User:Manning/Manual to article map

}

Axe-FX II Manual page numbers to Wiki article map

Section heading	Manual page	Wiki article
Foreword	iii	To be mapped
Table of Contents	iv	To be mapped
What’s New	11	Axe-Fx_II:_what's_new
Introduction	4	To be mapped
1.1 What is the Axe FX II?	4	To be mapped
1.2 The Inventory/Grid Concept	6	To be mapped
1.3 Connectivity and More	7	To be mapped
1.3.1 My Head Hertz…	7	To be mapped
2 Overview	8	To be mapped
2.1 The Front Panel	8	To be mapped
2.2 The Rear Panel	10	To be mapped
2.3 Computer Integration	12	To be mapped
2.3.1 Minimum Requirements	12	To be mapped
2.3.2 Software Installation	12	To be mapped
2.3.3 Capabilities	13	To be mapped
3 Connections	15	To be mapped
3.1 SettingLevels	15	To be mapped
3.2 The PEDAL Jack	16	To be mapped
3.3 System Parameters	16	To be mapped
3.4 Connection Diagrams	17	To be mapped
3.4.1 Axe-Fx II into Self-Powered Full-Range Speakers	18	To be mapped
3.4.2 Axe-Fx II into Studio Monitors	18	To be mapped
3.4.3 Axe-Fx II with Power Amp and Guitar Speakers	19	To be mapped
3.4.4 Axe-Fx II Effects Loop	20	To be mapped
3.4.5 Axe-Fx II Digital Audio Interconnection	20	Connecting_the_Axe-Fx_II:_digital_audio
3.4.6 Axe-Fx II Four Cable Method (“4CM”)	21	To be mapped
3.4.7 Direct to FOH plus Real Amps on Stage	22	To be mapped
3.4.8 Axe-Fx II as Effects Processor Only (with Guitar Amps)	23	To be mapped
3.4.9 Axe-Fx II as a Computer Audio Interface	24	To be mapped
3.4.10 Axe-Fx II and MFC-101	25	To be mapped
3.4.11 Axe-Fx II: One Possible “Big Rig”	26	To be mapped
4 Basic Operation and Editing	27	To be mapped
4.1 Presets	27	To be mapped
4.2 The Grid	28	To be mapped
4.2.1 Inserting and Removing Blocks	28	To be mapped
4.2.2 Shunts	29	To be mapped
4.2.3 Connector Cables	30	To be mapped
4.2.4 Moving Blocks on the Grid	32	To be mapped
4.2.5 Example Presets on the Grid	33	To be mapped
4.3 Editing Sounds	35	To be mapped
4.3.1 Quick Control	36	To be mapped
4.4 X/Y Switching	36	To be mapped
4.4.1 X/Y Quick Jump	37	To be mapped
4.5 Bypassing a Block	37	To be mapped
4.6 Loading Effects from another Preset	37	To be mapped
4.7 Saving Changes	38	To be mapped
4.7.1 Swapping the Locations of Two Presets	38	To be mapped
5 Effects Guide	39	To be mapped
5.1 Amplifier [AMP]	39	Amplifier_(FX_block)
5.1.1 Basic Amp Parameters	41	To be mapped
5.1.2 Advanced Amp Parameters	43	To be mapped
5.2 Cabinet [CAB]	46	To be mapped
5.3 Chorus [CHO]	49	To be mapped
5.4 Compressor [CMP]	51	To be mapped
5.5 Crossover [XVR]	53	To be mapped
5.6 Delay [DLY]	54	To be mapped
5.6.1 Mono Delay	55	To be mapped
5.6.2 Stereo Delay	56	To be mapped
5.6.3 Dual Delay	57	To be mapped
5.6.4 Ping-Pong Delay	58	To be mapped
5.6.5 Sweep Delay	58	To be mapped
5.6.6 Reverse Delay	58	To be mapped
5.6.7 Delay Common Parameters	59	To be mapped
5.7 Drive [DRV]	60	To be mapped
5.8 Effects Loop [FXL]	63	To be mapped
5.9 Enhancer [ENH]	64	To be mapped
5.10 Feedback Send [SND] & Return [RTN]	64	To be mapped
5.11 Filter [FLT]	65	To be mapped
5.12 Flanger [FLG]	66	To be mapped
5.13 Formant [FRM]	68	To be mapped
5.14 Gate/Expander [GTE]	69	To be mapped
5.15 Graphic Equalizer [GEQ]	70	To be mapped
5.16 Looper [LPR]	70	To be mapped
5.17 Megatap Delay [MGT]	71	To be mapped
5.18 Mixer [MIX]	72	To be mapped
5.19 Multiband Compressor [MBC]	73	To be mapped
5.20 Multi Delay [MTD]	74	To be mapped
5.20.1 Quad Tap Delay	75	To be mapped
5.20.2 Plex Delay	76	To be mapped
5.20.3 Plex Detune	77	To be mapped
5.20.4 Plex Shift	78	To be mapped
5.20.5 Band Delay	78	To be mapped
5.20.6 Quad Series Delay	79	To be mapped
5.20.7 Ten-Tap Delay	79	To be mapped
5.20.8 Rhythm Tap Delay	80	To be mapped
5.20.9 Diffusor	81	To be mapped
5.21 Tremolo/Panner [PAN]	82	To be mapped
5.22 Parametric EQ [PEQ]	83	To be mapped
5.23 Phaser [PHA]	84	To be mapped
5.24 Pitch Shifter [PIT]	86	To be mapped
5.24.1 Detune	88	To be mapped
5.24.2 Fixed Harmony	89	To be mapped
5.24.3 Intelligent Harmony	89	To be mapped
5.24.4 Classic Whammy	92	To be mapped
5.24.5 Octave Divider	92	To be mapped
5.24.6 Crystals	93	To be mapped
5.24.7 Advanced Whammy	94	To be mapped
5.24.8 Arpeggiator	95	To be mapped
5.24.9 Custom Shifter	96	To be mapped
5.25 Quad Chorus [QCH]	97	To be mapped
5.26 Resonator [RES]	99	To be mapped
5.27 Reverb [REV]	100	To be mapped
5.28 Ring Modulator [RNG]	103	To be mapped
5.29 Rotary Speaker [ROT]	104	To be mapped
5.30 Synth [SYN]	105	To be mapped
5.31 Vocoder [VOC]	106	To be mapped
5.32 Volume/Pan [VOL]	107	To be mapped
5.33 Wahwah [WAH]	108	To be mapped
5.34 Input Noise Gate	109	To be mapped
5.34.1 Input Impedance	109	To be mapped
5.35 Output Mixer	110	To be mapped
5.36 Common Mix Parameters	111	To be mapped
6 Global Blocks	113	To be mapped
6.1 Introduction	113	To be mapped
6.2 Using Global Blocks	113	To be mapped
6.2.1 Saving to a Global Block	114	To be mapped
6.2.2 Loading and Linking a Global Block	115	To be mapped
6.2.3 Loading Global Blocks without Linking	116	To be mapped
6.2.4 Unlinking Preset and Global Blocks	116	To be mapped
7 Modifiers & Controllers	118	To be mapped
7.1 Introduction	118	To be mapped
7.2 Creating a Modifier	118	To be mapped
7.2.1 Transformations	120	To be mapped
7.2.2 Damping	121	To be mapped
7.2.3 Auto Engage	122	To be mapped
7.2.4 Program Change Reset	122	To be mapped
7.3 Control Sources	123	To be mapped
7.3.1 LFO1 & 2	123	To be mapped
7.3.2 ADSR 1 & 2	124	To be mapped
7.3.3 Sequencer	124	To be mapped
7.3.4 Envelope Follower	125	To be mapped
7.3.5 Pitch Detector	125	To be mapped
7.3.6 Manual Knobs	125	To be mapped
7.3.7 External Controllers	126	To be mapped
7.3.8 Modifier Power!	126	To be mapped
8 Global Parameters	127	To be mapped
8.1 Configuration Parameters	127	To be mapped
8.2 Output Parameters	128	To be mapped
8.3 Custom Scales	128	To be mapped
9 Input/Output Parameters	129	To be mapped
9.1 Input Parameters	129	To be mapped
9.2 Audio Parameters	129	To be mapped
9.3 MIDI Parameters	131	To be mapped
9.4 Control Parameters	133	To be mapped
9.5 Pedal Parameters	135	To be mapped
9.6 X/Y Quick-Jump Assign	135	To be mapped
10 Utilities	136	To be mapped
10.1 LCD Contrast	136	To be mapped
10.2 Preset Utilities	136	To be mapped
10.3 Status Meters	136	To be mapped
10.4 Reset System	136	To be mapped
10.5 Firmware	137	To be mapped
11 Tuner	138	To be mapped
12 Tempo	139	To be mapped
12.1 Setting the Tempo	139	To be mapped
12.2 Synchronizing Sound Parameters	139	To be mapped
12.3 Tempo to Use	140	To be mapped
12.4 Auto Delay	140	To be mapped
13 Backing Up and Restoring	141	To be mapped
13.1 MIDI/SysEx Backup and Restore	141	To be mapped
13.1.1 Dumping to a computer	141	To be mapped
13.1.2 Restoring from a Computer	142	To be mapped
13.2 Onboard ROM Backup and Restore	142	To be mapped
1Machine-to-Machine Transfers	143	To be mapped
14 Firmware Updates	144	To be mapped
2 Firmware	144	To be mapped
15 Troubleshooting	145	To be mapped
16 Appendix	147	To be mapped
16.1 Shortcuts Overview	147	To be mapped
16.2 60-Second Edit Guide	148	To be mapped
16.3 Understanding Preset Size Limits	149	To be mapped
16.4 Signal Flow, Global, and I/O Parameters	149	To be mapped
16.5 LFO Waveforms, Duty, and Phase	150	To be mapped
16.5.1 LFO Phase	150	To be mapped
16.6 Tempo Cross Reference	151	To be mapped
16.7 Mono and Stereo	152	To be mapped
16.8 Mixology	153	To be mapped
16.9 Humbuster™ Technology	154	To be mapped
16.10 Setting up a Wah Pedal	155	To be mapped
16.10.1 Using the Onboard Pedal Jack	155	To be mapped
16.10.2 Using an Expression Pedal on an MFC-101	156	To be mapped
16.11 Setting Up Spillover	157	To be mapped
16.11.1 Within a Single Preset	157	To be mapped
16.11.2 Across Different Presets	157	To be mapped
16.12 Using Send and Return	158	To be mapped
16.12.1 Creating Feedback Loops	158	To be mapped
16.12.2 Extending the Length of Effect Chains	158	To be mapped
16.13 Loading User Cab IRs	159	To be mapped
16.14 Glossary & Resources	160	To be mapped
16.15 Axe-Fx II Bank & Preset Numbers Table	163	To be mapped
16.16 Factory Default Settings	164	To be mapped
17 Specifications	166	To be mapped
17.1 Midi Implementation Chart	167	To be mapped
Warranty	168	To be mapped