This is the wiki for products made by Fractal Audio Systems, maintained by members of the community.
Difference between revisions of "Expression pedals and external switches"
(414 intermediate revisions by 4 users not shown) | |||
Line 1: | Line 1: | ||
__TOC__ | __TOC__ | ||
+ | =Remote control of Fractal Audio devices= | ||
− | + | Fractal Audio's processors can be remotely controlled in various ways. This includes the use of <q>expression pedals</q> such as Fractal Audio's EV-1 and EV-2 pedals, (see below) and/or <q>external switches</q>, either connected directly to a pedal port on the device, to a MIDI controller or to Fractal Audio's [[Fractal Audio FC-6 and FC-12]]. | |
− | + | The number of ports, as well as support for a single switch or dual switch, varies per product. | |
− | + | Read the following pages for more information: | |
+ | * [[Fractal Audio_Axe-Fx_III,_FM9_and_FM3#Pedal_ports|Axe-Fx, FM3, FM9]] | ||
+ | * [[Fractal_Audio_VP4#Pedal_ports|VP4]] | ||
+ | * [[Fractal Audio FC-6 and FC-12]] | ||
− | + | =Fractal Audio EV-1 and EV-2 expression pedals= | |
− | |||
− | |||
− | |||
− | |||
− | + | Read this: [[Fractal Audio EV-1 and EV-2]] | |
− | + | =Expression pedal= | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | = | + | ==Required specifications== |
− | + | The requirements for an expression pedal are: | |
− | * | + | * Linear resistance taper |
− | * | + | * Max resistance of 10-100 kOhm |
− | + | * TRS-to-TRS cable connection (<q>stereo jack</q>) | |
− | * | ||
− | |||
− | |||
− | |||
− | == | + | ==Connect an expression pedal== |
− | + | From the Owners Manual: | |
− | + | <blockquote> | |
+ | <HR> | ||
+ | <blockquote> | ||
+ | <q>TRS</q> stands for <q>TIP-RING-SLEEVE</q> and describes the configuration of a 1/4" end plug or jack with three connectors. Normal guitar cables are <q>TS</q> (Tip-Sleeve) since they lack the ring required for a third contact. Expression pedals require TRS cables because full control voltage is transmitted to them on one contact (the tip), while less than full voltage is returned to on another (the ring) so the host device is able to sense and utilize the pedal position. The third contact (sleeve) is connected to ground. | ||
+ | </blockquote> | ||
+ | </blockquote> | ||
− | The | + | The expression pedal can be connected: |
+ | * Directly to the device using a PEDAL port | ||
+ | * To an FC-6 or FC-12 foot controller | ||
+ | * To a MIDI controller that's connected to the device | ||
− | + | ==Configure an expression pedal== | |
− | + | Pedals that are connected directly to the Fractal Audio device, can be configured and calibrated on the Pedal page of SETUP. On the VP4, this is the Setup > Pedals menu. | |
− | + | Pedals that are connected through another connected device, such as FC-6 and FC-12 foot controllers or 3rd party MIDI controllers, must be configured in the configuration menu of that device, including calibration. For the FC controllers, use the FC controllers menu in SETUP. | |
− | |||
− | |||
− | |||
− | |||
− | + | Always calibrate the pedal before use! This makes sure that the pedal's full sweep range is being used. | |
− | + | You can assign the pedal directly to parameters in the preset. Or you can assign an [[External controller]] to that parameter, and then assign the pedal to that specific external controller. The latter option provides more flexibility. | |
− | + | ==What happens if the pedal is not connected== | |
− | + | If a parameter is controlled by a switch or pedal, and that pedal or switch is not connected when powering on the Fractal Audio device, the device needs to know what value to use. Disconnecting a pedal that operates as a Volume pedal should not mute the device, for example. | |
− | + | For parameters that have been assigned to an [[Modifiers and controllers|External controller]], the desired initial value can be set in SETUP under Initial Value. | |
− | + | Current firmware also features activity sensing for internal pedals, FC pedals and external controllers. This stops [[Auto-Engage]] from activating an effect when the pedal/controller is not connected. This prevents, for example, a Wah from being engaged when Auto-Engage is on but no pedal is connected (i.e., you left your expression pedal at home). | |
− | + | <blockquote> | |
+ | '''FRACTAL AUDIO QUOTES''' | ||
+ | <hr> | ||
− | The | + | <blockquote> |
+ | [https://forum.fractalaudio.com/threads/controller-issue.203213/post-2540843] | ||
+ | […] | ||
+ | The expression pedal inputs on the Axe-Fx and on the FC6/12 have pullup resistors. If a pedal is unplugged the value goes to 100%. This is done so that if a pedal is connected to volume and you forget your volume pedal you'll still have sound. | ||
+ | </blockquote> | ||
+ | </blockquote> | ||
− | + | ==Factory presets and expression pedals== | |
− | + | Many factory presets let you use a connected expression pedal, for example as a Wah. Search the [[Factory presets]] page in the wiki for "External". | |
− | == | + | ==Create a volume pedal== |
− | + | To set up a volume pedal in a single preset, read [[Volume/Panner block]]. | |
− | + | To set up a <q>global</q> volume pedal that works across ALL presets, read the section in the [[Owners_Manuals|Owner's Manual]]. | |
− | + | ==Create a Wah pedal== | |
− | + | Read [[Wah block]] for more information. | |
− | |||
− | |||
− | |||
− | |||
− | == | + | ==Create a Whammy pedal== |
− | Read | + | Read [[Pitch_block#Whammy|Pitch block]] for more information. |
− | == | + | ==Create a Talk Box== |
− | Read | + | Read [[Formant block]] for more information. |
− | == | + | ==Control the amount of delay and/or reverb== |
− | + | You can use an expression pedal to control the amount of delay or reverb.<BR> | |
− | + | Assign the pedal as an [[External controller]] to the INPUT GAIN parameter in the Delay and/or Reverb Block. | |
− | == | + | ==Morph between clean and dirty tones== |
− | + | Watch the video at the bottom of this page. | |
− | + | ==Display the tuner at heel down== | |
− | + | Read [[Tuner#Display_Tuner_on_heel_down|Tuner]] for more information. | |
− | + | ==Auto-engage an effect== | |
− | + | Read [[Auto-Engage]] for more information. | |
− | == | + | ==Use a pedal for multiple tasks== |
− | You can | + | You can dedicate a single expression pedal to multiple tasks, within a single preset. Below are various examples. |
− | |||
− | |||
− | |||
− | |||
− | + | '''Control Wah or Whammy''' | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
# Insert a Wah block. | # Insert a Wah block. | ||
− | # Insert a Pitch block, directly above or below the Wah in a parallel row. Connect it back | + | # Insert a Pitch block, directly above or below the Wah in a parallel row. Connect it back to the main row. |
− | # In the Modifier menu of BOTH effects (Wah: Frequency | + | # In the Modifier menu of BOTH effects (Wah:Frequency parameter, Pitch:Control) set Source to External 1. Enable Auto-Engage. |
# Add a Mixer block to the main row, just after Wah and Pitch. | # Add a Mixer block to the main row, just after Wah and Pitch. | ||
− | # Edit Mixer: enter the | + | # Edit Mixer: enter the modifier menu of the Gain parameter for the row that connects to the Wah. Set Source to another External controller (which will be attached to an IA-switch to switch between Wah and Whammy). Set Start Value to 100% and End Value to 0. |
# Do the same for the row that connects to the Pitch block. But: set Start Value to 0% and End Value to 100%. | # Do the same for the row that connects to the Pitch block. But: set Start Value to 0% and End Value to 100%. | ||
# Program an IA switch to switch between Wah and Whammy, using the Mixer rows. Use the CC of the external controller that you specified while editing the Mixer block, and send "127" for the Wah, and "0" for the Whammy. | # Program an IA switch to switch between Wah and Whammy, using the Mixer rows. Use the CC of the external controller that you specified while editing the Mixer block, and send "127" for the Wah, and "0" for the Whammy. | ||
− | # | + | # Moving the pedal should activate both the Wah and the Pitch block. But thanks to the Mixer block you'll only hear one of these effects. If you're hearing the Wah and the Whammy effects simultaneously, you need to press the IA-switch to get the Mixer block to work. |
− | + | '''Control Volume and Wah''' (source: Bakerman) | |
# Place a Volume block on the grid. | # Place a Volume block on the grid. | ||
# Assign an IA switch to an external controller's CC. | # Assign an IA switch to an external controller's CC. | ||
Line 162: | Line 130: | ||
# Now the IA switch will toggle between Wah/Volume and the pedal will control both. | # Now the IA switch will toggle between Wah/Volume and the pedal will control both. | ||
− | + | '''Using Scenes and channels''' | |
− | # Put Wah and Pitch and Volume in one column | + | # Put Wah and Pitch and Volume in one vertical column. |
− | # Assign an external controller (pedal) to the effects. | + | # Assign an external controller (pedal) to the effects. Enable Auto-Engage in Wah and Pitch. |
− | # In Wah and Pitch turn down Level in | + | # Configure channel A, then copy it to channel B. |
− | # Scene 1 is for Wah. Set Wah to | + | # In Wah and Pitch turn down Level in Channel B. |
− | # Scene 1 is for Whammy. Set Wah to | + | # Scene 1 is for Wah. Set Wah to Channel A, set Pitch to channel B, bypass Volume. |
− | # Scene 3 is for Volume. Set | + | # Scene 1 is for Whammy. Set Wah to channel B, set Pitch to channel A, bypass Volume. |
− | + | # Scene 3 is for Volume. Set Wah and Pitch to channel B, engage Volume. | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | + | '''Using the Multiplexer block''' | |
− | + | : Read [[Multiplexer block]] for more information. | |
− | + | '''Control Volume and Wah with an expression pedal that has a switch''' | |
+ | # Put the Wah and Volume blocks on the grid. | ||
+ | # Configure both blocks to be controlled by the pedal. Set the Wah to Auto-Engage. | ||
+ | # Attach the pedal's switch to the Bypass parameter of both blocks. Set Min/Max in the modifier menu in one block to 0/100 and in the other block to 100/0. | ||
+ | # The switch now switches between Wah/Volume duty. | ||
− | == | + | =External switch= |
− | |||
− | + | ==Connect an external switch== | |
− | + | The FC controllers and FM3 support a dual-button switch per port when using a TRS cable, or a single-button switch when using a TS-TS cable. | |
− | |||
− | |||
− | + | The Axe-Fx III, FM9 and VP4 limit each PEDAL port to a single switch (TS cable). | |
− | |||
− | + | The switch can be connected: | |
+ | * directly to the device using a PEDAL port | ||
+ | * to the [[Fractal Audio FC-6 and FC-12]] | ||
+ | * to a MIDI controller that's connected to the device | ||
− | + | ==Configure an external switch== | |
− | + | You can connect external switches to the device or to FC-6 and FC-12 foot controllers to expand switching possibilities. | |
− | + | External switches can perform the same tasks as "local" switches on an FC controller, FM3 or FM9, such as: | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | + | * [[Tempo and Metronome|Use Tap Tempo]] | |
+ | * [[Tuner|Engage the Tuner]] | ||
+ | * [[Presets|Switch presets]] | ||
+ | * [[Scenes|Switch scenes]] | ||
+ | * [[Channels|Switch channels]] | ||
+ | * engage or bypass effect blocks | ||
+ | * increase or decrease level and save the preset | ||
+ | * duplicate the function of onboard switches on the FM3, FM9 or FC controller | ||
+ | * and more | ||
− | + | Configure the switch(es) in SETUP. | |
− | |||
− | + | ; Switch Behavior : This determines how an external switch operates. With the default setting of "Follow Hardware" a switch behaves as you might expect. If you want a momentary switch to behave like a latching/toggle switch instead, use the "Virtual Toggle" option. Now, every time you tap the switch, its state will flip from ON to OFF, or OFF to ON. Note that if you accidentally apply the Virtual Toggle setting to a physical latching switch, you'll need to tap the switch twice for it to toggle. | |
− | + | ; Switch Polarity : This allows reversing the polarity of any connected switch. The option <q>Normal</q> assumes a <q>momentary make</q> switch. Use the option <q>Reverse</q> when using a <q>momentary break</q> switch, or for creative applications. | |
− | + | An external switch can operate globally as a copy of an onboard switch in any layout by assigning it as a <q>Stand In switch</q>. It's an exact surrogate for the onboard switch, and can even be used with per-preset functions. Momentary switches are preferred for use as stand-ins, because they more closely mimic the behavior of the on-board switches. | |
− | |||
− | |||
− | + | You can assign the switch directly to parameters in the preset. Or you can assign an [[External controller]] to that parameter, and then assign the switch to that specific external controller. The latter option provides more flexibility. | |
− | + | ==Scroll through presets== | |
− | + | A single button switch, connected to the pedal port, can be used to scroll through the first bank of presets. This works fine if you have just a few presets to switch between. And if the processor has more than one PEDAL jack, you can assign one to Increment and the other to Decrement. | |
− | === | + | ==Engage and bypass an effect== |
− | |||
− | + | To engage or bypass a specific effect, using an external switch, assign the switch to the effect block in SETUP. | |
− | === | + | ==Maintain bypass state when switching scenes== |
− | |||
− | + | You can use an external switch to maintain the bypass state of an effect when switching through presets and scenes. | |
− | + | # Connect the switch. | |
− | + | # Assign the Bypass Mode parameter of the effect to the switch through an [[External controller]]. | |
+ | # Repeat this in each preset which you want to control. | ||
+ | # Now the switch will control the effect's engaged/bypass state, regardless of the effect's saved state per preset or scene, and stay in sync. | ||
− | + | =DIY Expression Boxes= | |
− | + | If you're building your own expression knob enclosures, you'll want to use potentiometers that are: | |
− | + | * In the 10k to 100k Ohm range | |
+ | * Linear (usually B type if you're buying Alpha potentiometers) | ||
− | + | And when you solder them up to your jacks or cables, you'll want the wiper lug (the middle lug on an Alpha pot) to go to the tip of the jack. The other two, outside, lugs go to the sleeve and ground respectively. Reverse the outside lugs if you want to change the direction the knob operates in (either clockwise or counter-clockwise) by default. | |
− | + | A typical parts list for an expression knob is: | |
− | + | * [https://smallbear-electronics.mybigcommerce.com/1-4-in-stereo-open-frame-switchcraft-12b/ 1/4 TRS jack] | |
+ | * [https://smallbear-electronics.mybigcommerce.com/alpha-single-gang-16mm-solder-lug-center-detents/ 100k Linear Alpha potentiometer ] | ||
+ | * [https://smallbear-electronics.mybigcommerce.com/small-bear-ring-box/ Ring box enclosure] | ||
+ | * [https://smallbear-electronics.mybigcommerce.com/knobs/ A knob of your choosing] | ||
− | + | You'll need some wire and solder as well. Can be fairly low grade stuff as it's not passing any audio signal and will be in an aluminum enclosure. | |
− | + | =Tips, tricks and troubleshooting= | |
− | + | ==Pedal ports: ADC levels== | |
− | + | Check the ADC (Analog-to-Digital Converter) levels of the pedal ports in SETUP. | |
− | == | + | ==Zipper noise== |
− | + | If moving the expression pedal creates choppy sounds or zipper noise, increase the Damping parameter in the modifier menu. | |
− | |||
− | + | ==Pedal operates only for a part of the sweep== | |
− | |||
− | + | If an expression pedal only seems to operate for a part of its sweep, make sure that it's connected with a TRS-TRS cable and that it has been calibrated properly. | |
− | + | Also, make sure that it really is an expression pedal and not a volume pedal and that it meets the requirements for operating with Fractal Audio products. | |
− | + | =Videos= | |
+ | [[video:Leon-ExpPedal-Functions]] | ||
+ | [[video:Rosh-ExpPedal-Multiple]] | ||
+ | [[video:Sus-EV2]] | ||
+ | [[video:French-EV]] | ||
+ | [[video:Cooper-EV-Blend]] | ||
+ | [[video:Cooper-Wah-Volume]] | ||
+ | [[video:Rosh-ExpPedals]] | ||
+ | [[video:Cooper-WahWhammyOnePedal]] | ||
[[category:Axe-Fx2]] | [[category:Axe-Fx2]] | ||
[[category:Axe-Fx3]] | [[category:Axe-Fx3]] | ||
[[category:FM3]] | [[category:FM3]] | ||
+ | [[category:FM9]] | ||
+ | [[category:VP4]] | ||
[[category:AX8]] | [[category:AX8]] | ||
[[category:FX8]] | [[category:FX8]] | ||
[[category:Remote]] | [[category:Remote]] | ||
− | [[category: | + | [[category:All]] |
Latest revision as of 12:29, 11 September 2025
Contents
- 1 Remote control of Fractal Audio devices
- 2 Fractal Audio EV-1 and EV-2 expression pedals
- 3 Expression pedal
- 3.1 Required specifications
- 3.2 Connect an expression pedal
- 3.3 Configure an expression pedal
- 3.4 What happens if the pedal is not connected
- 3.5 Factory presets and expression pedals
- 3.6 Create a volume pedal
- 3.7 Create a Wah pedal
- 3.8 Create a Whammy pedal
- 3.9 Create a Talk Box
- 3.10 Control the amount of delay and/or reverb
- 3.11 Morph between clean and dirty tones
- 3.12 Display the tuner at heel down
- 3.13 Auto-engage an effect
- 3.14 Use a pedal for multiple tasks
- 4 External switch
- 5 DIY Expression Boxes
- 6 Tips, tricks and troubleshooting
- 7 Videos
Remote control of Fractal Audio devices
Fractal Audio's processors can be remotely controlled in various ways. This includes the use of expression pedals
such as Fractal Audio's EV-1 and EV-2 pedals, (see below) and/or external switches
, either connected directly to a pedal port on the device, to a MIDI controller or to Fractal Audio's Fractal Audio FC-6 and FC-12.
The number of ports, as well as support for a single switch or dual switch, varies per product.
Read the following pages for more information:
Fractal Audio EV-1 and EV-2 expression pedals
Read this: Fractal Audio EV-1 and EV-2
Expression pedal
Required specifications
The requirements for an expression pedal are:
- Linear resistance taper
- Max resistance of 10-100 kOhm
- TRS-to-TRS cable connection (
stereo jack
)
Connect an expression pedal
From the Owners Manual:
TRSstands forTIP-RING-SLEEVEand describes the configuration of a 1/4" end plug or jack with three connectors. Normal guitar cables areTS(Tip-Sleeve) since they lack the ring required for a third contact. Expression pedals require TRS cables because full control voltage is transmitted to them on one contact (the tip), while less than full voltage is returned to on another (the ring) so the host device is able to sense and utilize the pedal position. The third contact (sleeve) is connected to ground.
The expression pedal can be connected:
- Directly to the device using a PEDAL port
- To an FC-6 or FC-12 foot controller
- To a MIDI controller that's connected to the device
Configure an expression pedal
Pedals that are connected directly to the Fractal Audio device, can be configured and calibrated on the Pedal page of SETUP. On the VP4, this is the Setup > Pedals menu.
Pedals that are connected through another connected device, such as FC-6 and FC-12 foot controllers or 3rd party MIDI controllers, must be configured in the configuration menu of that device, including calibration. For the FC controllers, use the FC controllers menu in SETUP.
Always calibrate the pedal before use! This makes sure that the pedal's full sweep range is being used.
You can assign the pedal directly to parameters in the preset. Or you can assign an External controller to that parameter, and then assign the pedal to that specific external controller. The latter option provides more flexibility.
What happens if the pedal is not connected
If a parameter is controlled by a switch or pedal, and that pedal or switch is not connected when powering on the Fractal Audio device, the device needs to know what value to use. Disconnecting a pedal that operates as a Volume pedal should not mute the device, for example.
For parameters that have been assigned to an External controller, the desired initial value can be set in SETUP under Initial Value.
Current firmware also features activity sensing for internal pedals, FC pedals and external controllers. This stops Auto-Engage from activating an effect when the pedal/controller is not connected. This prevents, for example, a Wah from being engaged when Auto-Engage is on but no pedal is connected (i.e., you left your expression pedal at home).
FRACTAL AUDIO QUOTES
[1] […] The expression pedal inputs on the Axe-Fx and on the FC6/12 have pullup resistors. If a pedal is unplugged the value goes to 100%. This is done so that if a pedal is connected to volume and you forget your volume pedal you'll still have sound.
Factory presets and expression pedals
Many factory presets let you use a connected expression pedal, for example as a Wah. Search the Factory presets page in the wiki for "External".
Create a volume pedal
To set up a volume pedal in a single preset, read Volume/Panner block.
To set up a global
volume pedal that works across ALL presets, read the section in the Owner's Manual.
Create a Wah pedal
Read Wah block for more information.
Create a Whammy pedal
Read Pitch block for more information.
Create a Talk Box
Read Formant block for more information.
Control the amount of delay and/or reverb
You can use an expression pedal to control the amount of delay or reverb.
Assign the pedal as an External controller to the INPUT GAIN parameter in the Delay and/or Reverb Block.
Morph between clean and dirty tones
Watch the video at the bottom of this page.
Display the tuner at heel down
Read Tuner for more information.
Auto-engage an effect
Read Auto-Engage for more information.
Use a pedal for multiple tasks
You can dedicate a single expression pedal to multiple tasks, within a single preset. Below are various examples.
Control Wah or Whammy
- Insert a Wah block.
- Insert a Pitch block, directly above or below the Wah in a parallel row. Connect it back to the main row.
- In the Modifier menu of BOTH effects (Wah:Frequency parameter, Pitch:Control) set Source to External 1. Enable Auto-Engage.
- Add a Mixer block to the main row, just after Wah and Pitch.
- Edit Mixer: enter the modifier menu of the Gain parameter for the row that connects to the Wah. Set Source to another External controller (which will be attached to an IA-switch to switch between Wah and Whammy). Set Start Value to 100% and End Value to 0.
- Do the same for the row that connects to the Pitch block. But: set Start Value to 0% and End Value to 100%.
- Program an IA switch to switch between Wah and Whammy, using the Mixer rows. Use the CC of the external controller that you specified while editing the Mixer block, and send "127" for the Wah, and "0" for the Whammy.
- Moving the pedal should activate both the Wah and the Pitch block. But thanks to the Mixer block you'll only hear one of these effects. If you're hearing the Wah and the Whammy effects simultaneously, you need to press the IA-switch to get the Mixer block to work.
Control Volume and Wah (source: Bakerman)
- Place a Volume block on the grid.
- Assign an IA switch to an external controller's CC.
- Assign another external controller the Wah and Volume control knobs.
- Set the first external controller as a Bypass modifier for both blocks and reverse the slope of one (start 100, end 0).
- Now the IA switch will toggle between Wah/Volume and the pedal will control both.
Using Scenes and channels
- Put Wah and Pitch and Volume in one vertical column.
- Assign an external controller (pedal) to the effects. Enable Auto-Engage in Wah and Pitch.
- Configure channel A, then copy it to channel B.
- In Wah and Pitch turn down Level in Channel B.
- Scene 1 is for Wah. Set Wah to Channel A, set Pitch to channel B, bypass Volume.
- Scene 1 is for Whammy. Set Wah to channel B, set Pitch to channel A, bypass Volume.
- Scene 3 is for Volume. Set Wah and Pitch to channel B, engage Volume.
Using the Multiplexer block
- Read Multiplexer block for more information.
Control Volume and Wah with an expression pedal that has a switch
- Put the Wah and Volume blocks on the grid.
- Configure both blocks to be controlled by the pedal. Set the Wah to Auto-Engage.
- Attach the pedal's switch to the Bypass parameter of both blocks. Set Min/Max in the modifier menu in one block to 0/100 and in the other block to 100/0.
- The switch now switches between Wah/Volume duty.
External switch
Connect an external switch
The FC controllers and FM3 support a dual-button switch per port when using a TRS cable, or a single-button switch when using a TS-TS cable.
The Axe-Fx III, FM9 and VP4 limit each PEDAL port to a single switch (TS cable).
The switch can be connected:
- directly to the device using a PEDAL port
- to the Fractal Audio FC-6 and FC-12
- to a MIDI controller that's connected to the device
Configure an external switch
You can connect external switches to the device or to FC-6 and FC-12 foot controllers to expand switching possibilities.
External switches can perform the same tasks as "local" switches on an FC controller, FM3 or FM9, such as:
- Use Tap Tempo
- Engage the Tuner
- Switch presets
- Switch scenes
- Switch channels
- engage or bypass effect blocks
- increase or decrease level and save the preset
- duplicate the function of onboard switches on the FM3, FM9 or FC controller
- and more
Configure the switch(es) in SETUP.
- Switch Behavior
- This determines how an external switch operates. With the default setting of "Follow Hardware" a switch behaves as you might expect. If you want a momentary switch to behave like a latching/toggle switch instead, use the "Virtual Toggle" option. Now, every time you tap the switch, its state will flip from ON to OFF, or OFF to ON. Note that if you accidentally apply the Virtual Toggle setting to a physical latching switch, you'll need to tap the switch twice for it to toggle.
- Switch Polarity
- This allows reversing the polarity of any connected switch. The option
Normal
assumes amomentary make
switch. Use the optionReverse
when using amomentary break
switch, or for creative applications.
An external switch can operate globally as a copy of an onboard switch in any layout by assigning it as a Stand In switch
. It's an exact surrogate for the onboard switch, and can even be used with per-preset functions. Momentary switches are preferred for use as stand-ins, because they more closely mimic the behavior of the on-board switches.
You can assign the switch directly to parameters in the preset. Or you can assign an External controller to that parameter, and then assign the switch to that specific external controller. The latter option provides more flexibility.
Scroll through presets
A single button switch, connected to the pedal port, can be used to scroll through the first bank of presets. This works fine if you have just a few presets to switch between. And if the processor has more than one PEDAL jack, you can assign one to Increment and the other to Decrement.
Engage and bypass an effect
To engage or bypass a specific effect, using an external switch, assign the switch to the effect block in SETUP.
Maintain bypass state when switching scenes
You can use an external switch to maintain the bypass state of an effect when switching through presets and scenes.
- Connect the switch.
- Assign the Bypass Mode parameter of the effect to the switch through an External controller.
- Repeat this in each preset which you want to control.
- Now the switch will control the effect's engaged/bypass state, regardless of the effect's saved state per preset or scene, and stay in sync.
DIY Expression Boxes
If you're building your own expression knob enclosures, you'll want to use potentiometers that are:
- In the 10k to 100k Ohm range
- Linear (usually B type if you're buying Alpha potentiometers)
And when you solder them up to your jacks or cables, you'll want the wiper lug (the middle lug on an Alpha pot) to go to the tip of the jack. The other two, outside, lugs go to the sleeve and ground respectively. Reverse the outside lugs if you want to change the direction the knob operates in (either clockwise or counter-clockwise) by default.
A typical parts list for an expression knob is:
You'll need some wire and solder as well. Can be fairly low grade stuff as it's not passing any audio signal and will be in an aluminum enclosure.
Tips, tricks and troubleshooting
Pedal ports: ADC levels
Check the ADC (Analog-to-Digital Converter) levels of the pedal ports in SETUP.
Zipper noise
If moving the expression pedal creates choppy sounds or zipper noise, increase the Damping parameter in the modifier menu.
Pedal operates only for a part of the sweep
If an expression pedal only seems to operate for a part of its sweep, make sure that it's connected with a TRS-TRS cable and that it has been calibrated properly.
Also, make sure that it really is an expression pedal and not a volume pedal and that it meets the requirements for operating with Fractal Audio products.