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March 2024: all pages have been checked and are up-to-date

Difference between revisions of "Multitap Delay block"

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__TOC__
 
__TOC__
 
[[image:Iii multitap-delay.jpg|link=|300px]]
 
  
 
=Available on which products=
 
=Available on which products=
  
 
* '''Axe-Fx III''': 2 blocks
 
* '''Axe-Fx III''': 2 blocks
* '''FM3''': 1 block
+
* '''FM3''', '''FM9''': 1 blocks  
* '''FM9''': 1 blocks  
+
* '''Axe-Fx II''', '''AX8''', '''FX8''': no
* '''Axe-Fx II''': no
+
 
* '''AX8''': no
+
=Channels or X/Y=
* '''FX8''': no
+
 
 +
* '''Axe-Fx III''', '''FM9''', '''FM3''': 4 channels
 +
 
 +
=About the Multitap Delay block=
 +
 
 +
The Multitap Delay block provides many types, partly provided by forum member and effects guru Simeon.
 +
 
 +
On the Axe-Fx II, AX8 and FX8, the functionality of the Multitap Delay block was part of the discontinued [[Multi Delay block]].
 +
 
 +
More information is in the [[Owners_Manuals|Owner's Manual]].
 +
 
 +
=Multitap Delay types=
 +
 
 +
# 1210: based on TC's 1210 Spatial Expander / Stereo Chorus Flanger
 +
# A.H. Clean Long: based on Allan Holdsworth's use of Yamaha's UD Stomp
 +
# A.H. Clean Short
 +
# A.H. Lead Long
 +
# A.H. Lead Short
 +
# A.H. Swell Long
 +
# A.H. Swell Short
 +
# Aerosol: based on a chorus preset in the Lexicon MPX 1
 +
# Ambient Quad Tape
 +
# Ambient Tape Delay
 +
# Aurora Delay: based on the Keeley HALO Andy Timmons delay pedal. [https://forum.fractalaudio.com/threads/keeley-halo.185333/post-2288551 Robert Keely personally offered some insight and a diagram]
 +
# Circular Delays
 +
# Comb Filter Delay
 +
# Dub Echo
 +
# Filtered Mod Band Delay
 +
# L-C-R-C
 +
# MD Chorus
 +
# Mono Diffusor
 +
# PCM Circular: based on Lexicon's PCM
 +
# PCM Pan: based on Lexicon's PCM
 +
# Pealing Bells
 +
# Quad Chorus (recreates the sound of the Quad Chorus block in previous generation hardware)
 +
# Quad Diffusor
 +
# Quad Parallel Delay
 +
# Quad Series Delay
 +
# Quad Tap Band Delay
 +
# Quad Tape Delay
 +
# Quad-Tap Delay
 +
# Rhythmic Bands
 +
# Shadows Taps
 +
# Space Tape: based on the Roland Space Echo Tape Delay
 +
# Stereo Shadows
 +
# Swing Ping
 +
# Ya-Ya Delay
  
=Channels or X/Y switching=
+
=Multitap Delay diagrams=
  
* '''Axe-Fx III''' and '''FM9''' and '''FM3''': 4 channels
+
[[image:Quad-Parallel Delay.png|400px]]
  
=What is the Multitap Delay=
+
[[image:Quad-Tap Delay.png|450px]]
  
The Multitap Delay is a dedicated effect block in firmware Ares and later.
+
[[image:Quad-Series Delay.png|450px]]
  
On the Axe-Fx II, AX8 and FX8, its functionality is part of the [[Multi Delay block]].
+
=Spillover=
  
More information in the [[Owners_Manuals|Owner's Manual]]
+
The block supports [[Spillover]] between presets.
  
=Factory presets=
+
=Parameters=
  
The MTD block is showcased in some factory presets. Search the [[Factory presets]] page for "multitap".
+
==Diffusion==
 +
 
 +
Diffusion has its own LFO modulation parameters.
 +
 
 +
From the Blocks Guide:
 +
 
 +
<blockquote><HR><blockquote>
 +
Since the Diffusor borrows many of its default settings from the other Multitap delay types, you may not immediately get classic sounds when you select it. Try the following settings for a lush reverb-like blanket effect.
 +
 
 +
Begin by resetting the channel and then setting its type to “DIFFUSOR”. Now make the following settings:
 +
 
 +
* Time 1: 400 ms
 +
* Time 2: 647 ms
 +
* Time 3: 1047 ms
 +
* Time 4: 1694 ms
 +
 
 +
Change all four Tempo parameters to “NONE”.
 +
 
 +
Now we’re ready to listen to these very long times. Play a short sharp note or noise and listen to how the echoes build in density as they feed back into each other. Now lower the Master Time to 50% and repeat the test. Now lower Master Time further to about 20% and you’ll start to understand how what sounds like a clutter of echoes at long times becomes a rich reverb-like diffusion effect at shorter times. Experiment with other Time and Feedback settings, modulation, and even Tempo to vary the texture of the effect.
 +
</blockquote></blockquote>
  
=Adding ring modulation to delays=
+
==Ring modulation==
  
 
Single-sideband (SSB) ring modulators can be used to create strange and interesting echo sounds. To defeat the modulators, turn Master Ring Mod Mix to 0.
 
Single-sideband (SSB) ring modulators can be used to create strange and interesting echo sounds. To defeat the modulators, turn Master Ring Mod Mix to 0.
  
=Built-in Envelope follower=
+
==Envelope follower==
  
 
The Multitap Delay has its own Envelope Follower, allowing volume swells.
 
The Multitap Delay has its own Envelope Follower, allowing volume swells.
  
The [[Owners_Manuals|Owner's Manual]] recommends these settings: Threshold -70, Attack 400, Release 15.
+
The [[Owners Manuals]] recommend these settings: Threshold -70, Attack 400, Release 15.
  
=Parameters=
+
=Tips, tricks and troubleshooting=
 +
 
 +
==Factory presets==
 +
 
 +
The MTD block is showcased in some factory presets. Search the [[Factory presets]] page for "multitap".
 +
 
 +
==Use the Multitap Delay as a chorus==
  
==Parameters table==
+
Individual delay lines in the Multitap Delay block can act a choruses. Each delay line has a LFO. The rate and depth of each LFO is individually adjustable. These add to the main LFOs which modulate each delay line at the same frequency but different phases. By using short delay times the Multitap Delay block can act as four parallel choruses, each with independent rate and depth.
  
{| class="wikitable"
+
<blockquote>'''FRACTAL AUDIO QUOTES'''<HR></blockquote>
|-
+
<blockquote>
! '''Parameter'''
+
<blockquote>
! '''Axe-Fx III / FM3 / FM9'''
+
[http://forum.fractalaudio.com/threads/axe-fx-iii-firmware-version-1-13-beta.140483/#post-1664888]
|-
+
Four fully independent chorus voices, each with its own LFO and fully parametric control of time, level, pan, and tone, plus two global LFOs? It's a more versatile and powerful unit than a Tri-Chorus or the previous Fractal Audio "Quad Chorus", and in my quick experiments, easy to dial in so it sounds GREAT. Did I mention Feedback? It's actually a QUAD-CHORO-FLANGE! And you have two of them? [http://www.fractalaudio.com/tmp/Ares-Quad-Choro-Flange.mp3 audio] I'm also thrilled to be using just one block to recreate my trust Ibanez BC-9, which was simply a 2-voice chorus with separate rate and depth on the left and the right. That unit has some very cool sounds.
| Type
+
</blockquote>
! yes
+
</blockquote>
|-
 
| Config
 
! yes
 
|-
 
| Input Select
 
! yes
 
|-
 
| Global Mix
 
! yes
 
|-
 
| '''Master:'''
 
!
 
|-  
 
| Master Time
 
! yes
 
|-
 
| Master Feedback
 
! yes
 
|-
 
| Master Level
 
! yes
 
|-
 
| Master Pan
 
! yes
 
|-
 
| Master Frequency
 
! yes
 
|-
 
| Master Q
 
! yes
 
|-
 
| Master LFO Rate
 
! yes
 
|-
 
| Master LFO Depth
 
! yes
 
|-
 
| Master Filter Freq
 
! yes
 
|-
 
| Master Filter Q
 
! yes
 
|-
 
| Master Chorus Rate
 
! yes
 
|-
 
| Master Chorus Depth
 
! yes
 
|-
 
| Master Comb Time
 
! yes
 
|-
 
| Master Comb Depth
 
! yes
 
|-
 
| Master Ring Mod Freq
 
! yes
 
|-
 
| Master Ring Mod Mix
 
! yes
 
|-
 
| Drive
 
! yes
 
|-
 
| '''Diffuser:'''
 
!
 
|-
 
| Diffusion Mix, Time, LFO Rate, LFO Depth
 
! yes
 
|-
 
| '''Ducker:'''
 
!
 
|-
 
| Threshold
 
! yes
 
|-
 
| Attenuation
 
! yes
 
|-
 
| Release Time
 
! yes
 
|-
 
| '''Envelope Follower:'''
 
!
 
|-  
 
| Threshold
 
! yes
 
|-
 
| Attack Time
 
! yes
 
|-
 
| Release Time
 
! yes
 
|-
 
| '''Delay:'''
 
!
 
|-
 
| Time 1-4
 
! yes
 
|-
 
| Tempo 1-4
 
! yes
 
|-
 
| Feedback 1-4
 
! yes
 
|-
 
| Level 1-4
 
! yes
 
|-
 
| Pan 1-4
 
! yes
 
|-
 
| Feedback Send
 
! yes
 
|-
 
| Feedback Return
 
! yes
 
|-
 
| '''EQ:'''
 
!
 
|-
 
| Type
 
! yes
 
|-
 
| Frequency
 
! yes
 
|-
 
| Q
 
! yes
 
|-
 
| Gain
 
! yes
 
|-
 
| Low Cut, High Cut
 
! yes
 
|-
 
| Low Cut Slope, Hi Cut Slope
 
! yes
 
|-
 
| '''Modulation:'''
 
!
 
|-
 
| LFO 1,2 Type
 
! yes
 
|-
 
| LFO 1,2 Rate
 
! yes
 
|-
 
| LFO 1,2 Tempo
 
! yes
 
|-
 
| LFO 1,2 Depth
 
! yes
 
|-
 
| LFO 1,2 Phase
 
! yes
 
|-
 
| Frequency 1-4
 
! yes
 
|-
 
| Q 1-4
 
! yes
 
|-
 
| Filter LFO Type
 
! yes
 
|-
 
| Filter LFO Rate
 
! yes
 
|-
 
| Filter LFO Tempo
 
! yes
 
|-
 
| Filter LFO Depth
 
! yes
 
|-
 
| Filter LFO Phase
 
! yes
 
|-
 
| Chorus 1-4 Rate
 
! yes
 
|-
 
| Chorus 1-4 Depth
 
! yes
 
|- 
 
| Chorus LFO 1-4 Rate
 
! yes
 
|-
 
| Chorus LFO 1-4 Depth
 
! yes
 
|-
 
| Comb Filter Type
 
! yes
 
|-
 
| Comb Filter 1-4 Time
 
! yes
 
|-
 
| Comb Filter 1-4 Feedbck
 
! yes
 
|-
 
| Ring Mod 1-4 Freq
 
! yes
 
|-
 
| Ring Mod 1-4 Mix
 
! yes
 
|}
 
  
==Diffusion==
+
==Replicating the Quad Chorus==
 +
The [[Quad Chorus block]] in the previous generation of processors has not been migrated to the Axe-Fx III, FM3 and FM9. In firmware 17.01 and later, the Multitap Delay block provides a "Quad Chorus" effect type instead.
  
Diffusion has its own LFO modulation parameters.
+
Also read <q>[[Quad Chorus block]]</q>.
  
=Tips and tricks=
+
=Videos=
  
[https://www.youtube.com/watch?v=rjiK-fFHu3c Tutorial by Leon Todd]
+
[[video:Leon-MTD]]
 +
[[video:Leon-Plex2]]
 +
[[video:Leon-Intellifex]]
  
 
[[category:Axe-Fx3]]
 
[[category:Axe-Fx3]]

Latest revision as of 17:53, 6 March 2024

Available on which products

  • Axe-Fx III: 2 blocks
  • FM3, FM9: 1 blocks
  • Axe-Fx II, AX8, FX8: no

Channels or X/Y

  • Axe-Fx III, FM9, FM3: 4 channels

About the Multitap Delay block

The Multitap Delay block provides many types, partly provided by forum member and effects guru Simeon.

On the Axe-Fx II, AX8 and FX8, the functionality of the Multitap Delay block was part of the discontinued Multi Delay block.

More information is in the Owner's Manual.

Multitap Delay types

  1. 1210: based on TC's 1210 Spatial Expander / Stereo Chorus Flanger
  2. A.H. Clean Long: based on Allan Holdsworth's use of Yamaha's UD Stomp
  3. A.H. Clean Short
  4. A.H. Lead Long
  5. A.H. Lead Short
  6. A.H. Swell Long
  7. A.H. Swell Short
  8. Aerosol: based on a chorus preset in the Lexicon MPX 1
  9. Ambient Quad Tape
  10. Ambient Tape Delay
  11. Aurora Delay: based on the Keeley HALO Andy Timmons delay pedal. Robert Keely personally offered some insight and a diagram
  12. Circular Delays
  13. Comb Filter Delay
  14. Dub Echo
  15. Filtered Mod Band Delay
  16. L-C-R-C
  17. MD Chorus
  18. Mono Diffusor
  19. PCM Circular: based on Lexicon's PCM
  20. PCM Pan: based on Lexicon's PCM
  21. Pealing Bells
  22. Quad Chorus (recreates the sound of the Quad Chorus block in previous generation hardware)
  23. Quad Diffusor
  24. Quad Parallel Delay
  25. Quad Series Delay
  26. Quad Tap Band Delay
  27. Quad Tape Delay
  28. Quad-Tap Delay
  29. Rhythmic Bands
  30. Shadows Taps
  31. Space Tape: based on the Roland Space Echo Tape Delay
  32. Stereo Shadows
  33. Swing Ping
  34. Ya-Ya Delay

Multitap Delay diagrams

Quad-Parallel Delay.png

Quad-Tap Delay.png

Quad-Series Delay.png

Spillover

The block supports Spillover between presets.

Parameters

Diffusion

Diffusion has its own LFO modulation parameters.

From the Blocks Guide:


Since the Diffusor borrows many of its default settings from the other Multitap delay types, you may not immediately get classic sounds when you select it. Try the following settings for a lush reverb-like blanket effect.

Begin by resetting the channel and then setting its type to “DIFFUSOR”. Now make the following settings:

  • Time 1: 400 ms
  • Time 2: 647 ms
  • Time 3: 1047 ms
  • Time 4: 1694 ms

Change all four Tempo parameters to “NONE”.

Now we’re ready to listen to these very long times. Play a short sharp note or noise and listen to how the echoes build in density as they feed back into each other. Now lower the Master Time to 50% and repeat the test. Now lower Master Time further to about 20% and you’ll start to understand how what sounds like a clutter of echoes at long times becomes a rich reverb-like diffusion effect at shorter times. Experiment with other Time and Feedback settings, modulation, and even Tempo to vary the texture of the effect.

Ring modulation

Single-sideband (SSB) ring modulators can be used to create strange and interesting echo sounds. To defeat the modulators, turn Master Ring Mod Mix to 0.

Envelope follower

The Multitap Delay has its own Envelope Follower, allowing volume swells.

The Owners Manuals recommend these settings: Threshold -70, Attack 400, Release 15.

Tips, tricks and troubleshooting

Factory presets

The MTD block is showcased in some factory presets. Search the Factory presets page for "multitap".

Use the Multitap Delay as a chorus

Individual delay lines in the Multitap Delay block can act a choruses. Each delay line has a LFO. The rate and depth of each LFO is individually adjustable. These add to the main LFOs which modulate each delay line at the same frequency but different phases. By using short delay times the Multitap Delay block can act as four parallel choruses, each with independent rate and depth.

FRACTAL AUDIO QUOTES


[1] Four fully independent chorus voices, each with its own LFO and fully parametric control of time, level, pan, and tone, plus two global LFOs? It's a more versatile and powerful unit than a Tri-Chorus or the previous Fractal Audio "Quad Chorus", and in my quick experiments, easy to dial in so it sounds GREAT. Did I mention Feedback? It's actually a QUAD-CHORO-FLANGE! And you have two of them? audio I'm also thrilled to be using just one block to recreate my trust Ibanez BC-9, which was simply a 2-voice chorus with separate rate and depth on the left and the right. That unit has some very cool sounds.

Replicating the Quad Chorus

The Quad Chorus block in the previous generation of processors has not been migrated to the Axe-Fx III, FM3 and FM9. In firmware 17.01 and later, the Multitap Delay block provides a "Quad Chorus" effect type instead.

Also read Quad Chorus block.

Videos