October 2024: Fractal Audio's VP4 Virtual Pedalboard has been added to the wiki.
Difference between revisions of "MIDI SysEx"
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=System Exclusive messages= | =System Exclusive messages= | ||
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Firmware Ares and later provides MIDI support for 3rd-party devices to set and/or get scene, channel, bypass, scene names, preset names, tuner data, tempo data, via System Exclusive messages. | Firmware Ares and later provides MIDI support for 3rd-party devices to set and/or get scene, channel, bypass, scene names, preset names, tuner data, tempo data, via System Exclusive messages. | ||
− | Read this [http://www.fractalaudio.com/downloads/misc/Axe-Fx%20III%20MIDI%20for%203rd%20Party%20Devices.pdf Axe-Fx III MIDI for Third-Party Devices] | + | Read this: [http://www.fractalaudio.com/downloads/misc/Axe-Fx%20III%20MIDI%20for%203rd%20Party%20Devices.pdf Axe-Fx III MIDI for Third-Party Devices] |
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+ | [[image:MIDI.png|link=]] | ||
− | =Standard | + | =Axe-Fx Standard and Axe-Fx Ultra= |
[http://www.gmarts.org/html/axefx_ultra_sysex_1005.html Ultra-specific SysEx information from forum member GM Arts] | [http://www.gmarts.org/html/axefx_ultra_sysex_1005.html Ultra-specific SysEx information from forum member GM Arts] | ||
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=Axe-Fx III and FM3= | =Axe-Fx III and FM3= | ||
− | SysEx commands for control of the Axe-Fx III and FM3 through third-party MIDI devices is documented in this guide: | + | SysEx commands for control of the Axe-Fx III and FM3 through third-party MIDI devices is documented in this guide: [http://www.fractalaudio.com/downloads/misc/Axe-Fx%20III%20MIDI%20for%203rd%20Party%20Devices.pdf Axe-Fx III MIDI for Third-Party Devices] |
− | |||
− | [http://www.fractalaudio.com/downloads/misc/Axe-Fx%20III%20MIDI%20for%203rd%20Party%20Devices.pdf Axe-Fx III MIDI for Third-Party Devices] | ||
=SysEx Model number per device= | =SysEx Model number per device= | ||
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=MIDI SysEx Functions= | =MIDI SysEx Functions= | ||
− | Many Axe-Fx II SysEx messages are similar to Standard/Ultra messages | + | Many Axe-Fx II SysEx messages are similar to Standard/Ultra messages: [http://wiki.fractalaudio.com/index.php?title=Axe-Fx_SysEx_Documentation documented here] |
The messages documented here are compatible between Axe-Fx II, Axe-Fx II XL, Axe-Fx II XL+ and AX8. FX8 messages are not documented. | The messages documented here are compatible between Axe-Fx II, Axe-Fx II XL, Axe-Fx II XL+ and AX8. FX8 messages are not documented. | ||
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=MIDI SysEx: more information= | =MIDI SysEx: more information= | ||
− | Read [http://forum.fractalaudio.com/threads/using-backing-tracks-to-trigger-preset-scene-changes-w-bandhelper.125461 Recalling presets and scenes in hex] | + | Read this: [http://forum.fractalaudio.com/threads/using-backing-tracks-to-trigger-preset-scene-changes-w-bandhelper.125461 Recalling presets and scenes in hex] |
=Axe-Fx II MIDI SysEx: Info= | =Axe-Fx II MIDI SysEx: Info= |
Latest revision as of 23:11, 24 December 2023
Contents
- 1 System Exclusive messages
- 2 Axe-Fx Standard and Axe-Fx Ultra
- 3 Axe-Fx III and FM3
- 4 SysEx Model number per device
- 5 MIDI SysEx Functions
- 5.1 GET_FIRMWARE_VERSION
- 5.2 FRONT_PANEL_CHANGE_DETECTED
- 5.3 DISCONNECT_FROM_CONTROLLER
- 5.4 GET_MIDI_CHANNEL
- 5.5 TUNER_INFO
- 5.6 TUNER_TOGGLE
- 5.7 METRONOME_TOGGLE
- 5.8 PRESET_BLOCKS_DATA
- 5.9 GET/SET_BLOCK_PARAMETER_VALUE
- 5.10 SET_TYPED_BLOCK_PARAMETER_VALUE
- 5.11 GET/SET_MODIFIER_VALUE
- 5.12 GET_PRESET_NAME
- 5.13 SET_PRESET_NAME
- 5.14 MIDI_TEMPO_BEAT
- 5.15 SET_TAP_TEMPO
- 5.16 GET_PRESET_NUMBER
- 5.17 SET_PRESET_NUMBER
- 5.18 GET_GRID_LAYOUT_AND_ROUTING
- 5.19 MIDI_LOOPER_STATUS_ENABLE, MIDI_LOOPER_STATUS
- 5.20 GET_SCENE_NUMBER
- 5.21 SET_SCENE_NUMBER
- 5.22 GET_CAB_NAME
- 5.23 GET_ALL_CAB_NAMES
- 5.24 MIDI_SET_PRESET
- 5.25 GET_BLOCK_PARAMETERS_LIST
- 5.26 BATCH_LIST_REQUEST_START
- 5.27 BATCH_LIST_REQUEST_COMPLETE
- 5.28 MULTIPURPOSE_RESPONSE
- 5.29 GET_BLOCK_XY, SET_BLOCK_XY
- 5.30 SET_BLOCK_BYPASS_STATE
- 5.31 GET_CPU_USAGE
- 5.32 GET_PRESET_EDITED_STATUS
- 5.33 SET_TARGET_BLOCK
- 5.34 GET_MONITOR_GRAPH
- 5.35 GET/SET_AX8_FOOTSWITCHES
- 6 MIDI SysEx: Importing/Exporting Presets
- 7 MIDI SysEx: calculating the SysEx Checksum
- 8 MIDI SysEx: obtaining parameter values
- 9 MIDI SysEx: loading IRs
- 10 MIDI Sysex: converting bytes to decimal and vise versa and more
- 11 MIDI SysEx: Blocks & Parameters IDs
- 12 MIDI SysEx: more information
- 13 Axe-Fx II MIDI SysEx: Info
- 14 Axe-Fx II MIDI SysEx: Block IDs
- 15 Axe-Fx II MIDI SysEx
- 15.1 CPR
- 15.2 GEQ
- 15.3 PEQ
- 15.4 AMP
- 15.5 CAB
- 15.6 REV
- 15.7 DLY
- 15.8 MTD
- 15.9 CHO
- 15.10 FLG
- 15.11 ROT
- 15.12 PHA
- 15.13 WAH
- 15.14 FRM
- 15.15 VOL
- 15.16 TRM
- 15.17 PIT
- 15.18 FIL
- 15.19 DRV
- 15.20 ENH
- 15.21 FXL
- 15.22 INPUT
- 15.23 OUTPUT
- 15.24 CONTROLLERS
- 15.25 SYN
- 15.26 GTE
- 15.27 RNG
- 15.28 LPR
- 15.29 SND
- 15.30 RTN
- 15.31 MIX
- 15.32 MBC
- 15.33 XVR
- 15.34 MGT
System Exclusive messages
If you're a MIDI expert, you can use SysEx messages (MIDI System Exclusive) to control Fractal Audio devices.
Discussion about Fractal Audio's SysEx implementation
Firmware Ares and later provides MIDI support for 3rd-party devices to set and/or get scene, channel, bypass, scene names, preset names, tuner data, tempo data, via System Exclusive messages.
Read this: Axe-Fx III MIDI for Third-Party Devices
Axe-Fx Standard and Axe-Fx Ultra
Ultra-specific SysEx information from forum member GM Arts
SysEx commands for retrieving Preset/Effect bypass states
Axe-Fx III and FM3
SysEx commands for control of the Axe-Fx III and FM3 through third-party MIDI devices is documented in this guide: Axe-Fx III MIDI for Third-Party Devices
SysEx Model number per device
The numbers below refer to the processors.
- 0x00 Axe-Fx Standard
- 0x01 Axe-Fx Ultra
- 0x02 MFC-101
- 0x03 Axe-Fx II
- 0x04 MFC-101 mk3
- 0x05 FX8
- 0x06 Axe-Fx II XL
- 0x07 Axe-Fx II XL+
- 0x08 AX8
- 0x0A FX8 mk2
- 0x10 Axe-Fx III
- 0x11 FM3
- 0x12 FM9
MIDI SysEx Functions
Many Axe-Fx II SysEx messages are similar to Standard/Ultra messages: documented here
The messages documented here are compatible between Axe-Fx II, Axe-Fx II XL, Axe-Fx II XL+ and AX8. FX8 messages are not documented.
Note, many examples on this page are using 3 for the Model #.
All messages you send must be sent with Checksums, but not all response messages will have a Checksum, those documented here will specify if a Checksum is not included.
All Axe-Fx II/AX8 SysEx messages have the same HEADER as follows:
- 0xF0 sysex start
- 0x00 Manf. ID byte0
- 0x01 Manf. ID byte1
- 0x74 Manf. ID byte2
- 0xdd Model #
The byte after the Model # will always be the Function ID.
The last byte of each message will be 0xF7, the Checksum is the byte before 0xF7
Here's an example of a sysex message, in this example the AX8 is responding with the preset number, function 0x14 GET_PRESET_NUMBER
[0xF0, 0x00, 0x01, 0x74, 0x08, 0x14, 0x00, 0x00, 0x19, 0xF7];
GET_FIRMWARE_VERSION
This message responds with the firmware version, also this acts as a "Greeting" message, only after the Axe FX II has received a firmware version request it will start sending message 0x21 FRONT_PANEL_CHANGE_DETECTED, if you're writing an app or foot controller that will need to be in sync then the first thing you want to do is request the firmware version so that message 0x21 is sent when changes happen on the front panel. Keep in mind, if you do this you will need to "Disconnect" from the hardware when your app closes by sending function 0x42 DISCONNECT_FROM_CONTROLLER
Message format:
- HEADER BYTES
- 0x08 Function ID (0x08)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x08 Function ID (0x08)
- 0xdd Firmware Version major number
- 0xdd Firmware Version minor number
- 0xdd
- 0xdd
- 0xdd
- 0xdd
- 0xdd Checksum
- 0xF7 SysEx End
FRONT_PANEL_CHANGE_DETECTED
This message is sent to notify you that something may have changed on the hardware, and is the message that causes Axe-Edit/AX8-Edit to "Pause Communication". This message is notifies the editor that something changed and that it should reload the data for that preset, and is why you get the PAUSE overlay on the editor. When you click that overlay the Editor will re-request all the preset data it needs to keep the editor in sync with the hardware.
For example if you select a block on the Axe FX II, say, the Filter block, and you change the gain, then the Axe FX will send this message.
This message is sent about 400ms after the action was complete.
Another example, on the AX8, if you use the Amp Controls on the front panel to change the Gain then you will receive this message. This message is also sent if you press a footswitch that changes a scene/preset/block bypass/XY.
This message is only sent by the hardware if you requested the Firmware version. Read 0x08 GET_FIRMWARE_VERSION for more information.
Message format:
- HEADER BYTES
- 0x21 Function ID (0x21)
- 0xdd Checksum
- 0xF7 SysEx End
DISCONNECT_FROM_CONTROLLER
This message should be sent when you quit an application connected to the Axe Fx if your application sent the 0x08 GET_FIRMWARE_VERSION message. See the 0x08 GET_FIRMWARE_VERSION section for more information.
Message format:
- HEADER BYTES
- 0x42 Function ID (0x42)
- 0xdd Checksum
- 0xF7 SysEx End
GET_MIDI_CHANNEL
This message message replies with the MIDI channel set under SETUP > I/O > MIDI > MIDI CHANNEL.
Message format:
- HEADER BYTES
- 0x17 Function ID (0x17)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x17 Function ID (0x17)
- 0xdd Midi Channel (single byte)
- 0xdd Checksum
- 0xF7 SysEx End
TUNER_INFO
This message is broadcast when the Tuner is engaged. Note that the Axe-FX II does not include the checksum byte in this message:
- HEADER BYTES
- 0x0D Function ID (0x0D)
- 0xdd Note (0=A; 1=Bb; 2=B; etc.)
- 0xdd String number (0=high E string; 5=low E string)
- 0xdd Tuner data (value of 63 indicates 'perfectly in tune')
- 0xF7 SysEx End
TUNER_TOGGLE
To turn the tuner on/off you send a MIDI Control Change (CC). The CC value is the same that you assign on the Axe-Fx II in the same channel your Axe-Fx II is set to.
The default CC for the tuner is 15. Send the value 0 to turn the tuner off, any value of 64 or higher to turn it on.
You can get the MIDI Channel of your Axe-Fx with GET_MIDI_CHANNEL.
METRONOME_TOGGLE
To turn the metronome on/off you send a MIDI Control Change (CC). The CC value is the same you assign on the Axe-Fx II in the same channel your Axe-Fx II is set to.
Send the value 0 to turn the metronome off, any value of 64 or higher to turn it on.
You can get the MIDI channel of your Axe-Fx with GET_MIDI_CHANNEL.
NOTE that the metronome's level can not be edited via MIDI.
PRESET_BLOCKS_DATA
This message returns a 32-bit unsigned integer split into five MIDI words for each block loaded onto the preset. That is, if the amp block is loaded you will get five bytes with data for the amp block, etc.
The message contains five important pieces of data:
- The block's current Bypass state (0 if bypassed, 1 if engaged).
- The block's current X/Y state (0 if Y, 1 if X).
- The block's ID (number ranging from 100 to 170).
- The block's bypass CC# (if the value is 0 or more than 127, it means the block doesn't have a CC# assigned).
- The block's XY CC# (if the value is 0 or more than 127, it means the block doesn't have a CC# assigned or doesn't have X/Y).
Request format:
- HEADER BYTES
- 0x0E Function ID (0x0E)
- 0xdd Checksum
- 0xF7 SysEx End
Response format: (response doesn't have a checksum)
- HEADER BYTES
- 0x0E Function ID (0x0E)
- Information about each effect block in preset follows, using 5 bytes for each effect block in the preset
- 0xdd Byte 1 (flags) uint32_t LSB
- Bit 0: 0 = Bypassed, 1 = Engaged
- Bit 1: 0 = Y, 1 = X
- Bit 2: unused
- Bit 3: unused
- Bit 4: unused
- Bit 5: unused
- Bit 6: unused
- 0xdd Byte 2 (bypass cc# number LSB)
- Bit 0: unused (Bit 7 for the byte above)
- Bit 1: Bypass CC# Bit 0
- Bit 2: Bypass CC# Bit 1
- Bit 3: Bypass CC# Bit 2
- Bit 4: Bypass CC# Bit 3
- Bit 5: Bypass CC# Bit 4
- Bit 6: Bypass CC# Bit 5
- 0xdd Byte 3 (bypass cc# MSB and XY cc# LSB)
- Bit 0: Bypass CC# Bit 6
- Bit 1: Bypass CC# Bit 7
- Bit 2: XY CC# Bit 0
- Bit 3: XY CC# Bit 1
- Bit 4: XY CC# Bit 2
- Bit 5: XY CC# Bit 3
- Bit 6: XY CC# Bit 4
- 0xdd Byte 4 (XY cc# MSB and Block ID LSB)
- Bit 0: XY CC# Bit 5
- Bit 1: XY CC# Bit 6
- Bit 2: XY CC# Bit 7
- Bit 3: Block ID Bit 0
- Bit 4: Block ID Bit 1
- Bit 5: Block ID Bit 2
- Bit 6: Block ID Bit 3
- 0xdd Byte 5 (Block ID MSB) uint32_t MSB
- Bit 0: Block ID Bit 4
- Bit 1: Block ID Bit 5
- Bit 2: Block ID Bit 6
- Bit 3: Block ID Bit 7
- Bit 4: unused
- Bit 5: unused
- Bit 6: unused
The following C++ code will iterate thru the sysex message array, take each five-byte chunk and convert them into a uint32_t:
// "data" is the entire sysex array, "lengthOfMessage" is the length/size of that array for(uint16_t i = 6, n = lengthOfMessage - 1 ; i < n ; i += 5){ // convert the 5 bytes into a uint32_t with some bit-shifting uint32_t blockData = (data[i] & 0x7F) | ((data[i+1] & 0x7F)<<7) | ((data[i+2] & 0x7F)<<14) | ((data[i+3] & 0x7F)<<21) | ((data[i+4] & 0x7F)<<28); bool isBlockEngaged = (bool) (blockData & 0x01); // true if the block is on, false if bypassed bool isX = (bool) (blockData & 0x02); // true if the block is in X, false if Y uint8_t id = (uint8_t) ((blockData & 0xFF000000) >> 24); uint8_t bypassCC = (uint8_t) ((blockData & 0x0000FF00) >> 8); // if this number is 0 or higher than 127, then there's no cc# assigned uint8_t xyCC = (uint8_t) ((blockData & 0x00FF0000) >> 16); // if this number is 0 or higher than 127, then there's no cc# assigned }
GET/SET_BLOCK_PARAMETER_VALUE
This message will get or set the value of the specified block parameter, this value ranges from 0 to 65534, the response message will contain a string which is the label displayed by the Axe Fx II and its editor. For example, the Bass parameter of the AMP block may have a value of 32767 but the label will be "5.00", the value may be 65534 but the label will be "10.00".
Also, many parameters have a low/high limit and step. For example, the "Voices" parameter of the CHORUS block will have a low limit: 2, high limit: 8 and step: 2 that means you can send values of 2,4,6,8. If you send a value lower than 2 it will set the parameter to 2, if it's higher than 8 it will set the value to 8.
The Effect Type selector is also a parameter. For example, in the AMP block the effect type is parameter 0, most blocks with an effect type use parameter 0 as the effect type but not all. You should monitor the MIDI messages between the Axe FX II and Axe-Edit to make sure which parameter is which.
Bypassing/Engaging a Block is also done with this function with parameter 255. Send the value 0 to Engage, 1 to Bypass.
When you are getting a parameter value you still have to include a parameter value with your message but this value can be 0.
To convert these bytes to decimal and vice-versa see MIDI Sysex: converting bytes to decimal and vise versa and more.
Message format:
- HEADER BYTES
- 0x02 Function ID (0x02)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd parameter ID bits 6-0
- 0xdd parameter ID bits 13-7
- 0xdd parameter value bits 6-0
- 0xdd parameter value bits 13-7
- 0xdd parameter value bits 15-14
- 0x00 0=query value, 1=set value
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x02 Function ID (0x02)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd parameter ID bits 6-0
- 0xdd parameter ID bits 13-7
- 0xdd parameter value bits 6-0
- 0xdd parameter value bits 13-7
- 0xdd parameter value bits 15-14
- 0xdd
- 0xdd
- 0xdd
- 0xdd
- 0xdd
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
SET_TYPED_BLOCK_PARAMETER_VALUE
This is the function used by Axe-Edit when you type the value of a parameter. If you read this page you've learned that parameter values range from 0 to 65534, and, with that in mind, the Bass on the AMP block displays a value of 0.00 to 10.00 with 0.00 being 0 and 10.00 being 65534. If you want to set the value of that parameter to exactly 6.35 then you would use this function.
The parameter value is sent as a 32-bit Signed Float split into five 7-bit bytes, for example, for the Balance parameter on the AMP block you can send -50.6 as the parameter value since the knob displays a range from -100.0 to 100.0.
NOTE: this function behaves differently with the AMP's Level parameter which doesn't seem to respond with the proper value.
Message format:
- HEADER BYTES
- 0x2E Function ID (0x2E)
- 0xdd Block ID bits 6-0
- 0xdd Block ID bits 13-7
- 0xdd Parameter ID bits 6-0
- 0xdd Parameter ID bits 13-7
- 0xdd Parameter Value bits 6-0
- 0xdd Parameter Value bits 13-7
- 0xdd Parameter Value bits 21-14
- 0xdd Parameter Value bits 29-22
- 0xdd Parameter Value bits 32-30
- 0xdd Checksum
- 0xF7 SysEx End
This responds in the same way as 0x02 GET/SET_BLOCK_PARAMETER_VALUE.
GET/SET_MODIFIER_VALUE
Message format:
- HEADER BYTES
- 0x07 Function ID (0x07)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd parameter ID bits 6-0
- 0xdd parameter ID bits 13-7
- 0xdd modifier parameter selector ID bits 6-0
- 0xdd 0
- 0xdd modifier value bits 6-0
- 0xdd modifier value bits 13-7
- 0xdd modifier value bits 15-14
- 0x00 0=query value, 1=set value
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x02 Function ID (0x02)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd parameter ID bits 6-0
- 0xdd parameter ID bits 13-7
- 0xdd modifier parameter selector ID bits 6-0
- 0xdd 0
- 0xdd modifier value bits 6-0
- 0xdd modifier value bits 13-7
- 0xdd modifier value bits 15-14
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
Modifier Parameter Selector IDs:
- 0x0 modifier source
- 0x1 min
- 0x2 max
- 0x3 start
- 0x4 mid
- 0x5 end
- 0x6 slope
- 0x7 damping
- 0x8 ?
- 0x9 ?
- 0xA auto engage
- 0xB pc reset
- 0xC off val
- 0xD scale
- 0xE offset
GET_PRESET_NAME
Message format:
- HEADER BYTES
- 0x0F Function ID (0x0F)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x0F Function ID (0x0F)
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
SET_PRESET_NAME
Message format:
- HEADER BYTES
- 0x0F Function ID (0x09)
- 0xdd Each letter of the preset name sent as an ASCII byte
- ...
- 0xdd Checksum
- 0xF7 SysEx End
This responds with a 0x64 MULTIPURPOSE_RESPONSE.
MIDI_TEMPO_BEAT
This is the Tempo beat or "pulse" message sent by Axe-FX II. Note that the Axe-FX II does not include the Checksum byte in this message:
- HEADER BYTES
- 0x10 Function ID (0x10)
- 0xF7 SysEx End
SET_TAP_TEMPO
If you want to send a BPM value to the Axe-Fx II/AX8, you can do this via the 0x02 GET/SET_BLOCK_PARAMETER_VALUE function.
To do this, send the parameter to the "CONTROLLERS" Block (ID 141), Parameter ID 32, and the value would be a number between 30 and 250.
GET_PRESET_NUMBER
Message format:
- HEADER BYTES
- 0x14 Function ID (0x14)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x14 Function ID (0x14)
- 0xdd Preset Number bits 6-0
- 0xdd Preset Number bits 13-7
- 0xdd Checksum
- 0xF7 SysEx End
SET_PRESET_NUMBER
This message sets a preset number of your choice, it will respond with message 0x64 to confirm.
Message format:
- HEADER BYTES
- 0x3C Function ID (0x3C)
- 0xdd Preset Number bits 6-0
- 0xdd Preset Number bits 13-7
- 0xdd Checksum
- 0xF7 SysEx End
This function will respond with 0x64 MULTIPURPOSE_RESPONSE.
GET_GRID_LAYOUT_AND_ROUTING
Message format:
- HEADER BYTES
- 0x20 Function ID (0x20)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x20 Function ID (0x20)
- Information about each grid location follows. The first 4-byte chunk corresponds to the top-left grid location (column 1, row 1). The next four-byte chunk corresponds to the grid location at column 1, row 2. Following this pattern, each of the 48 grid locations are described.
- 0xdd Block/Shunt ID bits 6-0
- 0xdd Block/Shunt ID bits 13-7
- 0xdd routing flags
- Bit 0: connect row 1 to effect input
- Bit 1: connect row 2 to effect input
- Bit 2: connect row 3 to effect input
- Bit 3: connect row 4 to effect input
- Bit 4:
- Bit 5:
- Bit 6:
- 0xdd (unused?)
- ... (47 additional four-byte chunks)
- 0xdd Checksum
- 0xF7 SysEx End
About Shunts: Each shunt has a unique ID just like blocks, there are 36 shunts, on the Axe-Fx II the Shunt IDs start at 200 up to 235, on the AX8 they start at 300 to 335.
MIDI_LOOPER_STATUS_ENABLE, MIDI_LOOPER_STATUS
Message format:
- HEADER BYTES
- 0x23 Function ID (0x23)
- 0xdd 0=Disable looper status messages, 1=Enable looper status messages
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x23 Function ID (0x23)
- 0xdd Looper Status Bits
- Bit 0: Record
- Bit 1: Play
- Bit 2: Once
- Bit 3: Overdub
- Bit 4: Reverse
- Bit 5: Half
- Bit 6: Undo
- 0xdd Looper Position (range: 0 to 99)
- 0xdd Checksum
- 0xF7 SysEx End
GET_SCENE_NUMBER
This is the same as SET_SCENE_NUMBER except you use 0x7F as the value for getting the scene number.
Message format:
- HEADER BYTES
- 0x29 Function ID (0x29)
- 0x7F Indicator that you want to read the scene number
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x29 Function ID (0x29)
- 0xdd Scene Number (range: 0 to 7)
- 0xdd Checksum
- 0xF7 SysEx End
SET_SCENE_NUMBER
Message format:
- HEADER BYTES
- 0x29 Function ID (0x29)
- 0xdd Scene Number (range: 0 to 7)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x29 Function ID (0x29)
- 0xdd Scene Number (range: 0 to 7)
- 0xdd Checksum
- 0xF7 SysEx End
GET_CAB_NAME
Message format:
- HEADER BYTES
- 0x12 Function ID (0x12)
- 0xdd Cab Number
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x12 Function ID (0x12)
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
GET_ALL_CAB_NAMES
Message format:
- HEADER BYTES
- 0x12 Function ID (0x12)
- 0x7F Get all cabs identifier byte 1
- 0x7F Get all cabs identifier byte 2
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x12 Function ID (0x12)
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
MIDI_SET_PRESET
- Function number: 14
- Example:
- F0 0 1 74 3 14 0 1 13 0 FF --> to set the current preset (edit buffer) to preset 0 (1 if DISPLAY OFFSET activated)
- F0 0 1 74 3 14 1 0 13 0 FF --> to set the current preset (edit buffer) to preset 128 (129 if DISPLAY OFFSET activated)
- Send from AXE-FX to AXE-EDIT and MFC-101
GET_BLOCK_PARAMETERS_LIST
This function will get you a list of all the parameters values of a specified block, each parameter with its value is returned in a separate message.
Message format:
- HEADER BYTES
- 0x01 Function ID (0x01)
- 0xdd block ID bits 6-0
- 0xdd block ID bits 13-7
- 0xdd Checksum
- 0xF7 SysEx End
This message will respond with 0x32 BATCH_LIST_REQUEST_START confirming that the batch of messages will be sent and how many will be sent.
After that message you will receive messages with function ID 0x01, these messages are identical to function 0x02 with the exception of the function ID being 0x01
Once complete it will respond with 0x33 BATCH_LIST_REQUEST_COMPLETE confirming that they were all sent.
Message 0x01 response format:
- HEADER BYTES
- 0x01 Function ID (0x01)
- 0xdd block ID bits 6-0
- 0xdd block ID bits 13-7
- 0xdd parameter ID bits 6-0
- 0xdd parameter ID bits 13-7
- 0xdd parameter value bits 6-0
- 0xdd parameter value bits 13-7
- 0xdd parameter value bits 15-14
- 0xdd
- 0xdd
- 0xdd
- 0xdd
- 0xdd
- 0xdd null-terminated string byte0
- 0xdd byte1
- ...
- 0x00 null character
- 0xdd Checksum
- 0xF7 SysEx End
BATCH_LIST_REQUEST_START
This message is sent to you when you request a list of certain items, this includes when you request a list of parameters of a block (0x01 GET_BLOCK_PARAMETERS_LIST) or when you request a list of factory/user cab names, you can treat this message as confirmation that those parameters are about to be sent to you. The "Response Length" below represents how many messages will be sent as part of that batch.
Message format:
- HEADER BYTES
- 0x32 Function ID (0x32)
- 0xdd ID of function that it's replying to
- 0xdd Response Length bits 6-0
- 0xdd Response Length bits 13-7
- 0xdd Checksum
- 0xF7 SysEx End
BATCH_LIST_REQUEST_COMPLETE
This message is sent to you after a batch of messages you requested was sent to you and is complete.
For example, if you request 0x01 GET_BLOCK_PARAMETERS_LIST, this message will reply confirming that the request has been complete.
The "ID of function that it's replying to" is the ID of the function that requested the list. In the case of 0x01 GET_BLOCK_PARAMETERS_LIST, which is function 0x01, it will show this byte as 0x01 (on the AX8 the function ID will be 0x02 even though the request was for 0x01).
Message format:
- HEADER BYTES
- 0x33 Function ID (0x33)
- 0xdd ID of function that it's replying to
- 0xdd Checksum
- 0xF7 SysEx End
MULTIPURPOSE_RESPONSE
This message is sent by the hardware as a response to certain requests, the first byte after the function id is the requested function id (for example if you change the preset using function id 0x3C the first byte after 0x64 will be 0x3C). The next byte is a response code for the requested function, this code can mean different things, it could mean that the message you first sent had an error, usually if the response code is 0 it means that the task you requested is valid.
Message format:
- HEADER BYTES
- 0x64 Function ID (0x64)
- 0xdd Response Function ID
- 0xdd Response Code
- 0xdd Checksum
- 0xF7 SysEx End
GET_BLOCK_XY, SET_BLOCK_XY
Message format:
- HEADER BYTES
- 0x11 Function ID (0x11)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd 0 = set to X, 1 = set to Y
- 0xdd 0 = get value, 1 = set value
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x11 Function ID (0x11)
- 0xdd effect ID bits 6-0
- 0xdd effect ID bits 13-7
- 0xdd 0 = effect is X, 1 = effect is Y
- 0xdd Checksum
- 0xF7 SysEx End
SET_BLOCK_BYPASS_STATE
You can Bypass/Engage a block using Function 0x02 GET/SET_BLOCK_PARAMETER_VALUE. To do this you will use the Block ID that you want to bypass, Parameter ID 255, and the value would be 0 to Engage and 1 to Bypass.
For example, this will bypass the amp block. Keep in mind the checksum must be calculated for the target device:
- HEADER BYTES
- 0x02 Function ID (2)
- 0x6A effect ID bits 6-0
- 0x00 effect ID bits 13-7
- 0x7F parameter ID bits 6-0
- 0x01 parameter ID bits 13-7
- 0x01 parameter value bits 6-0
- 0x00 parameter value bits 13-7
- 0x00 parameter value bits 15-14
- 0x01 Set Value
- 0xXX Checksum
- 0xF7 SysEx End
GET_CPU_USAGE
Message format:
- HEADER BYTES
- 0x13 Function ID (0x13)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x13 Function ID (0x13)
- 0xdd CPU % (single byte from 0 to 100)
- 0xdd Checksum
- 0xF7 SysEx End
GET_PRESET_EDITED_STATUS
The Axe FX and AX8 both have an LED on the front panel labeled "EDITED", which lights whenever you make any changes to your preset that have not been saved. This message will request that status. It will reply with 1 if the LED is on because the preset has changes that need to be saved, and 0 if it's off.
Message format:
- HEADER BYTES
- 0x2A Function ID (0x2A)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x2A Function ID (0x2A)
- 0xdd 0 = NO, 1 = YES
- 0xdd Checksum
- 0xF7 SysEx End
SET_TARGET_BLOCK
This function is sent when Axe-Edit opens a block for editing, this message should be sent if you will be requesting Real Time modifiers or the GET_MONITOR_GRAPH.
Message format:
- HEADER BYTES
- 0x37 Function ID (0x37)
- 0xdd Block ID bits 6-0
- 0xdd Block ID bits 13-7
- 0xdd Checksum
- 0xF7 SysEx End
Responds with 0x64 MULTIPURPOSE_RESPONSE
GET_MONITOR_GRAPH
This function responds with the Monitor Graph, this is the "MONITOR" section you see on Axe-Edit displaying the EQ curve of many blocks.
This function's response contains 256 bytes, aside from the header, checksum and sysex end bytes, representing 128 points on the graph, where each point is made up of two bytes.
Each pair of bytes is a 14-bit signed integer, the integer will range from -8191 to 8191 with 0 being the middle of the graph. The Controllers tab also makes use of this graph for ADSR1/2 but the integer will range from 0 to 8191.
When requesting this Graph you must specify the Index of the graph. All blocks have one graph, so use 0 as the Graph Index, with the exception of the Controllers which has two graphs, ADSR1 Index is 0, ADSR2 Index is 1.
You MUST send SET_TARGET_BLOCK before requesting the graph since the graph request does not include a block id.
TIP: you should be careful with how often you request this graph. You should only do it when after a set interval after the parameter for that block has been edited.
Message format:
- HEADER BYTES
- 0x36 Function ID (0x36)
- 0xdd Graph Index (0 for most blocks, see the above info)
- 0xdd Checksum
- 0xF7 SysEx End
- HEADER BYTES
- 0x36 Function ID (0x36)
- 256 bytes to follow, representing 128 14-bit Signed Integers
- 0xdd Point 1 bits 6-0
- 0xdd Point 1 bits 13-7
- 0xdd Point 2 bits 6-0
- 0xdd Point 2 bits 13-7
- 0xdd Point 3 bits 6-0
- 0xdd Point 3 bits 13-7
- ...
- 0xdd Checksum
- 0xF7 SysEx End
GET/SET_AX8_FOOTSWITCHES
This function returns the contents of both the per-preset and global foot-switches on the AX8.
It includes eight 6-byte chunks:
- The first 2 bytes of the chunk represent the block of the local (per-preset) footswitch, the ID will be the Block ID or other IDs representing the function of the footswitch.
- The next two bytes of the chunk represent the global footswitch block ID.
- The next byte represents the flags of the global footswitch, as in if the global footswitch is engaged, engaged+momentary & engaged+latching.
- The next byte represents the flags of the local footswitch.
- When the Global Flag is 0 the per-preset footswitch is used. When the flag is 1, global is engaged in as a latching type. When it is 2 it's engaged as a momentary type.
Message format:
- HEADER BYTES
- 0x48 Function ID (0x48)
- 0xdd QUERY, 0=Get Value, 1=Set Value
- 0xdd Number of Foot-switches (0 to request all)
- 0xdd Checksum
- 0xF7 SysEx End
Response format:
- HEADER BYTES
- 0x48 Function ID (0x48)
- 0xdd QUERY, 0=Get Value, 1=Set Value
- 0xdd Number of Foot-switches (0x08 on the AX8)
- Eight 6-byte chunks to follow (with the first chunk representing footswitch 1, last one footswitch 8)
- 0xdd Local ID bits 6-0
- 0xdd Local ID bits 13-7
- 0xdd Global ID bits 6-0
- 0xdd Global ID bits 13-7
- 0xdd Global Flag, 0=Global Disabled, 1=Global Engaged/Latching, 2=Global Engaged/Momentary
- 0xdd Local Flag, 1=Local Latching, 2=Local Momentary
- ...
- 0xdd Checksum
- 0xF7 SysEx End
To edit footswitches you send the entire layout of footswitches with the QUERY being 1, you would include each 6-byte chunk after the Number of Foot-switches, each chunk would have to have the values you want to set for each footswitch.
MIDI SysEx: Importing/Exporting Presets
MIDI SysEx: calculating the SysEx Checksum
As mentioned above, the Axe-FX II units require a Checksum at the end of the SysEx string that is sent to it (before the terminating F7 byte) as a verification step.
In order to calculate the Checksum, you basically have to XOR every byte from the start of the SysEx message, up to the character BEFORE the terminating F7 byte. For example, to send the following SysEx message (to fetch a preset name):
- F0 00 01 74 03 0F F7
We would have to XOR all the byte values from the starting 'F0' to the '0F' which is the second last byte:
- 0xF0 ^ 0x00 ^ 0x01 ^ 0x74 ^ 0x03 ^ 0x0F = 0x89
Then, we would need to strip the leftmost bit from the result (by ANDing it to 0x7F):
- 0x89 & 0x7F = 0x09
And, we add this byte (actually, a septet now) to the end of the SysEx string, BEFORE the terminating F7:
- F0 00 01 74 03 0F 09 F7
Obviously, in a "static" SysEx message like above, you do not have to recalculate the Checksum each time as it will always be "09" as the rest of the message does not change, but if you are sending a SysEx string to change a parameter value, etc., then you will have to calculate the Checksum on the fly as byte values towards the end of the SysEx string will be different each time.
For Python users, here is a checksum function to return the checksum string:
from functools import reduce def checksum(ip_str): outstr = # Create an outstring object ip_list = ip_str.split() # Split the string into a list int_list = [int('0x' + str(x), 16) for x in ip_list[0:-1]] # Create an integer list s = reduce(lambda x, y: x ^ y, int_list) # Calculate the checksum int_list.append(s & 0x7f) # Append the checksum to the list with leftmost bit stripped int_list.append(0xF7) # Append the terminating byte to the list for itm in int_list: # Get each item from the list a_str = str(hex(itm))[2:] # Create a string without the first two characters outstr = outstr + a_str.zfill(2) + ' ' # Concatenate each item into a single string return outstr.strip() # Strip leading or trailing blanks and return the string
MIDI SysEx: obtaining parameter values
The old Standard/Ultra devices used to store the parameter values on *most* knobs as 0-254. This was split into two bytes, XX YY where XX was the lowest 4 bits of the value, and YY was the highest 4 bits. Pretty simple.
The new Axe-II now has more granular control over *most* knobs, with the values going from 0-65534. This requires a full 16 bits to store. The problem is that the MIDI specifications means you can only transmit values using 7 bits as the highest bit of each byte must be a zero.
To get around this, the Axe-II uses THREE bytes to transmit the values XX YY ZZ where XX is the lowest 7 bits of the data, YY is the 8th to the 14th bit of the data, and ZZ is the remaining top two bits of the data.
So, if you had the value 52421 on a knob, then this would be represented by the 16 bits: 1100110011000101.
If you split this into segments of length 2/7/7 to store in ZZ/YY/XX: 11 0011001 1000101
So XX gets the last segment: 01000101 And YY gets the middle segment: 00011001 And ZZ gets the first segment: 00000011
You will also have to back-calculate the respective knob values to the 16 bit values. For example, a knob that goes from 0 - 10, 0 would of course be 0, but 10 would be 65534. From there, you would work out that 5 is 32767 and 7 would be about 45871 etc.
To convert these bytes to the decimal value and visa-versa read MIDI Sysex: converting bytes to decimal and vise versa and more.
MIDI SysEx: loading IRs
The information below was provided by former forum member LMO.
The Axe Fx II supports 2040-point impulse responses that are packaged for download in a series of 66 MIDI SysEx messages, as follows:
MIDI_START_IR_DOWNLOAD
Prepare the Axe-Fx II to receive impulse response data
Message Format:
- HEADER BYTES
- 0x7A function ID
- 0x20
- 0x00
- 0x10
- 0xdd Checksum
- 0xF7 SysEx End
MIDI_G2_IR_DATA
There are 64 SysEx messages, each containing 32 chunks of data. Each chunk consists of five bytes and can hold either four text characters or one 32-bit IR data sample.
The first data message sent includes 8 chunks of text that specify the 32-character IR name, and 24 chunks of IR data. The subsequent 63 data messages each contain 32 data samples for a total of 2040 samples.
Message Format:
- HEADER BYTES
- 0x7B function ID
- 0x20
- 0x00
- 0xdd data chunk byte 0
- 0xdd data chunk byte 1
- 0xdd data chunk byte 2
- 0xdd data chunk byte 3
- 0xdd data chunk byte 4
- --- 31 additional five byte data chunks ---
- 0xdd Checksum
- 0xF7 SysEx End
MIDI_CLOSE_IR_DOWNLOAD
Terminate the IR download sequence
Message Format:
- HEADER BYTES
- 0x7C function ID
- 0xdd encoded Checksum byte 0 for IR data
- 0xdd encoded Checksum byte 1 for IR data
- 0xdd encoded Checksum byte 2 for IR data
- 0xdd encoded Checksum byte 3 for IR data
- 0xdd encoded Checksum byte 4 for IR data
- 0xdd Checksum
- 0xF7 SysEx End
Data Chunk Encoding Scheme
The data encoding scheme translates four octets into five septets. Each septet occupies the lower seven bits of a byte, with the most significant bit set to 0.
- octet is one byte containing 8 bits of data
- septet is one byte containing 7 bits of data
- byte_chunk = (data[0] & 0xFF )<< 24 | (data[1] & 0xFF )<< 16 | (data[2] & 0xFF )<< 8 (data[3] & 0xFF;
- convert four octets to five septets
- septet[0] = byte_chunk & 0xFF;
- septet[1] = byte_chunk >> 7 & 0xFF;
- septet[2] = byte_chunk >> 14 & 0xFF;
- septet[3] = byte_chunk >> 21 & 0xFF;
- septet[4] = byte_chunk >> 28 & 0xFF;
MIDI Sysex: converting bytes to decimal and vise versa and more
All the functions below are written in C++.
The following are for each 5 byte chunk of message 0x0E [#PRESET_BLOCKS_DATA|PRESET_BLOCKS_DATA].
This function returns true if the block is in X state or false if the block is in Y state. x is the first byte of each 5 byte chunk of message 0x0E.
bool isBlockX(byte x){ if(x==0x03||x==0x02){ return true; } return false; }
This function returns true if the block is bypassed, false if it's not. x is the first byte of each 5 byte chunk of message 0x0E.
bool isBlockBypassed(byte x){ if(x==0x03||x==0x01){ return false; } return true; }
This function converts the two bytes for the block's bypass CC (IA CC Number LSB/MSB) into a decimal number. LSB is the second byte and MSB is the third byte of each 5 byte chunk of message 0x0E.
int toBlockCC(byte LSB, byte MSB){ return ((LSB & 0x7E) >> 1) + ((MSB & 3) << 6); }
This function converts the two bytes for the block's ID (Effect ID LSB/MSB) into a decimal number. LSB is the fourth byte and MSB is the fifth byte of each 5 byte chunk of message 0x0E.
int blockID(byte LSB, byte MSB){ return ((LSB & 0x78) >> 3) + ((MSB & 0x0F) << 4); }
This function converts the effect ID bytes OR the parameter ID bytes into a decimal number.
int bytesToInt(byte byte1, byte byte2){ return (byte1 & 0x7F) | ((byte2 & 0x7F)<<7); }
This is the reverse of the above to turn a decimal number into two bytes where x is the decimal number.
byte byte1 = (x & 0x7F); byte byte2 = ((x >> 7) & 0x7F);
This function converts the 3 parameter value bytes on message (0x02) into a decimal number.
int parameterValueBytesToInt(byte byte1, byte byte2, byte byte3){ return (byte1 & 0x7F) | ((byte2 & 0x7F)<<7) | ((byte3 & 0x7F)<<14); }
This is the reverse of the above to turn a decimal number into 3 bytes where x is the decimal number.
byte byte1 = x & 0x7F; byte byte2 = (x >> 7) & 0x7F; byte byte3 = (x >> 14) & 0x7F);
This will convert a decimal number into the two bytes for a preset change, where x is the decimal number.
byte byte1 = x >> 7; byte byte2 = x & 0x7F;
To convert the two bytes received from a preset change to a decimal number use:
Axe FX II:
int x = (byte1 & 0x7F) << 7 | byte2;
AX8:
int x = (byte1 & 0x7F) | ((byte2 & 0x7F) << 7);
This will convert the decimal preset number into a Bank/Preset set. This number ranges from 0 to 383 on the Axe FX II, 0 to 767 on the XL/+ and 0 to 511 on the AX8.
On the Axe FX II or later, where x is the decimal number from 0 to 383/767:
byte bankNumber = floor(x / 128); // banks are labeled A,B,C,D,E,F where bank A is 0 and bank F is 5 byte presetNumber = x - (bankNumber*128); // preset number with index of 0, to display offset it to 1 just add 1 to this number when displayed
For the AX8, where x is the decimal number from 0 to 511:
byte bankNumber = floor(x / 8); // banks are labeled from 1 to 64, this functions will return a number from 0 to 63, add 1 when you display it byte presetNumber = x - (bank * 8);
MIDI SysEx: Blocks & Parameters IDs
Read this: MIDI SysEx
MIDI SysEx: more information
Read this: Recalling presets and scenes in hex
Axe-Fx II MIDI SysEx: Info
The following tables contain Axe-Fx II data as of Quantum 8.02.
Information on this page is for educational purposes only.
Axe-Fx II MIDI SysEx: Block IDs
ID | Name | Group Code | Can Bypass | Available on AX8 | Axe-Fx II X/Y | Axe-Fx II XL/XL+ X/Y | AX8 X/Y |
---|---|---|---|---|---|---|---|
106 | Amp 1 | AMP | Yes | Yes | Yes | Yes | Yes |
107 | Amp 2 | AMP | Yes | No | Yes | Yes | Yes |
108 | Cab 1 | CAB | Yes | Yes | Yes | Yes | Yes |
109 | Cab 2 | CAB | Yes | No | Yes | Yes | Yes |
116 | Chorus 1 | CHO | Yes | Yes | Yes | Yes | Yes |
117 | Chorus 2 | CHO | Yes | No | Yes | Yes | Yes |
100 | Compressor 1 | CPR | Yes | Yes | No | Yes | Yes |
101 | Compressor 2 | CPR | Yes | No | No | Yes | Yes |
141 | Controllers | CONTROLLERS | No | Yes | No | No | No |
148 | Crossover 1 | XVR | Yes | No | No | No | No |
149 | Crossover 2 | XVR | Yes | No | No | No | No |
112 | Delay 1 | DLY | Yes | Yes | Yes | Yes | Yes |
113 | Delay 2 | DLY | Yes | Yes | Yes | Yes | Yes |
133 | Drive 1 | DRV | Yes | Yes | Yes | Yes | Yes |
134 | Drive 2 | DRV | Yes | Yes | Yes | Yes | Yes |
135 | Enhancer | ENH | Yes | Yes | No | No | No |
136 | FX Loop | FXL | Yes | Yes | No | No | No |
143 | Feedback Return | RTN | No | No | No | No | No |
142 | Feedback Send | SND | No | No | No | No | No |
131 | Filter 1 | FIL | Yes | Yes | No | No | Yes |
132 | Filter 2 | FIL | Yes | Yes | No | No | Yes |
164 | Filter 3 | FIL | Yes | No | No | No | Yes |
165 | Filter 4 | FIL | Yes | No | No | No | Yes |
118 | Flanger 1 | FLG | Yes | Yes | Yes | Yes | Yes |
119 | Flanger 2 | FLG | Yes | No | Yes | Yes | Yes |
126 | Formant | FRM | Yes | Yes | No | No | No |
150 | Gate Expander | GTE | Yes | Yes | No | Yes | Yes |
151 | Gate Expander 2 | GTE | Yes | No | No | Yes | Yes |
102 | Graphic EQ 1 | GEQ | Yes | Yes | No | Yes | No |
103 | Graphic EQ 2 | GEQ | Yes | Yes | No | Yes | No |
160 | Graphic EQ 3 | GEQ | Yes | No | No | Yes | No |
161 | Graphic EQ 4 | GEQ | Yes | No | No | Yes | No |
139 | Input Noise Gate | INPUT | No | Yes | No | No | No |
169 | Looper | LPR | Yes | Yes | No | No | No |
147 | Megatap Delay | MGT | Yes | No | No | No | No |
137 | Mixer | MIX | No | No | No | No | No |
138 | Mixer 2 | MIX | No | No | No | Yes | No |
114 | Multi Delay 1 | MTD | Yes | Yes | Yes | Yes | Yes |
115 | Multi Delay 2 | MTD | Yes | No | Yes | Yes | Yes |
154 | Multiband Compressor 1 | MBC | Yes | No | No | No | No |
155 | Multiband Compressor 2 | MBC | Yes | No | No | No | No |
140 | Output | OUTPUT | No | Yes | No | No | No |
104 | Parametric EQ 1 | PEQ | Yes | Yes | No | Yes | No |
105 | Parametric EQ 2 | PEQ | Yes | Yes | No | Yes | No |
162 | Parametric EQ 3 | PEQ | Yes | No | No | Yes | No |
163 | Parametric EQ 4 | PEQ | Yes | No | No | Yes | No |
122 | Phaser 1 | PHA | Yes | Yes | Yes | Yes | Yes |
123 | Phaser 2 | PHA | Yes | No | Yes | Yes | Yes |
130 | Pitch 1 | PIT | Yes | Yes | Yes | Yes | Yes |
153 | Pitch 2 | PIT | Yes | No | Yes | Yes | Yes |
156 | Quad Chorus 1 | QCH | Yes | No | No | No | No |
157 | Quad Chorus 2 | QCH | Yes | No | No | No | No |
158 | Resonator 1 | RES | Yes | No | No | No | No |
159 | Resonator 2 | RES | Yes | No | No | No | No |
110 | Reverb 1 | REV | Yes | Yes | Yes | Yes | Yes |
111 | Reverb 2 | REV | Yes | No | Yes | Yes | Yes |
152 | Ring Modulator | RNG | Yes | Yes | No | No | No |
120 | Rotary Speaker 1 | ROT | Yes | Yes | Yes | Yes | Yes |
121 | Rotary Speaker 2 | ROT | Yes | No | Yes | Yes | Yes |
144 | Synth 1 | SYN | Yes | Yes | No | No | No |
145 | Synth 2 | SYN | Yes | No | No | No | No |
170 | Tone Match | TMA | Yes | No | No | No | No |
128 | Tremolo/Panner 1 | TRM | Yes | Yes | No | Yes | Yes |
129 | Tremolo/Panner 2 | TRM | Yes | No | No | Yes | Yes |
146 | Vocoder | VOC | Yes | No | No | No | No |
127 | Volume/Pan 1 | VOL | Yes | Yes | No | No | No |
166 | Volume/Pan 2 | VOL | Yes | Yes | No | No | No |
167 | Volume/Pan 3 | VOL | Yes | No | No | No | No |
168 | Volume/Pan 4 | VOL | Yes | No | No | No | No |
124 | Wah 1 | WAH | Yes | Yes | Yes | Yes | Yes |
125 | Wah 2 | WAH | Yes | No | Yes | Yes | Yes |
Axe-Fx II MIDI SysEx
CPR
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
CPR | 0 | TRESHOLD | knob | No | |||||
CPR | 1 | RATIO | knob | No | |||||
CPR | 2 | ATTACK | knob | No | |||||
CPR | 3 | RELEASE | knob | No | |||||
CPR | 4 | Level | knob | Yes | |||||
CPR | 5 | KNEE | select | 0: HARD 1: SOFT 2: SOFTER 3: SOFTEST |
No | ||||
CPR | 6 | MAKEUP | switch | 0: Off | 1: On | No | |||
CPR | 7 | DETECT | select | 0: RMS 1: PEAK 2: RMS+PEAK 3: FAST RMS |
No | ||||
CPR | 8 | FILTER | knob | No | |||||
CPR | 10 | SIDECHAIN | select | 0: BLOCK L+R 1: ROW 1 2: ROW 2 3: ROW 3 4: ROW 4 5: INPUT 1 6: INPUT 2 7: BLOCK L 8: BLOCK R |
No | ||||
CPR | 11 | MIX | knob | Yes | |||||
CPR | 12 | EFFECT TYPE | select | 0: STUDIO COMP 1: PEDAL COMP 1 2: PEDAL COMP 2 3: DYNAMICS 4: OPTICAL 1 5: OPTICAL 2 |
No | ||||
CPR | 13 | COMP | knob | No | |||||
CPR | 14 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
CPR | 15 | LOOK AHEAD | knob | No | |||||
CPR | 16 | AUTO | switch | 0: Off | 1: On | No | |||
CPR | 17 | EMPHASIS | knob | No | |||||
CPR | 18 | DYNAMICS | knob | No | |||||
CPR | 19 | INPUT Level | select | 0: INSTRUMENT 1: LINE |
No | Since Quantum 7.01 |
GEQ
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
GEQ | 0 | 31 | slider | No | |||||
GEQ | 1 | 63 | slider | No | |||||
GEQ | 2 | 125 | slider | No | |||||
GEQ | 3 | 250 | slider | No | |||||
GEQ | 4 | 500 | slider | No | |||||
GEQ | 5 | 1K | slider | No | |||||
GEQ | 6 | 2K | slider | No | |||||
GEQ | 7 | 4K | slider | No | |||||
GEQ | 8 | 8K | slider | No | |||||
GEQ | 9 | 16K | slider | No | |||||
GEQ | 11 | Level | knob | Yes | |||||
GEQ | 12 | Balance | knob | Yes | |||||
GEQ | 13 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
GEQ | 15 | EFFECT TYPE | select | 0: 10 BAND CONST Q 1: 8 BAND CONST Q 2: 7 BAND CONST Q 3: 5 BAND CONST Q 4: 10 BAND VAR Q 5: 8 BAND VAR Q 6: 7 BAND VAR Q 7: 5 BAND VAR Q 8: 5 BAND PASSIVE 9: 4 BAND PASSIVE 10: 3 BAND PASSIVE 11: 3 BAND CONSOLE |
No | ||||
GEQ | 16 | MASTER Q | knob | No |
PEQ
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
PEQ | 0 | FREQ 1 | knob | No | |||||
PEQ | 1 | FREQ 2 | knob | No | |||||
PEQ | 2 | FREQ 3 | knob | No | |||||
PEQ | 3 | FREQ 4 | knob | No | |||||
PEQ | 4 | FREQ 5 | knob | No | |||||
PEQ | 5 | Q 1 | knob | No | |||||
PEQ | 6 | Q 2 | knob | No | |||||
PEQ | 7 | Q 3 | knob | No | |||||
PEQ | 8 | Q 4 | knob | No | |||||
PEQ | 9 | Q 5 | knob | No | |||||
PEQ | 10 | GAIN 1 | knob | No | |||||
PEQ | 11 | GAIN 2 | knob | No | |||||
PEQ | 12 | GAIN 3 | knob | No | |||||
PEQ | 13 | GAIN 4 | knob | No | |||||
PEQ | 14 | GAIN 5 | knob | No | |||||
PEQ | 15 | FREQ TYPE 1 | select | 0: SHELVING 1: PEAKING 2: BLOCKING 3: SHELVING2 |
No | ||||
PEQ | 16 | FREQ TYPE 5 | select | 0: SHELVING 1: PEAKING 2: BLOCKING 3: SHELVING2 |
No | ||||
PEQ | 17 | FREQ TYPE 2 | select | 0: PEAKING 1: SHELVING 2: SHELVING2 |
No | ||||
PEQ | 18 | FREQ TYPE 4 | select | 0: PEAKING 1: SHELVING 2: SHELVING2 |
No | ||||
PEQ | 19 | Level | knob | Yes | |||||
PEQ | 20 | Balance | knob | Yes | |||||
PEQ | 21 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes |
AMP
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
AMP | 0 | EFFECT TYPE | select | 0: 59 BASSGUY 1: 65 BASSGUY NRML 2: VIBRATO VERB 3: DELUXE VERB VIB 4: DOUBLE VERB VIB 5: JR BLUES 6: CLASS-A 15W TB 7: CLASS-A 30W 8: CLASS-A 30W TB 9: BRIT JM45 10: PLEXI 50W NRML 11: PLEXI 50W HI 1 12: 1987X NORMAL 13: 1987X TREBLE 14: BRIT 800 15: BRIT SUPER 16: HIPOWER NORMAL 17: HIPOWER BRILLNT 18: USA CLEAN 19: USA PRE CLEAN 20: USA RHYTHM 21: USA IIC+ 22: USA IIC+ BRight 23: USA LEAD 24: USA LEAD BRT 25: RECTO2 ORG VNTG 26: RECTO2 ORG MDRN 27: RECTO2 RED VNTG 28: RECTO2 RED MDRN 29: EURO BLUE 30: EURO RED 31: SHIVER CLEAN 32: SHIVER LEAD 33: EURO UBER 34: SOLO 99 CLEAN 35: SOLO 100 RHY 36: SOLO 100 LEAD 37: FRIEDMAN BE V1 38: FRIEDMAN HBE V1 39: PVH 6160 BLOCK 40: MR Z MZ-38 41: CA3+ RHY 42: CA3+ LEAD 43: WRECKER ROCKET 44: CORNCOB M50 45: CA OD-2 46: FRYETTE D60 L 47: FRYETTE D60 M 48: BRIT BROWN 49: CITRUS RV50 50: JAZZ 120 51: ENERGYBALL 52: ODS-100 CLEAN 53: ODS-100 HRM 54: FAS RHYTHM 55: FAS LEAD 1 56: FAS LEAD 2 57: FAS MODERN 58: DAS METALL 59: BRIT PRE 60: BUTTERY 61: BOUTIQUE 1 62: BOUTIQUE 2 63: CAMERON CCV 1A 64: CAMERON CCV 2A 65: SV BASS 66: TUBE PRE 67: FAS BROWN 68: BIG HAIR 69: SOLO 99 LEAD 70: SUPERTWEED 71: TX STAR LEAD 72: FAS WRECK 73: BRIT JVM OD1 OR 74: BRIT JVM OD2 OR 75: FAS 6160 76: CALI LEGGY 77: USA LEAD + 78: USA LEAD BRT + 79: PRINCE TONE 80: BLANKNSHP LEEDS 81: 5153 100W GREEN 82: 5153 100W BLUE 83: 5153 100W RED 84: SOLO 88 RHYTHM 85: DIV/13 CJ 86: HERBIE CH2- 87: HERBIE CH2+ 88: HERBIE CH3 89: DIRTY SHIRLEY 1 90: DIZZY V4 BLUE 2 91: DIZZY V4 BLUE 3 92: DIZZY V4 BLUE 4 93: SUHR BADGER 18 94: SUHR BADGER 30 95: PRINCE TONE NR 96: SUPREMO TREM 97: ATOMICA LOW 98: ATOMICA HIGH 99: DELUXE TWEED 100: SPAWN ROD OD2-1 101: SPAWN ROD OD2-2 102: SPAWN ROD OD2-3 103: BRIT SILVER 104: SPAWN NITROUS 2 105: FAS CRUNCH 106: TWO STONE J35 1 107: FOX ODS 108: HOT KITTY 109: BAND-COMMANDER 110: SUPER VERB VIB 111: VIBRA-KING 112: GIBTONE SCOUT 113: PVH 6160+ LD 114: SOLO 100 CLEAN 115: USA PRE LD2 GRN 116: USA PRE LD2 YLW 117: CA3+ CLEAN 118: FOX ODS DEEP 119: BRIT JVM OD1 GN 120: BRIT JVM OD2 GN 121: VIBRATO LUX 122: BRIT 800 MOD 123: NUCLEAR-TONE 124: BLUDOJAI CLEAN 125: BLUDOJAI LD PAB 126: PLEXI 100W HIGH 127: PLEXI 100W NRML 128: RUBY ROCKET 129: AC-20 EF86 B 130: PRINCE TONE REV 131: COMET CONCOURSE 132: FAS MODERN II 133: CA TRIPTIK MDRN 134: CA TRIPTIK CLSC 135: CA TRIPTIK CLN 136: THORDENDAL VINT 137: THORDENDAL MDRN 138: ODS-100 HRM MID 139: EURO BLUE MDRN 140: EURO RED MDRN 141: PLEXI 50W JUMP 142: AC-20 EF86 T 143: COMET 60 144: HIPOWER JUMPED 145: PLEXI 100W JUMP 146: BRIT JM45 JUMP 147: 1987X JUMP 148: RECTO1 ORG VNTG 149: RECTO1 RED 150: ODS-100 FORD 1 151: BOGFISH STRATO 152: BOGFISH BROWN 153: 5F1 TWEED 154: WRECKER EXPRESS 155: TWO STONE J35 2 156: ODS-100 FORD 2 157: MR Z MZ-8 158: CAR ROAMER 159: USA SUB BLUES 160: WRECKER LVRPOOL 161: CITRUS TERRIER 162: CITRUS A30 CLN 163: CITRUS A30 DRTY 164: DIV/13 FT37 LO 165: DIV/13 FT37 HI 166: MATCHBOX D-30 167: FAS CLASS-A 168: USA BASS 400 1 169: USA BASS 400 2 170: CITRUS BASS 200 171: FAS BASS 172: TREMOLO LUX 173: FAS BROOTALZ 174: RECTO1 ORG MDRN 175: ANGLE SEVERE 1 176: ANGLE SEVERE 2 177: USA PRE LD2 RED 178: USA PRE LD1 RED 179: TX STAR CLEAN 180: AC-20 12AX7 T 181: VIBRATO VERB AA 182: VIBRATO VERB AB 183: CA TUCANA LEAD 184: JR BLUES FAT 185: SOLO 88 LEAD 186: BRIT AFS100 1 187: BRIT AFS100 2 188: CLASS-A 30W HOT 189: DIZZY V4 SLVR 2 190: DIZZY V4 SLVR 3 191: DIZZY V4 SLVR 4 192: 1959SLP NORMAL 193: 1959SLP TREBLE 194: 1959SLP JUMP 195: FAS MODERN III 196: ODS-100 FORD MD 197: MR Z HWY 66 198: 6G4 SUPER 199: 6G12 CONCERT 200: 65 BASSGUY BASS 201: VIBRA-KING FAT 202: SPAWN ROD OD1-1 203: SPAWN ROD OD1-2 204: SPAWN ROD OD1-3 205: CA TUCANA CLN 206: BRIT JVM OD1 RD 207: BRIT JVM OD2 RD 208: CAMERON CCV 1B 209: CAMERON CCV 2B 210: CAMERON CCV 2C 211: CAMERON CCV 2D 212: FRIEDMAN SM BOX 213: 5153 50W BLUE 214: DIV/13 CJ BOOST 215: USA IIC+ DEEP 216: USA IIC+ BRT/DP 217: 5F8 TWEED 218: DOUBLE VERB SF 219: VIBRATO VERB CS 220: JMPRE-1 OD1 221: JMPRE-1 OD2 222: JMPRE-1 OD1 BS 223: JMPRE-1 OD2 BS 224: DELUXE VERB NRM 225: DOUBLE VERB NRM 226: SUPER VERB NRM 227: BLUDOJAI LD 2 228: PLEXI 50W 6550 229: FAS HOT ROD 230: PVH 6160+ RHY B 231: PVH 6160+ RHY 232: SOLO 88 CLEAN 233: CLASS-A 30W BRT 234: PLEXI 50W HI 2 235: SPAWN NITROUS 1 236: RUBY ROCKET BRT 237: AC-20 12AX7 B 238: PLEXI 100W 1970 239: JS410 LEAD OR 240: JS410 LEAD RD 241: JS410 CRUNCH OR 242: JS410 CRUNCH RD 243: FRIEDMAN BE V2 244: FRIEDMAN HBE V2 245: DWEEZIL'S B-MAN 246: FRIEDMAN BE 247: FRIEDMAN HBE 248: USA IIC++ 249: LEGATO 100 250: CAPT HOOK 2B 251: CAPT HOOK 3B 252: CAPT HOOK 2A 253: CAPT HOOK 3A 254: CAPT HOOK 1A 255: CAPT HOOK 1B 256: DIRTY SHIRLEY 2 257: BRIT 800 #34 258: 5F1 TWEED EC |
No | ||||
AMP | 1 | INPUT DRIVE | knob | Yes | |||||
AMP | 2 | BASS | knob | No | |||||
AMP | 3 | MIDDLE | knob | No | |||||
AMP | 4 | TREBLE | knob | No | |||||
AMP | 5 | MASTER VOLUME | knob | Yes | |||||
AMP | 6 | PREAMP LOW CUT | knob | No | |||||
AMP | 7 | HIGH CUT FREQ | knob | No | |||||
AMP | 8 | TONE FREQ | knob | No | |||||
AMP | 9 | XFORMER GRIND | knob | No | |||||
AMP | 10 | BRight CAP | knob | No | |||||
AMP | 12 | XFORMER LOW FREQ | knob | No | |||||
AMP | 13 | XFORMER HI FREQ | knob | No | |||||
AMP | 14 | TONE LOCATION | select | 0: PRE 1: POST 2: MID 3: END |
No | ||||
AMP | 15 | INPUT SELECT | select | 0: Left 1: Right 2: SUM L+R |
No | ||||
AMP | 16 | DEPTH | knob | No | |||||
AMP | 19 | SUPPLY SAG | knob | No | |||||
AMP | 20 | PRESENCE | knob | No | |||||
AMP | 21 | Level | knob | No | |||||
AMP | 22 | Balance | knob | Yes | |||||
AMP | 23 | BYPASS MODE | select | 0: Left 1: Right 2: SUM L+R |
Yes | ||||
AMP | 24 | NEG FEEDBACK | knob | No | |||||
AMP | 25 | PRESENCE FREQ | knob | No | |||||
AMP | 26 | LOW RES FREQ | knob | No | |||||
AMP | 27 | LOW RES | knob | No | |||||
AMP | 29 | DEPTH FREQ | knob | No | |||||
AMP | 31 | MV CAP | knob | No | |||||
AMP | 33 | HARMONICS | knob | No | |||||
AMP | 34 | TONE STACK | select | 0: ACTIVE 1: DEFAULT 2: BROWNFACE 3: BLACKFACE 4: BASSGUY 5: TOP BOOST 6: PLEXI 7: BOUTIQUE 8: HI POWER 9: USA NORMAL 10: USA FAT 11: RECTO1 ORG 12: RECTO1 RED 13: SKYLINE 14: GERMAN 15: JR BLUES 16: WRECKER 1 17: NEUTRAL 18: CA3+SE 19: FREYER D60 20: MR Z 38 SR 21: EURO UBER 22: PVH 6160 23: SOLO 100 24: CORNCOB 25: XTC 26: CAROLANN 27: CITRUS 28: BRIT JM45 29: USA RHY 30: RECTO2 ORG 31: RECTO2 RED 32: SHIVER CLN 33: CAMERON 34: BRIT JVM 0D1 35: BRIT JVM 0D2 36: 5153 GREEN 37: 5153 BLUE 38: 5153 RED 39: BRIT SUPER 40: DIV13 CJ 41: BADGER 18 42: ATOMICA 43: SPAWN 44: BADGER 30 45: BRIT SILVER 46: SUPER VERB 47: HOT KITTY 48: VIBRATO-KING 49: GIBTONE SCOUT 50: CA3+SE CLEAN 51: BF FIXED MID 52: GERMAN V4 53: VIBRATO-LUX 54: DIRTY SHIRLEY 55: PLEXI 100W 56: RUBY ROCKET BRT 57: CONCOURSE 58: TRIPTIK LD 59: TRIPTIK CLN 60: JAZZ 120 61: BOGFISH 62: WRECKER 2 63: SKYLINE DEEP 64: USA SUB BLUES 65: WRECKER LVRPOOL 66: CITRUS A30 CLN 67: CITRUS A30 DRT 68: CAR ROAMER 69: USA BASS 70: CITRUS BASS 71: STUDIO 72: BRIT 800 73: RECTO1 ORG MDRN 74: ANGLE SEVERE 1 75: ANGLE SEVERE 2 76: USA PRE LD1 RED 77: RECTO ORG BRT 78: RECTO RED BRT 79: VIBROVERB AA 80: PVH 6160 II LD 81: RUMBLE HRM 82: MR Z HWY 66 83: SUPER 6G4 84: 65 BASSMAN BASS 85: FREIDMAN 86: BAND-COMMANDER 87: USA PRE CLEAN 88: TUCANA CLEAN 89: FRIEDMAN SM BOX 90: TX STAR 91: USA IIC+ 92: THORDENDAL 93: SOLO 99 94: BLUDOJAI 95: HERBIE 96: PVH 6160 II RHY 97: SOLO 88 CLEAN 98: JS410 99: JS410 MIDSHIFT 100: RUBY ROCKET 101: USA IIC++ 102: LEGATO 100 103: HOOK EDGE 104: HOOK NO EDGE 105: HOOK CLEAN 1 106: HOOK CLEAN 2 107: SOLO 88 |
No | ||||
AMP | 35 | B+ TIME CONST | knob | No | |||||
AMP | 36 | TUBE GRID BIAS | knob | No | |||||
AMP | 39 | BRight SWITCH | switch | 0: Off | 1: On | Yes | |||
AMP | 40 | BOOST | switch | 0: Off | 1: On | Yes | |||
AMP | 41 | LOW RES Q | knob | No | |||||
AMP | 42 | PREAMP BIAS | knob | No | |||||
AMP | 43 | HI FREQ | knob | No | |||||
AMP | 44 | HI RESONANCE | knob | No | |||||
AMP | 45 | CUT | switch | 0: Off | 1: On | No | |||
AMP | 46 | XFORMER DRIVE | knob | No | |||||
AMP | 47 | INPUT TRIM | knob | Yes | |||||
AMP | 48 | PREAMP HARDNESS | knob | No | |||||
AMP | 49 | MV LOCATION | select | 0: PRE-PI 1: POST-PI 2: PRE-TRIODE |
No | ||||
AMP | 50 | SPEAKER DRIVE | knob | No | |||||
AMP | 51 | XFORMER MATCH | knob | No | |||||
AMP | 54 | SAT SWITCH | select | 0: OFF 1: AUTH 2: IDEAL |
No | ||||
AMP | 55 | GEQ BAND 1 | slider | No | |||||
AMP | 56 | GEQ BAND 2 | slider | No | |||||
AMP | 57 | GEQ BAND 3 | slider | No | |||||
AMP | 58 | GEQ BAND 4 | slider | No | |||||
AMP | 59 | GEQ BAND 5 | slider | No | |||||
AMP | 60 | GEQ BAND 6 | slider | No | |||||
AMP | 61 | GEQ BAND 7 | slider | No | |||||
AMP | 62 | GEQ BAND 8 | slider | No | |||||
AMP | 63 | BIAS EXCURSION | knob | No | |||||
AMP | 66 | TRIODE 2 PLATE FREQ | knob | No | |||||
AMP | 67 | TRIODE 1 PLATE FREQ | knob | No | |||||
AMP | 68 | PWR AMP TUBE | select | 0: IDEAL TETRODE 1: IDEAL PENTODE 2: EL34/6CA7 3: EL84/6BQ5 4: 6L6/5881 5: 6V6 6: KT66 7: KT88 8: 6550 9: 6973 10: 6AQ5 11: 300B |
No | ||||
AMP | 69 | PREAMP TUBES | select | 0: 12AX7A SYL 1: ECC83 2: 7025 3: 12AX7A JJ 4: ECC803S 5: EF86 6: 12AX7A RCA 7: 12AX7A 8: 12AX7B |
No | ||||
AMP | 70 | OUT COMP CLARITY | knob | No | |||||
AMP | 71 | CHARACTER Q | knob | No | |||||
AMP | 72 | CHARACTER FREQ | knob | No | |||||
AMP | 73 | CHARACTER AMT | knob | No | |||||
AMP | 74 | OVERDRIVE | knob | No | |||||
AMP | 75 | OUT COMP AMOUNT | knob | Yes | |||||
AMP | 76 | OUT COMP THRESHOLD | knob | No | |||||
AMP | 77 | MASTER TRIM | knob | Yes | |||||
AMP | 78 | FAT | switch | 0: Off | 1: On | No | |||
AMP | 79 | DEFINITION | knob | No | |||||
AMP | 80 | PREAMP CF COMPRESS | knob | No | |||||
AMP | 81 | PREAMP CF TIME | knob | No | |||||
AMP | 84 | DYNAMIC PRESENCE | knob | No | |||||
AMP | 85 | DYNAMIC DEPTH | knob | No | |||||
AMP | 86 | POWER TYPE | select | 0: AC 1: DC |
No | ||||
AMP | 87 | AC LINE FREQ | knob | No | |||||
AMP | 88 | PWR AMP HARDNESS | knob | No | |||||
AMP | 91 | PREAMP CF RATIO | knob | No | |||||
AMP | 92 | EQ TYPE | select | 0: 8 BAND VAR Q 1: 7 BAND VAR Q 2: 5 BAND (MARK) 3: 8 BAND CONST Q 4: 7 BAND CONST Q 5: 5 BAND CONST Q 6: 5 BAND PASSIVE 7: 4 BAND PASSIVE 8: 3 BAND PASSIVE 9: 3 BAND CONSOLE |
No | ||||
AMP | 93 | CATHODE RESIST | knob | No | |||||
AMP | 96 | PREAMP SAG | switch | 0: Off | 1: On | No | |||
AMP | 97 | BRight | knob | No | |||||
AMP | 98 | PWR AMP BIAS | knob | No | |||||
AMP | 99 | PREAMP DYNAMICS | knob | No | |||||
AMP | 100 | HI FREQ SLOPE | knob | No | |||||
AMP | 101 | VARIAC | knob | No | |||||
AMP | 102 | CHAR TYPE | select | 0: SHELVING 1: PEAKING 2: DYNAMIC |
No | ||||
AMP | 104 | PRESENCE SHIFT | switch | 0: Off | 1: On | No | |||
AMP | 105 | SATURATION DRIVE | knob | Yes | |||||
AMP | 106 | CRUNCH | knob | No | |||||
AMP | 109 | OUT COMP TYPE | select | 0: OUTPUT 1: FEEDBACK |
No | ||||
AMP | 110 | EQ LOCATION | select | 0: POST P.A. 1: PRE P.A. |
No | ||||
AMP | 111 | CF COMP TYPE | select | 0: AUTHENTIC 1: IDEAL |
No | ||||
AMP | 113 | PREAMP CF HARDNESS | knob | No | |||||
AMP | 114 | PI BIAS SHIFT | knob | No | |||||
AMP | 115 | MOTOR DRIVE | knob | No | Since Quantum 7.02 | ||||
AMP | 116 | MOTOR TIME CONST | knob | No | Since Quantum 7.02 |
CAB
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
CAB | 0 | CAB | select | No | |||||
CAB | 1 | MIC | select | 0: None 1: 57 DYN 2: 58 DYN 3: 421 DYN 4: 87A COND 5: U87 COND 6: E609 DYN 7: RE16 DYN 8: R121 RIB 9: D112 DYN 10: 67 COND 11: NULL 12: INVERT |
No | ||||
CAB | 2 | CAB R | select | No | |||||
CAB | 3 | MIC R | select | 0: None 1: 57 DYN 2: 58 DYN 3: 421 DYN 4: 87A COND 5: U87 COND 6: E609 DYN 7: RE16 DYN 8: R121 RIB 9: D112 DYN 10: 67 COND 11: NULL 12: INVERT |
No | ||||
CAB | 4 | LINK | switch | 0: Off | 1: On | No | |||
CAB | 5 | Level L | knob | No | |||||
CAB | 6 | Level R | knob | No | |||||
CAB | 7 | Pan L | knob | No | |||||
CAB | 8 | Pan R | knob | No | |||||
CAB | 9 | Level | knob | Yes | |||||
CAB | 10 | Balance | knob | Yes | |||||
CAB | 11 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
CAB | 12 | EFFECT TYPE | select | 0: HI-/ULTRA-RES 1: NORMAL RES 2: STEREO 3: STEREO ULTRARES |
No | ||||
CAB | 14 | DRIVE | knob | No | |||||
CAB | 15 | SATURATION | knob | No | |||||
CAB | 16 | ROOM Level | knob | No | |||||
CAB | 17 | ROOM SIZE | knob | No | |||||
CAB | 18 | MIC SPACING | knob | No | |||||
CAB | 19 | LOW CUT | knob | No | |||||
CAB | 20 | HIGH CUT | knob | No | |||||
CAB | 21 | SPEAKER SIZE | knob | No | |||||
CAB | 22 | PROXIMITY | knob | No | |||||
CAB | 23 | AIR | knob | No | |||||
CAB | 24 | MOTOR DRIVE | knob | No | |||||
CAB | 25 | AIR FREQ | knob | No | |||||
CAB | 26 | DELAY L | knob | No | |||||
CAB | 27 | DELAY R | knob | No | |||||
CAB | 28 | PROXIMITY R | knob | No | |||||
CAB | 29 | PROX. FREQ. | knob | No | |||||
CAB | 30 | INPUT SELECT | select | 0: STEREO 1: Left 2: Right 3: SUM L+R |
No | ||||
CAB | 31 | PREAMP TYPE | select | 0: None 1: TUBE 2: BIPOLAR 3: FET I 4: FET II 5: TRANSFORMER 6: TAPE 70us 7: TAPE 50us 8: TAPE 35us 9: VINTAGE 10: MODERN 11: EXCITER |
No | ||||
CAB | 32 | BASS | knob | No | |||||
CAB | 33 | MID | knob | No | |||||
CAB | 34 | TREBLE | knob | No | |||||
CAB | 35 | PREAMP MODE | select | 0: ECONOMY 1: HIGH QUALITY |
No | ||||
CAB | 36 | DEPHASE | knob | No | |||||
CAB | 37 | FILTER SLOPE | select | 0: 6 dB/OCT 1: 12 dB/OCT |
No | ||||
CAB | 38 | MOTOR TIME CONSTANT | knob | No |
REV
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
REV | 0 | EFFECT TYPE | select | 0: SMALL ROOM 1: MEDIUM ROOM 2: LARGE ROOM 3: SMALL HALL 4: MEDIUM HALL 5: LARGE HALL 6: SMALL CHAMBER 7: MEDIUM CHAMBER 8: LARGE CHAMBER 9: SMALL PLATE 10: MEDIUM PLATE 11: LARGE PLATE 12: SMALL CATHEDRAL 13: MED. CATHEDRAL 14: LARGE CATHEDRAL 15: SMALL SPRING 16: MEDIUM SPRING 17: LARGE SPRING 18: CAVERN 19: STONE QUARRY 20: STUDIO 21: AMBIENCE 22: CONCERT HALL 23: LARGE DEEP HALL 24: REC STUDIO C 25: NORTH CHURCH 26: SOUTH CHURCH 27: LONDON PLATE 28: SUN PLATE 29: HUGE ROOM 30: DRUM ROOM 31: HALLWAY 32: TUNNEL 33: DEEP CHAMBER 34: LG WOODEN ROOM 35: GYMNASIUM 36: ASYLUM HALL 37: DEEP SPACE 38: REC STUDIO A 39: LG TILED ROOM 40: VOCAL PLATE 41: WIDE HALL 42: RICH HALL |
No | ||||
REV | 1 | TIME | knob | Yes | |||||
REV | 2 | HIGH CUT | knob | No | |||||
REV | 3 | HF TIME | knob | No | |||||
REV | 4 | WALL DIFFUSION | knob | No | |||||
REV | 5 | SIZE | knob | No | |||||
REV | 7 | EARLY Level | knob | No | |||||
REV | 8 | LATE Level | knob | No | |||||
REV | 9 | PREDELAY | knob | Yes | |||||
REV | 10 | LOW CUT | knob | No | |||||
REV | 11 | MOD DEPTH | knob | No | |||||
REV | 12 | MOD RATE | knob | No | |||||
REV | 13 | MIX | knob | Yes | |||||
REV | 14 | Level | knob | Yes | |||||
REV | 15 | Balance | knob | Yes | |||||
REV | 16 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT 3: MUTE FX IN 4: MUTE IN |
Yes | ||||
REV | 17 | GLOBAL | switch | 0: Off | 1: On | No | |||
REV | 18 | INPUT GAIN | knob | Yes | |||||
REV | 19 | ECHO DENSITY | rangeKnob | 2 | 8 | 1 | No | ||
REV | 20 | LATE DIFFUSION | knob | No | |||||
REV | 21 | LATE DIFF TIME | knob | No | |||||
REV | 23 | SPRING NUMBER | rangeKnob | 2 | 6 | 1 | No | ||
REV | 24 | SPRING TONE | knob | No | |||||
REV | 25 | MIC SPACING | knob | No | |||||
REV | 26 | FREQ 1 | knob | No | |||||
REV | 27 | FREQ 2 | knob | No | |||||
REV | 28 | Q 1 | knob | No | |||||
REV | 29 | Q 2 | knob | No | |||||
REV | 30 | GAIN 1 | knob | No | |||||
REV | 31 | GAIN 2 | knob | No | |||||
REV | 32 | SPRING DRIVE | knob | No | |||||
REV | 33 | LF TIME | knob | No | |||||
REV | 34 | LF CROSSOVER | knob | No | |||||
REV | 35 | STEREO WIDTH | knob | No | |||||
REV | 36 | ATTEN | knob | No | |||||
REV | 37 | THRESHOLD | knob | No | |||||
REV | 38 | RELEASE TIME | knob | No | |||||
REV | 39 | EARLY DIFFUSION | knob | No | |||||
REV | 40 | EARLY DIFF TIME | knob | No | |||||
REV | 41 | EARLY DECAY | knob | No | |||||
REV | 43 | QUALITY | select | 0: NORMAL 1: HIGH |
No | ||||
REV | 44 | HOLD | switch | 0: Off | 1: On | Yes |
DLY
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
DLY | 0 | EFFECT TYPE | select | 0: DIGITAL MONO 1: DIGITAL STEREO 2: ANALOG MONO 3: ANALOG STEREO 4: MONO TAPE 5: STEREO TAPE 6: PING-PONG 7: DUAL DELAY 8: REVERSE DELAY 9: SWEEP DELAY 10: DUCKING DELAY 11: VINTAGE DIGITAL 12: 2290 W/ MOD 13: AMBIENT STEREO 14: DELUXE MIND GUY 15: MONO BBD 16: STEREO BBD 17: LO-FI TAPE |
No | ||||
DLY | 1 | CONFIG | select | 0: MONO 1: STEREO 2: PING-PONG 3: DUAL 4: REVERSE 5: SWEEP 6: TAPE |
No | ||||
DLY | 2 | TIME | knob | Yes | |||||
DLY | 3 | RATIO | knob | Yes | |||||
DLY | 4 | FEEDBACK | knob | Yes | |||||
DLY | 6 | FEEDBACK R | knob | Yes | |||||
DLY | 7 | ECHO Pan | knob | Yes | |||||
DLY | 8 | SPREAD | knob | Yes | |||||
DLY | 9 | Tempo | select | Tempo Values | No | ||||
DLY | 10 | LOW CUT | knob | No | |||||
DLY | 11 | HIGH CUT | knob | No | |||||
DLY | 12 | LFO1 RATE | knob | Yes | |||||
DLY | 13 | LFO2 RATE | knob | Yes | |||||
DLY | 14 | LFO1 DEPTH | knob | Yes | |||||
DLY | 15 | LFO2 DEPTH | knob | Yes | |||||
DLY | 16 | DRIVE | knob | Yes | |||||
DLY | 17 | MIX | knob | Yes | |||||
DLY | 18 | Level | knob | Yes | |||||
DLY | 19 | Balance | knob | Yes | |||||
DLY | 20 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT 3: MUTE FX IN 4: MUTE IN |
Yes | ||||
DLY | 21 | GLOBAL | switch | 0: Off | 1: On | No | |||
DLY | 23 | INPUT GAIN | knob | Yes | |||||
DLY | 24 | LFO1 TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
DLY | 25 | LFO2 TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
DLY | 26 | TIME R | knob | Yes | |||||
DLY | 27 | REPEAT HOLD | switch | 0: Off | 1: On | Yes | |||
DLY | 28 | MASTER FEEDBACK | knob | Yes | |||||
DLY | 29 | Tempo R | select | Tempo Values | No | ||||
DLY | 30 | FEEDBACK L>R | knob | No | |||||
DLY | 31 | FEEDBACK R>L | knob | No | |||||
DLY | 32 | Level 1 | knob | Yes | |||||
DLY | 33 | Level 2 | knob | Yes | |||||
DLY | 34 | Pan 1 | knob | No | |||||
DLY | 35 | Pan 2 | knob | No | |||||
DLY | 36 | LFO1 PHASE | knob | Yes | |||||
DLY | 37 | LFO2 PHASE | knob | Yes | |||||
DLY | 38 | X FADE TIME | knob | No | |||||
DLY | 39 | RUN | switch | 0: Off | 1: On | No | |||
DLY | 40 | TRIGGER RESTART | switch | 0: Off | 1: On | No | |||
DLY | 41 | FILTER SLOPE | select | 0: 6 dB/OCT 1: 12 dB/OCT 2: 24 dB/OCT 3: 36 dB/OCT 4: 48 dB/OCT |
No | ||||
DLY | 42 | DUCK ATTN | knob | Yes | |||||
DLY | 43 | DUCK THRES | knob | No | |||||
DLY | 44 | DUCK RELEASE | knob | No | |||||
DLY | 45 | DIFFUSION | knob | Yes | |||||
DLY | 46 | DIFF TIME | knob | No | |||||
DLY | 47 | PHASE REVERSE | select | 0: None 1: Right 2: Left 3: Both |
No | ||||
DLY | 48 | LFO1 TARGET | select | 0: Both 1: Left 2: Right |
No | ||||
DLY | 49 | LFO2 TARGET | select | 0: Both 1: Left 2: Right |
No | ||||
DLY | 50 | LFO1 Tempo | select | Tempo Values | No | ||||
DLY | 51 | LFO2 Tempo | select | Tempo Values | No | ||||
DLY | 52 | SWEEP RATE | knob | No | |||||
DLY | 53 | SWEEP TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
DLY | 54 | SWEEP PHASE | knob | No | |||||
DLY | 55 | SWEEP Tempo | select | Tempo Values | No | ||||
DLY | 56 | START FREQ | knob | No | |||||
DLY | 57 | STOP FREQ | knob | No | |||||
DLY | 58 | RESONANCE | knob | No | |||||
DLY | 59 | Q | knob | No | |||||
DLY | 60 | BIT REDUCTION | rangeKnob | 0 | 24 | 1 | Yes | ||
DLY | 61 | FREQ 1 | knob | No | |||||
DLY | 62 | FREQ 2 | knob | No | |||||
DLY | 63 | Q 1 | knob | No | |||||
DLY | 64 | Q 2 | knob | No | |||||
DLY | 65 | GAIN 1 | knob | No | |||||
DLY | 66 | GAIN 2 | knob | No | |||||
DLY | 67 | LFO1 DEPTH RANGE | select | 0: LOW 1: HIGH |
Yes | ||||
DLY | 68 | MOTOR SPEED | knob | Yes | |||||
DLY | 69 | Right POST DELAY | knob | No |
MTD
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
MTD | 0 | TIME 1 | knob | No | |||||
MTD | 1 | TIME 2 | knob | No | |||||
MTD | 2 | TIME 3 | knob | No | |||||
MTD | 3 | TIME 4 | knob | No | |||||
MTD | 4 | Tempo 1 | select | Tempo Values | No | ||||
MTD | 5 | Tempo 2 | select | Tempo Values | No | ||||
MTD | 6 | Tempo 3 | select | Tempo Values | No | ||||
MTD | 7 | Tempo 4 | select | Tempo Values | No | ||||
MTD | 8 | Level 1 | knob | No | |||||
MTD | 9 | Level 2 | knob | No | |||||
MTD | 10 | Level 3 | knob | No | |||||
MTD | 11 | Level 4 | knob | No | |||||
MTD | 12 | FEEDBACK 1 | knob | No | |||||
MTD | 13 | FEEDBACK 2 | knob | No | |||||
MTD | 14 | FEEDBACK 3 | knob | No | |||||
MTD | 15 | FEEDBACK 4 | knob | No | |||||
MTD | 16 | Pan 1 | knob | No | |||||
MTD | 17 | Pan 2 | knob | No | |||||
MTD | 18 | Pan 3 | knob | No | |||||
MTD | 19 | Pan 4 | knob | No | |||||
MTD | 20 | LFO1 RATE | knob | No | |||||
MTD | 21 | LFO2 RATE | knob | No | |||||
MTD | 22 | LFO3 RATE | knob | No | |||||
MTD | 23 | LFO4 RATE | knob | No | |||||
MTD | 24 | LFO1 Tempo | select | Tempo Values | No | ||||
MTD | 25 | LFO2 Tempo | select | Tempo Values | No | ||||
MTD | 26 | LFO3 Tempo | select | Tempo Values | No | ||||
MTD | 27 | LFO4 Tempo | select | Tempo Values | No | ||||
MTD | 28 | MIX | knob | Yes | |||||
MTD | 29 | Level | knob | Yes | |||||
MTD | 30 | Balance | knob | Yes | |||||
MTD | 31 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT 3: MUTE FX IN 4: MUTE IN |
Yes | ||||
MTD | 32 | GLOBAL MIX | switch | 0: Off | 1: On | No | |||
MTD | 33 | INPUT GAIN | knob | Yes | |||||
MTD | 35 | EFFECT TYPE | select | 0: QUAD-TAP 1: PLEX DELAY 2: PLEX DETUNE 3: PLEX SHIFT 4: BAND DELAY 5: QUAD-SERIES 6: TEN-TAP DLY 7: RHYTHM TAP 8: DIFFUSOR 9: QUAD TAPE DLY |
No | ||||
MTD | 36 | DECAY TIME | knob | No | |||||
MTD | 37 | DIFFUSION | knob | No | |||||
MTD | 38 | INPUT DIFF | knob | No | |||||
MTD | 39 | DIFF TIME | knob | No | |||||
MTD | 40 | DUCKER THRES | knob | No | |||||
MTD | 41 | CROSSFADE | knob | No | |||||
MTD | 42 | MASTER TIME | knob | Yes | |||||
MTD | 43 | MASTER Level | knob | Yes | |||||
MTD | 44 | MASTER Pan | knob | Yes | |||||
MTD | 45 | MASTER FREQ | knob | Yes | |||||
MTD | 46 | MASTER Q | knob | Yes | |||||
MTD | 47 | MASTER FEEDBACK | knob | Yes | |||||
MTD | 48 | MASTER PITCH | knob | Yes | |||||
MTD | 49 | MASTER DETUNE | knob | Yes | |||||
MTD | 50 | DETUNE 1 | knob | No | |||||
MTD | 51 | DETUNE 2 | knob | No | |||||
MTD | 52 | DETUNE 3 | knob | No | |||||
MTD | 53 | DETUNE 4 | knob | No | |||||
MTD | 54 | SHIFT 1 | rangeKnob | 0 | 48 | 1 | No | ||
MTD | 55 | SHIFT 2 | rangeKnob | 0 | 48 | 1 | No | ||
MTD | 56 | SHIFT 3 | rangeKnob | 0 | 48 | 1 | No | ||
MTD | 57 | SHIFT 4 | rangeKnob | 0 | 48 | 1 | No | ||
MTD | 58 | FREQ 1 | knob | Yes | |||||
MTD | 59 | FREQ 2 | knob | Yes | |||||
MTD | 60 | FREQ 3 | knob | Yes | |||||
MTD | 61 | FREQ 4 | knob | Yes | |||||
MTD | 62 | Q 1 | knob | No | |||||
MTD | 63 | Q 2 | knob | No | |||||
MTD | 64 | Q 3 | knob | No | |||||
MTD | 65 | Q 4 | knob | No | |||||
MTD | 66 | MASTER RATE | knob | Yes | |||||
MTD | 67 | DUCKER ATTEN | knob | No | |||||
MTD | 68 | MASTER DEPTH | knob | Yes | |||||
MTD | 69 | DIRECTION | select | 0: FORWARD 1: REVERSE |
No | ||||
MTD | 70 | TAPE SPEED | knob | No | |||||
MTD | 71 | LFO1 DEPTH | knob | No | |||||
MTD | 72 | LFO2 DEPTH | knob | No | |||||
MTD | 73 | LFO3 DEPTH | knob | No | |||||
MTD | 74 | LFO4 DEPTH | knob | No | |||||
MTD | 75 | LFO1 MASTER | switch | 0: Off | 1: On | No | |||
MTD | 76 | FB SEND | select | 0: 1 1: 2 2: 3 3: 4 |
No | ||||
MTD | 77 | FB RETURN | select | 0: 1 1: 2 2: 3 3: 4 |
No | ||||
MTD | 78 | MONO/STEREO | select | 0: MONO 1: STEREO |
No | ||||
MTD | 79 | DELAY TIME | knob | No | |||||
MTD | 81 | QUANTIZE | select | Tempo Values | No | ||||
MTD | 82 | DECAY | knob | No | |||||
MTD | 84 | NUMBER OF TAPS | rangeKnob | 1 | 10 | 1 | No | ||
MTD | 85 | SHUFFLE | knob | No | |||||
MTD | 86 | DELAY Tempo | select | Tempo Values | No | ||||
MTD | 87 | SPREAD | knob | No | |||||
MTD | 88 | Pan SHAPE | select | 0: CONSTANT 1: INCREASING 2: DECREASING 3: UP / DOWN 4: DOWN / UP 5: SINE |
No | ||||
MTD | 89 | Pan ALPHA | knob | No | |||||
MTD | 90 | LOW CUT | knob | No | |||||
MTD | 91 | HIGH CUT | knob | No | |||||
MTD | 92 | RATIO | knob | No | |||||
MTD | 93 | FEEDBACK | knob | No | |||||
MTD | 94 | TAP 1 TIME | knob | No | |||||
MTD | 95 | TAP 2 TIME | knob | No | |||||
MTD | 96 | TAP 3 TIME | knob | No | |||||
MTD | 97 | TAP 4 TIME | knob | No | |||||
MTD | 98 | TAP 5 TIME | knob | No | |||||
MTD | 99 | TAP 6 TIME | knob | No | |||||
MTD | 100 | TAP 7 TIME | knob | No | |||||
MTD | 101 | TAP 8 TIME | knob | No | |||||
MTD | 102 | TAP 9 TIME | knob | No | |||||
MTD | 103 | TAP 10 TIME | knob | No | |||||
MTD | 104 | TAP 1 Level | knob | No | |||||
MTD | 105 | TAP 2 Level | knob | No | |||||
MTD | 106 | TAP 3 Level | knob | No | |||||
MTD | 107 | TAP 4 Level | knob | No | |||||
MTD | 108 | TAP 5 Level | knob | No | |||||
MTD | 109 | TAP 6 Level | knob | No | |||||
MTD | 110 | TAP 7 Level | knob | No | |||||
MTD | 111 | TAP 8 Level | knob | No | |||||
MTD | 112 | TAP 9 Level | knob | No | |||||
MTD | 113 | TAP 10 Level | knob | No | |||||
MTD | 116 | DUCKER RELEASE | knob | No | |||||
MTD | 117 | DRIVE | knob | No |
CHO
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
CHO | 0 | EFFECT TYPE | select | 0: DIGITAL MONO 1: DIGITAL STEREO 2: ANALOG MONO 3: ANALOG STEREO 4: JAPan CE-2 5: WARM STEREO 6: 80'S STYLE 7: TRIANGLE CHORUS 8: 8-VOICE STEREO 9: VINTAGE TAPE 10: DIMENSION 1 11: DIMENSION 2 12: 4-VOICE ANALOG |
No | ||||
CHO | 1 | VOICES | rangeKnob | 1 | 4 | 1 | No | ||
CHO | 2 | RATE | knob | Yes | |||||
CHO | 3 | Tempo | select | Tempo Values | No | ||||
CHO | 4 | DEPTH | knob | Yes | |||||
CHO | 5 | HIGH CUT | knob | No | |||||
CHO | 6 | DELAY TIME | knob | No | |||||
CHO | 7 | LFO PHASE | knob | No | |||||
CHO | 8 | LFO TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
CHO | 9 | AUTO DEPTH | select | 0: OFF 1: LOW 2: HIGH |
No | ||||
CHO | 10 | MIX | knob | Yes | |||||
CHO | 11 | Level | knob | Yes | |||||
CHO | 12 | Balance | knob | Yes | |||||
CHO | 13 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
CHO | 14 | GLOBAL | switch | 0: Off | 1: On | No | |||
CHO | 16 | PHASE REVERSE | select | 0: None 1: Right 2: Left 3: Both |
No | ||||
CHO | 17 | WIDTH | knob | No | |||||
CHO | 18 | LFO 2 RATE | knob | No | |||||
CHO | 19 | LFO 2 DEPTH | knob | No | |||||
CHO | 20 | DRIVE | knob | No | |||||
CHO | 21 | LOW CUT | knob | No | |||||
CHO | 22 | SPREAD | knob | No | |||||
CHO | 23 | DIMENSION | select | 0: OFF 1: LOW 2: MED 3: HIGH |
No |
FLG
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
FLG | 0 | EFFECT TYPE | select | 0: DIGITAL MONO 1: DIGITAL STEREO 2: ANALOG MONO 3: ANALOG STEREO 4: THRU-ZERO 5: STEREO JET 6: ZERO FLANGER 7: POP FLANGER |
No | ||||
FLG | 1 | RATE | knob | Yes | |||||
FLG | 2 | Tempo | select | Tempo Values | No | ||||
FLG | 3 | DEPTH | knob | Yes | |||||
FLG | 4 | FEEDBACK | knob | Yes | |||||
FLG | 5 | DELAY TIME | knob | Yes | |||||
FLG | 6 | DRY DELAY SHIFT | knob | No | |||||
FLG | 7 | LFO PHASE | knob | No | |||||
FLG | 8 | LFO TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
FLG | 9 | LFO HIGHCUT | knob | No | |||||
FLG | 10 | AUTO DEPTH | select | 0: OFF 1: LOW 2: MED 3: HIGH |
No | ||||
FLG | 11 | MIX | knob | Yes | |||||
FLG | 12 | Level | knob | Yes | |||||
FLG | 13 | Balance | knob | Yes | |||||
FLG | 14 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
FLG | 15 | GLOBAL | switch | 0: Off | 1: On | No | |||
FLG | 17 | PHASE REVERSE | select | 0: None 1: Right 2: Left 3: Both |
No | ||||
FLG | 18 | THRU ZERO | switch | 0: Off | 1: On | No | |||
FLG | 19 | HIGH CUT | knob | No | |||||
FLG | 20 | DRIVE | knob | No | |||||
FLG | 21 | LOW CUT | knob | No | |||||
FLG | 22 | SPREAD | knob | No |
ROT
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
ROT | 0 | RATE | knob | Yes | |||||
ROT | 1 | LOW DEPTH | knob | No | |||||
ROT | 2 | HI DEPTH | knob | No | |||||
ROT | 3 | HI Level | knob | No | |||||
ROT | 4 | Tempo | select | Tempo Values | No | ||||
ROT | 5 | MIX | knob | Yes | |||||
ROT | 6 | Level | knob | Yes | |||||
ROT | 7 | Balance | knob | Yes | |||||
ROT | 8 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
ROT | 10 | ROTOR LENGTH | knob | No | |||||
ROT | 12 | MIC SPACING | knob | No | |||||
ROT | 13 | LOW RATE MULT | knob | No | |||||
ROT | 14 | LOW TIME CONST | knob | No | |||||
ROT | 15 | HI TIME CONST | knob | No | |||||
ROT | 16 | STEREO SPREAD | knob | No | |||||
ROT | 17 | DRIVE | knob | No | |||||
ROT | 18 | MIC DISTANCE | knob | No |
PHA
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
PHA | 0 | EFFECT TYPE | select | 0: DIGITAL MONO 1: DIGITAL STEREO 2: SCRIPT 45 3: SCRIPT 90 4: BLOCK 90 5: CLASSIC VIBE 6: STEREO 8-STAGE 7: BARBERPOLE |
No | ||||
PHA | 1 | ORDER | select | 0: 2 1: 4 2: 6 3: 8 4: 10 5: 12 |
No | ||||
PHA | 2 | RATE | knob | Yes | |||||
PHA | 3 | LFO TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
PHA | 4 | Tempo | select | Tempo Values | No | ||||
PHA | 5 | DEPTH | knob | Yes | |||||
PHA | 6 | FEEDBACK | knob | Yes | |||||
PHA | 7 | FREQ. START | knob | No | |||||
PHA | 8 | FREQ. SPan | knob | No | |||||
PHA | 9 | LFO PHASE | knob | No | |||||
PHA | 10 | BULB BIAS | knob | No | |||||
PHA | 11 | MIX | knob | Yes | |||||
PHA | 12 | Level | knob | Yes | |||||
PHA | 13 | Balance | knob | Yes | |||||
PHA | 14 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
PHA | 15 | GLOBAL | switch | 0: Off | 1: On | No | |||
PHA | 17 | MODE | select | 0: NORMAL 1: VIBE 2: BARBERPOLE |
No | ||||
PHA | 18 | FEEDBACK TAP | switch | 0: Off | 1: On | No | |||
PHA | 19 | TONE | knob | No | |||||
PHA | 20 | DIRECTION | select | 0: UP 1: DOWN |
No | ||||
PHA | 21 | FILTER Q | knob | No | |||||
PHA | 22 | LFO BYPASS RESET | select | 0: OFF 1: 0 DEG 2: 90 DEG 3: 180 DEG 4: 270 DEG |
No |
WAH
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
WAH | 0 | EFFECT TYPE | select | 0: FAS STANDARD 1: CLYDE 2: CRY BABE 3: VX846 4: COLOR-TONE 5: FUNK 6: MORTAL 7: VX845 |
No | ||||
WAH | 1 | FREQ MIN | knob | No | |||||
WAH | 2 | FREQ MAX | knob | No | |||||
WAH | 3 | RESONANCE | knob | No | |||||
WAH | 4 | TRACKING | knob | No | |||||
WAH | 5 | CONTROL | knob | Yes | |||||
WAH | 6 | Level | knob | Yes | |||||
WAH | 7 | Balance | knob | Yes | |||||
WAH | 8 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
WAH | 9 | FAT | knob | No | |||||
WAH | 10 | DRIVE | knob | No | |||||
WAH | 11 | TAPER | select | 0: LINEAR 1: LOG 30A 2: LOG 20A 3: LOG 15A 4: LOG 10A 5: LOG 5A |
No | ||||
WAH | 13 | COIL BIAS | knob | No | Since Quantum 6 | ||||
WAH | 14 | LOW CUT FREQ | knob | No | Since Quantum 6 |
FRM
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
FRM | 0 | START | select | 0: AAA 1: EEE 2: III 3: OHH 4: OOO 5: EHH 6: AHH 7: AWW 8: UHH 9: ERR |
No | ||||
FRM | 1 | MID | select | 0: AAA 1: EEE 2: III 3: OHH 4: OOO 5: EHH 6: AHH 7: AWW 8: UHH 9: ERR |
No | ||||
FRM | 2 | END | select | 0: AAA 1: EEE 2: III 3: OHH 4: OOO 5: EHH 6: AHH 7: AWW 8: UHH 9: ERR |
No | ||||
FRM | 3 | RESONANCE | knob | Yes | |||||
FRM | 4 | CONTROL | knob | Yes | |||||
FRM | 5 | MIX | knob | Yes | |||||
FRM | 6 | Level | knob | Yes | |||||
FRM | 7 | Balance | knob | Yes | |||||
FRM | 8 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
FRM | 9 | GLOBAL | switch | 0: Off | 1: On | No |
VOL
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
VOL | 0 | VOLUME | knob | Yes | |||||
VOL | 1 | Balance | knob | Yes | |||||
VOL | 2 | VOLUME TAPER | select | 0: LINEAR 1: LOG 30A 2: LOG 20A 3: LOG 15A 4: LOG 10A 5: LOG 5A |
No | ||||
VOL | 4 | Pan Left | knob | Yes | |||||
VOL | 5 | Pan Right | knob | Yes | |||||
VOL | 6 | Level | knob | Yes | |||||
VOL | 7 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
VOL | 8 | INPUT SELECT | select | 0: STEREO 1: Left ONLY 2: Right ONLY |
No |
TRM
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
TRM | 0 | EFFECT TYPE | select | 0: TREMOLO 1: PanNER |
No | ||||
TRM | 1 | LFO TYPE | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
No | ||||
TRM | 2 | RATE | knob | Yes | |||||
TRM | 3 | DEPTH | knob | Yes | |||||
TRM | 4 | DUTY | knob | Yes | |||||
TRM | 5 | Tempo | select | Tempo Values | No | ||||
TRM | 7 | Level | knob | Yes | |||||
TRM | 8 | Balance | knob | Yes | |||||
TRM | 9 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
TRM | 11 | LFO PHASE | knob | Yes | |||||
TRM | 12 | WIDTH | knob | Yes | |||||
TRM | 13 | Pan CENTER | knob | No | |||||
TRM | 15 | START PHASE | knob | No |
PIT
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
PIT | 0 | EFFECT TYPE | select | 0: DETUNE 1: FIXED HARM 2: INTEL HARM 3: CL. WHAMMY 4: OCTAVE DIV 5: CRYSTALS 6: AD. WHAMMY 7: ARPEGGIATOR 8: CUST. SHIFT |
No | ||||
PIT | 1 | MODE | select | DN 1 OCT 5: UP|DN 2 OCT |
No | ||||
PIT | 2 | MASTER PITCH | knob | Yes | |||||
PIT | 3 | CONTROL | knob | Yes | |||||
PIT | 4 | VOICE 1 HARMONY | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 5 | VOICE 2 HARMONY | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 6 | KEY | select | 0: A 1: Bb 2: B 3: C 4: Db 5: D 6: Eb 7: E 8: F 9: Gb 10: G 11: Ab |
No | ||||
PIT | 7 | SCALE | select | 0: IONIAN MAJ 1: DORIAN 2: PHRYGIAN 3: LYDIAN 4: MIXOLYDIAN 5: AEOLIAN MIN 6: LOCRIAN 7: MEL. MINOR 8: HARM. MINOR 9: DIMINISHED 10: WHOLE TONE 11: DOM. SEVEN 12: DIM. WHOLE 13: PENTA. MAJ 14: PENTA. MIN 15: BLUES 16: CHROMATIC 17: CUSTOM |
No | ||||
PIT | 8 | TRACK MODE | select | 0: SMOOTH 1: STEPPED |
No | ||||
PIT | 9 | VOICE 1 DETUNE | knob | Yes | |||||
PIT | 10 | VOICE 2 DETUNE | knob | Yes | |||||
PIT | 11 | VOICE 1 SHIFT | rangeKnob | 0 | 48 | 1 | Yes | ||
PIT | 12 | VOICE 2 SHIFT | rangeKnob | 0 | 48 | 1 | Yes | ||
PIT | 13 | VOICE 1 Level | knob | Yes | |||||
PIT | 14 | VOICE 2 Level | knob | Yes | |||||
PIT | 15 | VOICE 1 Pan | knob | Yes | |||||
PIT | 16 | VOICE 2 Pan | knob | Yes | |||||
PIT | 17 | VOICE 1 DELAY | knob | No | |||||
PIT | 18 | VOICE 2 DELAY | knob | No | |||||
PIT | 19 | VOICE 1 FEEDBACK | knob | No | |||||
PIT | 20 | VOICE 2 FEEDBACK | knob | No | |||||
PIT | 21 | PITCH TRACK | select | 0: OFF 1: POLY 2: MONO |
No | ||||
PIT | 22 | TRACK ADJUST | knob | No | |||||
PIT | 23 | MIX | knob | Yes | |||||
PIT | 24 | Level | knob | Yes | |||||
PIT | 25 | Balance | knob | Yes | |||||
PIT | 26 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT 3: MUTE FX IN 4: MUTE IN |
Yes | ||||
PIT | 27 | GLOBAL | switch | 0: Off | 1: On | No | |||
PIT | 28 | INPUT GAIN | knob | Yes | |||||
PIT | 30 | CROSSFADE | knob | No | |||||
PIT | 31 | VOICE 1 SPLICE | knob | No | |||||
PIT | 32 | VOICE 2 SPLICE | knob | No | |||||
PIT | 33 | VOICE 1 Tempo | select | Tempo Values | No | ||||
PIT | 34 | VOICE 2 Tempo | select | Tempo Values | No | ||||
PIT | 35 | SPLC1 Tempo | select | Tempo Values | No | ||||
PIT | 36 | SPLC2 Tempo | select | Tempo Values | No | ||||
PIT | 37 | FEEDBACK TYPE | select | 0: DUAL 1: Both 2: PING-PONG |
No | ||||
PIT | 38 | REVERSE | switch | 0: Off | 1: On | No | |||
PIT | 39 | HI CUT | knob | No | |||||
PIT | 40 | GLIDE TIME | knob | No | |||||
PIT | 41 | MASTER DELAY | knob | Yes | |||||
PIT | 42 | MASTER FEEDBACK | knob | Yes | |||||
PIT | 43 | MASTER Pan | knob | Yes | |||||
PIT | 44 | MASTER Level | knob | Yes | |||||
PIT | 45 | Notes | select | 4: 4 5: 5 6: 6 7: 7 8: 8 |
4 | No | |||
PIT | 53 | VOICE 1 SCALE | rangeKnob | 0 | 31 | 1 | Yes | ||
PIT | 54 | VOICE 2 SCALE | rangeKnob | 0 | 31 | 1 | Yes | ||
PIT | 55 | STAGES | rangeKnob | 2 | 16 | 1 | No | ||
PIT | 56 | REPEATS | select | 1: 1 2: 2 3: 3 4: 4 5: 5 6: 6 7: 7 8: 8 9: 9 10: 10 11: 11 12: 12 13: 13 14: 14 15: 15 16: 16 17: 17 18: 18 19: 19 20: 20 21: 21 22: 22 23: 23 24: 24 25: 25 26: 26 27: 27 28: 28 29: 29 30: 30 31: Infinite |
1 | No | |||
PIT | 57 | RUN | switch | 0: Off | 1: On | Yes | |||
PIT | 58 | Tempo | select | Tempo Values | 1 | No | |||
PIT | 59 | STAGE 1 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 60 | STAGE 2 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 61 | STAGE 3 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 62 | STAGE 4 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 63 | STAGE 5 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 64 | STAGE 6 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 65 | STAGE 7 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 66 | STAGE 8 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 67 | STAGE 9 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 68 | STAGE 10 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 69 | STAGE 11 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 70 | STAGE 12 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 71 | STAGE 13 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 72 | STAGE 14 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 73 | STAGE 15 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 74 | STAGE 16 SHIFT | rangeKnob | 0 | 48 | 1 | No | ||
PIT | 75 | AMPLITUBE SHAPE | select | 0: CONSTANT 1: INCREASING 2: DECREASING 3: UP / DOWN 4: DOWN / UP 5: SINE |
No | ||||
PIT | 76 | AMPLITUBE ALPHA | knob | No | |||||
PIT | 77 | Pan SHAPE | select | 0: CONSTANT 1: INCREASING 2: DECREASING 3: UP / DOWN 4: DOWN / UP 5: SINE |
No | ||||
PIT | 78 | Pan ALPHA | knob | No | |||||
PIT | 79 | VOICE 1 DELAY | knob | No | |||||
PIT | 80 | VOICE 2 DELAY | knob | No | |||||
PIT | 81 | PITCH SOURCE | select | 0: GLOBAL 1: LOCAL |
No | ||||
PIT | 82 | INPUT MODE | select | 0: MONO 1: STEREO |
No | ||||
PIT | 83 | LEARN | switch | 0: Off | 1: On | Yes | |||
PIT | 84 | LOW CUT | knob | No | |||||
PIT | 85 | ECONOMY | switch | 0: Off | 1: On | No |
FIL
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
FIL | 0 | EFFECT TYPE | select | 0: NULL 1: LOWPASS 2: BANDPASS 3: HIGHPASS 4: LOWSHELF 5: HIGHSHLF 6: PEAKING 7: NOTCH 8: TILT EQ 9: LOWSHELF2 10: HIGHSHLF2 11: PEAKING2 |
No | ||||
FIL | 1 | FREQUENCY | knob | Yes | |||||
FIL | 2 | Q | knob | Yes | |||||
FIL | 3 | GAIN | knob | Yes | |||||
FIL | 4 | Level | knob | Yes | |||||
FIL | 5 | Balance | knob | Yes | |||||
FIL | 6 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
FIL | 7 | ORDER | select | 0: 2nd 1: 4th |
No | ||||
FIL | 9 | Pan Left | knob | No | |||||
FIL | 10 | Pan Right | knob | No | |||||
FIL | 11 | INVERT | select | 0: None 1: Right 2: Left 3: Both |
No | ||||
FIL | 12 | LOW CUT | knob | No | |||||
FIL | 13 | HI CUT | knob | No |
DRV
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
DRV | 0 | EFFECT TYPE | select | 0: RAT DIST 1: PI FUZZ 2: TUBE DRV 3-KNOB 3: SUPER OD 4: TREBLE BOOST 5: MID BOOST 6: T808 OD 7: FAT RAT 8: T808 MOD 9: OCTAVE DIST 10: PLUS DIST 11: HARD FUZZ 12: FET BOOST 13: TAPE DIST 14: FULL OD 15: BLUES OD 16: SHRED DIST 17: M-ZONE DIST 18: BENDER FUZZ 19: BB PRE 20: MASTER FUZZ 21: FACE FUZZ 22: BIT CRUSHER 23: ETERNAL LOVE 24: ESOTERIC ACB 25: ESOTERIC RCB 26: ZEN MASTER 27: TUBE DRV 4-KNOB 28: FAS LED-DRIVE 29: SDD PREAMP 30: FET PREAMP 31: RUCKUS 32: MICRO BOOST 33: FAS BOOST 34: TIMOTHY 35: SHIMMER DRIVE |
No | ||||
DRV | 1 | GAIN | knob | Yes | |||||
DRV | 2 | TONE | knob | Yes | |||||
DRV | 3 | VOLUME | knob | Yes | |||||
DRV | 4 | MIX | knob | Yes | |||||
DRV | 5 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes | ||||
DRV | 6 | SLEW LIMIT | knob | No | |||||
DRV | 8 | LO CUT | knob | No | |||||
DRV | 9 | HI CUT | knob | No | |||||
DRV | 10 | CLIP TYPE | select | 0: LV TUBE 1: HARD 2: SOFT 3: GERMANIUM 4: FW RECT 5: HV TUBE 6: SILICON 7: 4558/DIODE 8: LED 9: FET 10: OP-AMP 11: VARIABLE 12: NULL |
No | ||||
DRV | 11 | BIAS | knob | No | |||||
DRV | 12 | BASS | knob | No | |||||
DRV | 13 | MIDDLE | knob | No | |||||
DRV | 14 | MID FREQ | knob | No | |||||
DRV | 15 | TREBLE | knob | No | |||||
DRV | 16 | BIT REDUCE | rangeKnob | 0 | 24 | 1 | Yes | ||
DRV | 17 | INPUT | select | 0: L+R 1: Left 2: Right |
No | ||||
DRV | 18 | Balance | knob | Yes | |||||
DRV | 19 | SAMPLE RATE | knob | Yes |
ENH
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
ENH | 0 | WIDTH | knob | No | |||||
ENH | 1 | DEPTH | knob | No | |||||
ENH | 2 | LOW CUT | knob | No | |||||
ENH | 3 | HIGH CUT | knob | No | |||||
ENH | 4 | Level | knob | No | |||||
ENH | 6 | EFFECT TYPE | select | 0: MODERN 1: CLASSIC |
No | ||||
ENH | 7 | INVERT | select | 0: None 1: Right 2: Left 3: Both |
No | ||||
ENH | 8 | Pan Left | knob | No | |||||
ENH | 9 | Pan Right | knob | No | |||||
ENH | 10 | Balance | knob | No |
FXL
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
FXL | 0 | Level 1 | knob | No | |||||
FXL | 1 | Level 2 | knob | No | |||||
FXL | 2 | Level 3 | knob | No | |||||
FXL | 3 | Level 4 | knob | No | |||||
FXL | 4 | Pan 1 | knob | No | |||||
FXL | 5 | Pan 2 | knob | No | |||||
FXL | 6 | Pan 3 | knob | No | |||||
FXL | 7 | Pan 4 | knob | No | |||||
FXL | 8 | SCENE 1 | slider | No | |||||
FXL | 9 | SCENE 2 | slider | No | |||||
FXL | 10 | SCENE 3 | slider | No | |||||
FXL | 11 | SCENE 4 | slider | No | |||||
FXL | 12 | SCENE 5 | slider | No | |||||
FXL | 13 | SCENE 6 | slider | No | |||||
FXL | 14 | SCENE 7 | slider | No | |||||
FXL | 15 | SCENE 8 | slider | No | |||||
FXL | 16 | Level | knob | Yes | |||||
FXL | 17 | Balance | knob | Yes | |||||
FXL | 18 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes |
INPUT
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
INPUT | 0 | THRESHOLD | knob | Yes | |||||
INPUT | 1 | RATIO | knob | Yes | |||||
INPUT | 2 | RELEASE | knob | No | |||||
INPUT | 3 | ATTACK | knob | No | |||||
INPUT | 4 | INPUT Z | select | 0: AUTO: 1: 1M 2: 1M+CAP 3: 230K 4: 230K+CAP 5: 90K 6: 90K+CAP 7: 70K 8: 70K+CAP 9: 32K 10: 32K+CAP 11: 22K 12: 22K+CAP |
No | ||||
INPUT | 5 | Level | knob | No | |||||
INPUT | 7 | EFFECT TYPE | select | 0: CLASSIC 1: INTELLIGENT |
No |
OUTPUT
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
OUTPUT | 0 | Level 1 | knob | No | |||||
OUTPUT | 1 | Level 2 | knob | No | |||||
OUTPUT | 2 | Level 3 | knob | No | |||||
OUTPUT | 3 | Level 4 | knob | No | |||||
OUTPUT | 4 | Balance 1 | knob | No | |||||
OUTPUT | 5 | Balance 2 | knob | No | |||||
OUTPUT | 6 | Balance 3 | knob | No | |||||
OUTPUT | 7 | Balance 4 | knob | No | |||||
OUTPUT | 8 | SCENE 1 MAIN | slider | No | |||||
OUTPUT | 9 | SCENE 2 MAIN | slider | No | |||||
OUTPUT | 10 | SCENE 3 MAIN | slider | No | |||||
OUTPUT | 11 | SCENE 4 MAIN | slider | No | |||||
OUTPUT | 12 | SCENE 5 MAIN | slider | No | |||||
OUTPUT | 13 | SCENE 6 MAIN | slider | No | |||||
OUTPUT | 14 | SCENE 7 MAIN | slider | No | |||||
OUTPUT | 15 | SCENE 8 MAIN | slider | No | |||||
OUTPUT | 16 | Level | knob | No | |||||
OUTPUT | 17 | Pan | knob | No | |||||
OUTPUT | 18 | BYPASS MODE | select | 0: THRU 1: MUTE |
No |
CONTROLLERS
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
CONTROLLERS | 0 | LFO1 TYPE [RUN] | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
Yes | ||||
CONTROLLERS | 1 | LFO1 RATE | knob | Yes | |||||
CONTROLLERS | 2 | LFO1 DEPTH | knob | Yes | |||||
CONTROLLERS | 3 | LFO1 DUTY | knob | Yes | |||||
CONTROLLERS | 4 | OUTPUT B PHASE | knob | No | |||||
CONTROLLERS | 5 | LFO1 Tempo | select | Tempo Values | No | ||||
CONTROLLERS | 6 | LFO2 TYPE [RUN] | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAW UP 4: SAW DOWN 5: RANDOM 6: LOG 7: EXP 8: TRAPEZOID |
Yes | ||||
CONTROLLERS | 7 | LFO2 RATE | knob | Yes | |||||
CONTROLLERS | 8 | LFO2 DEPTH | knob | Yes | |||||
CONTROLLERS | 9 | LFO2 DUTY | knob | Yes | |||||
CONTROLLERS | 10 | OUTPUT B PHASE | knob | No | |||||
CONTROLLERS | 11 | LFO2 Tempo | select | Tempo Values | No | ||||
CONTROLLERS | 12 | MODE | select | 0: ONCE 1: LOOP 2: SUST |
No | ||||
CONTROLLERS | 13 | RETRIG | switch | 0: Off | 1: On | No | |||
CONTROLLERS | 14 | ATTACK | knob | No | |||||
CONTROLLERS | 15 | DECAY | knob | No | |||||
CONTROLLERS | 16 | SUSTAIN | knob | No | |||||
CONTROLLERS | 17 | Level | knob | No | |||||
CONTROLLERS | 18 | RELEASE | knob | No | |||||
CONTROLLERS | 19 | THRESHOLD | knob | No | |||||
CONTROLLERS | 20 | MODE | select | 0: ONCE 1: LOOP 2: SUST |
No | ||||
CONTROLLERS | 21 | RETRIG | switch | 0: Off | 1: On | No | |||
CONTROLLERS | 22 | ATTACK | knob | No | |||||
CONTROLLERS | 23 | DECAY | knob | No | |||||
CONTROLLERS | 24 | SUSTAIN | knob | No | |||||
CONTROLLERS | 25 | Level | knob | No | |||||
CONTROLLERS | 26 | RELEASE | knob | No | |||||
CONTROLLERS | 27 | THRESHOLD | knob | No | |||||
CONTROLLERS | 28 | ATTACK | knob | No | |||||
CONTROLLERS | 29 | RELEASE | knob | No | |||||
CONTROLLERS | 30 | THRESHOLD | knob | No | |||||
CONTROLLERS | 31 | GAIN | knob | No | |||||
CONTROLLERS | 32 | TAP Tempo | rangeKnob | 30 | 250 | 1 | No | ||
CONTROLLERS | 33 | Tempo SETTING | select | 0: PRESET 1: GLOBAL |
No | ||||
CONTROLLERS | 34 | RATE | knob | Yes | |||||
CONTROLLERS | 35 | Tempo | select | Tempo Values | No | ||||
CONTROLLERS | 36 | STAGES | select | 2: 2 3: 3 4: 4 5: 5 6: 6 7: 7 8: 8 9: 9 10: 10 11: 11 12: 12 13: 13 14: 14 15: 15 16: 16 17: 17 18: 18 19: 19 20: 20 21: 21 22: 22 23: 23 24: 24 25: 25 26: 26 27: 27 28: 28 29: 29 30: 30 31: 31 32: 32 |
2 | No | |||
CONTROLLERS | 37 | 1 | slider | No | |||||
CONTROLLERS | 38 | 2 | slider | No | |||||
CONTROLLERS | 39 | 3 | slider | No | |||||
CONTROLLERS | 40 | 4 | slider | No | |||||
CONTROLLERS | 41 | 5 | slider | No | |||||
CONTROLLERS | 42 | 6 | slider | No | |||||
CONTROLLERS | 43 | 7 | slider | No | |||||
CONTROLLERS | 44 | 8 | slider | No | |||||
CONTROLLERS | 45 | 9 | slider | No | |||||
CONTROLLERS | 46 | 10 | slider | No | |||||
CONTROLLERS | 47 | 11 | slider | No | |||||
CONTROLLERS | 48 | 12 | slider | No | |||||
CONTROLLERS | 49 | 13 | slider | No | |||||
CONTROLLERS | 50 | 14 | slider | No | |||||
CONTROLLERS | 51 | 15 | slider | No | |||||
CONTROLLERS | 52 | 16 | slider | No | |||||
CONTROLLERS | 54 | RUN | switch | 0: Off | 1: On | Yes | |||
CONTROLLERS | 55 | A | knob | No | |||||
CONTROLLERS | 56 | B | knob | No | |||||
CONTROLLERS | 57 | C | knob | No | |||||
CONTROLLERS | 58 | D | knob | No | |||||
CONTROLLERS | 59 | 17 | slider | No | |||||
CONTROLLERS | 60 | 18 | slider | No | |||||
CONTROLLERS | 61 | 19 | slider | No | |||||
CONTROLLERS | 62 | 20 | slider | No | |||||
CONTROLLERS | 63 | 21 | slider | No | |||||
CONTROLLERS | 64 | 22 | slider | No | |||||
CONTROLLERS | 65 | 23 | slider | No | |||||
CONTROLLERS | 66 | 24 | slider | No | |||||
CONTROLLERS | 67 | 25 | slider | No | |||||
CONTROLLERS | 68 | 26 | slider | No | |||||
CONTROLLERS | 69 | 27 | slider | No | |||||
CONTROLLERS | 70 | 28 | slider | No | |||||
CONTROLLERS | 71 | 29 | slider | No | |||||
CONTROLLERS | 72 | 30 | slider | No | |||||
CONTROLLERS | 73 | 31 | slider | No | |||||
CONTROLLERS | 74 | 32 | slider | No | |||||
CONTROLLERS | 77 | RUN | switch | 0: Off | 1: On | No | |||
CONTROLLERS | 78 | SCENE 1 | knob | No | |||||
CONTROLLERS | 79 | SCENE 2 | knob | No | |||||
CONTROLLERS | 80 | SCENE 3 | knob | No | |||||
CONTROLLERS | 81 | SCENE 4 | knob | No | |||||
CONTROLLERS | 82 | SCENE 5 | knob | No | |||||
CONTROLLERS | 83 | SCENE 6 | knob | No | |||||
CONTROLLERS | 84 | SCENE 7 | knob | No | |||||
CONTROLLERS | 85 | SCENE 8 | knob | No | |||||
CONTROLLERS | 86 | SCENE 1 | knob | No | |||||
CONTROLLERS | 87 | SCENE 2 | knob | No | |||||
CONTROLLERS | 88 | SCENE 3 | knob | No | |||||
CONTROLLERS | 89 | SCENE 4 | knob | No | |||||
CONTROLLERS | 90 | SCENE 5 | knob | No | |||||
CONTROLLERS | 91 | SCENE 6 | knob | No | |||||
CONTROLLERS | 92 | SCENE 7 | knob | No | |||||
CONTROLLERS | 93 | SCENE 8 | knob | No | |||||
CONTROLLERS | 94 | QUANTIZE | select | 1: OFF 2: 2 3: 3 4: 4 5: 5 6: 6 7: 7 8: 8 9: 9 10: 10 11: 11 12: 12 13: 13 14: 14 15: 15 16: 16 17: 17 18: 18 19: 19 20: 20 21: 21 22: 22 23: 23 24: 24 25: 25 26: 26 27: 27 28: 28 29: 29 30: 30 31: 31 32: 32 |
1 | No | |||
CONTROLLERS | 95 | QUANTIZE | select | 1: OFF 2: 2 3: 3 4: 4 5: 5 6: 6 7: 7 8: 8 9: 9 10: 10 11: 11 12: 12 13: 13 14: 14 15: 15 16: 16 17: 17 18: 18 19: 19 20: 20 21: 21 22: 22 23: 23 24: 24 25: 25 26: 26 27: 27 28: 28 29: 29 30: 30 31: 31 32: 32 |
1 | No |
SYN
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
SYN | 0 | TYPE 1 | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAWTOOTH 4: RANDOM 5: WHT NOISE 6: PINK NOISE 7: OFF |
No | ||||
SYN | 1 | FREQUENCY 1 | knob | Yes | |||||
SYN | 2 | TRACK 1 | select | 0: OFF 1: ENV ONLY 2: PITCH+ENV 3: QUANTIZE |
No | ||||
SYN | 3 | SHIFT 1 | knob | Yes | |||||
SYN | 4 | TUNE 1 | knob | Yes | |||||
SYN | 5 | DUTY 1 | knob | Yes | |||||
SYN | 6 | VOICE Level 1 | knob | Yes | |||||
SYN | 7 | VOICE Pan 1 | knob | Yes | |||||
SYN | 8 | ATTACK 1 | knob | No | |||||
SYN | 9 | FILTER 1 | knob | Yes | |||||
SYN | 10 | Q 1 | knob | No | |||||
SYN | 11 | TYPE 2 | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAWTOOTH 4: RANDOM 5: WHT NOISE 6: PINK NOISE 7: OFF |
No | ||||
SYN | 12 | FREQUENCY 2 | knob | Yes | |||||
SYN | 13 | TRACK 2 | select | 0: OFF 1: ENV ONLY 2: PITCH+ENV 3: QUANTIZE |
No | ||||
SYN | 14 | SHIFT 2 | knob | Yes | |||||
SYN | 15 | TUNE 2 | knob | Yes | |||||
SYN | 16 | DUTY 2 | knob | Yes | |||||
SYN | 17 | VOICE Level 2 | knob | Yes | |||||
SYN | 18 | VOICE Pan 2 | knob | Yes | |||||
SYN | 19 | ATTACK 2 | knob | No | |||||
SYN | 20 | FILTER 2 | knob | Yes | |||||
SYN | 21 | Q 2 | knob | No | |||||
SYN | 23 | MIX | knob | Yes | |||||
SYN | 24 | Level | knob | Yes | |||||
SYN | 25 | Balance | knob | Yes | |||||
SYN | 26 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
SYN | 27 | GLOBAL MIX | switch | 0: Off | 1: On | No | |||
SYN | 29 | TYPE 3 | select | 0: SINE 1: TRIANGLE 2: SQUARE 3: SAWTOOTH 4: RANDOM 5: WHT NOISE 6: PINK NOISE 7: OFF |
No | ||||
SYN | 30 | FREQUENCY 3 | knob | Yes | |||||
SYN | 31 | TRACK 3 | select | 0: OFF 1: ENV ONLY 2: PITCH+ENV 3: QUANTIZE |
No | ||||
SYN | 32 | SHIFT 3 | knob | Yes | |||||
SYN | 33 | TUNE 3 | knob | Yes | |||||
SYN | 34 | DUTY 3 | knob | Yes | |||||
SYN | 35 | VOICE Level 3 | knob | Yes | |||||
SYN | 36 | VOICE Pan 3 | knob | Yes | |||||
SYN | 37 | ATTACK 3 | knob | No | |||||
SYN | 38 | FILTER 3 | knob | Yes | |||||
SYN | 39 | Q 3 | knob | No |
GTE
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
GTE | 0 | THRESHOLD | knob | Yes | |||||
GTE | 1 | ATTACK | knob | No | |||||
GTE | 2 | HOLD | knob | No | |||||
GTE | 3 | RELEASE | knob | No | |||||
GTE | 4 | RATIO | knob | Yes | |||||
GTE | 5 | SIDECHAIN SELECT | select | 0: BLOCK L+R 1: ROW 1 2: ROW 2 3: ROW 3 4: ROW 4 5: INPUT 1 6: INPUT 2 |
No | ||||
GTE | 6 | LOW CUT | knob | No | |||||
GTE | 7 | HIGH CUT | knob | No | |||||
GTE | 9 | Level | knob | Yes | |||||
GTE | 10 | Balance | knob | Yes | |||||
GTE | 11 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes |
RNG
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
RNG | 0 | FREQUENCY | knob | Yes | |||||
RNG | 1 | F. MULTIPLIER | knob | Yes | |||||
RNG | 2 | TRACK | switch | 0: Off | 1: On | No | |||
RNG | 3 | HIGH CUT | knob | No | |||||
RNG | 4 | MIX | knob | Yes | |||||
RNG | 5 | Level | knob | Yes | |||||
RNG | 6 | Balance | knob | Yes | |||||
RNG | 7 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
RNG | 8 | GLOBAL MIX | switch | 0: Off | 1: On | No |
LPR
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
LPR | 0 | MIX | knob | Yes | |||||
LPR | 1 | Level | knob | Yes | |||||
LPR | 2 | Balance | knob | Yes | |||||
LPR | 3 | BYPASS MODE | select | 0: THRU 1: MUTE FX OUT 2: MUTE OUT |
Yes | ||||
LPR | 5 | DUB MIX | knob | Yes | |||||
LPR | 6 | THRESHOLD | switch | 0: Off | 1: On | No | |||
LPR | 7 | THRES Level | knob | No | |||||
LPR | 8 | MODE | select | 0: MONO 1: STEREO 2: MONO UNDO 3: STEREO UNDO |
No | ||||
LPR | 9 | QUANTIZE | select | 0: OFF 1: QUARTER 2: EIGTH 3: SIXTEENTH |
No | ||||
LPR | 10 | TRIM STOP | knob | Yes | |||||
LPR | 11 | TRIM START | knob | Yes | |||||
LPR | 12 | IMMEDIATE PLAY | switch | 0: Off | 1: On | No | |||
LPR | 13 | RECORD BEATS | rangeKnob | 0 | 16 | 1 | No |
SND
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
SND | 0 | Send Level | knob | No | |||||
SND | 1 | Out Level | knob | No |
RTN
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
RTN | 0 | Mix | knob | Yes | |||||
RTN | 1 | Level | knob | Yes | |||||
RTN | 2 | Balance | knob | Yes | |||||
RTN | 3 | Bypass Mode | select | 0: THRU 1: MUTE |
Yes | ||||
RTN | 4 | Global Mix | switch | 0: Off | 1: On | No |
MIX
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
MIX | 0 | Gain 1 | slider | Yes | |||||
MIX | 1 | Gain 2 | slider | Yes | |||||
MIX | 2 | Gain 3 | slider | Yes | |||||
MIX | 3 | Gain 4 | slider | Yes | |||||
MIX | 4 | Balance 1 | knob | Yes | |||||
MIX | 5 | Balance 2 | knob | Yes | |||||
MIX | 6 | Balance 3 | knob | Yes | |||||
MIX | 7 | Balance 4 | knob | Yes | |||||
MIX | 8 | Master | knob | Yes | |||||
MIX | 9 | Out Mode | select | 0: STEREO 1: MONO |
Yes |
MBC
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
MBC | 0 | Freq 1 | knob | No | |||||
MBC | 1 | Freq 2 | knob | No | |||||
MBC | 2 | Threshold 1 | knob | No | |||||
MBC | 3 | Ratio 1 | knob | No | |||||
MBC | 4 | Attack 1 | knob | No | |||||
MBC | 5 | Release 1 | knob | No | |||||
MBC | 6 | Level 1 | knob | No | |||||
MBC | 7 | Detect 1 | select | 0: RMS 1: PEAK 2: FAST RMS |
No | ||||
MBC | 8 | Mute 1 | switch | 0: Off | 1: On | No | |||
MBC | 9 | Threshold 2 | knob | No | |||||
MBC | 10 | Ratio 2 | knob | No | |||||
MBC | 11 | Attack 2 | knob | No | |||||
MBC | 12 | Release 2 | knob | No | |||||
MBC | 13 | Level 2 | knob | No | |||||
MBC | 14 | Detect 2 | select | 0: RMS 1: PEAK 2: FAST RMS |
No | ||||
MBC | 15 | Mute 2 | switch | 0: Off | 1: On | No | |||
MBC | 16 | Threshold 3 | knob | No | |||||
MBC | 17 | Ratio 3 | knob | No | |||||
MBC | 18 | Attack 3 | knob | No | |||||
MBC | 19 | Release 3 | knob | No | |||||
MBC | 20 | Level 3 | knob | No | |||||
MBC | 21 | Detect 3 | select | 0: RMS 1: PEAK 2: FAST RMS |
No | ||||
MBC | 22 | Mute 3 | switch | 0: Off | 1: On | No | |||
MBC | 24 | Level | knob | Yes | |||||
MBC | 25 | Balance | knob | Yes | |||||
MBC | 26 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes |
XVR
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
XVR | 0 | Freq | knob | Yes | |||||
XVR | 1 | Freq Multi. | select | 0: X 1 1: X 10 |
No | ||||
XVR | 2 | Lo Level L | knob | No | |||||
XVR | 3 | Hi Level L | knob | No | |||||
XVR | 4 | Lo Level R | knob | No | |||||
XVR | 5 | Hi Level R | knob | No | |||||
XVR | 6 | Lo Pan L | knob | No | |||||
XVR | 7 | Hi Pan L | knob | No | |||||
XVR | 8 | Lo Pan R | knob | No | |||||
XVR | 9 | Hi Pan R | knob | No | |||||
XVR | 11 | Level | knob | Yes | |||||
XVR | 12 | Balance | knob | Yes | |||||
XVR | 13 | BYPASS MODE | select | 0: THRU 1: MUTE |
Yes |
MGT
Block | ID | Name | Type | Options | Min | Max | Step | Modifier Assignable | Added |
---|---|---|---|---|---|---|---|---|---|
MGT | 0 | In Gain | knob | Yes | |||||
MGT | 1 | Master Level | knob | Yes | |||||
MGT | 2 | Time | knob | Yes | |||||
MGT |