October 2024: Fractal Audio's VP4 Virtual Pedalboard has been added to the wiki.

Difference between revisions of "Synth block"

From Fractal Audio Wiki
Jump to navigation Jump to search
 
(309 intermediate revisions by 3 users not shown)
Line 1: Line 1:
[[image:axe-fx-ii-fx.jpg|link=]]
+
__TOC__
 +
=Synth block=
  
=Manal=
+
'''Axe-Fx III''': 2 blocks, 4 channels<BR>
 +
'''FM9''': 1 block, 4 channels<BR>
 +
'''FM3''': 1 block, 4 channels<BR>
 +
'''VP4''': 2 blocks, 4 channels
  
{{5.30 Synth (SYN)}}
+
'''Axe-Fx II''': 2 blocks, no X/Y<BR>
 +
'''AX8''': 1 block, no X/Y<BR>
 +
'''FX8''': 1 block, no X/Y
  
=User contributions=
+
=Monophonic input=
  
==More information==
+
The Synth block handles single notes only (monophonic input), which means that you have to play VERY clean and avoid overlapping notes. If you don't, you'll hear ugly <q>chirps</q>.
* [http://en.wikipedia.org/wiki/Synthesizer Wikipedia]
 
  
==Warming up the tone==
+
<blockquote>
* If the Synth sounds too sterile, add an amp, a cab or a Drive block after it.
+
'''FRACTAL AUDIO QUOTES'''
 +
<HR>
  
==3rd voice==
+
<blockquote>
* Firmware 6 adds a 3rd voice to the Synth block. Also, the first two Synth block voices now have a range of 40 – 4k Hz as this, in conjunction with the Shift parameter, allows tones over the usable audio spectrum. The third voice has a range of 20 – 20K Hz.
+
[http://forum.fractalaudio.com/threads/fishman-triple-play-axefx-ii.92984/#post-1117064]
 +
The Synth block is a very simple monophonic synth. It doesn't compare to the polyphonic capabilities of something like the FTP and it can't control outboard MIDI synths.
 +
</blockquote>
  
==Pink and white noise==
+
<blockquote>
* The Synth block can generate white or pink noise.
+
[https://forum.fractalaudio.com/threads/synth-block-fixes-please.172912/post-2090488]
 +
The chirping is due to the pick attack being interpreted as a high pitch. One approach I've tried is dynamic filtering (i.e. alpha-beta trackers, etc.) for the pitch but that introduces other problems with the pitch sliding between notes. It's a limitation of the technology. Real-time pitch detection is simply limited in what it can do. The best solution is to alter your technique to minimize pick attack.
 +
</blockquote>
 +
</blockquote>
  
==Wikipedia==
+
[[image:Synth diagram.png|300px]]
* [http://en.wikipedia.org/wiki/White_noise White noise]
 
* [http://en.wikipedia.org/wiki/Pink_noise Pink noise]
 
  
[[category:Presets and effects]]
+
=Tips, tricks and troubleshooting=
 +
 
 +
==Factory presets==
 +
 
 +
The Synth block is showcased in a few factory presets. Search the [[Factory presets]] page for <q>synth</q>.
 +
 
 +
Forum members such as Simeon, Swedish Chef, and Admin M@ have created synth presets. Search the forum or visit [http://axechange.fractalaudio.com Axe-Change].
 +
 
 +
==No Global blocks==
 +
 
 +
The Synth block doesn't support [[Global blocks]].
 +
 
 +
==Lower CPU usage==
 +
 
 +
The Synth has three voices. Turn off voices that you don't use to save CPU.
 +
 
 +
==Frequencies versus notes==
 +
 
 +
The synth uses frequencies in Hz instead of musical notes. A handy workaround is to set the frequency to 440Hz and use the Shift control to alter the notes.
 +
 
 +
See the <q>Sound On Sound</q> chart at the bottom of the [[EQ|EQ page]] for a handy note to frequency reference.
 +
 
 +
==Warm up the Synth==
 +
 
 +
To warm up / soften the sound of the synth, add a Drive block before or after it. Try the RAT model.
 +
 
 +
==Fatter Synth==
 +
 
 +
To fatten the Synth, use at least two voices and detune them slightly. [http://forum.fractalaudio.com/threads/the-synth-block.109523/#post-1310172]
 +
 
 +
==Drone note(s)==
 +
 
 +
To create a drone note:
 +
 
 +
# Turn off Voices 2 and 3.
 +
# Switch off Tracking for Voice 1 and adjust pitch with the Frequency parameter.
 +
 
 +
Tips:
 +
* Try the Sawtooth waveform.
 +
* Make the sound fatter by using two Synth voices set to the same frequency.
 +
* Make the sound less boring by adding a low-pass Filter with LFO-controlled Frequency.
 +
* Make the sound wider by adding a 100% wet Multi-Delay or Plex Delay set to Detune.
 +
* Change the pitch of the drone note, by switching the Synth between channels or by using Scene Controllers, attached to the Pitch or Shift parameter of the voice(s). Or just send the Synth into a Pitch block (changes the pitch of all voices).
 +
* Use the Sequencer controller to have the Synth block play lines.
 +
 
 +
Try this factory preset: [[Factory presets|FREMEN'S DRONE]].
 +
 
 +
==Pink or white noise==
 +
 
 +
The Synth block can generate [http://en.wikipedia.org/wiki/White_noise white noise] and [http://en.wikipedia.org/wiki/Pink_noise pink noise].
 +
 
 +
==Siren==
 +
 
 +
To create a siren, select a Square waveform and attach an LFO to the FREQ parameter of a single voice. Add a lot of reverb.
 +
 
 +
==Test tone==
 +
 
 +
If you want to make sure that the hardware is capable of generating sound, create a simple test tone:
 +
 
 +
# Add a Synth block and connect it to the grid output.
 +
# Select the Sine waveform and turn off Tracking.
 +
 
 +
==Calibration tone==
 +
 
 +
<blockquote>
 +
'''FRACTAL AUDIO QUOTES'''
 +
<HR>
 +
 
 +
<blockquote>
 +
[http://forum.fractalaudio.com/threads/calibration-tone.109698/#post-1312732]
 +
Set the synth block to a 1K sine wave at -12 dB. Turn OUTPUT 1 to the maximum level position.
 +
</blockquote>
 +
 
 +
<blockquote>
 +
[http://forum.fractalaudio.com/threads/calibration-tone.109698/#post-1312815]
 +
There's actually a hidden calibration tone that is used during functional test. The Synth block is reference quality. I use it all the time to generate test tones. The output is spectrally purer than my $2000 Stanford Research Systems Synthesized Function Generator.
 +
</blockquote>
 +
 
 +
<blockquote>
 +
[https://forum.fractalaudio.com/threads/fixed-strange-thing-going-on-with-af3.161697/post-1939099]
 +
The Synth block is measurably better than our Stanford Research Systems generator (which cost $2000).
 +
</blockquote>
 +
</blockquote>
 +
 
 +
==Metronome==
 +
 
 +
Read <q>[[Metronome]]</q> for more information about using the Synth to create a metronome.
 +
 
 +
=Videos=
 +
 
 +
[[video:Butterfield-Synth]]
 +
[[video:Leon-Synth-Lead]]
 +
[[video:Leon-Synth-Drones]]
 +
[[video:Leon-Synth-Feedback]]
 +
[[video:Rosh-Drone]]
 +
 
 +
[[category:Axe-Fx2]]
 +
[[category:FM3]]
 +
[[category:FM9]]
 +
[[category:VP4]]
 +
[[category:Axe-Fx3]]
 +
[[category:AX8]]
 +
[[category:FX8]]
 +
[[category:Sounds]]
 +
[[category:All]]

Latest revision as of 14:41, 8 November 2024

Synth block

Axe-Fx III: 2 blocks, 4 channels
FM9: 1 block, 4 channels
FM3: 1 block, 4 channels
VP4: 2 blocks, 4 channels

Axe-Fx II: 2 blocks, no X/Y
AX8: 1 block, no X/Y
FX8: 1 block, no X/Y

Monophonic input

The Synth block handles single notes only (monophonic input), which means that you have to play VERY clean and avoid overlapping notes. If you don't, you'll hear ugly chirps.

FRACTAL AUDIO QUOTES


[1] The Synth block is a very simple monophonic synth. It doesn't compare to the polyphonic capabilities of something like the FTP and it can't control outboard MIDI synths.

[2] The chirping is due to the pick attack being interpreted as a high pitch. One approach I've tried is dynamic filtering (i.e. alpha-beta trackers, etc.) for the pitch but that introduces other problems with the pitch sliding between notes. It's a limitation of the technology. Real-time pitch detection is simply limited in what it can do. The best solution is to alter your technique to minimize pick attack.

Synth diagram.png

Tips, tricks and troubleshooting

Factory presets

The Synth block is showcased in a few factory presets. Search the Factory presets page for synth.

Forum members such as Simeon, Swedish Chef, and Admin M@ have created synth presets. Search the forum or visit Axe-Change.

No Global blocks

The Synth block doesn't support Global blocks.

Lower CPU usage

The Synth has three voices. Turn off voices that you don't use to save CPU.

Frequencies versus notes

The synth uses frequencies in Hz instead of musical notes. A handy workaround is to set the frequency to 440Hz and use the Shift control to alter the notes.

See the Sound On Sound chart at the bottom of the EQ page for a handy note to frequency reference.

Warm up the Synth

To warm up / soften the sound of the synth, add a Drive block before or after it. Try the RAT model.

Fatter Synth

To fatten the Synth, use at least two voices and detune them slightly. [3]

Drone note(s)

To create a drone note:

  1. Turn off Voices 2 and 3.
  2. Switch off Tracking for Voice 1 and adjust pitch with the Frequency parameter.

Tips:

  • Try the Sawtooth waveform.
  • Make the sound fatter by using two Synth voices set to the same frequency.
  • Make the sound less boring by adding a low-pass Filter with LFO-controlled Frequency.
  • Make the sound wider by adding a 100% wet Multi-Delay or Plex Delay set to Detune.
  • Change the pitch of the drone note, by switching the Synth between channels or by using Scene Controllers, attached to the Pitch or Shift parameter of the voice(s). Or just send the Synth into a Pitch block (changes the pitch of all voices).
  • Use the Sequencer controller to have the Synth block play lines.

Try this factory preset: FREMEN'S DRONE.

Pink or white noise

The Synth block can generate white noise and pink noise.

Siren

To create a siren, select a Square waveform and attach an LFO to the FREQ parameter of a single voice. Add a lot of reverb.

Test tone

If you want to make sure that the hardware is capable of generating sound, create a simple test tone:

  1. Add a Synth block and connect it to the grid output.
  2. Select the Sine waveform and turn off Tracking.

Calibration tone

FRACTAL AUDIO QUOTES


[4] Set the synth block to a 1K sine wave at -12 dB. Turn OUTPUT 1 to the maximum level position.

[5] There's actually a hidden calibration tone that is used during functional test. The Synth block is reference quality. I use it all the time to generate test tones. The output is spectrally purer than my $2000 Stanford Research Systems Synthesized Function Generator.

[6] The Synth block is measurably better than our Stanford Research Systems generator (which cost $2000).

Metronome

Read Metronome for more information about using the Synth to create a metronome.

Videos