Difference between revisions of "List of amp simulations"
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|= Egnater Rebel 20 | |= Egnater Rebel 20 | ||
− | * Manual: | + | * Manual: based on a popular “rebellious” 20W amplifier head |
+ | * Website: "based on the Egnater Rebel 20 20W amplifier head, offering perfect proof that good things really DO come in small packages, (or in this case, DSP packages)" | ||
* Cabinet: ? | * Cabinet: ? | ||
* Controls: ... | * Controls: ... | ||
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|- | |- | ||
|USA IIC+ 1 | |USA IIC+ 1 | ||
− | |= Mesa Boogie | + | |= Mesa Boogie Mark II Lead, Pull Bright off |
− | * Manual: | + | * Manual: based on an early model of the USA type famous for its smooth overdrive sound. This model is with the pull bright off |
+ | * Website: idem | ||
* Cabinet: Cali, Recto1, Recto2. Alternative: Red Wirez Mesa IR | * Cabinet: Cali, Recto1, Recto2. Alternative: Red Wirez Mesa IR | ||
* Controls: ... | * Controls: ... | ||
Line 647: | Line 649: | ||
|- | |- | ||
|USA IIC+ 2 | |USA IIC+ 2 | ||
− | |= Mesa Boogie | + | |= Mesa Boogie Mark II Lead, Pull Bright on |
− | * Manual: | + | * Manual: based on an early model of the USA type famous for its smooth overdrive sound. This model is with the pull bright on |
+ | * Website: idem | ||
* Cabinet: Cali, Recto1, Recto2. Alternative: Red Wirez Mesa IR | * Cabinet: Cali, Recto1, Recto2. Alternative: Red Wirez Mesa IR | ||
* Controls: ... | * Controls: ... | ||
Line 659: | Line 662: | ||
|= VHT Deliverance 60, Less mode | |= VHT Deliverance 60, Less mode | ||
− | * Manual: | + | * Manual: "based on Fryette Amplification D60 in the “Less” mode" |
+ | * Website: idem | ||
* Cabinet: one that comes close to a 2x12 or 4x12 with Eminence 50w speakers. Alternative: Red Wirez Soldano IR | * Cabinet: one that comes close to a 2x12 or 4x12 with Eminence 50w speakers. Alternative: Red Wirez Soldano IR | ||
* Controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth | * Controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth | ||
Line 671: | Line 675: | ||
|= VHT Deliverance 60, More mode | |= VHT Deliverance 60, More mode | ||
− | * Manual: | + | * Manual: "based on Fryette Amplification D60 in the “More” mode" |
+ | * Website: idem | ||
* Cabinet: one that comes close to a 2x12 or 4x12 with Eminence 50w speakers. Alternative: Red Wirez Soldano IR | * Cabinet: one that comes close to a 2x12 or 4x12 with Eminence 50w speakers. Alternative: Red Wirez Soldano IR | ||
* Controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth | * Controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth | ||
Line 700: | Line 705: | ||
* Start with all controls at 1 o'clock (original amp settings). | * Start with all controls at 1 o'clock (original amp settings). | ||
* From the Bogner manual: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam" | * From the Bogner manual: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam" | ||
− | |||
* Reworked in firmware 10.x | * Reworked in firmware 10.x | ||
* [http://www.fractalaudio.com/forum/search.php?keywords=uber*+bogner&terms=all&author=&sc=1&sf=all&sk=t&sd=d&sr=posts&st=0&ch=300&t=0&submit=Search Forum search] | * [http://www.fractalaudio.com/forum/search.php?keywords=uber*+bogner&terms=all&author=&sc=1&sf=all&sk=t&sd=d&sr=posts&st=0&ch=300&t=0&submit=Search Forum search] | ||
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* Manual: "based on a popular amplifier designed with the help of EVH" | * Manual: "based on a popular amplifier designed with the help of EVH" | ||
− | * Website: " | + | * Website: "based on the high input lead channel of a high gain amp with the same name as an album so called for the California police code for "criminally insane"" |
* Cabinet: 4x12 20w, 4x12 25w, 4x12 Green. Alternative: Red Wirez 5150 IR | * Cabinet: 4x12 20w, 4x12 25w, 4x12 Green. Alternative: Red Wirez 5150 IR | ||
* Controls: ... | * Controls: ... |
Revision as of 13:55, 20 June 2010
This is a list of the amps the Axe-Fx simulates, plus the description in the manual, suggestions for cabinets and lots of additional notes.
Axe-Fx name | Details of emulated amp |
---|---|
TUBE PRE | = Studio tube preamp
|
JAZZ | = Roland Jazz Chorus JC-120
|
BROWNFACE | = Fender Vibroverb
|
59 BASSGUY (formerly: BLUES) | = Fender Bassman
|
DELUXE VERB (formerly: TWEED) | = Fender Deluxe Reverb (AB763)
|
DOUBLE VERB (formerly: BLACKFACE) | = Fender Twin Reverb
|
CLASS A | = Vox AC30
|
TOP BOOST | = Vox AC30TB TopBoost
|
PLEXI 1 | = Marshall Super Lead (model 1959 a.k.a. Plexi)
|
BRIT 800 | = Marshall JCM800 (model 2204)
|
BRIT 900 | = Marshall JCM900
|
BROWN | = Eddie van Halen's modded Marshall
|
BOUTIQUE 1 | = Matchless Chieftain
|
BOUTIQUE 2 | = Matchless Chieftain w/ Booster
|
HIPOWER 1 | = Hiwatt 'Normal' Channel
|
HIPOWER 2 | = Hiwatt 'Brilliant' Channel
|
USA CLEAN | = MKIV Clean (Rhythm 1 channel)
|
USA RHY 1 | = MKIV Crunch (Rhythm 2 channel, FAT switch not active)
|
USA RHY 2 | = MKIV Crunch (Rhythm 2 channel, FAT switch active)
|
USA LEAD 1 | = MKIV Lead (Treble Shift not active)
|
USA LEAD 2 | = MKIV Lead (Treble Shift active)
|
RECTO ORANGE | = Mesa 2-channel Dual Rectifier, Vintage Orange channel (rhythm)
|
RECTO RED | = Mesa 2-channel Dual Rectifier, Modern Red channel (lead)
|
SOLO 100 | = Soldano Super Lead Overdrive (SLO-100)
|
SPEC. OD 1 | = Dumble Overdrive Special Clean
|
SPEC. OD 2 | = Dumble Overdrive Special Lead
|
EURO Blue | = 20th Anniversary Bogner Ecstasy (XTC), Blue Channel
|
EURO Red | = 20th Anniversary Bogner Ecstasy (XTC), Red Channel
|
UK GC30 | = Laney GC30V
|
BUTTERY | = Loosely based on a Budda Twinmaster
|
METAL | = FAS Custom Model
|
BIG HAIR | = FAS Custom Model
|
HELLBEAST | = FAS Custom Model
|
SUPERTWEED | = FAS Custom Model
|
FUSION | = FAS Custom Model
|
FAS CLEAN | = FAS Custom Model
|
FAS CRUNCH | = FAS Custom Model
|
FAS LEAD 1 | = FAS Custom Model
|
FAS LEAD 2 | = FAS Custom Model
|
FAS MODERN | = FAS Custom Model
|
JR BLUES | = Fender Blues Jr.
|
BRIT PRE | = Marshall JMP-1 preamp. The power amp is from the JCM 800
|
ENERGYBALL | = ENGL Powerball, Lead Channel
|
RECTO NEW | = Mesa 3-channel Dual Rectifier, Red channel set to Modern
|
HAD ODS 1 | = Dumble Overdrive Special
|
WRECKER 1 | = Trainwreck
|
BRIT JM45 | = Marshall JTM45
|
DAS METALL | = Diezel VH4
|
PLEXI 2 | = Similar to Plexi 1 but with a different “bright cap” value and different transformer model. Lower gain and more “vintage” sounding
|
SV BASS | = Ampeg SVT
|
CA3+ RHY | = Custom Audio Electronics 3+ SE preamp, channel # 2 (crunch)
|
CA3+ LD | = Custom Audio Electronics 3+ SE preamp, channel # 3 (lead)
|
Eggie R20 | = Egnater Rebel 20
|
USA IIC+ 1 | = Mesa Boogie Mark II Lead, Pull Bright off
|
USA IIC+ 2 | = Mesa Boogie Mark II Lead, Pull Bright on
|
Fryer D60L | = VHT Deliverance 60, Less mode
|
Fryer D60M | = VHT Deliverance 60, More mode
|
Mr. Z 38 SR | = Dr. Z Maz 38 SR
|
Euro Uber | = Bogner Übershall (high-gain channel)
|
PVH 5105 | = Peavey 5150, Lead channel
|
Solo X99 Clean | = Soldano X99 Preamp (Clean)
|
Solo X99 Rhythm | = Soldano X99 Preamp (Rhythm)
|
Solo X99 Lead | = Soldano X99 Preamp (Lead)
|
Corncob R100 | = Cornford RK100
|
CarollAnn OD2 | = Carol-Ann OD-2 (overdrive channel)
|
Citrus RV50 | = Orange Rockerverb 50
|
Shiver Cln | = Bogner Shiva, Clean channel
|
Shiver Ld | = Bogner Shiva, Lead channel
|
1987X MOD | = Marshall 1987X (Bright channel with Bright casp removed)
|
Marsha BE | = Marsha by Rack Systems, Brown Eye voicing
|
Marsha HBE | = Marsha by Rack Systems, Hairy Brown Eye voicing
|