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Enhancer block

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Available on which products

  • Axe-Fx III, FM3, FM9: 2 blocks
  • VP4: 4 blocks
  • Axe-Fx II, FX8, AX8: 1 block

Channels or X/Y

  • Axe-Fx III, FM9, FM3, VP4: 4 channels
  • Axe-Fx II, FX8, AX8: no

About the Stereo Enhancer block

The Stereo Enhancer increases stereo imaging. It's NOT a double-tracking tool.

More information about stereo enhancement and double-tracking is available in:

Input and output: mono or stereo

While a stereo INPUT signal works best with the Enhancer, the Enhancer can also stereoize a mono input signal.

Regarding the OUTPUT: Using the Enhancer makes sense only when the output is stereo. Also, don't use it if you only use one channel, either left or right, of a stereo output signal.

Read Mono and stereo for more information.

Enhancer types

Modern 
Uses multi-band techniques for a natural effect. It widens stereo signals and “stereoizes” mono signals. Low Cut and High Cut parameters allow control over the region of influence. The effect is mono-compatible: there are no phasing problems when summing to mono.
Classic 
Uses old Haas effect delay-based processing. One channel is delayed by a very small amount to increase the apparent stereo separation between the left and right channels. Try a setting of 35% = 7ms (100% = 20 ms).
Enhancer block.png
Stereoizer 
While the Classic and Modern types rely on micro-delays and inversions to create artificial stereo, the Stereoizer type uses multiple high-order filters to create a realistic stereo image. The effect is mono-compatible: there are no phasing problems when summing to mono. Don't use this type if just using one side (left or right) of a stereo output, because phasing effects may be encountered.

FRACTAL AUDIO QUOTES


The algorithm is such that when Width is zero there is significant cancellation in the right channel that will cause a shift in the balance.

[1] Classic enhancer mode is just a delay on one side (adjustable from 0 to 20 ms) plus pan & phase adjustment. The non-delayed side will tend to seem louder, just like if you used a delay block to get the same delay time.

[2] An allpass filter is a crude approach and will create comb filtering when collapsing to mono. The Stereoizer is expressly designed to prevent this.

The stereoizer rocks! Try this approach:

  1. Set Width to 100%.
  2. Set Depth to 0%.
  3. Gradually increase Depth.
  4. When you find a setting you think you like, set width to taste.

See the forum's Understanding the Enhancer block discussion for more information.

Enhancer block position on the grid

  • Place the Enhancer block at the end of the chain, before the Output section.
  • Place the Enhancer block after all mono blocks, before stereo effects.
  • Place the Enhancer block after mono blocks, and split its output into two mono blocks that each process a side of the stereo image (left or right), like Drive or Amp blocks.

Tips, tricks and troublehooting

Factory presets

The Stereo Enhancer block is present in some factory presets. Search the Factory presets wiki page for enhancer.

Create a global Enhancer effect

To create a global Enhancer, add the Enhancer block to selected presets and assign Bypass to an External controller. Now use the Initial Value parameter for that external controller in the MIDI/Remote menu to engage or bypass the block in all those presets.

Avoid phase cancellation

When summing a stereo signal to mono, the Enhancer in Classic mode can cause phase cancellation. Use the Modern or Stereoizer mode instead which are mono-compatible to prevent this.

FRACTAL AUDIO QUOTES


[3] Never put the enhancer in parallel or you'll get phasing problems. That's why there is no bypass mode because it should always be in series.

[4] The Modern Enhancer will survive collapsing to mono but any enhancer should be used judiciously, especially for recordings.

Read Mono and stereo for more information.

Widening the Panner

Make the Panner effect in the Tremolo/Panner block appear fuller and wider by adding the Enhancer.

Alternative: Delay block

FRACTAL AUDIO QUOTES


[5] Another way would be to use the Delay block. Set the Mix to 100%, dial in the desired amount of delay and set Balance to full right.

Alternative: Pitch block

Use the Pitch block with modifiers, as demonstrated in the Petrucci Rig factory preset.

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