This is the wiki for products made by Fractal Audio Systems. Maintained by members of the community.
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- 18:11, 12 April 2019 diff hist -12 Audio in and out →SPDIF and AES
- 18:10, 12 April 2019 diff hist +6 Audio in and out →SPDIF and AES
- 18:10, 12 April 2019 diff hist -6 Audio in and out →SPDIF and AES
- 18:09, 12 April 2019 diff hist +65 Audio in and out →SPDIF
- 18:08, 12 April 2019 diff hist -160 Audio in and out →AES
- 18:07, 12 April 2019 diff hist +4 Audio in and out →AES
- 18:07, 12 April 2019 diff hist +16 Audio in and out →AES
- 18:06, 12 April 2019 diff hist 0 Audio in and out →SPDIF
- 18:05, 12 April 2019 diff hist +14 Audio in and out →SPDIF
- 18:03, 12 April 2019 diff hist +3 Audio in and out →SPDIF
- 18:03, 12 April 2019 diff hist +5 Audio in and out →SPDIF
- 18:00, 12 April 2019 diff hist -40 Audio in and out →Why use digital I/O
- 18:00, 12 April 2019 diff hist -14 Audio in and out →Digital I/O: supported by which Fractal Audio products
- 17:59, 12 April 2019 diff hist -12 Audio in and out →IR loader
- 17:58, 12 April 2019 diff hist 0 Audio in and out →PRE effects
- 17:57, 12 April 2019 diff hist +14 Audio in and out →POST effects
- 17:56, 12 April 2019 diff hist +18 Audio in and out →Effects only
- 17:55, 12 April 2019 diff hist +25 Audio in and out →4CM (Four Cable Method)
- 17:23, 12 April 2019 diff hist -7 Audio in and out →Inserting the Axe-Fx II, AX8 or FX8 in an effects loop on the Axe-Fx III
- 17:22, 12 April 2019 diff hist +1 Audio in and out →Inserting the Axe-Fx II, AX8 or FX8 in an effects loop on the Axe-Fx III
- 17:21, 12 April 2019 diff hist 0 Audio in and out →Inserting the Axe-Fx II, AX8 or FX8 in an effects loop on the Axe-Fx III
- 17:20, 12 April 2019 diff hist +1 Audio in and out →Headphones
- 17:19, 12 April 2019 diff hist +71 Audio in and out →Combining FRFR and traditional backline
- 17:12, 12 April 2019 diff hist +18 Audio in and out →Headphones and IEM
- 17:11, 12 April 2019 diff hist +6 Audio in and out →Headphones and IEM
- 17:10, 12 April 2019 diff hist -28 Audio in and out →Headphones and IEM
- 17:09, 12 April 2019 diff hist +31 Audio in and out →Headphones and IEM
- 17:06, 12 April 2019 diff hist +12 Audio in and out →Headphones and IEM
- 17:05, 12 April 2019 diff hist +4 Audio in and out →4CM (Four Cable Method)
- 17:05, 12 April 2019 diff hist -4 Audio in and out →4CM (Four Cable Method)
- 17:05, 12 April 2019 diff hist +34 Audio in and out →4CM (Four Cable Method)
- 17:04, 12 April 2019 diff hist -13 Audio in and out →4CM (Four Cable Method)
- 17:01, 12 April 2019 diff hist +1 Audio in and out →Combining FRFR and traditional backline
- 17:01, 12 April 2019 diff hist +2 Audio in and out →Combining FRFR and traditional backline
- 17:00, 12 April 2019 diff hist -806 Audio in and out →Combining FRFR and traditional backline
- 17:00, 12 April 2019 diff hist +993 Audio in and out →Combining FRFR and traditional backline
- 16:57, 12 April 2019 diff hist -1,187 Audio in and out →Why use a power amp and guitar speaker
- 16:36, 12 April 2019 diff hist -24 Audio in and out →Wet/Dry/Wet (W/D/W) rig
- 16:33, 12 April 2019 diff hist -41 Cab block →Cab in the room
- 16:29, 12 April 2019 diff hist 0 Audio in and out →Input Impedance
- 16:22, 12 April 2019 diff hist +133 Audio in and out →Gain-staging a power amp
- 16:20, 12 April 2019 diff hist +12 Audio in and out →Using a solid-state power amp
- 16:18, 12 April 2019 diff hist 0 Audio in and out →Using a solid-state power amp
- 16:17, 12 April 2019 diff hist -10 Audio in and out →Using a solid-state power amp
- 16:15, 12 April 2019 diff hist +151 Audio in and out →Using a neutral tube power amp
- 16:12, 12 April 2019 diff hist +6 Audio in and out →Speaker wire
- 16:12, 12 April 2019 diff hist +4 Audio in and out →Wet/Dry/Wet (W/D/W)
- 16:12, 12 April 2019 diff hist +10 Audio in and out →Wet/Dry/Wet (W/D/W)
- 16:11, 12 April 2019 diff hist +12 Audio in and out →Gain-staging
- 16:10, 12 April 2019 diff hist -2 Audio in and out →Using a tube power amp (neutral)
