October 2024: Fractal Audio's VP4 Virtual Pedalboard has been added to the wiki.

Difference between revisions of "User:Manning/Manual to article map"

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|2.3 Computer Integration  
 
|2.3 Computer Integration  
 
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|[[Connecting_the_Axe-Fx_II:_computer_audio_interface]]
 
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|2.3.1 Minimum Requirements
 
|2.3.1 Minimum Requirements

Revision as of 01:08, 5 August 2011

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Axe-FX II Manual page numbers to Wiki article map
Section heading Manual page Wiki article
Foreword iii To be mapped
Table of Contents iv Not applicable
What’s New 11 Axe-Fx_II:_what's_new
Introduction 4 To be mapped
1.1 What is the Axe FX II? 4 Axe-Fx_II:_what_is_it
1.2 The Inventory/Grid Concept 6 To be mapped
1.3 Connectivity and More 7 To be mapped
1.3.1 My Head Hertz… 7 To be mapped
2 Overview 8 To be mapped
2.1 The Front Panel 8 To be mapped
2.2 The Rear Panel 10 To be mapped
2.3 Computer Integration 12 Connecting_the_Axe-Fx_II:_computer_audio_interface
2.3.1 Minimum Requirements 12 To be mapped
2.3.2 Software Installation 12 To be mapped
2.3.3 Capabilities 13 To be mapped
3 Connections 15 To be mapped
3.1 SettingLevels 15 To be mapped
3.2 The PEDAL Jack 16 To be mapped
3.3 System Parameters 16 To be mapped
3.4 Connection Diagrams 17 Connecting_the_Axe-Fx_II:_connections_diagram
3.4.1 Axe-Fx II into Self-Powered Full-Range Speakers 18 To be mapped
3.4.2 Axe-Fx II into Studio Monitors 18 Connecting_the_Axe-Fx_II:_studio_monitors
3.4.3 Axe-Fx II with Power Amp and Guitar Speakers 19 Connecting_the_Axe-Fx_II:_power_amp_and_speaker_cabinet
3.4.4 Axe-Fx II Effects Loop 20 To be mapped
3.4.5 Axe-Fx II Digital Audio Interconnection 20 Connecting_the_Axe-Fx_II:_digital_audio
3.4.6 Axe-Fx II Four Cable Method (“4CM”) 21 Connecting_the_Axe-Fx_II:_4CM_with_combo/preamp
3.4.7 Direct to FOH plus Real Amps on Stage 22 Connecting_the_Axe-Fx_II:_mixing_console_(opt:_with_real_amp)
3.4.8 Axe-Fx II as Effects Processor Only (with Guitar Amps) 23 Connecting_the_Axe-Fx_II:_as_an_effects_processor
3.4.9 Axe-Fx II as a Computer Audio Interface 24 To be mapped
3.4.10 Axe-Fx II and MFC-101 25 To be mapped
3.4.11 Axe-Fx II: One Possible “Big Rig” 26 Connecting_the_Axe-Fx_II:_example_of_one_big_rig
4 Basic Operation and Editing 27 To be mapped
4.1 Presets 27 To be mapped
4.2 The Grid 28 To be mapped
4.2.1 Inserting and Removing Blocks 28 To be mapped
4.2.2 Shunts 29 To be mapped
4.2.3 Connector Cables 30 To be mapped
4.2.4 Moving Blocks on the Grid 32 To be mapped
4.2.5 Example Presets on the Grid 33 To be mapped
4.3 Editing Sounds 35 To be mapped
4.3.1 Quick Control 36 To be mapped
4.4 X/Y Switching 36 To be mapped
4.4.1 X/Y Quick Jump 37 To be mapped
4.5 Bypassing a Block 37 To be mapped
4.6 Loading Effects from another Preset 37 To be mapped
4.7 Saving Changes 38 To be mapped
4.7.1 Swapping the Locations of Two Presets 38 To be mapped
5 Effects Guide 39 To be mapped
5.1 Amplifier [AMP] 39 Amplifier_(FX_block)
5.1.1 Basic Amp Parameters 41 To be mapped
5.1.2 Advanced Amp Parameters 43 To be mapped
5.2 Cabinet [CAB] 46 To be mapped
5.3 Chorus [CHO] 49 To be mapped
5.4 Compressor [CMP] 51 To be mapped
5.5 Crossover [XVR] 53 To be mapped
5.6 Delay [DLY] 54 Delay_(FX_block)
5.6.1 Mono Delay 55 Delay_(FX_block)#Mono_Delay
5.6.2 Stereo Delay 56 Delay_(FX_block)#Stereo_Delay
5.6.3 Dual Delay 57 Delay_(FX_block)#Dual_Delay
5.6.4 Ping-Pong Delay 58 Delay_(FX_block)#Ping-Pong_Delay
5.6.5 Sweep Delay 58 Delay_(FX_block)#Sweep_Delay
5.6.6 Reverse Delay 58 Delay_(FX_block)#Reverse_Delay
5.6.7 Delay Common Parameters 59 Delay_(FX_block)#Delay_Common_Parameters
5.7 Drive [DRV] 60 Drive_(FX_block)
5.8 Effects Loop [FXL] 63 Effects_loop_(FX_block)
5.9 Enhancer [ENH] 64 Enhancer_(FX_block)
5.10 Feedback Send [SND] & Return [RTN] 64 Feedback_Send/Return_(FX_block)
5.11 Filter [FLT] 65 To be mapped
5.12 Flanger [FLG] 66 To be mapped
5.13 Formant [FRM] 68 To be mapped
5.14 Gate/Expander [GTE] 69 Gate/Expander_(FX_block)
5.15 Graphic Equalizer [GEQ] 70 Graphic_equalizer_(FX_block)
5.16 Looper [LPR] 70 To be mapped
5.17 Megatap Delay [MGT] 71 To be mapped
5.18 Mixer [MIX] 72 To be mapped
5.19 Multiband Compressor [MBC] 73 To be mapped
5.20 Multi Delay [MTD] 74 To be mapped
5.20.1 Quad Tap Delay 75 To be mapped
5.20.2 Plex Delay 76 To be mapped
5.20.3 Plex Detune 77 To be mapped
5.20.4 Plex Shift 78 To be mapped
5.20.5 Band Delay 78 To be mapped
5.20.6 Quad Series Delay 79 To be mapped
5.20.7 Ten-Tap Delay 79 To be mapped
5.20.8 Rhythm Tap Delay 80 To be mapped
5.20.9 Diffusor 81 To be mapped
5.21 Tremolo/Panner [PAN] 82 To be mapped
5.22 Parametric EQ [PEQ] 83 To be mapped
5.23 Phaser [PHA] 84 To be mapped
5.24 Pitch Shifter [PIT] 86 To be mapped
5.24.1 Detune 88 To be mapped
5.24.2 Fixed Harmony 89 To be mapped
5.24.3 Intelligent Harmony 89 To be mapped
5.24.4 Classic Whammy 92 To be mapped
5.24.5 Octave Divider 92 To be mapped
5.24.6 Crystals 93 To be mapped
5.24.7 Advanced Whammy 94 To be mapped
5.24.8 Arpeggiator 95 To be mapped
5.24.9 Custom Shifter 96 To be mapped
5.25 Quad Chorus [QCH] 97 To be mapped
5.26 Resonator [RES] 99 To be mapped
5.27 Reverb [REV] 100 To be mapped
5.28 Ring Modulator [RNG] 103 To be mapped
5.29 Rotary Speaker [ROT] 104 To be mapped
5.30 Synth [SYN] 105 To be mapped
5.31 Vocoder [VOC] 106 To be mapped
5.32 Volume/Pan [VOL] 107 To be mapped
5.33 Wahwah [WAH] 108 To be mapped
5.34 Input Noise Gate 109 To be mapped
5.34.1 Input Impedance 109 To be mapped
5.35 Output Mixer 110 To be mapped
5.36 Common Mix Parameters 111 To be mapped
6 Global Blocks 113 To be mapped
6.1 Introduction 113 To be mapped
6.2 Using Global Blocks 113 To be mapped
6.2.1 Saving to a Global Block 114 To be mapped
6.2.2 Loading and Linking a Global Block 115 To be mapped
6.2.3 Loading Global Blocks without Linking 116 To be mapped
6.2.4 Unlinking Preset and Global Blocks 116 To be mapped
7 Modifiers & Controllers 118 To be mapped
7.1 Introduction 118 To be mapped
7.2 Creating a Modifier 118 To be mapped
7.2.1 Transformations 120 To be mapped
7.2.2 Damping 121 To be mapped
7.2.3 Auto Engage 122 To be mapped
7.2.4 Program Change Reset 122 To be mapped
7.3 Control Sources 123 To be mapped
7.3.1 LFO1 & 2 123 To be mapped
7.3.2 ADSR 1 & 2 124 To be mapped
7.3.3 Sequencer 124 To be mapped
7.3.4 Envelope Follower 125 To be mapped
7.3.5 Pitch Detector 125 To be mapped
7.3.6 Manual Knobs 125 To be mapped
7.3.7 External Controllers 126 To be mapped
7.3.8 Modifier Power! 126 To be mapped
8 Global Parameters 127 To be mapped
8.1 Configuration Parameters 127 To be mapped
8.2 Output Parameters 128 To be mapped
8.3 Custom Scales 128 To be mapped
9 Input/Output Parameters 129 To be mapped
9.1 Input Parameters 129 To be mapped
9.2 Audio Parameters 129 To be mapped
9.3 MIDI Parameters 131 To be mapped
9.4 Control Parameters 133 To be mapped
9.5 Pedal Parameters 135 To be mapped
9.6 X/Y Quick-Jump Assign 135 To be mapped
10 Utilities 136 To be mapped
10.1 LCD Contrast 136 To be mapped
10.2 Preset Utilities 136 To be mapped
10.3 Status Meters 136 To be mapped
10.4 Reset System 136 To be mapped
10.5 Firmware 137 To be mapped
11 Tuner 138 To be mapped
12 Tempo 139 To be mapped
12.1 Setting the Tempo 139 To be mapped
12.2 Synchronizing Sound Parameters 139 To be mapped
12.3 Tempo to Use 140 To be mapped
12.4 Auto Delay 140 To be mapped
13 Backing Up and Restoring 141 To be mapped
13.1 MIDI/SysEx Backup and Restore 141 To be mapped
13.1.1 Dumping to a computer 141 To be mapped
13.1.2 Restoring from a Computer 142 To be mapped
13.2 Onboard ROM Backup and Restore 142 To be mapped
1Machine-to-Machine Transfers 143 To be mapped
14 Firmware Updates 144 To be mapped
2 Firmware 144 To be mapped
15 Troubleshooting 145 To be mapped
16 Appendix 147 To be mapped
16.1 Shortcuts Overview 147 To be mapped
16.2 60-Second Edit Guide 148 To be mapped
16.3 Understanding Preset Size Limits 149 To be mapped
16.4 Signal Flow, Global, and I/O Parameters 149 To be mapped
16.5 LFO Waveforms, Duty, and Phase 150 To be mapped
16.5.1 LFO Phase 150 To be mapped
16.6 Tempo Cross Reference 151 To be mapped
16.7 Mono and Stereo 152 To be mapped
16.8 Mixology 153 To be mapped
16.9 Humbuster™ Technology 154 To be mapped
16.10 Setting up a Wah Pedal 155 To be mapped
16.10.1 Using the Onboard Pedal Jack 155 To be mapped
16.10.2 Using an Expression Pedal on an MFC-101 156 To be mapped
16.11 Setting Up Spillover 157 To be mapped
16.11.1 Within a Single Preset 157 To be mapped
16.11.2 Across Different Presets 157 To be mapped
16.12 Using Send and Return 158 To be mapped
16.12.1 Creating Feedback Loops 158 To be mapped
16.12.2 Extending the Length of Effect Chains 158 To be mapped
16.13 Loading User Cab IRs 159 To be mapped
16.14 Glossary & Resources 160 To be mapped
16.15 Axe-Fx II Bank & Preset Numbers Table 163 To be mapped
16.16 Factory Default Settings 164 To be mapped
17 Specifications 166 To be mapped
17.1 Midi Implementation Chart 167 To be mapped
Warranty 168 To be mapped