Flanger block

Manual

• 5.12 Flanger [FLG]

User contributions

Flanger: Cliff's notes

• About flanging:
  • "Flanging" came about by pressing on the flange of a tape reel of two tape decks that were synchronized. This caused a SMALL delay between the two decks."
• About the flanger algorithm:
  • "The core flanger algorithm is a delay with feedback. Very little difference between using the delay block as a flanger and using the flanger block."
  • "It is basically the same as the delay block but with finer control over the base delay time. It's essentially the same algorithm."
  • "The basic algorithm IS a delay. Chorus and flangers are basically delays. If you can do it with the delay block then you can do it with the flanger block UNLESS the base time is greater than 10 ms."
  • "The issue isn't the algorithm. It's understanding the parameters and how to adjust them. Obviously things are too confusing for some people and I will have to give some thought on how to make the effect easier to adjust or clarify the controls. If anything, the flanger block is superior to the delay block for flanging because you have more precise control over the time. The delay block is quantized to 1 ms increments."
• About Depth and Time:
  • "The key is getting the depth and time right."
  • "I think the problem is people set the Depth too high. For slow rates the Depth should be between 10 and 20%."
  • "The temptation is to turn Depth up but that can actually decrease the intensity of the effect. Depth controls the sweep depth but if you turn it up you'll sweep too much and ruin the effect. Always start very low and bring it up gradually."
  • "Depth controls the sweep depth. Time controls the minimum delay time of the wet signal. Depth controls the maximum time, up to 10 ms beyond the minimum time. If you set Time to 1 ms and Depth to 100% the delay sweeps from 1 ms to 11 ms. Personally I like around 1 ms for the time and 10 - 20% for the depth."
  • "If you can do it with the delay block then you can do it with the flanger block UNLESS the base time is greater than 10 ms. I've never seen a flanger have more than 10 ms of delay since then it's really not a flanger anymore but a chorus."
  • "The Axe-Fx time parameter sets the minimum time. The modulation is unipolar on top of the base time, up to 10 ms of modulation. So the maximum time is 20 ms which is longer than the A/DA. Technically a flanger is a very short delay."
• About Feedback:
  • "Feedback was something that was added to "flangers" that were intended to emulate this effect but the original flanging technique did not have feedback. There is nothing to say a chorus can't have feedback as well. It just happens to not sound good so it's not done."
• About Delay:
  • "Delay range: 0 to 10 ms. Technically the block is capable of 0 to 20 ms but I've never found any use for that. Just sounds strange to me."
• About Mix:
  • "The ideal mix is 50% as this will create the most intense effect but sometimes a little more or less is desirable. If you deviate from 50% you'll reduce the depth of the notches caused by the comb filtering. This can make the effect more subtle but perhaps more "organic". Deep notches aren't always desirable."
• Source

Flanger: mono or stereo

• Flanger is a stereo effect but defaults to mono to prevent phase problems when used before an Amp block. To make it stereo adjust the LFO Phase parameter.

Flanger: Through-Zero flanging

• Use the Dry Delay Shift parameter for best results.

Flanger: simulating other flangers

• Javajunkie's recreations:
  • A/DA flanger
  • Electro-Harmonix Electric Mistress
• This page contains saved effect blocks which mimic existing flanger effect devices.
• Recommended "EVH" settings by Yek, based on this video.

Flanger: more information

• Wikipedia