Difference between revisions of "List of amp simulations"
m |
Craiguitar (talk | contribs) |
||
(20 intermediate revisions by one other user not shown) | |||
Line 1: | Line 1: | ||
− | This is a list of the [[Amp_simulator|amps]] the Axe-Fx | + | This is a list of the [[Amp_simulator|amps]] the Axe-Fx G1 models emulate, including their descriptions (manual and website), suggestions for matching cabinets and additional notes. The text in italics originates from the manual or website. |
[[:Image:Axe_amps.pdf | Pictures of some of the amps]] | [[:Image:Axe_amps.pdf | Pictures of some of the amps]] | ||
Line 10: | Line 10: | ||
|= '''STUDIO TUBE PREAMP''' | |= '''STUDIO TUBE PREAMP''' | ||
− | '' | + | ''This is a completely neutral, low-gain tube pre-amp simulation. Useful for warming up vocals and other instruments as well as direct guitar sound'' |
* Cabinet suggestion: n/a | * Cabinet suggestion: n/a | ||
Line 19: | Line 19: | ||
|= '''ROLAND JAZZ CHORUS JC-120''' | |= '''ROLAND JAZZ CHORUS JC-120''' | ||
− | '' | + | ''This model is based on a 2x12 solid-state combo amp, known for its warm, midrange-thick sound and built-in stereo chorus'' |
* Cabinet suggestion: none. Alternative: Red Wirez JC-120 | * Cabinet suggestion: none. Alternative: Red Wirez JC-120 | ||
Line 29: | Line 29: | ||
|= '''FENDER VIBROVERB''' | |= '''FENDER VIBROVERB''' | ||
− | '' | + | ''Our model is based on a 40W combo that's great for clear or grinding cleans and gutsy blues. This amp breaks up nicely, especially when the Master is cranked'' |
* Cabinet suggestion: 1x10 Gold. Alternative: Red Wirez Fender Dual Showman | * Cabinet suggestion: 1x10 Gold. Alternative: Red Wirez Fender Dual Showman | ||
− | * Original controls (Normal channel): Volume, Treble, | + | * Original controls (Normal channel): Volume (no Master), Bass/Treble, Bright switch (on by default). The real amp also has a Bright channel |
* For authentic clean tone: crank the Master, Drive at 3.50. For more crunch turn up Drive | * For authentic clean tone: crank the Master, Drive at 3.50. For more crunch turn up Drive | ||
* [http://axefxwiki.guitarlogic.org/index.php?title=Tutorials#Fenders_Sims Fender tips in the Wiki] | * [http://axefxwiki.guitarlogic.org/index.php?title=Tutorials#Fenders_Sims Fender tips in the Wiki] | ||
Line 42: | Line 42: | ||
|= '''FENDER BASSMAN''' | |= '''FENDER BASSMAN''' | ||
− | ''Model based on the Fender | + | ''Model based on the Fender Bassman®, a low-to-medium gain amp designed for bass but more widely adopted by guitarists for its great blues and rock tones'' |
* Cabinet suggestion: 4x10 Bass. Alternative: Red Wirez Bassman | * Cabinet suggestion: 4x10 Bass. Alternative: Red Wirez Bassman | ||
Line 56: | Line 56: | ||
|= '''FENDER DELUXE REVERB (AB763)''' | |= '''FENDER DELUXE REVERB (AB763)''' | ||
− | '' | + | ''Model based on a 1965 Fender Deluxe Reverb® 1x12 combo. This model has great chimey tone with nice power amp breakup when you push the MASTER'' |
− | * The former name "Tweed" and description didn't match with the modeled amp. The name was changed to Deluxe Verb in firmware 9.01 and the amp was remodeled | + | * The former name "Tweed Deluxe" and description didn't match with the modeled amp. The name was changed to Deluxe Verb in firmware 9.01 and the amp was remodeled |
− | * Cabinet suggestion: 1x12 or | + | * Cabinet suggestion: 1x12 Tweed or 1x12 Black. Alternative: Red Wirez Fender Deluxe Reverb (Oxford speaker) |
* Original controls: Volume, Bass, Treble | * Original controls: Volume, Bass, Treble | ||
* For authentic tone: crank the Master, Drive at 3.50, Mid at 6.8 | * For authentic tone: crank the Master, Drive at 3.50, Mid at 6.8 | ||
Line 69: | Line 69: | ||
|DOUBLE VERB (formerly: BLACKFACE) | |DOUBLE VERB (formerly: BLACKFACE) | ||
|= '''FENDER TWIN REVERB''' | |= '''FENDER TWIN REVERB''' | ||
− | |||
− | * Cabinet suggestion: | + | ''Based on a blackface Fender Twin Reverb® 100-watt 2x12" combo, running the “Normal” channel. Known for amazing clean sounds it also breaks up very nicely'' |
− | * Original controls (Normal channel): Volume, Bass | + | |
+ | * Cabinet suggestion: 2x12 Black. Alternative: Red Wirez Fender Twin | ||
+ | * Original controls (Normal channel): Volume (no Master), Bass/Middle/Treble, Bright switch (off by default) | ||
* For authentic tone: crank the Master, Drive at 3.50 | * For authentic tone: crank the Master, Drive at 3.50 | ||
* [http://www.youtube.com/watch?v=_nBPz9KoLkc Reference clip] | * [http://www.youtube.com/watch?v=_nBPz9KoLkc Reference clip] | ||
Line 83: | Line 84: | ||
|= '''VOX AC30''' | |= '''VOX AC30''' | ||
− | '' | + | ''Model based on the Vox AC30®, a combo that dominated the British Invasion sound. This model has the same gritty character, warm tone, and very playable feel'' |
* Cabinet suggestion: 1x12 or 2x12 Brit. Alternative: Red Wirez Vox, Red Wirez Blue, Ownhammer Blue | * Cabinet suggestion: 1x12 or 2x12 Brit. Alternative: Red Wirez Vox, Red Wirez Blue, Ownhammer Blue | ||
− | * Original controls: Cut, Volume. The original amp didn't have Bass, Middle and Treble controls, so leave them at noon and use Presence (= Cut) instead | + | * Original controls: Cut, Volume. Bright off by default. The original amp didn't have Bass, Middle and Treble controls, so leave them at noon and use Presence (= Cut) instead |
* Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | * Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | ||
* For authentic tone: crank the Master, keep Drive low, keep the tone controls at noon, use Presence to cut the treble | * For authentic tone: crank the Master, keep Drive low, keep the tone controls at noon, use Presence to cut the treble | ||
Line 97: | Line 98: | ||
|= '''VOX AC30TBX TOPBOOST''' | |= '''VOX AC30TBX TOPBOOST''' | ||
− | '' | + | ''Model based on the Vox AC30TBX® Top Boost, an amp created in response to demand for "More Treble". Great highs and slightly reduced bass'' |
* Cabinet suggestion: 1x12 or 2x12 Brit. Or use (or combine with) Marshall greenbacks (4x12 20w or 25w). Alternative: Red Wirez Vox and Marshall greenbacks, Ownhammer Blue and greenbacks | * Cabinet suggestion: 1x12 or 2x12 Brit. Or use (or combine with) Marshall greenbacks (4x12 20w or 25w). Alternative: Red Wirez Vox and Marshall greenbacks, Ownhammer Blue and greenbacks | ||
− | * Original controls: Volume, Cut (= Presence control), Bass, Treble | + | * Original controls: Volume, Cut (= Presence control), Bass, Treble. Bright on by default. |
* For authentic tone: crank the Master, set Drive to taste, Mid at noon. Use Presence only to cut the high frequencies (left of noon) | * For authentic tone: crank the Master, set Drive to taste, Mid at noon. Use Presence only to cut the high frequencies (left of noon) | ||
* Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | * Cliff: "An AC30 has no power amp feedback so it doesn't have presence or depth controls. It has a "Cut" control which is basically an adjustable snubber on the phase inverter. The Presence control becomes the Cut control. To duplicate the amp you would only adjust the Presence negative but the model lets you boost as well if you adjust Presence positive. The Depth control won't do anything so it doesn't matter where you set it. If the Damping (Damp) is zero the Depth control is disabled and Damp defaults to zero for that amp model" | ||
Line 112: | Line 113: | ||
|= '''MARSHALL SUPER LEAD (MODEL 1959 a.k.a. PLEXI)''' | |= '''MARSHALL SUPER LEAD (MODEL 1959 a.k.a. PLEXI)''' | ||
− | ''Based on | + | ''Based on the classic British amp head that gave rise to the Marshall stack: the Super Lead Model 1959 Plexi. Great for crunchy rhythm work'' |
− | * Cabinet suggestion: 4x12 20w | + | * Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks |
− | * Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel only) | + | * Original controls: Volume, Bass, Middle, Treble. Presence on later models. Bright (Lead channel only) (on by default). |
* Crank the Master, set Drive high. Experiment with higher Sag settings | * Crank the Master, set Drive high. Experiment with higher Sag settings | ||
* Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain. [http://www.fractalaudio.com/forum/viewtopic.php?f=30&t=3179&p=31633#p31633 Source] | * Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain. [http://www.fractalaudio.com/forum/viewtopic.php?f=30&t=3179&p=31633#p31633 Source] | ||
Line 128: | Line 129: | ||
|= '''MARSHALL JCM800 (MODEL 2204)''' | |= '''MARSHALL JCM800 (MODEL 2204)''' | ||
− | '' | + | ''Model based on the vaunted Marshall JCM800 (model 2204). Bring the Master up and the true 80s rock tone of this beast comes out'' |
− | * Cabinet suggestion: 4x12 V30, 4x12 20w | + | * Cabinet suggestion: 4x12 V30, 4x12 20w / 25w /75w. Alternative: Red Wirez Marshall, Ownhammer |
− | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume | + | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume. bright cap (on by default). |
* For authentic tone: experiment with medium to high Master volume levels | * For authentic tone: experiment with medium to high Master volume levels | ||
* The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on lower Drive setings, switch off Bright | * The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on lower Drive setings, switch off Bright | ||
Line 142: | Line 143: | ||
|= '''MARSHALL JCM900''' | |= '''MARSHALL JCM900''' | ||
− | '' | + | ''Based on the Marshall JCM900m this amp offers more tone shaping, more gain, and a solid-state clipping circuit for a raspier sound'' |
* Cabinet suggestion: 4x12 V30, 4x12 75w, 4x12 T75, 4x12 25w. Alternative: Red Wirez Marshall, Ownhammer | * Cabinet suggestion: 4x12 V30, 4x12 75w, 4x12 T75, 4x12 25w. Alternative: Red Wirez Marshall, Ownhammer | ||
− | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume | + | * Original controls: Gain, Bass, Middle, Treble, Presence, Volume. Bright cap (on by default) |
* The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright | * The bright cap on the original (Lead channel) is tied to the pre-amp gain setting (Drive). If the amp is too bright on low Drive setings, switch off Bright | ||
* Experiment with medium to high Master Volume levels | * Experiment with medium to high Master Volume levels | ||
Line 156: | Line 157: | ||
|= '''EDDIE VAN HALEN'S MODDED MARSHALL''' | |= '''EDDIE VAN HALEN'S MODDED MARSHALL''' | ||
− | '' | + | ''A faithful recreation of the pure, raw (some might say erupting...) "Brown Sound" -- the signature tone of perhaps the best-known guitarist of the late '70s/'80s'' |
− | * Cabinet suggestion: 4x12 20w | + | * Cabinet suggestion: 4x12 20w / 25w / Green. Alternative: Red Wirez Marshall greenbacks, Ownhammer greenbacks |
− | * Original controls: Volume, Bass, Middle, Treble. Bright (Lead channel) | + | * Original controls: Volume, Bass, Middle, Treble. Bright (Lead channel, on by default) |
* For authentic tone: crank the Master Volume, turn up Drive. Or try the factory preset The Brown Sound | * For authentic tone: crank the Master Volume, turn up Drive. Or try the factory preset The Brown Sound | ||
* Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain | * Because the bright cap (Lead channel) is very large, the Bright switch has a great impact on the amount of gain | ||
Line 171: | Line 172: | ||
|= '''MATCHLESS CHIEFTAIN: RHYTHM / LEAD''' | |= '''MATCHLESS CHIEFTAIN: RHYTHM / LEAD''' | ||
− | BOUTIQUE 1: '' | + | BOUTIQUE 1: ''Based on the Matchless Chieftain, known for its liquid tone and endless sustain -- a medium-gain amp, thick, yet crisp, with a fair amount of power amp breakup'' |
− | BOUTIQUE 2: '' | + | BOUTIQUE 2: ''Also based on the Matchless Chieftain but with a boost engaged for more gain and high-frequency emphasis. Great for leads'' |
* Cabinet suggestion: 2x12 Boutique. Alternative: Red Wirez Matchless | * Cabinet suggestion: 2x12 Boutique. Alternative: Red Wirez Matchless | ||
Line 188: | Line 189: | ||
|= '''HIWATT DR103: NORMAL / BRILLIANT CHANNEL''' | |= '''HIWATT DR103: NORMAL / BRILLIANT CHANNEL''' | ||
− | HIPOWER 1: '' | + | HIPOWER 1: ''Based on this medium-gain, full sound amp... unique tone-stack and a chimey grinding tone. Your ears may go numb (comfortably) with this one'' |
− | HIPOWER | + | HIPOWER 2: ''A brighter model based on the amp’s "Brilliant" channel. Who's next to to plug in to this inspired amp model?'' |
* Cabinet suggestion: none. Alternative: Red Wirez Fane | * Cabinet suggestion: none. Alternative: Red Wirez Fane | ||
Line 196: | Line 197: | ||
* [http://fractalaudio.com/forum/viewtopic.php?f=11&t=14820&start=10 Dialing in the Hiwatt] | * [http://fractalaudio.com/forum/viewtopic.php?f=11&t=14820&start=10 Dialing in the Hiwatt] | ||
* [http://en.wikipedia.org/wiki/Hiwatt Wikipedia] | * [http://en.wikipedia.org/wiki/Hiwatt Wikipedia] | ||
+ | * Cliff: " I have a 1974 Hiwatt DR-103. The model is based on that. It is one of the Harry Joyce, Hylight era models. Still has the original tubes. Closet find and sounds glorious." | ||
|- | |- | ||
Line 201: | Line 203: | ||
|= '''MESA BOOGIE MKIV, CLEAN RHYTHM 1 CHANNEL''' | |= '''MESA BOOGIE MKIV, CLEAN RHYTHM 1 CHANNEL''' | ||
− | ''A somewhat neutral clean | + | ''A somewhat neutral clean sounding model that can pushed into warm clipping. Based on a Mesa Boogie MKIV Rhythm 1 channel'' |
* Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
Line 218: | Line 220: | ||
|= '''MESA BOOGIE MKIV, CRUNCH RHYTHM 2 CHANNEL: FAT SWITCH NOT ACTIVE / ACTIVE''' | |= '''MESA BOOGIE MKIV, CRUNCH RHYTHM 2 CHANNEL: FAT SWITCH NOT ACTIVE / ACTIVE''' | ||
− | USA RHY 1: '' | + | USA RHY 1: ''A crunchy California rhythm sound based on a the Rhythm2 channel with the Mid Boost (“Fat”) switch OFF'' |
− | USA RHY 2: '' | + | USA RHY 2: ''Based on the MKIV Rhythm 2 channel, this time with the Mid Boost (“Fat”) switch ON for a more focused sound and a bit more gain'' |
* Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
Line 236: | Line 238: | ||
|= '''MESA BOOGIE MKIV Lead: Treble Shift NO / YES''' | |= '''MESA BOOGIE MKIV Lead: Treble Shift NO / YES''' | ||
− | USA LEAD 1: '' | + | USA LEAD 1: ''This model has a tight, focused, hi-gain sound great for fusion and rock leads. Based on the Lead channel with the Treble Shift disengaged'' |
− | USA LEAD 2: '' | + | USA LEAD 2: ''Based on a MKIV, the Treble Shift gives this amp a slightly different character with a little more cut'' |
* Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
− | * Original controls: Gain/ | + | * Original controls: Gain and Master, Bass/Middle/Treble, Presence (without/with treble shift), Bright switch. Graphic Equalizer not modeled |
* Treble Shift: this shifts the range of the Presence control to higher frequencies on the original amp, it influences the Treble control. In LEAD 1 Treble Shift is off, which works well for recording. In LEAD 2 Treble Shift is switched on, which works well within a band context, but can generate squealing and noise at high volume or gain levels | * Treble Shift: this shifts the range of the Presence control to higher frequencies on the original amp, it influences the Treble control. In LEAD 1 Treble Shift is off, which works well for recording. In LEAD 2 Treble Shift is switched on, which works well within a band context, but can generate squealing and noise at high volume or gain levels | ||
− | * Turn up Drive, keep Master Volume low (3.50) | + | * Turn up Drive, keep Master Volume low (3.50), don't use Bright on higher volume levels |
* [http://mesaboogie.com/news/2010/12/video-john-petrucci-mark-v-settings-and-tone-tips John Petrucci settings] | * [http://mesaboogie.com/news/2010/12/video-john-petrucci-mark-v-settings-and-tone-tips John Petrucci settings] | ||
* [http://www.mesaboogie.com/manuals/Mark%204.pdf Original manual MKIV]: detailed descriptions of the controls and sample settings | * [http://www.mesaboogie.com/manuals/Mark%204.pdf Original manual MKIV]: detailed descriptions of the controls and sample settings | ||
− | * [http:// | + | * [http://wiki.fractalaudio.com/index.php?title=Mesa/Boogie_graphic_equalizer Tips in the Wiki] |
* [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia] | * [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia] | ||
* [http://forum.grailtone.com Grailtone forum] | * [http://forum.grailtone.com Grailtone forum] | ||
Line 255: | Line 257: | ||
|= '''MESA BOOGIE 2-CHANNEL DUAL RECTIFIER (OLD, SMALL LOGO): VINTAGE ORANGE CHANNEL (RHYTHM) / MODERN RED CHANNEL (LEAD)''' | |= '''MESA BOOGIE 2-CHANNEL DUAL RECTIFIER (OLD, SMALL LOGO): VINTAGE ORANGE CHANNEL (RHYTHM) / MODERN RED CHANNEL (LEAD)''' | ||
− | ''- | + | RECTO ORANGE: ''Based on a the original Mesa Boogie 2-channel Dual Rectifier in the "Vintage" (Orange) channel (rhythm)'' |
− | * The names and models changed from Recto 1 into Recto Orange and Recto 2 into Recto Red in 7.03, in firmware 7.03. The manual still lists Recto 1 and 2 | + | RECTO RED: ''Based on the Modern (Red) "Lead" channel, this is a high gain masterpiece with crushing power and tightness'' |
+ | |||
+ | * The names and models changed from Recto 1 into Recto Orange and Recto 2 into Recto Red in 7.03, in firmware 7.03. (The manual still lists Recto 1 and 2) | ||
* Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
− | * Original controls: Master | + | * Original controls: Gain and Master, Bass/Middle/Treble, Presence. And probably a Bright peaker because the amp sim defaults to Bright on. |
− | * Turn up Drive, keep Master Volume low (3.50) | + | * Turn up Drive, keep Master Volume low (3.50), keep Presence low |
* Recto Red defaults to no Damping, can be turned up | * Recto Red defaults to no Damping, can be turned up | ||
* Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | * Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | ||
Line 273: | Line 277: | ||
|= '''SOLDANO SUPER LEAD OVERDRIVE (SLO-100)''' | |= '''SOLDANO SUPER LEAD OVERDRIVE (SLO-100)''' | ||
− | '' | + | ''The SLO-100® is noted for its hot-rod chrome chassis, aggressive rhythm tone, and snarling lead sound'' |
* The Axe-Fx models the Overdrive channel | * The Axe-Fx models the Overdrive channel | ||
− | * Cabinet suggestion: greenbacks (4x12 20w | + | * Cabinet suggestion: greenbacks (4x12 20w / 25w / green), G12H30 (4x12 30w), 4x12 Cali, EVL12. Alternative: Red Wirez Soldano (Eminence Legend), G12H30 or EVM12L. Or Ownhammer EVM12L or H75. |
* Original controls: Gain, Bass, Middle, Treble, Master, Presence. Bright switch (on the original amp only for Normal Channel) | * Original controls: Gain, Bass, Middle, Treble, Master, Presence. Bright switch (on the original amp only for Normal Channel) | ||
* Cliff: "The SLO100 is the loudest amp I've ever used. It feels like there's a small nuclear explosion going off inside when ever you hit a power chord. It's a wicked amp but not something I would recommend for anything but large gigs. If you like the SLO 100 model you might want to try the Recto models too. It's not widely known but the Rectifier preamp is a derivative of the SLO100. Some minor changes but the basic topology is identical" | * Cliff: "The SLO100 is the loudest amp I've ever used. It feels like there's a small nuclear explosion going off inside when ever you hit a power chord. It's a wicked amp but not something I would recommend for anything but large gigs. If you like the SLO 100 model you might want to try the Recto models too. It's not widely known but the Rectifier preamp is a derivative of the SLO100. Some minor changes but the basic topology is identical" | ||
Line 289: | Line 293: | ||
|= '''DUMBLE OVERDRIVE SPECIAL: CLEAN / LEAD''' | |= '''DUMBLE OVERDRIVE SPECIAL: CLEAN / LEAD''' | ||
− | SPEC OD1: ''Based on a coveted but rare | + | SPEC OD1: ''Based on the Clean channel of a coveted but rare amp made famous by Robben Ford and Larry Carlton, among others'' |
− | SPEC OD2: '' | + | SPEC OD2: ''Based on this amp's foot-switchable Lead channel with great singing sustain and tone appropriate for modern blues, fusion, and more'' |
* Cabinet suggestion: 2x12 Custom | * Cabinet suggestion: 2x12 Custom | ||
Line 302: | Line 306: | ||
|= '''20TH ANN. BOGNER ECSTASY (XTC): BLUE / RED CHANNEL''' | |= '''20TH ANN. BOGNER ECSTASY (XTC): BLUE / RED CHANNEL''' | ||
− | EURO BLUE: ''Based on | + | EURO BLUE: ''Based on the 20th Anniversary model, this amp type simulates the overdrive channel with the BOOST and STRUCTURE switches OFF'' |
− | EURO RED: '' | + | EURO RED: ''This is based on the Red Channel with BOOST and STRUCTURE switches ON. Lots of gain and plenty of low-end chunk along with a crispy top-end'' |
− | * In firmware 10.x the names have been changed from Euro 1 to Euro Blue, and from Euro 2 to Euro | + | * In firmware 10.x the names have been changed from Euro 1 to Euro Blue, and from Euro 2 to Euro Red. The description for Euro Red in the manual and on the website hasn't been updated |
* Cabinet suggestion: 4x12 German. Alternative: Red Wirez Bogner, Ownhammer V30 | * Cabinet suggestion: 4x12 German. Alternative: Red Wirez Bogner, Ownhammer V30 | ||
− | * Original controls: Gain, Bass | + | * Original controls: Gain and Master, Bass/Middle/Treble, Presence, Bright switch (off by default) |
− | * Euro Blue: the model is very low gain and dark. Try | + | * Euro Blue: the model is very low gain and dark. Try with Boost and Bright (or turn up Presence instead of Bright) |
− | * Euro Red: the model is very dark. Try | + | * Euro Red: the model is very dark. Try Bright (or turn up Presence) |
* Quote Cliff: "My actual XTC has a Log10 pot for the treble which is an odd choice. Treble pots are usually linear and the Axe-Fx model uses a linear pot. The problem with a log-taper pot is that the treble does almost nothing for the first 50%. So you can't use your eyes if you want to copy the tone. This is the case with several of the amp models. In these cases the taper used on the real amp is what I would call "a less than optimum" choice. I think in many cases the designer simply doesn't realize the affect the taper has on the locus. So, if I deemed the choice of taper to be "incorrect" the model uses the correct taper. The Bogner models fall into this category. The choice of a Log10 pot for the treble pot doesn't make sense so the model uses a linear taper which gives a smooth locus" | * Quote Cliff: "My actual XTC has a Log10 pot for the treble which is an odd choice. Treble pots are usually linear and the Axe-Fx model uses a linear pot. The problem with a log-taper pot is that the treble does almost nothing for the first 50%. So you can't use your eyes if you want to copy the tone. This is the case with several of the amp models. In these cases the taper used on the real amp is what I would call "a less than optimum" choice. I think in many cases the designer simply doesn't realize the affect the taper has on the locus. So, if I deemed the choice of taper to be "incorrect" the model uses the correct taper. The Bogner models fall into this category. The choice of a Log10 pot for the treble pot doesn't make sense so the model uses a linear taper which gives a smooth locus" | ||
* [http://www.bogneramplification.com/customshop/EcstasyManual.php Original manual] | * [http://www.bogneramplification.com/customshop/EcstasyManual.php Original manual] | ||
Line 323: | Line 327: | ||
|= '''LANEY GC30V''' | |= '''LANEY GC30V''' | ||
− | ''Based on | + | ''Based on the marriage of a USA style pre-distortion tone-stack, British voicing and Class A power amp. Great for lower-gain leads with nice sustain qualities'' |
* Cabinet suggestion: none | * Cabinet suggestion: none | ||
Line 334: | Line 338: | ||
|= '''BUDDA TWINMASTER''' | |= '''BUDDA TWINMASTER''' | ||
− | '' | + | ''This model is loosely based on a late 90s Budda Twinmaster. A low gain amp, it relies mostly on power amp distortion. Try a drive in front for smooth lines'' |
− | * Cabinet suggestion: greenbacks (4x12 20w | + | * Cabinet suggestion: greenbacks (4x12 20w / 25w), 4x12 30w or something that resembles Eminence Legends |
* Original controls: Bass, Treble, Volume. Bright cap on the Volume control (Bright switch) | * Original controls: Bass, Treble, Volume. Bright cap on the Volume control (Bright switch) | ||
* Turn up the Master volume, use Drive for volume and gain, turn down Bass (or turn up Low Cut) | * Turn up the Master volume, use Drive for volume and gain, turn down Bass (or turn up Low Cut) | ||
Line 349: | Line 353: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''A custom type similar to a | + | ''A custom type similar to a JCM but with more gain and grind. This simulation features quite a bit of high- emphasis along with a modified British tone-stack'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 358: | Line 362: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''Spandex, studded wrist bands, pyrotechnics and | + | ''Spandex, studded wrist bands, pyrotechnics and this custom creation by Fractal Audio Systems are all you'll need to re-live the 80's metal scene'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 367: | Line 371: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''A radical custom | + | ''A radical custom amplifier model designed with an unconventional tone-stack by Fractal Audio Systems'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 376: | Line 380: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | '' | + | ''This model designed by Fractal is like a vintage Tweed amplifier on steroids'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 385: | Line 389: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | '' | + | ''This model designed by Fractal Audio Systems has a smooth, thick tone good for fusion/blues solo work'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 394: | Line 398: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''Combines the best features of the Blackface and the USA Clean into a hybrid | + | ''Combines the best features of the Blackface and the USA Clean models into a hybrid that's great for a variety of uses'' |
* No equivalent original amplifier | * No equivalent original amplifier | ||
Line 403: | Line 407: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | '' | + | ''Combines the best features of the British and USA crunch models for grinding tones that are evocative and innovative at the same time'' |
* No equivalent original amplifier. Based on Mesa amp | * No equivalent original amplifier. Based on Mesa amp | ||
Line 412: | Line 416: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''A neutral high gain lead with a tight midrange'' | + | ''A custom amp by Fractal Audio Systems, this model is a neutral high gain lead with a tight midrange'' |
* No equivalent original amplifier. Based on Mesa amp | * No equivalent original amplifier. Based on Mesa amp | ||
Line 421: | Line 425: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | '' | + | ''A custom amp by Fractal Audio Systems, this model has more sizzle and gain the the FAS Lead I'' |
* No equivalent original amplifier. Based on Mesa amp | * No equivalent original amplifier. Based on Mesa amp | ||
Line 430: | Line 434: | ||
|= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | |= '''FRACTAL AUDIO SYSTEMS: CUSTOM MODEL''' | ||
− | ''A high gain hybrid | + | ''A high gain hybrid model custom designed by Fractal Audio Systems. Equally well suited to modern rhythm and lead work'' |
* No equivalent original amplifier. Based on Mesa amp | * No equivalent original amplifier. Based on Mesa amp | ||
Line 439: | Line 443: | ||
|= '''FENDER BLUES JR''' | |= '''FENDER BLUES JR''' | ||
− | ''Based on a modern | + | ''Based on a modern combo with two EL84s and a single 12" speaker. The original became an instant classic because of its gutsy tone at manageable volumes'' |
* Cabinet suggestion: 1x12 Blues, 1x12 Tweed, 1x12 Black. Alternative: Red Wirez Fender | * Cabinet suggestion: 1x12 Blues, 1x12 Tweed, 1x12 Black. Alternative: Red Wirez Fender | ||
Line 452: | Line 456: | ||
|= '''MARSHALL JMP-1 PREAMP''' | |= '''MARSHALL JMP-1 PREAMP''' | ||
− | ''Based on a rack-mount preamplifier version of the Brit 900. The preamp gained notoriety for its crunchy tone and was made popular by ZZ Top'' | + | ''Based on a rack-mount preamplifier version of the Brit 900. The preamp gained notoriety for its crunchy tone and was made popular by ZZ Top and Def Leppard'' |
* Cabinet suggestion: n/a | * Cabinet suggestion: n/a | ||
Line 466: | Line 470: | ||
|= '''ENGL POWERBALL, LEAD CHANNEL''' | |= '''ENGL POWERBALL, LEAD CHANNEL''' | ||
− | ''Based on a very high-gain | + | ''Based on a very high-gain amplifier from Germany with lots of bass. Great for aggressive, drop-tuned riff work'' |
* Cabinet suggestion: 4x12 Metal. Alternative: Red Wirez Engl, Ownhammer V30 | * Cabinet suggestion: 4x12 Metal. Alternative: Red Wirez Engl, Ownhammer V30 | ||
Line 477: | Line 481: | ||
|= '''MESA BOOGIE 3-CHANNEL DUAL RECTIFIER, RED "MODERN" CHANNEL''' | |= '''MESA BOOGIE 3-CHANNEL DUAL RECTIFIER, RED "MODERN" CHANNEL''' | ||
− | ''Based on the modern version of the Dual Rectifier amps. | + | ''Based on the modern version of the Dual Rectifier amps. Circuit changes made this version more aggressive'' |
* Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Recto1 or Recto2. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
− | * Original controls: Presence, Master, Gain, Bass, Middle, Treble. | + | * Original controls: Presence, Master, Gain, Bass, Middle, Treble. Bright cap probably because it's on by default |
* Keep Master volume low (3.50), use Drive to add gain | * Keep Master volume low (3.50), use Drive to add gain | ||
* Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | * Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" | ||
Line 493: | Line 497: | ||
|= '''DUMBLE OVERDRIVE SPECIAL''' | |= '''DUMBLE OVERDRIVE SPECIAL''' | ||
− | '' | + | ''A revised model based on detailed analysis of a very rare Dumble Overdrive Special as used by the likes of Larry Carlton and Robben Ford'' |
* This sim is based on a real Dumble amp. The SPEC OD sims are based on schematics | * This sim is based on a real Dumble amp. The SPEC OD sims are based on schematics | ||
* Cabinet suggestion: 2x12 Custom | * Cabinet suggestion: 2x12 Custom | ||
− | * Original controls: Master, Bass | + | * Original controls: Level and Master, Bass/Middle/Treble, Bright switch, no Presence |
* [http://en.wikipedia.org/wiki/Dumble_Amplifiers Wikipedia] | * [http://en.wikipedia.org/wiki/Dumble_Amplifiers Wikipedia] | ||
Line 504: | Line 508: | ||
|= '''TRAINWRECK EXPRESS''' | |= '''TRAINWRECK EXPRESS''' | ||
− | ''Based on | + | ''Based on the Trainwreck Express—a high quality handmade amp designed and built by Ken Fischer'' |
* Cabinet suggestion: 4x12 20w or 25w (greenbacks). Red Wirez greenbacks, Ownhammer greenbacks | * Cabinet suggestion: 4x12 20w or 25w (greenbacks). Red Wirez greenbacks, Ownhammer greenbacks | ||
− | * Original controls: Volume, Treble, | + | * Original controls: Volume (no Master), Bas/Middle/Treble, Presence, Bright switch (off by default). |
− | * Crank the Master Volume, use Drive for volume and gain. Keep bass low (or turn up Low Cut) to prevent flubby bass | + | * Crank the Master Volume, use Drive for volume and gain. Keep bass low (and/or turn up Low Cut) to prevent flubby bass |
* Don't use this without poweramp simulation, it'll sound terrible. Cliff: "The Trainwreck depends on power amp distortion. The OT has a high impedance which causes the power tubes to enter clipping early. I would not recommend using that model as preamp." | * Don't use this without poweramp simulation, it'll sound terrible. Cliff: "The Trainwreck depends on power amp distortion. The OT has a high impedance which causes the power tubes to enter clipping early. I would not recommend using that model as preamp." | ||
* [http://www.trainwreck.com/?page_id=7 FAQ] | * [http://www.trainwreck.com/?page_id=7 FAQ] | ||
Line 517: | Line 521: | ||
|= '''MARSHALL JTM45''' | |= '''MARSHALL JTM45''' | ||
− | ''Based on a | + | ''Based on a vintage Marshall JTM45 blues amplifier. This amp made famous by Clapton and others was actually a modified version of the original Bassman'' |
* This amp is based on the Fender Bassman and was the first Marshall amp, 45 watts and 4 Celestion 12" speakers | * This amp is based on the Fender Bassman and was the first Marshall amp, 45 watts and 4 Celestion 12" speakers | ||
Line 530: | Line 534: | ||
|= '''DIEZEL VH4''' | |= '''DIEZEL VH4''' | ||
− | ''Based on a high-gain, boutique | + | ''Based on a high-gain, boutique amplifier head famous for its powerful, heavy and aggressive sound'' |
* Cabinet sugggestion: 4x12 Metal | * Cabinet sugggestion: 4x12 Metal | ||
Line 543: | Line 547: | ||
|= '''MARSHALL SUPER LEAD (MODEL 1959)''' | |= '''MARSHALL SUPER LEAD (MODEL 1959)''' | ||
− | ''Similar to Plexi 1 but with a different | + | ''Similar to Plexi 1 but with a different "bright cap" value and transformer model. Lower gain and more "vintage" sounding'' |
* Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 Green) or G12H30 (4x12 30w). Alternative: Red Wirez Marshall, Ownhammer H75 or M75 | * Cabinet suggestion: greenbacks (4x12 20w or 25w, 4x12 Green) or G12H30 (4x12 30w). Alternative: Red Wirez Marshall, Ownhammer H75 or M75 | ||
Line 568: | Line 572: | ||
|= '''CUSTOM AUDIO ELECTRONICS 3+ SE: RHYTHM CHANNEL 2 / LEAD CHANNEL 3''' | |= '''CUSTOM AUDIO ELECTRONICS 3+ SE: RHYTHM CHANNEL 2 / LEAD CHANNEL 3''' | ||
− | CA3+ RHY: ''Based | + | CA3+ RHY: ''Based on channel 2 (Rhythm) of the 3+ SE preamp by CAE. For Ch. 1 (Clean), use the "DOUBLE VERB" model)'' |
− | CA3+ LD: '' | + | CA3+ LD: ''Based on channel 3 (Lead) of the 3+ SE preamp by CAE designed by Bob Bradshaw'' |
* Cliff: "Channel 1 isn't modeled because it's very similar to a Fender Twin (Double Verb model)" | * Cliff: "Channel 1 isn't modeled because it's very similar to a Fender Twin (Double Verb model)" | ||
Line 585: | Line 589: | ||
* Cabinet suggestion: something that sounds like a Celestion Elite 80 | * Cabinet suggestion: something that sounds like a Celestion Elite 80 | ||
* Original controls: Volume, Bass, Mid, Treble, Master. Tight and Bright switches | * Original controls: Volume, Bass, Mid, Treble, Master. Tight and Bright switches | ||
+ | * Cliff: "It's just a Blues Jr. with no negative feedback" | ||
* [http://www.egnateramps.com/Products/Rebel/Rebel20Head.html Product page, manual etc.] | * [http://www.egnateramps.com/Products/Rebel/Rebel20Head.html Product page, manual etc.] | ||
* [http://www.rig-talk.com/forum/viewforum.php?f=26&sid=de2f3db62a62ad445ae60e44279fae2b Forum] | * [http://www.rig-talk.com/forum/viewforum.php?f=26&sid=de2f3db62a62ad445ae60e44279fae2b Forum] | ||
Line 594: | Line 599: | ||
|= '''MESA BOOGIE MARK II LEAD: PULL BRIGHT OFF / ON''' | |= '''MESA BOOGIE MARK II LEAD: PULL BRIGHT OFF / ON''' | ||
− | USA IIC+ 1: ''Based on | + | USA IIC+ 1: ''Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright OFF'' |
− | USA IIC+ 2: ''This model | + | USA IIC+ 2: ''Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright ON'' |
* Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | * Cabinet suggestion: 4x12 Cali. Alternative: Red Wirez Mesa, Ownhammer Mesa | ||
Line 605: | Line 610: | ||
|- | |- | ||
− | | | + | |FRYETTE D60L |
− | + | FRYETTE D60M | |
|= '''VHT DELIVERANCE 60: LESS / MORE''' | |= '''VHT DELIVERANCE 60: LESS / MORE''' | ||
− | + | FRYETTE D60L: ''Based on the Fryette Amplification D60 in the "Less" mode'' | |
− | + | FRYETTE D60M: ''Based on the Fryette Amplification D60 in the "More" mode'' | |
* Cabinet suggestion: one that comes close to a 2x12 or 4x12 cabinet with Eminence 50w speakers | * Cabinet suggestion: one that comes close to a 2x12 or 4x12 cabinet with Eminence 50w speakers | ||
Line 623: | Line 628: | ||
|= '''DR. Z MAZ 38 Senior''' | |= '''DR. Z MAZ 38 Senior''' | ||
− | ''Based | + | ''Based on the Dr. Z Maz 38 SR, an amp popular with country and roots players'' |
* Cabinet suggestion: combination of Celestion Blue (2x12 Blue) with V30 or G12H30 (4x12 30w). Or Red Wirez or Ownhammer equivalents | * Cabinet suggestion: combination of Celestion Blue (2x12 Blue) with V30 or G12H30 (4x12 30w). Or Red Wirez or Ownhammer equivalents | ||
− | * Original controls: Volume | + | * Original controls: Volume and Master, Bass/Middle/Treble, Cut (turn up for chime) |
− | * Cliff: "It's a low output amp. Turn up the Master" | + | * Cliff: "It's a low output amp. Turn up the Master" |
* [http://www.drzamps.com/manuals.html Manual] | * [http://www.drzamps.com/manuals.html Manual] | ||
* [http://www.a42.net/maz18 Database with amp settings] | * [http://www.a42.net/maz18 Database with amp settings] | ||
Line 638: | Line 643: | ||
|= '''BOGNER UBERSCHALL, HIGH-GAIN CHANNEL''' | |= '''BOGNER UBERSCHALL, HIGH-GAIN CHANNEL''' | ||
− | ''Based on the aggressive "High Gain" channel of a 120W head, this model is reminiscent of an 800, modded for heavier, grinding lows and what some call insane gain'' | + | ''Based on the aggressive " High Gain" channel of a 120W head, this model is reminiscent of an 800, modded for heavier, grinding lows and what some call insane gain'' |
* Cabinet suggestion: simulate a Bogner Uberkab by using a stereo cab or dual cabs with 4x12 German and 4x12 75w. Alternative: Red Wirez Bogner Uberkab | * Cabinet suggestion: simulate a Bogner Uberkab by using a stereo cab or dual cabs with 4x12 German and 4x12 75w. Alternative: Red Wirez Bogner Uberkab | ||
− | * Original controls: | + | * Original controls: Gain and Master, Bass/Middle/Treble, Presence, no Bright |
− | * Keep the Master volume low (3.50). | + | * Keep the Master volume low (3.50). Turn up Presence, add Mids |
* Reworked in firmware 10.x | * Reworked in firmware 10.x | ||
* Bogner manual: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam" | * Bogner manual: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam" | ||
Line 655: | Line 660: | ||
|= '''PEAVEY 5150, LEAD CHANNEL, HI-INPUT''' | |= '''PEAVEY 5150, LEAD CHANNEL, HI-INPUT''' | ||
− | ''Based | + | ''Based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"'' |
− | * Cabinet suggestion: | + | * This model is probably based on a first generation 5150 (block letters) |
+ | * Cabinet suggestion: 4x12 South. Alternative: Red Wirez Sheffield | ||
* Original controls: ... | * Original controls: ... | ||
* Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated" | * Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated" | ||
Line 670: | Line 676: | ||
|= '''SOLDANO X99 PREAMP: CLEAN / RHYTHM / LEAD''' | |= '''SOLDANO X99 PREAMP: CLEAN / RHYTHM / LEAD''' | ||
− | ''Based on the Clean / Rhythm / Lead | + | ''Based on the Clean / Rhythm / Lead Channel of a very highly regarded rack mount preamplifier'' |
* Cabinet suggestion: n/a | * Cabinet suggestion: n/a | ||
Line 696: | Line 702: | ||
|= '''CAROLANN OD-2R, OVERDRIVE CHANNEL''' | |= '''CAROLANN OD-2R, OVERDRIVE CHANNEL''' | ||
− | ''Based on the celebrated | + | ''Based on the celebrated OD2r from CarolAnn Amplifiers as designed by the highly respected Alan Phillips. Alan fine-tuned the Axe-Fx version himself!'' |
* Introduced in 9.01, improved in 9.03 (collaberation with the designer of Carol-Ann amps) | * Introduced in 9.01, improved in 9.03 (collaberation with the designer of Carol-Ann amps) | ||
Line 728: | Line 734: | ||
* Introduced in 10.00 | * Introduced in 10.00 | ||
− | * Original controls for Clean channel: Treble | + | * Original controls for Clean channel: Bass/Treble, Volume and Master, Bright switch (less to none effective the higher Drive is set) |
+ | * Original controls for Lead channel: Gain and Master, Bass/Middle/Treble, Presence, Bright switch (less effective the higher Drive is set but still noticeable, off by default) | ||
+ | * The Boost, Mode and Shift controls on the real amp are not modeled | ||
* Cabinet suggestion: 4x12 German or V30. Alternative: Red Wirez Bogner, Ownhammer V30 | * Cabinet suggestion: 4x12 German or V30. Alternative: Red Wirez Bogner, Ownhammer V30 | ||
* If the Shiva Ld sim sounds harsh, try turning up the Master Volume | * If the Shiva Ld sim sounds harsh, try turning up the Master Volume | ||
− | * Shiva Ld is quite dark, turn up Presence | + | * Shiva Ld is quite dark, turn up Presence |
* [http://www.bogneramplification.com/customshop/MP3.php Sound clips] | * [http://www.bogneramplification.com/customshop/MP3.php Sound clips] | ||
* [http://www.bogneramplification.com/customshop/ShivaInfo.php Information] | * [http://www.bogneramplification.com/customshop/ShivaInfo.php Information] | ||
Line 759: | Line 767: | ||
|= '''MARSHA / FRIEDMAN by Rack Systems: BROWN EYE / HAIRY BROWN EYE''' | |= '''MARSHA / FRIEDMAN by Rack Systems: BROWN EYE / HAIRY BROWN EYE''' | ||
− | MARSHA BE: ''The Rack Systems Marsha | + | MARSHA BE: ''The Rack Systems Marsha is a new amp by renowned rig builder/amp modder/designer Dave Friedman. This guy knows tone! Here is the amp's Brown Eye channel'' |
− | MARSHA HBE: ''The Marsha's | + | MARSHA HBE: ''The Marsha's Hairy Brown Eye channel is chock full of even more attitude with some pretty wicked gain on tap'' |
* Original amp: EL34-based modded Marshall Plexi-style tube amp. Single channel, two voicings | * Original amp: EL34-based modded Marshall Plexi-style tube amp. Single channel, two voicings | ||
* Introduced in 10.00 | * Introduced in 10.00 | ||
− | * The amp | + | * The name of the real amp name has been changed from Marsha to Friedman |
− | * Original controls: | + | * Original controls: Gain and Master, Bass/Middle/Treble, Presence, no Bright |
− | * Keep the Master low (3.50), experiment with | + | * Keep the Master low (3.50), experiment with Bright or turn up Presence |
* Cabinet suggestion: greenbacks (4x12 Green, 4x12 20w or 25w), G12H30 (4x12 30w) or something with V30s. Alternative: Red Wire Marshall, Ownhammer H75 or M75 | * Cabinet suggestion: greenbacks (4x12 Green, 4x12 20w or 25w), G12H30 (4x12 30w) or something with V30s. Alternative: Red Wire Marshall, Ownhammer H75 or M75 | ||
* [http://www.rig-talk.com/forum/viewforum.php?f=57 Forum] | * [http://www.rig-talk.com/forum/viewforum.php?f=57 Forum] | ||
* [http://www.tonemerchants.com/products/amplifiers/marsha/by-rack-systems1 Amp information] | * [http://www.tonemerchants.com/products/amplifiers/marsha/by-rack-systems1 Amp information] | ||
* [http://www.youtube.com/watch?v=h9NISyViNBM YouTube clip with sample settings] | * [http://www.youtube.com/watch?v=h9NISyViNBM YouTube clip with sample settings] |
Latest revision as of 10:14, 16 July 2011
This is a list of the amps the Axe-Fx G1 models emulate, including their descriptions (manual and website), suggestions for matching cabinets and additional notes. The text in italics originates from the manual or website.
Axe-Fx name | Details of model |
---|---|
TUBE PRE | = STUDIO TUBE PREAMP
This is a completely neutral, low-gain tube pre-amp simulation. Useful for warming up vocals and other instruments as well as direct guitar sound
|
JAZZ | = ROLAND JAZZ CHORUS JC-120
This model is based on a 2x12 solid-state combo amp, known for its warm, midrange-thick sound and built-in stereo chorus
|
BROWNFACE | = FENDER VIBROVERB
Our model is based on a 40W combo that's great for clear or grinding cleans and gutsy blues. This amp breaks up nicely, especially when the Master is cranked
|
59 BASSGUY (formerly: BLUES) | = FENDER BASSMAN
Model based on the Fender Bassman®, a low-to-medium gain amp designed for bass but more widely adopted by guitarists for its great blues and rock tones
|
DELUXE VERB (formerly: TWEED) | = FENDER DELUXE REVERB (AB763)
Model based on a 1965 Fender Deluxe Reverb® 1x12 combo. This model has great chimey tone with nice power amp breakup when you push the MASTER
|
DOUBLE VERB (formerly: BLACKFACE) | = FENDER TWIN REVERB
Based on a blackface Fender Twin Reverb® 100-watt 2x12" combo, running the “Normal” channel. Known for amazing clean sounds it also breaks up very nicely
|
CLASS A | = VOX AC30
Model based on the Vox AC30®, a combo that dominated the British Invasion sound. This model has the same gritty character, warm tone, and very playable feel
|
TOP BOOST | = VOX AC30TBX TOPBOOST
Model based on the Vox AC30TBX® Top Boost, an amp created in response to demand for "More Treble". Great highs and slightly reduced bass
|
PLEXI 1 | = MARSHALL SUPER LEAD (MODEL 1959 a.k.a. PLEXI)
Based on the classic British amp head that gave rise to the Marshall stack: the Super Lead Model 1959 Plexi. Great for crunchy rhythm work
|
BRIT 800 | = MARSHALL JCM800 (MODEL 2204)
Model based on the vaunted Marshall JCM800 (model 2204). Bring the Master up and the true 80s rock tone of this beast comes out
|
BRIT 900 | = MARSHALL JCM900
Based on the Marshall JCM900m this amp offers more tone shaping, more gain, and a solid-state clipping circuit for a raspier sound
|
BROWN | = EDDIE VAN HALEN'S MODDED MARSHALL
A faithful recreation of the pure, raw (some might say erupting...) "Brown Sound" -- the signature tone of perhaps the best-known guitarist of the late '70s/'80s
|
BOUTIQUE 1
BOUTIQUE 2 |
= MATCHLESS CHIEFTAIN: RHYTHM / LEAD
BOUTIQUE 1: Based on the Matchless Chieftain, known for its liquid tone and endless sustain -- a medium-gain amp, thick, yet crisp, with a fair amount of power amp breakup BOUTIQUE 2: Also based on the Matchless Chieftain but with a boost engaged for more gain and high-frequency emphasis. Great for leads
|
HIPOWER 1
HIPOWER 2 |
= HIWATT DR103: NORMAL / BRILLIANT CHANNEL
HIPOWER 1: Based on this medium-gain, full sound amp... unique tone-stack and a chimey grinding tone. Your ears may go numb (comfortably) with this one HIPOWER 2: A brighter model based on the amp’s "Brilliant" channel. Who's next to to plug in to this inspired amp model?
|
USA CLEAN | = MESA BOOGIE MKIV, CLEAN RHYTHM 1 CHANNEL
A somewhat neutral clean sounding model that can pushed into warm clipping. Based on a Mesa Boogie MKIV Rhythm 1 channel
|
USA RHY 1
USA RHY 2 |
= MESA BOOGIE MKIV, CRUNCH RHYTHM 2 CHANNEL: FAT SWITCH NOT ACTIVE / ACTIVE
USA RHY 1: A crunchy California rhythm sound based on a the Rhythm2 channel with the Mid Boost (“Fat”) switch OFF USA RHY 2: Based on the MKIV Rhythm 2 channel, this time with the Mid Boost (“Fat”) switch ON for a more focused sound and a bit more gain
|
USA LEAD 1
USA LEAD 2 |
= MESA BOOGIE MKIV Lead: Treble Shift NO / YES
USA LEAD 1: This model has a tight, focused, hi-gain sound great for fusion and rock leads. Based on the Lead channel with the Treble Shift disengaged USA LEAD 2: Based on a MKIV, the Treble Shift gives this amp a slightly different character with a little more cut
|
RECTO ORANGE
RECTO RED |
= MESA BOOGIE 2-CHANNEL DUAL RECTIFIER (OLD, SMALL LOGO): VINTAGE ORANGE CHANNEL (RHYTHM) / MODERN RED CHANNEL (LEAD)
RECTO ORANGE: Based on a the original Mesa Boogie 2-channel Dual Rectifier in the "Vintage" (Orange) channel (rhythm) RECTO RED: Based on the Modern (Red) "Lead" channel, this is a high gain masterpiece with crushing power and tightness
|
SOLO 100 | = SOLDANO SUPER LEAD OVERDRIVE (SLO-100)
The SLO-100® is noted for its hot-rod chrome chassis, aggressive rhythm tone, and snarling lead sound
|
SPEC OD1
SPEC OD2 |
= DUMBLE OVERDRIVE SPECIAL: CLEAN / LEAD
SPEC OD1: Based on the Clean channel of a coveted but rare amp made famous by Robben Ford and Larry Carlton, among others SPEC OD2: Based on this amp's foot-switchable Lead channel with great singing sustain and tone appropriate for modern blues, fusion, and more
|
EURO BLUE
EURO RED |
= 20TH ANN. BOGNER ECSTASY (XTC): BLUE / RED CHANNEL
EURO BLUE: Based on the 20th Anniversary model, this amp type simulates the overdrive channel with the BOOST and STRUCTURE switches OFF EURO RED: This is based on the Red Channel with BOOST and STRUCTURE switches ON. Lots of gain and plenty of low-end chunk along with a crispy top-end
|
UKGC30 | = LANEY GC30V
Based on the marriage of a USA style pre-distortion tone-stack, British voicing and Class A power amp. Great for lower-gain leads with nice sustain qualities
|
BUTTERY | = BUDDA TWINMASTER
This model is loosely based on a late 90s Budda Twinmaster. A low gain amp, it relies mostly on power amp distortion. Try a drive in front for smooth lines
|
FAS METAL | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom type similar to a JCM but with more gain and grind. This simulation features quite a bit of high- emphasis along with a modified British tone-stack
|
FAS BIG HAIR | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Spandex, studded wrist bands, pyrotechnics and this custom creation by Fractal Audio Systems are all you'll need to re-live the 80's metal scene
|
FAS HELLBEAST | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A radical custom amplifier model designed with an unconventional tone-stack by Fractal Audio Systems
|
FAS SUPERTWEED | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
This model designed by Fractal is like a vintage Tweed amplifier on steroids
|
FAS FUSION | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
This model designed by Fractal Audio Systems has a smooth, thick tone good for fusion/blues solo work
|
FAS CLEAN | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Combines the best features of the Blackface and the USA Clean models into a hybrid that's great for a variety of uses
|
FAS CRUNCH | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
Combines the best features of the British and USA crunch models for grinding tones that are evocative and innovative at the same time
|
FAS LEAD 1 | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom amp by Fractal Audio Systems, this model is a neutral high gain lead with a tight midrange
|
FAS LEAD 2 | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A custom amp by Fractal Audio Systems, this model has more sizzle and gain the the FAS Lead I
|
FAS MODERN | = FRACTAL AUDIO SYSTEMS: CUSTOM MODEL
A high gain hybrid model custom designed by Fractal Audio Systems. Equally well suited to modern rhythm and lead work
|
JR BLUES | = FENDER BLUES JR
Based on a modern combo with two EL84s and a single 12" speaker. The original became an instant classic because of its gutsy tone at manageable volumes
|
BRIT PRE | = MARSHALL JMP-1 PREAMP
Based on a rack-mount preamplifier version of the Brit 900. The preamp gained notoriety for its crunchy tone and was made popular by ZZ Top and Def Leppard
|
ENERGYBALL | = ENGL POWERBALL, LEAD CHANNEL
Based on a very high-gain amplifier from Germany with lots of bass. Great for aggressive, drop-tuned riff work
|
RECTO NEW | = MESA BOOGIE 3-CHANNEL DUAL RECTIFIER, RED "MODERN" CHANNEL
Based on the modern version of the Dual Rectifier amps. Circuit changes made this version more aggressive
|
HAD ODS 1 | = DUMBLE OVERDRIVE SPECIAL
A revised model based on detailed analysis of a very rare Dumble Overdrive Special as used by the likes of Larry Carlton and Robben Ford
|
WRECKER 1 | = TRAINWRECK EXPRESS
Based on the Trainwreck Express—a high quality handmade amp designed and built by Ken Fischer
|
BRIT JM45 | = MARSHALL JTM45
Based on a vintage Marshall JTM45 blues amplifier. This amp made famous by Clapton and others was actually a modified version of the original Bassman
|
DAS METALL | = DIEZEL VH4
Based on a high-gain, boutique amplifier head famous for its powerful, heavy and aggressive sound
|
PLEXI 2 | = MARSHALL SUPER LEAD (MODEL 1959)
Similar to Plexi 1 but with a different "bright cap" value and transformer model. Lower gain and more "vintage" sounding
|
SV BASS | = AMPEG SVT
Based on the Ampeg SVT (“Super Valve Technology”) that is used for decades by famous bassists the world over
|
CA3+ RHY
CA3+ LD |
= CUSTOM AUDIO ELECTRONICS 3+ SE: RHYTHM CHANNEL 2 / LEAD CHANNEL 3
CA3+ RHY: Based on channel 2 (Rhythm) of the 3+ SE preamp by CAE. For Ch. 1 (Clean), use the "DOUBLE VERB" model) CA3+ LD: Based on channel 3 (Lead) of the 3+ SE preamp by CAE designed by Bob Bradshaw
|
Eggie R20 | = EGNATER REBEL 20
Based on the Egnater Rebel 20 20W amplifier head, offering perfect proof that good things really DO come in small packages, (or in this case, DSP packages)
|
USA IIC+ 1
USA IIC+ 2 |
= MESA BOOGIE MARK II LEAD: PULL BRIGHT OFF / ON
USA IIC+ 1: Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright OFF USA IIC+ 2: Based on a US-made amp famous for its smooth overdrive sound. This model has the pull bright ON
|
FRYETTE D60L
FRYETTE D60M |
= VHT DELIVERANCE 60: LESS / MORE
FRYETTE D60L: Based on the Fryette Amplification D60 in the "Less" mode FRYETTE D60M: Based on the Fryette Amplification D60 in the "More" mode
|
MR. Z 38 SR | = DR. Z MAZ 38 Senior
Based on the Dr. Z Maz 38 SR, an amp popular with country and roots players
|
EURO UBER | = BOGNER UBERSCHALL, HIGH-GAIN CHANNEL
Based on the aggressive " High Gain" channel of a 120W head, this model is reminiscent of an 800, modded for heavier, grinding lows and what some call insane gain
|
PVH 5105 | = PEAVEY 5150, LEAD CHANNEL, HI-INPUT
Based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"
|
Solo X99 Clean
Solo X99 Rhythm Solo X99 Lead |
= SOLDANO X99 PREAMP: CLEAN / RHYTHM / LEAD
Based on the Clean / Rhythm / Lead Channel of a very highly regarded rack mount preamplifier
|
Corncob R100 | = CORNFORD RK100
Based on a boutique British amplifier, the Cornford RK100, which is said to have a Plexi-Meets-Modern tone and feel with both subtlety and big cojones
|
CAROLANN OD2 | = CAROLANN OD-2R, OVERDRIVE CHANNEL
Based on the celebrated OD2r from CarolAnn Amplifiers as designed by the highly respected Alan Phillips. Alan fine-tuned the Axe-Fx version himself!
|
CITRUS RV50 | = ORANGE ROCKERVERB 50, DIRTY CHANNEL
We find that this model, based on the "dirty" channel of the 50W head offers all the warmth, tonal quality and rich harmonics generated by the valve-based original
|
SHIVER CLN
SHIVA LD |
= BOGNER SHIVA: CLEAN CHANNEL / LEAD CHANNEL
SHIVA CLN: Based on the 90 watt anniversary model of this versatile amp, this model does powerful shimmering cleans SHIVA LD: Based on the lead channel of this amp -- sweet rich sounding with an aggressive English style midrange punch
|
1987X MOD | = MARSHALL 1987X PLEXI, MODDED (BRIGHT CAP REMOVED)
This model based on the 1987X Plexi features what many consider to be an "essential" mod to the amp's tonestack
|
MARSHA BE BE
MARSHA HBE HBE |
= MARSHA / FRIEDMAN by Rack Systems: BROWN EYE / HAIRY BROWN EYE
MARSHA BE: The Rack Systems Marsha is a new amp by renowned rig builder/amp modder/designer Dave Friedman. This guy knows tone! Here is the amp's Brown Eye channel MARSHA HBE: The Marsha's Hairy Brown Eye channel is chock full of even more attitude with some pretty wicked gain on tap
|