead: Treble Shift NO / YES
USA LEAD 1: This model has a tight, focused, hi-gain sound great for fusion and rock leads. Based on the Lead channel with the Treble Shift disengaged USA LEAD 2: Based on a MKIV, the Treble Shift gives this amp a slightly different character with a little more cut
|
RECTO ORANGE
RECTO RED |
= MESA BOOGIE 2-CHANNEL DUAL RECTIFIER (OLD, SMALL LOGO): VINTAGE ORANGE CHANNEL (RHYTHM) / MODERN RED CHANNEL (LEAD)
RECTO ORANGE: Based on a the original Mesa Boogie 2-channel Dual Rectifier in the "Vintage" (Orange) channel (rhythm) RECTO RED: Based on the Modern (Red) "Lead" channel, this is a high gain masterpiece with crushing power and tightness
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SOLO 100 | = SOLDANO SUPER LEAD OVERDRIVE (SLO-100)
The SLO-100® is noted for its hot-rod chrome chassis, aggressive rhythm tone, and snarling lead sound
|
SPEC OD1
SPEC OD2 |
= DUMBLE OVERDRIVE SPECIAL: CLEAN / LEAD
SPEC OD1: Based on the Clean channel of a coveted but rare amp made famous by Robben Ford and Larry Carlton, among others SPEC OD2: Based on this amp's foot-switchable Lead channel with great singing sustain and tone appropriate for modern blues, fusion, and more
|
EURO BLUE
EURO RED |
= 20TH ANN. BOGNER ECSTASY (XTC): BLUE / RED CHANNEL
EURO BLUE: Based on the 20th Anniversary model, this amp type simulates the overdrive channel with the BOOST and STRUCTURE switches OFF EURO RED: This is based on the Red Channel with BOOST and STRUCTURE switches ON. Lots of gain and plenty of low-end chunk along with a crispy top-end
|
UKGC30 | = LANEY GC30V
Based on the marriage of a USA style pre-distortion tone-stack, British voicing and Class A power amp. Great for lower-gain leads with nice sustain qualities
|
BUTTERY | = BUDDA TWINMASTER
This model is loosely based on a late 90s Budda Twinmaster. A low gain amp, it relies mostly on power amp distortion. Try a drive in front for smooth lines
|
FAS METAL | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom type similar to a JCM but with more gain and grind. This simulation features quite a bit of high- emphasis along with a modified British tone-stack
|
FAS BIG HAIR | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Spandex, studded wrist bands, pyrotechnics and this custom creation by Fractal Audio Systems are all you'll need to re-live the 80's metal scene
|
FAS HELLBEAST | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A radical custom amplifier model designed with an unconventional tone-stack by Fractal Audio Systems
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FAS SUPERTWEED | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
This model designed by Fractal is like a vintage Tweed amplifier on steroids
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FAS FUSION | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
This model designed by Fractal Audio Systems has a smooth, thick tone good for fusion/blues solo work
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FAS CLEAN | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Combines the best features of the Blackface and the USA Clean models into a hybrid that's great for a variety of uses
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FAS CRUNCH | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Combines the best features of the British and USA crunch models for grinding tones that are evocative and innovative at the same time
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FAS LEAD 1 | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom amp by Fractal Audio Systems, this model is a neutral high gain lead with a tight midrange
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FAS LEAD 2 | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom amp by Fractal Audio Systems, this model has more sizzle and gain the the FAS Lead I
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FAS MODERN | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A high gain hybrid model custom designed by Fractal Audio Systems. Equally well suited to modern rhythm and lead work
|
JR BLUES | = FENDER BLUES JR
Based on a modern combo with two EL84s and a single 12" speaker. The original became an instant classic because of its gutsy tone at manageable volumes
|
BRIT PRE | = MARSHALL JMP-1 PREAMP
Based on a rack-mount preamplifier version of the Brit 900. The preamp gained notoriety for its crunchy tone and was made popular by ZZ Top and Def Leppard
|
ENERGYBALL | = ENGL POWERBALL, LEAD CHANNEL
Based on a very high-gain amplifier from Germany with lots of bass. Great for aggressive, drop-tuned riff work
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RECTO NEW | = MESA BOOGIE 3-CHANNEL DUAL RECTIFIER, RED "MODERN" CHANNEL
Based on the modern version of the Dual Rectifier amps. Circuit changes made this version more aggressive
|
HAD ODS 1 | = DUMBLE OVERDRIVE SPECIAL
A revised model based on detailed analysis of a very rare Dumble Overdrive Special as used by the likes of Larry Carlton and Robben Ford
|
WRECKER 1 | = TRAINWRECK EXPRESS
Based on the Trainwreck Express—a high quality handmade amp designed and built by Ken Fischer
|
BRIT JM45 | = MARSHALL JTM45
Based on a vintage Marshall JTM45 blues amplifier. This amp made famous by Clapton and others was actually a modified version of the original Bassman
|
DAS METALL | = DIEZEL VH4
Based on a high-gain, boutique amplifier head famous for its powerful, heavy and aggressive sound
|
PLEXI 2 | = MARSHALL SUPER LEAD (MODEL 1959)
Similar to Plexi 1 but with a different "bright cap" value and transformer model. Lower gain and more "vintage" sounding
|
SV BASS | = AMPEG SVT
Based on the Ampeg SVT (“Super Valve Technology”) that is used for decades by famous bassists the world over
|
CA3+ RHY
CA3+ LD |
= CUSTOM AUDIO ELECTRONICS 3+ SE: RHYTHM CHANNEL 2 / LEAD CHANNEL 3
CA3+ RHY: Based on channel 2 (Rhythm) of the 3+ SE preamp by CAE. For Ch. 1 (Clean), use the "DOUBLE VERB" model) CA3+ LD: Based on channel 3 (Lead) of the 3+ SE preamp by CAE designed by Bob Bradshaw
|
Eggie R20 | = EGNATER REBEL 20
Based on the Egnater Rebel 20 20W amplifier head, offering perfect proof that good things really DO come in small packages, (or in this case, DSP packages)
|
USA IIC+ 1
USA IIC+ 2 |
= MESA BOOGIE MARK II LEAD: PULL BRIGHT OFF / ON
USA IIC+ 1: Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright OFF USA IIC+ 2: Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright ON
|
FRYETTE D60L
FRYETTE D60M |
= VHT DELIVERANCE 60: LESS / MORE
FRYETTE D60L: Based on the Fryette Amplification D60 in the "Less" mode FRYETTE D60M: Based on the Fryette Amplification D60 in the "More" mode
|
MR. Z 38 SR | = DR. Z MAZ 38 Senior
Based on the Dr. Z Maz 38 SR, an amp popular with country and roots players
|
EURO UBER | = BOGNER UBERSCHALL, HIGH-GAIN CHANNEL
Based on the aggressive " High Gain" channel of a 120W head, this model is reminiscent of an 800, modded for heavier, grinding lows and what some call insane gain
|
PVH 5105 | = PEAVEY 5150, LEAD CHANNEL, HI-INPUT
Based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"
|
Solo X99 Clean
Solo X99 Rhythm Solo X99 Lead |
= SOLDANO X99 PREAMP: CLEAN / RHYTHM / LEAD
Based on the Clean / Rhythm / Lead Channel of a very highly regarded rack mount preamplifier
|
Corncob R100 | = CORNFORD RK100
Based on a boutique British amplifier, the Cornford RK100, which is said to have a Plexi-Meets-Modern tone and feel with both subtlety and big cojones
|
CAROLANN OD2 | = CAROLANN OD-2R, OVERDRIVE CHANNEL
Based on the celebrated OD2r from CarolAnn Amplifiers as designed by the highly respected Alan Phillips. Alan fine-tuned the Axe-Fx version himself!
|
CITRUS RV50 | = ORANGE ROCKERVERB 50, DIRTY CHANNEL
We find that this model, based on the "dirty" channel of the 50W head offers all the warmth, tonal quality and rich harmonics generated by the valve-based original
|
SHIVER CLN
SHIVA LD |
= BOGNER SHIVA: CLEAN CHANNEL / LEAD CHANNEL
SHIVA CLN: Based on the 90 watt anniversary model of this versatile amp, this model does powerful shimmering cleans SHIVA LD: Based on the lead channel of this amp -- sweet rich sounding with an aggressive English style midrange punch
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1987X MOD | = MARSHALL 1987X PLEXI, MODDED (BRIGHT CAP REMOVED)
This model based on the 1987X Plexi features what many consider to be an "essential" mod to the amp's tonestack
|
MARSHA BE BE
MARSHA HBE HBE |
= MARSHA / FRIEDMAN by Rack Systems: BROWN EYE / HAIRY BROWN EYE
MARSHA BE: The Rack Systems Marsha is a new amp by renowned rig builder/amp modder/designer Dave Friedman. This guy knows tone! Here is the amp's Brown Eye channel MARSHA HBE: The Marsha's Hairy Brown Eye channel is chock full of even more attitude with some pretty wicked gain on tap
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