October 2024: Fractal Audio's VP4 Virtual Pedalboard added to the wiki.
Difference between revisions of "Multitap Delay block"
(→Types) |
|||
| Line 28: | Line 28: | ||
=Types= | =Types= | ||
| − | + | Current firmware for the Axe-Fx III, FM3 and FM9: | |
# 1210 — based on TC's 1210 Spatial Expander / Stereo Chorus Flanger | # 1210 — based on TC's 1210 Spatial Expander / Stereo Chorus Flanger | ||
Revision as of 08:40, 7 January 2022
Contents
Available on which products
- Axe-Fx III: 2 blocks
- FM3: 1 block
- FM9: 1 blocks
- Axe-Fx II: no
- AX8: no
- FX8: no
Channels or X/Y switching
- Axe-Fx III and FM9 and FM3: 4 channels
What is the Multitap Delay
The Multitap Delay is a dedicated effect block in firmware Ares and later.
On the Axe-Fx II, AX8 and FX8, its functionality is part of the Multi Delay block.
In firmware 17.01 for the Axe-Fx III (FM3 and FM9 followed) several types were added to the block, partly provided by forum member and effects guru Simeon.
More information in the Owner's Manual.
Types
Current firmware for the Axe-Fx III, FM3 and FM9:
- 1210 — based on TC's 1210 Spatial Expander / Stereo Chorus Flanger
- A.H. Clean Long: based on Allan Holdsworth's use of Yamaha's UD Stomp
- A.H. Clean Short
- A.H. Lead Long
- A.H. Lead Short
- A.H. Swell Long
- A.H. Swell Short
- Aerosol: based on a chorus preset in the Lexicon MPX 1
- Ambient Quad Tape
- Ambient Tape Delay
- Circular Delays
- Comb Filter Delay
- Dub Echo
- Filtered Mod Band Delay
- L-C-R-C
- MD Chorus
- Mono Diffusor
- PCM Circular: based on Lexicon's PCM
- PCM Pan: based on Lexicon's PCM
- Pealing Bells
- Quad Chorus
- Quad Diffusor
- Quad Parallel Delay
- Quad Series Delay
- Quad Tap Band Delay
- Quad Tape Delay
- Quad-Tap Delay
- Rhythmic Bands
- Shadows Taps
- Space Tape: based on the Roland Space Echo Tape Delay
- Stereo Shadows
- Swing Ping
- Ya-Ya Delay
Factory presets
The MTD block is showcased in some factory presets. Search the Factory presets page for "multitap".
Spillover
In older firmware, this block did not support spillover between presets, but it does in current firmware.
Parameters
Parameters table
| Parameter | Axe-Fx III / FM3 / FM9 |
|---|---|
| Type | yes |
| Config | yes |
| Input Select | yes |
| Global Mix | yes |
| Master: | |
| Master Time | yes |
| Master Feedback | yes |
| Master Level | yes |
| Master Pan | yes |
| Master Frequency | yes |
| Master Q | yes |
| Master LFO Rate | yes |
| Master LFO Depth | yes |
| Master Filter Freq | yes |
| Master Filter Q | yes |
| Master Chorus Rate | yes |
| Master Chorus Depth | yes |
| Master Comb Time | yes |
| Master Comb Depth | yes |
| Master Ring Mod Freq | yes |
| Master Ring Mod Mix | yes |
| Drive | yes |
| Diffuser: | |
| Diffusion Mix, Time, LFO Rate, LFO Depth | yes |
| Ducker: | |
| Threshold | yes |
| Attenuation | yes |
| Release Time | yes |
| Envelope Follower: | |
| Threshold | yes |
| Attack Time | yes |
| Release Time | yes |
| Delay: | |
| Time 1-4 | yes |
| Tempo 1-4 | yes |
| Feedback 1-4 | yes |
| Level 1-4 | yes |
| Pan 1-4 | yes |
| Feedback Send | yes |
| Feedback Return | yes |
| EQ: | |
| Type | yes |
| Frequency | yes |
| Q | yes |
| Gain | yes |
| Low Cut, High Cut | yes |
| Low Cut Slope, Hi Cut Slope | yes |
| Modulation: | |
| LFO 1,2 Type | yes |
| LFO 1,2 Rate | yes |
| LFO 1,2 Tempo | yes |
| LFO 1,2 Depth | yes |
| LFO 1,2 Phase | yes |
| Frequency 1-4 | yes |
| Q 1-4 | yes |
| Filter LFO Type | yes |
| Filter LFO Rate | yes |
| Filter LFO Tempo | yes |
| Filter LFO Depth | yes |
| Filter LFO Phase | yes |
| Chorus 1-4 Rate | yes |
| Chorus 1-4 Depth | yes |
| Chorus LFO 1-4 Rate | yes |
| Chorus LFO 1-4 Depth | yes |
| Comb Filter Type | yes |
| Comb Filter 1-4 Time | yes |
| Comb Filter 1-4 Feedbck | yes |
| Ring Mod 1-4 Freq | yes |
| Ring Mod 1-4 Mix | yes |
Diffusion
Diffusion has its own LFO modulation parameters.
Ring modulation
Single-sideband (SSB) ring modulators can be used to create strange and interesting echo sounds. To defeat the modulators, turn Master Ring Mod Mix to 0.
Envelope follower
The Multitap Delay has its own Envelope Follower, allowing volume swells.
The Owner's Manual recommends these settings: Threshold -70, Attack 400, Release 15.
Tips and tricks
Tutorial
Using the Multitap Delay as a chorus
Individual delay lines in the Multitap Delay block can act a choruses. Each delay line has a LFO. The rate and depth of each LFO is individually adjustable. These add to the main LFOs which modulate each delay line at the same frequency but different phases. By using short delay times the Multitap Delay block can act as four parallel choruses, each with independent rate and depth.
"Four fully independent chorus voices, each with its own LFO and fully parametric control of time, level, pan, and tone, plus two global LFOs? It's a more versatile and powerful unit than a Tri-Chorus or the previous Fractal Audio "Quad Chorus", and in my quick experiments, easy to dial in so it sounds GREAT. Did I mention Feedback? It's actually a QUAD-CHORO-FLANGE! And you have two of them? audio I'm also thrilled to be using just one block to recreate my trust Ibanez BC-9, which was simply a 2-voice chorus with separate rate and depth on the left and the right. That unit has some very cool sounds." [1]
The Quad Chorus block in the previous hardware generation has not been migrated to the Axe-Fx III, FM3 and FM9. In firmware 17.01 and later, the Multitap Delay block provides a "Quad Chorus" effect type.
The Multitap Delay block in firmware 17.01 and later also provides chorusing effects. Try the "1210" type.
