October 2024: Fractal Audio's VP4 Virtual Pedalboard has been added to the wiki.
User:Manning/Manual to article map
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Section heading | Manual page | Wiki article |
---|---|---|
Foreword | iii | To be mapped |
Table of Contents | iv | Not applicable |
What’s New | 11 | Axe-Fx_II:_what's_new |
Introduction | 4 | To be mapped |
1.1 What is the Axe FX II? | 4 | Axe-Fx_II:_what_is_it |
1.2 The Inventory/Grid Concept | 6 | To be mapped |
1.3 Connectivity and More | 7 | To be mapped |
1.3.1 My Head Hertz… | 7 | To be mapped |
2 Overview | 8 | To be mapped |
2.1 The Front Panel | 8 | To be mapped |
2.2 The Rear Panel | 10 | To be mapped |
2.3 Computer Integration | 12 | Connecting_the_Axe-Fx_II:_computer_audio_interface |
2.3.1 Minimum Requirements | 12 | To be mapped |
2.3.2 Software Installation | 12 | To be mapped |
2.3.3 Capabilities | 13 | To be mapped |
3 Connections | 15 | To be mapped |
3.1 SettingLevels | 15 | To be mapped |
3.2 The PEDAL Jack | 16 | To be mapped |
3.3 System Parameters | 16 | To be mapped |
3.4 Connection Diagrams | 17 | Connecting_the_Axe-Fx_II:_connections_diagram |
3.4.1 Axe-Fx II into Self-Powered Full-Range Speakers | 18 | To be mapped |
3.4.2 Axe-Fx II into Studio Monitors | 18 | Connecting_the_Axe-Fx_II:_studio_monitors |
3.4.3 Axe-Fx II with Power Amp and Guitar Speakers | 19 | Connecting_the_Axe-Fx_II:_power_amp_and_speaker_cabinet |
3.4.4 Axe-Fx II Effects Loop | 20 | To be mapped |
3.4.5 Axe-Fx II Digital Audio Interconnection | 20 | Connecting_the_Axe-Fx_II:_digital_audio |
3.4.6 Axe-Fx II Four Cable Method (“4CM”) | 21 | Connecting_the_Axe-Fx_II:_4CM_with_combo/preamp |
3.4.7 Direct to FOH plus Real Amps on Stage | 22 | Connecting_the_Axe-Fx_II:_mixing_console_(opt:_with_real_amp) |
3.4.8 Axe-Fx II as Effects Processor Only (with Guitar Amps) | 23 | Connecting_the_Axe-Fx_II:_as_an_effects_processor |
3.4.9 Axe-Fx II as a Computer Audio Interface | 24 | To be mapped |
3.4.10 Axe-Fx II and MFC-101 | 25 | To be mapped |
3.4.11 Axe-Fx II: One Possible “Big Rig” | 26 | Connecting_the_Axe-Fx_II:_example_of_one_big_rig |
4 Basic Operation and Editing | 27 | To be mapped |
4.1 Presets | 27 | To be mapped |
4.2 The Grid | 28 | To be mapped |
4.2.1 Inserting and Removing Blocks | 28 | To be mapped |
4.2.2 Shunts | 29 | To be mapped |
4.2.3 Connector Cables | 30 | To be mapped |
4.2.4 Moving Blocks on the Grid | 32 | To be mapped |
4.2.5 Example Presets on the Grid | 33 | To be mapped |
4.3 Editing Sounds | 35 | To be mapped |
4.3.1 Quick Control | 36 | To be mapped |
4.4 X/Y Switching | 36 | To be mapped |
4.4.1 X/Y Quick Jump | 37 | To be mapped |
4.5 Bypassing a Block | 37 | To be mapped |
4.6 Loading Effects from another Preset | 37 | To be mapped |
4.7 Saving Changes | 38 | To be mapped |
4.7.1 Swapping the Locations of Two Presets | 38 | To be mapped |
5 Effects Guide | 39 | To be mapped |
5.1 Amplifier [AMP] | 39 | Amplifier_(FX_block) |
5.1.1 Basic Amp Parameters | 41 | To be mapped |
5.1.2 Advanced Amp Parameters | 43 | To be mapped |
5.2 Cabinet [CAB] | 46 | Cabinet_(FX_block) |
5.3 Chorus [CHO] | 49 | Chorus_(FX_block) |
5.4 Compressor [CMP] | 51 | Compressor_(FX_block) |
5.5 Crossover [XVR] | 53 | Crossover_(FX_block) |
5.6 Delay [DLY] | 54 | Delay_(FX_block) |
5.6.1 Mono Delay | 55 | Delay_(FX_block)#Mono_Delay |
5.6.2 Stereo Delay | 56 | Delay_(FX_block)#Stereo_Delay |
5.6.3 Dual Delay | 57 | Delay_(FX_block)#Dual_Delay |
5.6.4 Ping-Pong Delay | 58 | Delay_(FX_block)#Ping-Pong_Delay |
5.6.5 Sweep Delay | 58 | Delay_(FX_block)#Sweep_Delay |
5.6.6 Reverse Delay | 58 | Delay_(FX_block)#Reverse_Delay |
5.6.7 Delay Common Parameters | 59 | Delay_(FX_block)#Delay_Common_Parameters |
5.7 Drive [DRV] | 60 | Drive_(FX_block) |
5.8 Effects Loop [FXL] | 63 | Effects_loop_(FX_block) |
5.9 Enhancer [ENH] | 64 | Enhancer_(FX_block) |
5.10 Feedback Send [SND] & Return [RTN] | 64 | Feedback_Send/Return_(FX_block) |
5.11 Filter [FLT] | 65 | Filter (FX block) |
5.12 Flanger [FLG] | 66 | Flanger (FX block) |
5.13 Formant [FRM] | 68 | Formant (FX block) |
5.14 Gate/Expander [GTE] | 69 | Gate/Expander_(FX_block) |
5.15 Graphic Equalizer [GEQ] | 70 | Graphic_equalizer_(FX_block) |
5.16 Looper [LPR] | 70 | To be mapped |
5.17 Megatap Delay [MGT] | 71 | Megatap_Delay_(FX_block) |
5.18 Mixer [MIX] | 72 | To be mapped |
5.19 Multiband Compressor [MBC] | 73 | To be mapped |
5.20 Multi Delay [MTD] | 74 | Multi_Delay_(FX_block) |
5.20.1 Quad Tap Delay | 75 | To be mapped |
5.20.2 Plex Delay | 76 | To be mapped |
5.20.3 Plex Detune | 77 | To be mapped |
5.20.4 Plex Shift | 78 | To be mapped |
5.20.5 Band Delay | 78 | To be mapped |
5.20.6 Quad Series Delay | 79 | To be mapped |
5.20.7 Ten-Tap Delay | 79 | To be mapped |
5.20.8 Rhythm Tap Delay | 80 | To be mapped |
5.20.9 Diffusor | 81 | To be mapped |
5.21 Tremolo/Panner [PAN] | 82 | To be mapped |
5.22 Parametric EQ [PEQ] | 83 | Parametric_EQ_(FX_block) |
5.23 Phaser [PHA] | 84 | Phaser_(FX_block) |
5.24 Pitch Shifter [PIT] | 86 | To be mapped |
5.24.1 Detune | 88 | To be mapped |
5.24.2 Fixed Harmony | 89 | To be mapped |
5.24.3 Intelligent Harmony | 89 | To be mapped |
5.24.4 Classic Whammy | 92 | To be mapped |
5.24.5 Octave Divider | 92 | To be mapped |
5.24.6 Crystals | 93 | To be mapped |
5.24.7 Advanced Whammy | 94 | To be mapped |
5.24.8 Arpeggiator | 95 | To be mapped |
5.24.9 Custom Shifter | 96 | To be mapped |
5.25 Quad Chorus [QCH] | 97 | Quad_Chorus_(FX_block) |
5.26 Resonator [RES] | 99 | Resonator_(FX_block) |
5.27 Reverb [REV] | 100 | Reverb_(FX_block) |
5.28 Ring Modulator [RNG] | 103 | To be mapped |
5.29 Rotary Speaker [ROT] | 104 | Rotary_speaker_(FX_block) |
5.30 Synth [SYN] | 105 | To be mapped |
5.31 Vocoder [VOC] | 106 | To be mapped |
5.32 Volume/Pan [VOL] | 107 | To be mapped |
5.33 Wahwah [WAH] | 108 | To be mapped |
5.34 Input Noise Gate | 109 | To be mapped |
5.34.1 Input Impedance | 109 | To be mapped |
5.35 Output Mixer | 110 | To be mapped |
5.36 Common Mix Parameters | 111 | To be mapped |
6 Global Blocks | 113 | To be mapped |
6.1 Introduction | 113 | To be mapped |
6.2 Using Global Blocks | 113 | To be mapped |
6.2.1 Saving to a Global Block | 114 | To be mapped |
6.2.2 Loading and Linking a Global Block | 115 | To be mapped |
6.2.3 Loading Global Blocks without Linking | 116 | To be mapped |
6.2.4 Unlinking Preset and Global Blocks | 116 | To be mapped |
7 Modifiers & Controllers | 118 | Controllers_and_modifiers |
7.1 Introduction | 118 | Controllers_and_modifiers |
7.2 Creating a Modifier | 118 | Controllers_and_modifiers |
7.2.1 Transformations | 120 | Controllers_and_modifiers |
7.2.2 Damping | 121 | Controllers_and_modifiers |
7.2.3 Auto Engage | 122 | Controllers_and_modifiers |
7.2.4 Program Change Reset | 122 | Controllers_and_modifiers |
7.3 Control Sources | 123 | Controllers_and_modifiers |
7.3.1 LFO1 & 2 | 123 | Controllers_and_modifiers |
7.3.2 ADSR 1 & 2 | 124 | Controllers_and_modifiers |
7.3.3 Sequencer | 124 | Controllers_and_modifiers |
7.3.4 Envelope Follower | 125 | Controllers_and_modifiers |
7.3.5 Pitch Detector | 125 | Controllers_and_modifiers |
7.3.6 Manual Knobs | 125 | Controllers_and_modifiers |
7.3.7 External Controllers | 126 | Controllers_and_modifiers |
7.3.8 Modifier Power! | 126 | Controllers_and_modifiers |
8 Global Parameters | 127 | Global_menu_parameters |
8.1 Configuration Parameters | 127 | Global_menu_parameters |
8.2 Output Parameters | 128 | Global_menu_parameters |
8.3 Custom Scales | 128 | Global_menu_parameters |
9 Input/Output Parameters | 129 | I/O menu parameters |
9.1 Input Parameters | 129 | I/O menu parameters |
9.2 Audio Parameters | 129 | I/O menu parameters |
9.3 MIDI Parameters | 131 | To be mapped |
9.4 Control Parameters | 133 | Controllers_and_modifiers#Control_Parameters This needs to be corrected, in wrong location |
9.5 Pedal Parameters | 135 | To be mapped |
9.6 X/Y Quick-Jump Assign | 135 | To be mapped |
10 Utilities | 136 | To be mapped |
10.1 LCD Contrast | 136 | To be mapped |
10.2 Preset Utilities | 136 | To be mapped |
10.3 Status Meters | 136 | To be mapped |
10.4 Reset System | 136 | To be mapped |
10.5 Firmware | 137 | To be mapped |
11 Tuner | 138 | To be mapped |
12 Tempo | 139 | To be mapped |
12.1 Setting the Tempo | 139 | To be mapped |
12.2 Synchronizing Sound Parameters | 139 | To be mapped |
12.3 Tempo to Use | 140 | To be mapped |
12.4 Auto Delay | 140 | To be mapped |
13 Backing Up and Restoring | 141 | To be mapped |
13.1 MIDI/SysEx Backup and Restore | 141 | To be mapped |
13.1.1 Dumping to a computer | 141 | To be mapped |
13.1.2 Restoring from a Computer | 142 | To be mapped |
13.2 Onboard ROM Backup and Restore | 142 | To be mapped |
1Machine-to-Machine Transfers | 143 | To be mapped |
14 Firmware Updates | 144 | To be mapped |
2 Firmware | 144 | To be mapped |
15 Troubleshooting | 145 | To be mapped |
16 Appendix | 147 | To be mapped |
16.1 Shortcuts Overview | 147 | To be mapped |
16.2 60-Second Edit Guide | 148 | To be mapped |
16.3 Understanding Preset Size Limits | 149 | To be mapped |
16.4 Signal Flow, Global, and I/O Parameters | 149 | To be mapped |
16.5 LFO Waveforms, Duty, and Phase | 150 | To be mapped |
16.5.1 LFO Phase | 150 | To be mapped |
16.6 Tempo Cross Reference | 151 | To be mapped |
16.7 Mono and Stereo | 152 | To be mapped |
16.8 Mixology | 153 | To be mapped |
16.9 Humbuster™ Technology | 154 | To be mapped |
16.10 Setting up a Wah Pedal | 155 | To be mapped |
16.10.1 Using the Onboard Pedal Jack | 155 | To be mapped |
16.10.2 Using an Expression Pedal on an MFC-101 | 156 | To be mapped |
16.11 Setting Up Spillover | 157 | To be mapped |
16.11.1 Within a Single Preset | 157 | To be mapped |
16.11.2 Across Different Presets | 157 | To be mapped |
16.12 Using Send and Return | 158 | To be mapped |
16.12.1 Creating Feedback Loops | 158 | To be mapped |
16.12.2 Extending the Length of Effect Chains | 158 | To be mapped |
16.13 Loading User Cab IRs | 159 | To be mapped |
16.14 Glossary & Resources | 160 | To be mapped |
16.15 Axe-Fx II Bank & Preset Numbers Table | 163 | To be mapped |
16.16 Factory Default Settings | 164 | To be mapped |
17 Specifications | 166 | To be mapped |
17.1 Midi Implementation Chart | 167 | To be mapped |
Warranty | 168 | To be mapped |