Fractal Audio Wiki - User contributions [en]

Cab models list

2012-11-04T00:32:32Z

Quonsar: Corrected last 4 amp numbers

==Abbreviated cab names==
* RW = [http://redwirez.com Red Wirez]
* OH = [http://www.ownhammer.com Ownhammer]
* JM = Jay Mitchell
* Kalthallen = [http://cabs.kalthallen.de Kalthallen]

==More information about Cab blocks==
* See [[Cab (block)]].

==Cab details==

{|style=""
| style="border:0.05pt solid #000000;padding:0.0382in;"|
| style="border:0.05pt solid #000000;padding:0.0382in;"| '''Stock Cab'''
| style="border:0.05pt solid #000000;padding:0.0382in;"| '''Details'''

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1
| style="width:230px;border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x6 Oval
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on 6" Supro, 6x9 oval (like in an automobile) speaker used in some early amplifiers (Supro). Match this up with a Plexi model and crank out some Zep.

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x8 Tweed
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on a 1x8 Fender Blues Jr. Really thin and cutting for roots blues leads

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 3
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x10 Gold
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on 1x10 Chicago Jensen C10N

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x10 Blue
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on 1x10 Alnico Blue

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 5
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Tweed
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on Fender 1x12 Tweed, based on the original 12" speaker used in an early Fender "Tweed" amplifier
|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 6
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Black
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on Fender blackface 1x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 7
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Blue
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on Vox 1x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 8
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 EVL (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on 200 watt Electro-Voice EVM-12L (speaker without a cabinet)

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 9
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Studio
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on Mesa Studio 22 1x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 10
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 EMI Open Back (JM)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Far-field IR

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 11
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Boogafunk Blue (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on a Boogafunk Thiele 1x12 with Celestion Alnico Blue

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 12
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Boogafunk E12L (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on a Boogafunk Thiele 1x12 with Electro Voice EVM-12L Classic

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 13
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Tweed Blue (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Tweed Deluxe narrow panel from 1956 with a replacement Celestion Alnico Blue speaker for a brighter tone with more high end sparkle"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 14
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Tweed Deluxe (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on:“Tweed Deluxe narrow panel from 1956 with the original Jensen P12R speaker for the purists. Rounder, warmer sound than the Blue"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 15
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Brit Blue (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Celestion AlNiCo Blue 12" (speaker without a cabinet)

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 16
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x12 Brit G12H30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Celestion G12H30" (speaker without a cabinet)

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 17
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x15 Blues
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Peavey Delta Blues 1x15

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 18
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x15 Thunderbolt (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Supro Thunderbolt S6420 cabinet with the original 15" Jensen speaker. Decent low-end for a small, open-backed cabinet, a boost around 550Hz that gives it some mid-range "honk", and crunchy upper-mids"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 19
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Black
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Fender Deluxe/Twin Reverb 2x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 20
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Brit
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Vox AC30 with 2x12 Alnico Blue speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 21
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Doubleverb D120 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "67 Fender Twin Reverb cabinet loaded with vintage JBL D120Fs. The D120s have more low-end than the C12Ns and a peak around 3700Hz, for distinctly edgier upper-mids"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 22
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Doubleverb C12N (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “67 Fender Twin Reverb cabinet loaded with vintage Jensen C12Ns. A little less bass than the D120s and a peak around 2500Hz which gives it a crunchier sound than the JBLs"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 23
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Blue
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Chicago Jensen P12Q, two classic American 12” speakers with blue labels

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 24
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Top Boost Blue (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Vox AC30 loaded with two Vox-labeled Celestion Alnico Blues made in the UK. Chimey Vox goodness, if you're into that kind of thin"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 25
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Top Boost Silver (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Vox AC30 loaded with two Vox-labeled alnico, silver speakers. These are 25-wattish, T1656 frame, alnico silvers with Pulsonic cones made for the Thomas Organ Company in the 60's. Slightly less extended upper mids than the blues, same cones as the early greenbacks. Cool speakers in pristine condition"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 26
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Boutique (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Matchless ES212, loaded with one custom voiced 30-watt Celestion G12H and one 25-watt Celestion G12M"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 27
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Jazz (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Roland Jazz Chorus JC-120 with Roland 12" speakers. Clean, clean, clean. Kinda like a more scooped JBL D120"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 28
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Gold 30 Far-Field (JM)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Far-field IR of a Celestion Alnico Gold

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 29
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 G12-65 Far-Field (JM)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Far-field IR of a Celestion G12-65

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 30
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x12 Boutique
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Matchless 2x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 31
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 2x15 Doubleshow (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Fender Dual Showman cabinet loaded with vintage JBL D130s"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 32
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x10 Tweed Bass
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Fender 4x10 Bassman

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 33
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x10 Bassguy P10 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Reproduction Narrow Panel Tweed Bassman cabinet loaded with vintage '57 Jensen P10Qs. Crunchy upper-mids, scooped low-mids, and tons of low-end below 70Hz”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 34
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Basketweave G12H30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: '68 Marshall Basketweave 4x12 loaded with a matched quad of vintage, 30-watt, Celestion G12H "blackbacks". T1281 frames and "444", 55Hz bass cones from the late 70's. Unleash your inner Jimi, or Jimmy, if you prefer"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 35
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Basketweave G12L (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: '68 Marshall Basketweave 4x12 loaded with vintage Celestion G12Ls"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 36
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Basketweave G12M20 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: '68 Marshall Basketweave 4x12 loaded with 20-watt Celestion Heritage G12Ms. Brown sound all around"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 37
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Basketweave G12M25 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: '68 Marshall Basketweave 4x12 loaded with vintage Marshall-labeled 25-watt Celestion G12Ms. For those who care, these beauties have T1221 frames and Pulsonic 003 "lead" cones"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 38
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 1960A G12M (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Slant Marshall 1960 loaded with four 25-watt Celestion G12Ms, otherwise known as "Greenbacks"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 39
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 1960B T75 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Straight Marshall 1960 loaded with four Celestion G12T-75s"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 40
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 1960B K120 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Marshall 1960 cabinet loaded with JBL K120s"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 41
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 1960B V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Straight Marshall 1960 loaded with four Celestion Vintage 30s"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 42
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Hi-Power (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “1975 Hiwatt SE4123 cabinet loaded with four vintage 50-watt Fane purplebacks"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 43
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Recto V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Oversized Mesa Rectifier cabinet loaded with four Celestion Vintage 30s"

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 44
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Recto V30 (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Mesa Boogie Rectifier 4x12 with Celestion Vintage 30s

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 45
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Solo V12 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “Soldano 412B loaded with four Eminence Legend V12s. A lot more high-end than the S12X version. It's a front-loaded cab with lots o' resonance so you may need to back the mics off a bit more than usual”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 46
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Solo S12X (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “Soldano 412B loaded with four Eminence-made S12Xs. S12Xs were stock in the older cabs. Give this one a little more distance than you might normally, the cab resonance is pronounced up close and the speakers have a notch in the upper mids between 4-8KHz. Nice for taming fizzy guitars”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 47
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 German V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"|
???

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 48
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 German Boutique (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Probably based on a “ENGL Pro 4x12 cabinet loaded with four Celestion Vintage 30s”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 49
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 PVH 6160 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “Older model Peavey 5150 4x12 cabinet loaded with four Sheffield 1200 speakers”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 50
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Uber T75 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Bogner Uberkab. The Uberkab is loaded with both Celestion G12T-75s and Vintage 30s. This particular set features the T-75s”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 51
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Uber V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Bogner Uberkab. The Uberkab is loaded with both Celestion G12T-75s and Vintage 30s. This set features the V30s”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 52
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Uber T75+V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: "Bogner Uberkab. The Uberkab is loaded with both Celestion G12T-75s and Vintage 30s. This set is a 50/50 mix of both speakers”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 53
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Citrus V30 (RW)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: “Straight Orange 4x12 (PPC412) loaded with four Celestion Vintage 30s”

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 54
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Mill 12K (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Mills Acoustics Afterburner 4x12 with Celestion G12K-100 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 55
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 SLM Blue (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SLM Electronics 4x12 with Celestion Alnico Blue speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 56
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 SLM H65 (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SLM Electronics 4x12 with Celestion G12-65 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 57
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 SLM H75 (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SLM Electronics 4x12 with Scumback H75 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 58
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 SLM M75 (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SLM Electronics 4x12 with Scumback M75 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 59
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 SLM V30 (OH)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SLM Electronics 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 60
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 20W
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Marshall with 4x12 low-power 20 Watt Greenbacks

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 61
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 25W
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Marshall with 4x12 25 Watt Greenbacks, 1970's

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 62
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 V30
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: generic 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 63
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 German
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Bogner 4x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 64
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 30w ULTRA
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| IR of a G12H30. This slot previously contained the 4x12 Metal IR by Clawfinger

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 65
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 Cali
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Mesa Boogie traditional 4x12

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 66
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 1x15 L.A. Bass
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: SWR 1x15 bass amp cabinet

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 67
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x10 Aluminum Bass
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Hartke 4x10" bass cabinet with aluminum drivers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 68
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 8x10 SV Bass RW
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: Ampeg SVT-810 Bass cab with stock SVT 10" speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 69
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 V30 #1 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 70
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 V30 #2 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 71
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 V30 #3 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 72
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 V30 #4 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion V30 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 73
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 G12T75 #1 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion G12T75 speakers

|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 74
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.0382in;"| 4x12 G12T75 #2 (Kalthallen)
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.0382in;"| Based on: 4x12 with Celestion G12T75 speakers

|}

[[category:About the Axe-Fx II]]
[[category:Presets and effects]]

USB

2012-04-18T19:13:41Z

Quonsar:

=Manual=

{{0 Disclaimer}}

{{2.3 Computer Integration}}

{{2.3.1 Minimum requirements}}

{{2.3.2 Software Installation}}

{{2.3.3 Capabilities}}

----

{{3.4.9 Computer Audio Interface}}

----

===Diagram: USB features===

[[image:USBFeatures.png|800px]]

=User contributions=

==Driver for USB connectivity==
* Drivers for Mac and PC which add USB connectivity are [http://www.fractalaudio.com/support.php#drivers available for download here.]
* It's not an driver in the conventional sense. It's a daemon that waits for the Axe-Fx USB port to appear and then downloads software to the port to make it USB class-compliant. The plist-file is located here: /Library/LaunchDaemons/com.fractalaudio.axefx2load.plist.
* The USB driver control panel should not be used for configuration. Ignore error messages when clicking on the controls. [http://forum.fractalaudio.com/axe-fx-ii/38336-trouble-usb-audio.html#post524487 Source1] [http://forum.fractalaudio.com/axe-fx-ii/38107-axe-fx-ii-firmware-version-1-02-a-3.html#post521432 Source3]
* The names of the Axe-Fx channels on the computer are assigned by the computer, not by the Axe-Fx. [http://forum.fractalaudio.com/axe-fx-ii-bugs/41375-audio-devices-channel-tags-os-x-lion.html#post554574 Source]
* If using AxeEdit, you will need to go to Settings > MIDI Settings and select the Midi In and Out ports for it to use. They are named something like "AXE-FX II MIDI In" and "AXE-FX II MIDI Out". The Axe-II must be connected via USB and powered up for the MIDI ports to appear in the settings list.

==No MIDI interface or audio interface required==
* When using the USB interface, there's no need for an additional audio interface. An audio interface is still required when connecting the analog Axe-Fx II outputs to a computer instead of through USB.
* A MIDI interface is also not required to connect the Axe-Fx II to a computer. USB suffices (MIDI-over-USB). The Axe-Fx II itself is an USB-to-MIDI adapter. MIDI interfaces can still be used though and editing with the help of a MIDI interface is also still possible.

==Using the Axe-Fx II to update the MFC-101 firmware==
The Axe-Fx II can be used as a USB-to-MIDI interface to update the firmware on the MFC-101. [http://wiki.fractalaudio.com/index.php?title=Yeks_MFC-101_How-Tos_page More information]

==USB connection increases CPU utilization==
Creating an USB connection increases CPU utilization. This is by design. If a preset uses much CPU, you may run into CPU overload problems when connecting the Axe-Fx II to a computer through USB. [http://forum.fractalaudio.com/axe-fx-ii-discussion/41013-usb-connection-raises-preset-cpu-utilization-5%25.html#post551466 Source1] [http://forum.fractalaudio.com/axe-fx-ii-bugs/40246-global-cab-sim-cpu.html#post573202 Source2]

==Latency==
When monitoring audio via the Axe-Fx II, latency is none.
When monitoring the audio signal via the computer's output, the latency depends on the computer. [http://forum.fractalaudio.com/axe-fx-ii/38038-usb-noise.html#post520349 Source]

==Solving USB noise==
High-pitched noise may be caused by a ground loop. Cliff: "The USB spec calls for grounding the cable at both ends (mistake). This can create an USB ground loop. Make sure everything is plugged into the same outlet strip." [http://forum.fractalaudio.com/axe-fx-ii/38038-usb-noise.html#post520349 Source]

==Disabling the Axe-Fx output signal when monitoring through a DAW==
When the Axe-Fx is connected to a DAW through USB, you're using monitors connected to the Axe-Fx, and you're recording, you may want to monitor just the DAW signal, not the signal from the Axe-Fx.
To accomplish this, turn down the preset level in Axe-Edit. Or set USB/Digi Out Source to Out 2, then route guitar to FXL only. [http://forum.fractalaudio.com/axe-fx-ii-discussion/44923-avoid-double-signal-phasey-sound-when-using-daw-2.html Source]

==USB storage media==
The Axe-Fx II cannot connect to an USB stick. [http://forum.fractalaudio.com/axe-fx-ii/35997-axe-fx-ii-technical-questions-thread-34.html#post491613 Source]

==Linux==
Linux is not officially supported by FAS. Nevertheless all USB features as described above ([[USB_connectivity#Diagram:_USB_features]]) can be obtained under Linux, too.

The Axe-Fx II is fitted with a Cypress USB chip (FX-LP2) which needs to be loaded with firmware (this is not the Axe-Fx II firmware you can download from Fractals support page but a dedicated bootloader) to achieve its functionality.

The firmware hex file can be extracted from the Mac OSX driver package (Axe-Fx_II_USB_Driver_Setup.dmg from [http://www.fractalaudio.com/support]).

With fxload ([http://linux.die.net/man/8/fxload]) you could upload the USB firmware manually, which would be pretty inconvenient. But with a proper udev rule executing fxload, it is also possible to upload the USB firmware file automatically to the Axe-Fx II.

You may write your own udev rule or use the already existing bash script ([http://forum.fractalaudio.com/axe-fx-ii-discussion/44765-anybody-tried-usb-interface-linux-yet.html#post593209]) to setup a Linux system to recognize the Axe-Fx II each time it is connected to a USB port and then upload the USB firmware.

After executing the script or applying your own udev rule and then switching on or rebooting the
connected Axe-Fx II lsusb will report a new USB device with VID 2466 for Fractal Audio Systems and PID 8003 for the Axe-Fx II. If you like to have a named output you can add adequate entries to the file called usb.ids which is usually located under /usr/share.

Linux recognizes the Axe-Fx II as a generic USB audio and midi device. As such it is handled by the snd-usb-audio respectively the snd-usb-midi module. Unfortunately only MIDI over USB works out of the box but not the USB audio interface. The latter needs some handwork:

Since the Axe-Fx II (at the moment) neither responds to set sample rate requests nor get sample rate requests, it is necessary to patch the files clock.c and format.c (located under /usr/src/linux-kernelversion/sound/usb/) as described here [http://forum.fractalaudio.com/axe-fx-ii-discussion/44765-anybody-tried-usb-interface-linux-yet-3.html#post651754]. After applying the patch the snd-usb-audio module has to be recompiled. Once the previous version of this module has been removed from the kernel (rmmod) and the newly built module has been added to the kernel (modprobe), playback and capturing devices of the Axe-Fx II appear and are functional.

[[category:About the Axe-Fx II]]
[[category:Axe-Edit]]
[[category:Connecting to a computer or digital device]]
[[category:System and firmware]]

Amp models list

2011-10-02T04:53:48Z

Quonsar: correct "treble speaker" to "treble peaker"

Below is a list of the amp types in the Axe-Fx II and amps they are based on.

* Amp icons provided by forum member SynFactory. [http://forum.fractalaudio.com/axe-fx-ii/37147-fractal-audio-axe-fx-ii-logic-pro-icons.html Source]
* H75 speaker is similar to a G12H30. M75 speaker is similar to a greenback.

==59 Bassguy==

[[file:Fender_Bassman_1959.png|150px]]

''Based on: 1959 Fender Bassman, a low-to-medium gain amp designed for bass but more widely adopted by guitarists''
# Details: 5F6A circuit, tweed era, normal and bright channel
# Original speaker(s): 4x10 Jensen or Eminence
# Stock cabinet suggestion: 4x10
# Original controls: Volume, Presence, Bass, Middle, Treble, no Master
# Bright default: On
# For authentic tone: crank the Master, use Drive for volume
# Try with a Treble Booster Drive block befor the amp
# Despite the fact that it was originally designed for bass guitars, it was more famous for its use with electric guitars
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Bassman Wikipedia]

==65 Bassguy==

[[file:Fender_Bassman_1969.png|150px]]

''Based on: 1965 Fender Bassman., the blackface version with a different circuit design''
# Details:
# Original speaker(s): 4x10 Jensen or Eminence
# Stock cabinet suggestion: 4x10
# Original controls: ..., no Master
# Bright default: On
# For authentic tone: crank the Master, use Drive for volume and gain
# Try with a Treble Booster Drive block befor the amp
# Despite the fact that it was originally designed for bass guitars, it was more famous for its use with electric guitars
# Cliff: "Definitely not your father's Bassman. Has a pissed-off Marshall vibe to it" [http://forum.fractalaudio.com/axe-fx-ii/35930-list-models-5.html#post490912 Source]
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Bassman Wikipedia]

==Vibrato Verb==

[[file:Fender_Vibroverb.png|150px]]

''Based on: Fender Vibroverb, a 40W combo that's great for clear or grinding cleans and gutsy blues''
# Details: 6G16 circuit, Brownface era, normal and bright channel
# Original speaker(s): 2x10 Oxford
# Stock cabinet suggestion: 1x10 gold/black, 1x15 Thunderbolt, EVM 12L
# Original controls: Volume, Bass, Treble, no Master
# Bright default: On
# For authentic tone: the original amp has a “tapped” treble circuit, meaning that treble is “flat” at setting “5”. Cutting or boosting the treble was possible by turning the knob down (below 5) or up (above 5). Crank the Master, use Drive for volume and gain
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Vibroverb Wikipedia]

==Deluxe Verb==

[[file: Fender_Deluxe_Reverb.png|150px]]

''Based on: Fender Deluxe Reverb, great, chimey tone with nice power amp breakup when you push the MASTER''
# Details: AB763 circuit, 22W, blackface era
# Original speaker(s): 1x12 Jensen C12Q
# Stock cabinet suggestion: 1x12 tweed, 1x15 blue
# Original controls: Volume, Bass, Treble, no Master
# Bright default: On
# For authentic tone: crank the Master, use Drive for volume and gain
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Deluxe_Reverb Wikipedia]
# The Vibrato channel is modeled [http://forum.fractalaudio.com/axe-fx-ii-wish-list/40093-new-amp-sims-welcome-4.html#post543736 (Source)]

==Double Verb==

[[file:Fender_Twin.png|150px]]

''Based on: Fender Twin Reverb. Known for amazing clean sounds and nice breakup''
# Details: AB763 circuit, normal and vibrato channel, Blackface era, 100W
# Original speaker(s): 2x12 Jensen C12N / JBL D120 / Oxford 12T6 / EVM-12L
# Stock cabinet suggestion: EVM 12L, 2x12 black/twin, Doubleverb
# Original controls for normal channel: Volume, Bass, Middle, Treble, Bright switch (works with Volume below 6), no Master
# Bright default: Off
# For authentic tone: crank the Master, use Drive for volume
# The Fender Twin Reverb is considered a standard model for players seeking a clean sound
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Twin Wikipedia]
# The Vibrato channel is modeled [http://forum.fractalaudio.com/axe-fx-ii-wish-list/40093-new-amp-sims-welcome-4.html#post543736 (Source)]

==JR Blues==

[[file:Fender_Blues_Jr.png|150px]]

''Based on: Fender Blues Jr., a gutsy little classic with dual EL84s''
# Details: 15W
# Original speaker(s): 1x12 Jensen C12N or P12R
# Stock cabinet suggestion: 1x12 black/blue/twin
# Original controls: Bass, Middle, Treble, Gain, Volume, FAT boost (not modelled)
# Bright default: On
# [http://www.fender.com Fender website]
# [http://en.wikipedia.org/wiki/Fender_Blues_Junior Wikipedia]

==Class-A 15W TB==

[[file: Vox_AC15.png|150px]]

''Based on: Vox AC-15. The heart of this amp’s tone comes from its power section and no negative feedback''
# Details: 15W, EL84 tubes
# Original speaker(s): 1x12 Celestion G12M greenback
# Stock cabinet suggestion: greenback, Alnico Blue
# Original controls: ..., no Master
# Bright default: On
# For authentic tone: crank the master, set Drive to taste
# [http://www.voxamps.com Vox website]
# [http://en.wikipedia.org/wiki/Vox_AC30 Wikipedia]
# This amp has no negative feedback (Damping = 0), therefore Presence turns into a Hi-Cut control

==Class-A 30W==

[[file: Vox_AC30.png|150px]]

''Based on: Vox AC-30, a combo that dominated the British Invasion. Gritty character, warm tone, great feel''
# Details: 30W, EL84
# Original speaker(s): 2x12 Celestion G12M greenback or Alnico Blue or Silver
# Stock cabinet suggestion: greenbacks, Alnico Blue's
# Original controls: Volume, Tone, no Master
# Bright default: Off
# For authentic tone: crank the Master, set Drive to taste (keep it low). Leave the tone controls at noon and use HiCut/Presence to cut treble
# Try with a Tonebender or Treble Booster Drive block before the amp
# [http://www.voxamps.com Vox website]
# [http://en.wikipedia.org/wiki/Vox_AC30 Wikipedia]
# This amp has no negative feedback (Damping = 0), therefore Presence turns into a Hi-Cut control

==Class-A 30W TB==

[[file: Vox_AC30.png|150px]]

''Based on: Vox AC-30 TBX (Topboost), created in response to demand for "More treble." Great highs + slightly reduced bass''
# Details: 30W, EL84
# Original speaker(s): 2x12 Celestion G12M greenback or Alnico Blue or Silver
# Stock cabinet suggestion: greenbacks, Alnico Blue's
# Original controls: Volume, Cut (== Presence), Bass, Treble, no Master
# Bright default: On
# For authentic tone: crank the Master, set Drive to taste (keep it low), Mids at noon. Use HiCut/Presence to cut treble
# Instead of turning up Drive, try boosting the input signal before the amp, for example with a Tape Dist or FET Boost Drive block
# [http://www.voxamps.com Vox website]
# [http://en.wikipedia.org/wiki/Vox_AC30 Wikipedia]
# Wikipedia: "The "Top Boost" (or "Brilliance") feature was Vox's optional addition of a circuit that introduced an extra gain stage and tone controls for bass and treble (as opposed to the single "tone" control of early AC30s)."

==Brit JM45==

[[file: Marshall_JTM_45.png|150px]]

''Based on: Marshall JTM 45, made famous by Clapton and others; actually a modified Bassman design''
# Details: 45W
# Original speaker(s): 4x12 Celestion greenback
# Stock cabinet suggestion: 4x12 greenbacks
# Original controls: Volume, Bass, Middle, Treble, no Master
# Bright default: Off
# For authentic tone: keep Bass low, crank the Master, use Drive for volume and gain
# Try with a Tonebender or Treble Booster Drive block before the amp
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_Amplification Wikipedia]

==Plexi Normal / Treble==

[[file:Marshall_1959_Superlead_Plexi.png|150px]]

''Based on: Marshall Super Lead 1959, the classic amp head that gave rise to “the stack.” Great for crunchy rhythm work. Normal: normal channel. Treble: based on the “High Treble” channel
# Details: normal and treble channel
# Original speaker(s): 4x12 Celestion greenbacks or G12H30
# Stock cabinet suggestion: 4x12 greenbacks or G12H30s
# Original controls: Volume, Bass, Middle, Treble, no Master, Presence
# Bright default: Off (Normal), On (Treble)
# For authentic tone: crank the Master, use Drive for volume and gain. It doesn't hurt to turn up all tone controls and Presence
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_1959 Wikipedia]
# Cliff: "The Plexi Normal has no treble peaker that's why it's bassy. (...) with Input 2 on a Plexi (which is the Plexi Treble model). FWIW, the Plexi Normal channel sounds identical to my reference amp which is a particularly good copy." [http://forum.fractalaudio.com/axe-fx-ii/35997-axe-fx-ii-technical-questions-thread-159.html#post520764 Source]
# Cliff (about the Plexi in the Standard/Ultra): "Cliff: "One of the first mods people make to real 'Plexi' Marshalls is to "clip the bright cap". The bright cap varied over the years, supposedly depending on what was lying around in the shop. The model defaults to the bright cap in the circuit. If you turn the bright off you're effectively clipping the bright cap. With the bright cap in Marshalls can be very bright and harsh. However, if you crank the Master you might find the extra brightness helps compensate for the power amp getting darker."
# Use two amps in a single preset, one set to Normal and one set to Teble, to emulate what they often with the real amp: jumping both channels
# To recreate the Plexi 2 sim from the Standard/Ultra, use Plexi Treble and ([http://forum.fractalaudio.com/axe-fx-ii-wish-list/39729-plexi-2-model.html#post538964 Source]):
#* Lower damp to 4.76
#* Change bright cap value to .22
#* Xformer high = 14965
#* Hi freq res and low freq res = 5
#* Pres freq = 1200hz
#* Tone location = post
#* Sag = 2.01

==1987X Normal / Treble==

[[file:Marshall_1987X.png|150px]]

''Based on: Marshall 1987x Vintage Series, features what many consider to be an “essential” mod to the tonestack of this Plexi. Normal: normal channel. Treble: the treble channel''
# Details: 50w reissue of the 60's Marshall 1959SLP. Part of the Vintage Series.
# Original speaker(s): 4x12 Celestion greenback or G12H30
# Stock cabinet suggestion: 4x12 greenbacks or G12H30s
# Original controls: Bass, Middle, Treble, Volume, Presence, no Master
# Bright default: Off
# For authentic tone: crank the Master, use Drive for volume and gain. It doesn't hurt to turn up all tone controls and Presence
# [http://www.marshallamps.com/downloads/files/Vint%20hbk.pdf Original manual]
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_Amplification Wikipedia]
# Cliff: "The 1987X MOD model is based on a 1987X Plexi Reissue with C5 removed (which is the most common mod done to this amp)"
# Use two amps in a single preset, one set to Normal and one set to Teble, to emulate what they often with the real amp: jumping both channels

==Brit 800==

[[file:Marshall_JCM_800.png|150px]]

''Based on: Marshall JCM800, the vaunted model 2204. Bring the Master up for true 80s tone''
# Details:
# Original speaker(s): 4x12 Celestion greenbacks, V30s, T75s
# Stock cabinet suggestion: 4x12 with greenbacks, V30s or T75s
# Original controls: Gain, Bass, Middle, Treble, Presence, Volume
# Bright default: On
# Turn up the Master to make it less bright, or switch off Bright
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_Amplification Wikipedia]
# Try with a TS808 or Tube Drive block, set the Drive block to zero Drive and full Level
# Cliff: "It is a very bright model. However, it sounds exactly like the amp it was based on. If it is too bright, you can adjust the various tone controls and parameters to reduce the brightness to your tastes. They are designed to be run loud and the brightness decreases as the MV is increased. The sound of 80's hair metal for sure." [http://forum.fractalaudio.com/axe-fx-ii/38498-afxii-jcm800-model.html Source]
# [http://forum.fractalaudio.com/axe-fx-ii/38498-afxii-jcm800-model.html User comments]
# Use the Saturation parameter to emulate the famous "Jose Arredondo mod" on the JCM800. Cliff: "The saturation switch switches in a zener diode clipping stage right before the tone stack. This is the "Arrendondo Mod"" [http://forum.fractalaudio.com/axe-fx-ii-discussion/35997-axe-fx-ii-technical-questions-thread-76.html#post494304 Source]

==Brit 800 Mod==

[[file:Marshall_JCM_800.png|150px]]

''Based on: Marshall JCM800, with a handful of popular modifications''
# Details: the manual (1.02) states: "with THE mod, designed by Jose Arredondo". This is a mistake, the parameter Saturation has to be enabled for the Jose mod
# Original speaker(s): see above
# Stock cabinet suggestion: see above
# Original controls: see above
# Bright default: Off
# Cliff: "The JCM800 MOD is not a Jose Arrendodo modded Marshall model. If the manual says that, then it's a mistake. The JCM800 MOD is a JCM800 with a handful of popular modifications." [http://forum.fractalaudio.com/axe-fx-ii-bugs/39964-jcm800-mod-shouldnt-saturation.html#post541064 Source]

==HiPower Normal / Brilliant==

[[file:Hiwatt_DR_103.png|150px]]

''Based on: Hiwatt DR103, medium-gain, full sound amp with an unique tone-stack and a chimey, grinding tone. Normal: normal channel. BRILLNT: a brighter model based on the amp’s "Brilliant" channel''
# Details: 100W
# Original speaker(s): Fane
# Stock cabinet suggestion: 4x12 Hi-Power (RW)
# Original controls: Volume, Master, Bass, Middle, Treble, Presence
# Bright default: Off
# [http://www.hiwatt.com Hiwatt website]
# [http://en.wikipedia.org/wiki/Hiwatt Wikipedia]
# Cliff: "I have a 1974 Hiwatt DR-103. The model is based on that. It is one of the Harry Joyce, Hylight era models. Still has the original tubes. Closet find and sounds glorious"

==USA Clean 1==

[[file:Mesa_Mark_IV.png|150px]]

''Based on: Mesa Boogie MKIV (Rhythm 1). A somewhat neutral, clean-sounding model that can pushed into warm clipping''
# Details:
# Original speaker(s): 4x12 Celestion V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Gain, Volume, Treble, Mid, Bass, Presence, Bright switch. Graphic Equalizer not modeled
# Bright default: Off
# [http://www.mesaboogie.com/manuals/Mark%204.pdf Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia1] [http://en.wikipedia.org/wiki/Mesa_Boogie_Mark_Series Wikipedia2]
# The graphic EQ on the real amp is positioned between the preamp and the power amp section. As such it can't be simulated exactly. See the [[Mother-of-all-pedal-and-effects-emulations thread]] for the EQ settings

==USA Clean 2==

[[file:Mesa_Triaxis.png|150px]]

''Based on: Mesa Boogie Triaxis (Green), “Vintage Fat Rhythm (Mark I, Blackface)” channel''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: Gain, Volume, Treble, Mid, Bass, Presence, Bright switch. Graphic Equalizer not modeled
# Bright default: On
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia1] [http://en.wikipedia.org/wiki/Mesa_Boogie_Mark_Series Wikipedia2]

==USA Rhy 1==

[[file:Mesa_Mark_IV.png|150px]]

''Based on: Mesa Boogie MKIV (Rhythm 2), THE California crunch rhythm sound. Rhythm Ch. 2 with “Fat” switch OFF''
# Details:
# Original speaker(s): 4x12 Celestion V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Gain, Volume, Treble, Mid, Bass, Presence. Graphic Equalizer not modeled
# Bright default: On
# [http://www.mesaboogie.com/manuals/Mark%204.pdf Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia1] [http://en.wikipedia.org/wiki/Mesa_Boogie_Mark_Series Wikipedia2]
# Turn up Drive, keep Master Volume low (3.50)
# The graphic EQ on the real amp is positioned between the preamp and the power amp section. As such it can't be simulated exactly. See the [[Mother-of-all-pedal-and-effects-emulations thread]] for the EQ settings

==USA IIC+ Norm / Bright==

[[file: Mesa_Mark_IIc+.png|150px]]

''Based on: Mesa Boogie Mark II Lead, a US-made amp famous for its smooth overdrive sound with pull bright OFF / ON''
# Details:
# Original speaker(s): EVM 12L
# Stock cabinet suggestion: EVM 12L
# Original controls: Volume, Master, Bass, Mid, Treble, Presence, Bright switch pullout. Treble Shift and Gain Boost not modeled
# Bright default: Off
# [http://www.mesaboogie.com/manuals/user_manuals.htm Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia1] [http://en.wikipedia.org/wiki/Mesa_Boogie_Mark_Series Wikipedia2]
# The graphic EQ on the real amp is positioned between the preamp and the power amp section. As such it can't be simulated exactly. See the [[Mother-of-all-pedal-and-effects-emulations thread]] for the EQ settings

==USA Lead 1 / Lead 2==

[[file:Mesa_Mark_IV.png|150px]]

''Based on: Mesa Boogie Mark IV. Lead 1: this model has a tight, focused, hi-gain sound. Great for fusion and rock leads. Lead 2: Treble Shift gives this amp a slightly different character with a little more cut''
# Details:
# Original speaker(s): 4x12 Celestion V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Gain, Master, Bass, Middle, Treble, Presence, Bright switch. Graphic Equalizer not modeled
# Bright default: Off (Lead 1), On (Lead 2)
# [http://www.mesaboogie.com/manuals/Mark%204.pdf Original manual]
# [http://www.mesaboogie.com/ Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia1] [http://en.wikipedia.org/wiki/Mesa_Boogie_Mark_Series Wikipedia2]
# Treble Shift: this shifts the range of the Presence control to higher frequencies, it influences the treble control. In Lead 1 Treble Shift is off, which works well for recording. In Lead 2 Treble Shift is switched on, which works well within a band context, but can generate squealing and noise at high volume or gain levels
# Turn up Drive, keep Master Volume low (3.50)
# The graphic EQ on the real amp is positioned between the preamp and the power amp section. As such it can't be simulated exactly. See the [[Mother-of-all-pedal-and-effects-emulations thread]] for the EQ settings

==Recto Orange / Red==

[[file:Mesa_Dual_Rectifier.png|150px]]

''Based on: vintage version of Mesa Boogie's Dual Rectifier (2 channels.), a high-gain masterpiece with crushing power and tighness. Orange: "Vintage" (Orange) Channel. Red: Modern (Red) "Lead" channel''
# Details:
# Original speaker(s): 4x12 V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Gain, Master, Bass, Middle, Treble, Presence (Presence on Orange, HiCut on Red)
# Bright default: On
# [http://www.mesaboogie.com/manuals/2chRecto.pdf Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia]
# Keep Master volume low (3.50), use Drive to add gain
# Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" (use a PEQ or low shelf Filter after the Amp block to boost bass at around 120Hz)
# Damping on the Recto Red defaults to zero (no negative feedback). The Presence control on the real amp is not a regular Presence control. This is why there's no virtual Presence control for this amp on the Axe-Fx II [http://forum.fractalaudio.com/reviews/37857-axe-fx-2-amps-sims-review-4.html#post517841 Source]

==Recto New Orange / New Red==

[[File:Mesa_Dual_Rectifier.png|150px]]

''Based on: modern version of Mesa Boogie's Dual Rectifier (3 channels), circuit changes made this version more aggressive. Orange: based on the orange channel. Red: Red Channel version of the Dual Rectifier amp''
# Details: 100W
# Original speaker(s): 4x12 V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Master, Gain, Bass, Middle, Treble, Presence (Presence on Orange, HiCut on Red)
# Bright default: On
# [http://www.mesaboogie.com/manuals/3chRecto.pdf Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia]
# See notes above

==EURO Blue / Red==

[[File:Bogner XTC.png|150px]]

''Based on: Bogner Ecstasy, the 20th Anniversary model. BLUE: OD channel w/ BOOST + STRUCTURE OFF. Red: same but with OD channel w/ BOOST + STRUCTURE ON''
# Details:
# Original speaker(s): 4x12 Celestion V30
# Stock cabinet suggestion: 4x12 German Boutique (RW), 4x12 German V30, 4x12 German, 4x12 Uber V30
# Original controls: Gain, Master, Bass, Middle, Treble, Presence, Bright switch
# Bright default: Off
# [http://www.bogneramplification.com/customshop/EcstasyManual.php Original manual]
# [http://www.bogneramplification.com/customshop/Ecstasy20thAInfo.php Bogner website]
# [http://en.wikipedia.org/wiki/Bogner Wikipedia]
# Quote Cliff: "My actual XTC has a Log10 pot for the treble which is an odd choice. Treble pots are usually linear and the Axe-Fx model uses a linear pot. The problem with a log-taper pot is that the Treble does almost nothing for the first 50%. So you can't use your eyes if you want to copy the tone. This is the case with several of the amp models. In these cases the taper used on the real amp is what I would call "a less than optimum" choice. I think in many cases the designer simply doesn't realize the affect the taper has on the locus. So, if I deemed the choice of taper to be "incorrect" the model uses the correct taper. The Bogner models fall into this category. The choice of a Log10 pot for the Treble pot doesn't make sense so the model uses a linear taper which gives a smooth locus"
# The real amp (both channels) is quite dark without one of its bright switches engaged. Try the sims with Bright engaged or with Presence turned up a lot

==Shiver Clean / Lead==

[[File:Bogner Shiva.png|150px]]

''Based on: Bogner Shiva Clean, the 90W anniversary model. Clean: powerful shimmering cleans. Lead: a sweet, rich-sounding amp with aggressive, English- style midrange punch''
# Details: 20th Anniversary model, KT88 tubes, 90W
# Original speaker(s): 2x12 Celestion V30
# Stock cabinet suggestion: 4x12 German Boutique (RW), 4x12 German, 4x12 Uber V30
# Original controls for clean channel: Bass, Treble, Volume, Master, Presence, Bright switch (less to none effective the higher Drive is set)
# Original controls for lead channel: Bass, Middle, Treble, Volume, Master, Presence, Bright switch (less effective the higher Drive is set but still noticeable)
# Boost, Mode and Shift controls on the original amp are not modeled
# Bright default: Off
# [http://www.bogneramplification.com/customshop/ShivaManual.php Original manual]
# [http://www.bogneramplification.com/customshop/ShivaInfo.php Bogner website]
# [http://en.wikipedia.org/wiki/Bogner Wikipedia]
# The real amp is quite dark without its bright switch engaged. Try the sims with Bright engaged or with Presence turned up a lot

==Euro Uber==

[[file:Bogner_Uberschall.png|150px]]

''Based on: Bogner Uberschall, the "High Gain" channel of this 120W head. Heavy grinding lows and insane gain''
# Details: EL34
# Original speaker(s): 4x12 Celestion V30 and G12T75
# Stock cabinet suggestion: 4x12 Uber T75+V30 (RW)
# Original controls: Gain, Master, Bass, Middle, Treble, Presence
# Bright default: On
# [http://www.bogneramplification.com/customshop/UberschallInfo.php Original manual]
# [http://www.bogneramplification.com Bogner website]
# [http://en.wikipedia.org/wiki/Bogner Wikipedia]
# Bogner: "One of the most unique items is our "Presence" control. It's an amazing combination of a midrange-presence control. As you sweep through its range you will notice an incredible variety of tones this one control allows. For an extremely aggressive sub-harmonic bass and scooped-midrange sound, keep the presence off or very low. A huge 3-dimensional tone can be found by running the presence around 2 o'clock. Pushing the "Presence" control to maximum will allow you to cut a sonic path through the mix by reinforcing your midrange and slightly rolling off the sub-bass. Trust us: REALLY check out the presence control to unleash the hidden secrets of the UBERSCHALL. The "Midrange" control is very interactive with all the other tone controls, you can go from a hollow scooped-mid setting to an aggressive in your face and on your throat kind of intensity. The "Bass" control allows almost a sub-harmonic low-end to be added, at high volumes be sure to keep the bass down a bit to keep your tone focused like a laser beam"

==Solo 99 Clean==

[[File:Soldano_X99.png|150px]]

''Based on: the clean channel of a Soldano/Caswell midi-motorized Soldano X99 preamp, ''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: ...
# Bright default: ...
# [http://www.soldano.com Soldano website]
# [http://en.wikipedia.org/wiki/Soldano Wikipedia]

==Solo 100 Rhy / Lead==

[[File:Soldano_SLO_100.png|150px]]

''Based on: Soldano SLO-100, noted for its hot-rod chrome chassis and aggressive rhythm tone. RHY: Normal channel. LD: based on the snarling lead channel''
# Details: 100W
# Original speaker(s): 4x12 with Eminence speakers (RW)
# Stock cabinet suggestion: 4x12 Solo V12
# Original controls: Gain, Bass, Middle, Treble, Master, Presence, Bright switch only on normal channel
# Bright default: On (Lead), Off (Rhythm)
# For authentic tone: keep the Master volume low (3 -4). It's a very bright amp, keep Presence and Treble low
# [http://www.soldano.com Soldano website]
# [http://en.wikipedia.org/wiki/Soldano Wikipedia]
# Cliff: "The SLO100 is the loudest amp I've ever used. It feels like there's a small nuclear explosion going off inside when ever you hit a power chord. It's a wicked amp but not something I would recommend for anything but large gigs. If you like the SLO 100 model you might want to try the Recto models too. It's not widely known but the Rectifier preamp is a derivative of the SLO100. Some minor changes but the basic topology is identical"
# [http://forum.fractalaudio.com/axe-fx-ii-discussion/39704-slo-warren-haynes-mod.html?highlight=warren Emulating Warren Hayes' tone]
# It's a very bright amp, unless you use the SLO V12 cabinet

==Friedman BE / HBE==

[[File: Friedman_BE-HBE.png|150px]]

''Based on: Friedman amp by Dave Friedman of Rack Systems. BE: Brown Eye, what many call “the ultimate modded Plexi”. HBE : Hairy Brown Eye, the BE amp’s alternate voicing with a gain boost. A killer hi-gain tone in your arsenal''
# Details: EL34, one channel with two voicings, 50 or 100W, used to be called "Marsha"
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 with greenbacks
# Original controls: Gain, Master, Bass, Middle, Treble, Presence
# Bright default: Off
# [http://www.tonemerchants.com/products/amplifiers/Friedman Website]

==PVH 6160==

[[File:Peavey_5150.png|150px]]

''Based on: Peavey EVH 5150, the high-input lead channel of an amp named after the criminally insane''
# Details: block letter model, hi input, 6L6, 120W
# Original speaker(s): 4x12 Sheffield 1200 speakers
# Stock cabinet suggestion: 4x12 PVH 6160 (RW) or greenbacks
# Original controls: pre- and post-Gain, Volume, Bass, Mid, Treble, Presence, Resonance, Bright switch (rhythm channel only)
# Bright default: ...
# [http://www.peavey-eu.com/index.php#product/5/88 Original manual]
# [http://www.peavey-eu.com Peavey website]
# [http://en.wikipedia.org/wiki/Peavey_Electronics Wikipedia]
# Cilff: "I have a block letter 5150 that I based the model on." [http://forum.fractalaudio.com/axe-fx-ii/35930-list-models-13.html#post494191 Source]
# Cliff: "The hi-input on the Lead channel is modelled. It has lots of gain. Even at noon it's already very saturated"

==MR Z 38 Sr==

[[File:DR_Z_Maz_38_Sr.png|150px]]

''Based on: Dr.Z Maz 38 SR, an amp popular with country and roots players''
# Details: EL84 tubes, 38W
# Original speaker(s): combination of an Alnico Blue speaker with a G12H30, or a V30 with a G12H30
# Stock cabinet suggestion: see above
# Original controls: Volume, Master, Bass, Middle, Treble, Cut (turn up for chime)
# Bright default: Off
# [http://www.drzamps.com/manuals.html Original manual]
# [http://www.drzamps.com/amp/maz38sr Dr.Z website]
# [http://en.wikipedia.org/wiki/Dr._Z_Amplification Wikipedia]
# Cliff: "It's a low output amp. Turn up the Master"
# [http://www.a42.net/maz18 Amp settings database]
# This amp has no negative feedback (Damping = 0), therefore Presence turns into a Hi-Cut control

==CA3+ Rhy / Lead==

[[file:CAE3+_SE.png|150px]]

''Based on: CAE 3+ SE, a preamp designed by the great Bob Bradshaw. RHY: channel 2 (Rhythm). LD: channel 3 (Lead)''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: Gain, Volume, Bass, Middle, Treble, post EQ (punch, presence), Bright switch for each channel
# Bright default: On
# [http://www.customaudioelectronics.com/resources/manuals/3+SEPreamp.pdf Original manual]
# [http://www.customaudioelectronics.com CAE website]
# Cliff: "Channel 1 isn't modeled because it's very similar to a Fender Twin (Double Verb model)"

==Wrecker 1==

[[file: Trainwreck_Express.png|150px]]
''Based on: Trainwreck Express, designed and built by the late, great Ken Fischer''
# Details:
# Original speaker(s): G12H30/V30, greenbacks
# Stock cabinet suggestion: 4x12 with greenbacks or G12H30s
# Original controls: Volume, Bas, Mid, Treble, Presence, Bright switch, no Master
# Bright default: Off
# For authentic tone: crank the Master volume, use Drive for volume and gain
# [http://www.trainwreck.com/?page_id==7 FAQ]
# [http://www.trainwreck.com Trainwreck website]
# Cliff: "The Trainwreck depends on power amp distortion. The OT has a high impedance which causes the power tubes to enter clipping early. I would not recommend using that model as preamp."

==Corncob M50==

[[file:Cornford MK50 II.png|150px]]

''Based on: Cornford MK50II, a boutique British amp. Plexi-Meets-Modern tone with big cojones''
# Details: 50w, 6L6/5881, 1 channel
# Original speaker(s): 4x12 with V30s
# Stock cabinet suggestion: 4x12 with V30s
# Original controls: Volume, Gain, Bass, Middle (500Hz), Treble, Volume, Presence, Resonance
# Bright default: Off
# [http://www.cornfordamps.com/docs/mk50h.pdf Original manual (and suggested settings)]
# [http://www.cornfordamps.com Cornford website]
# The Standard/Ultra had a Cornford RK100 sim

==Carolann Od-2==

[[file:Carol_Ann_OD2.png |150px]]

''Based on: the celebrated Carol-Ann OD-2r. Model fine-tuned by the highly respected Alan Phillips himself!''
# Details: overdrive channel, 50W, EL34 or 6L6
# Original speaker(s): EVM 12L or Celestion Classic Lead 80
# Stock cabinet suggestion: EVM 12L
# Original controls: Master, Gain, Bass, Middle, Treble, Presence, Bright switch (clean and overdrive channel), Shift switch
# Bright default: Off
# [http://www.carolannamps.com/manuals.htm Original manual]
# [http://www.carolannamps.com Carol-Ann website]
# Alan Phillips: "In the real world the OD2 is very very fussy on speaker choice too. The real world speakers of choice are EVM12L in a 1x12 rear ported and 2x12 with Celestion Classic Lead 80's. I found the 12L emulation did a pretty good job. Some of the others sounded so artificial with that model. Like a rockman. Coupled with the right cab the emulated model does a good job of representing the basic tonal signature of the amp". And: "It's not a competitive model, it's a live demo of an OD2 as tweaked by me. Damn sight better than sound clips for auditioning to guys that haven't got the ability to get to a Dealer. Clearly it doesn't give you the full experience of the full amp, but is a good tonal taster. I repaired a Soldano SLO for him one day and when he came over my house to pick it up we just decided it would be a good idea to put a CA model in there. Having the actual builder involved kind of closes the loop fully. I'm happy to endorse that model because I put a lot of hours testing it and putting together a ton of technical information, fourier analysis graphs, frequency response graphs, schematics etc that would make validation of a mathematical model much easier. In reality even though the power amp and the preamp are modelled the pre-amp got the most effort. As I said in another thread, I tuned that by putting the axe in to the actual power amp of an OD2 and running that side by side with a full OD2. The final tweaks were made like that using parametric eq blocks that were hard coded in to the model. You could call that the icing on the cake and basically put the same level of tuning in to the model as I do with a actual OD2. The only difference was I was using a GUI, not resistors and capacitors."
# It's a very dark sounding amp

==Fryette D60 L / M==

[[file:Fryette_D60.png|150px]]

''Based on: Fryette Amplification D60 in the "Less" resp. "More" mode''
# Details: 60W, KT88 or 6550
# Original speaker(s): 2x12 or 4x12 Eminence P50E
# Stock cabinet suggestion: 4x12 Recto, 4x12 G12K100
# Original controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth, More/less switch
# Bright default: On
# [http://www.fryette.com/support_manuals.html#deliverance Original manual]
# [http://www.sfdamp.com Fryette website]
# [http://en.wikipedia.org/wiki/Fryette_Amplification Wikipedia]

==Brit Brown==

[[File:Marshall_1959_Superlead_Plexi.png|150px]]

''A faithful recreation of the pure, raw "Brown Sound"—The Modded “#1” Marshall''
# Details:
# Original speaker(s): 4x12 with greenbacks
# Stock cabinet suggestion: 4x12 Basketweave M25
# Original controls: Volume, Bass, Middle, Treble, Presence, Bright cap
# Bright default: On
# For authentic tone: turn up Master, use Drive for volume and gain
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_1959 Wikipedia]
# This model has the Saturation parameter engaged by default
# Orignally named "Brown", renamed after addition of FAS Brown model

==Citrus RV50==

[[File:Orange_Rockerverb_50.png|150px]]

''Based on: the "dirty" channel of the 50W Orange Rockerverb head, known for warmth and rich harmonics''
# Details: EL34
# Original speaker(s): Celestion V30
# Stock cabinet suggestion: 4x12 Citrus V30 (RW)
# Original controls on dirty channel: Volume, Gain, Treble, Mid, Bass
# Bright default: ...
# [http://www.orangeamps.com/downloads Original manual]
# [http://www.orangeamps.com Orange website]
# [http://en.wikipedia.org/wiki/Orange_Amplifiers Wikipedia]

==Jazz 120==

[[File:Roland_JC120.png|150px]]

''Based on: Roland JC-120 120, the only solid-state-based model in the collection; a quintessential clean tone''
# Details: 120W (stereo: 2x 60W)
# Original speaker(s): 2x12
# Stock cabinet suggestion: 2x12 Jazz (RW)
# Original controls: Volume, Bass, Mid, Treble, no Master
# Bright default: ...
# [http://backstage.rolandus.com/product_manuals/?group==4 Original manual]
# [http://www.roland.com Roland website]
# [http://en.wikipedia.org/wiki/Roland_Jazz_Chorus Wikipedia]

==Energyball==

[[File:Engl_Powerball.png|150px]]

''Based on: ENGL Powerball, a very high-gain German model. Lots of bass. Great for aggressive, drop-tuned riff work''
# Details: lead channel, 100W, 6L6
# Original speaker(s): 4x12 Celestion V30 (or custom V60)
# Stock cabinet suggestion: 4x12 German V30, 4x12 Metal
# Original controls: Gain, Volume, Bass, Middle, Treble, Presence, Depth, Bottom, Open/Focused mode, Bright switch for low gain channels only
# Bright default: Off
# [http://www.engl-amps.com/manuals/e645-om.pdf Original manual]
# [http://www.engl-amps.com Engl website]
# [http://en.wikipedia.org/wiki/Engl Wikipedia]

==ODS-100 Clean / Lead==

[[File:Dumble_OD_Special.png|150px]]

''Based on: Dumble OD Special, a coveted but rare amp made famous by Robben Ford. Also played by the great Larry Carlton and many others. Clean: based on the Clean channel. Lead: the same amp, OD channel.''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 G12-65, EVM 12L
# Original controls: Master, Bass, Middle, Treble, Bright switch
# Bright default: ...
# [http://en.wikipedia.org/wiki/Dumble_Amplifiers Wikipedia]

==FAS Rhythm==

[[File:FAS_Rhythm.png|150px]]

''Created by Fractal Audio Systems. Combines the best features of the British and USA crunch models''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: ...
# Original controls: n/a
# Bright default: ...

==FAS Lead 1==

[[File:FAS_Lead_1.png|150px]]

''Created by Fractal Audio Systems. Neutral high-gain lead with a tight midrange''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 Recto, Cali
# Original controls: n/a
# Bright default: ...

==FAS Lead 2==

[[File:FAS_Lead_2.png|150px]]

''Created by Fractal Audio Systems. Hot-rodded British lead sound with a tonestack by the one and only Bob Bradshaw''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 Recto, Cali
# Original controls: n/a
# Bright default: ...

==FAS Modern==

[[File:FAS_Modern.png|150px]]

''Created by Fractal Audio Systems. A high-gain hybrid. Equally well-suited to modern rhythm and lead work''
# Details: n/a
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 Recto
# Original controls: n/a
# Bright default: ...

==Das Metall==

[[File:Diezel_VH4.png|150px]]

''Based on: Diezel VH4, a high-gain, boutique amp famous for its powerful, heavy, aggressive sound''
# Details: 4 channels, 6550 tubes (or EL34 or 6L6)
# Original speaker(s): 4x12 with V30s or G12-K100s
# Stock cabinet suggestion: 4x12 Recto, 4x12 G12K100
# Original controls: Gain, Volume, Bass, Mid, Treble, Presence (4kHz), Deep (80Hz)
# Bright default: On
# [http://diezel.typo3.inpublica.de/uploads/tx_ohelement/VH4englnew.pdf Original manual]
# [http://diezel.typo3.inpublica.de/welcome-to-Diezel-Amplifi.10.0.html Diezel website]
# [http://en.wikipedia.org/wiki/Diezel Wikipedia]

==Brit Pre==

[[File:Marshall_JMP1.png|150px]]

''Based on: Marshall JMP-1 Preamp, a rack-mount preamplifier version of the Brit 900. Crunchy “ZZ” tone''
# Details: MIDI
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: Volume, Gain, Bass, Mid, Treble, Presence, Bass shift
# Bright default: ...
# [http://www.marshallamps.com/downloads/files/JMP_1%20Hbk.pdf Original manual]
# [http://www.marshallamps.com Marshall website]
# [http://en.wikipedia.org/wiki/Marshall_Amplification Wikipedia]

==Buttery==

[[File:Budda_Twinmaster.png|150px]]

''Based (loosely) on: Budda Twinmaster, a late 90s specimen. Relies mostly on power amp distortion''
# Details:
# Original speaker(s): greenbacks
# Stock cabinet suggestion: greenbacks
# Original controls: Bass, Treble, Volume. Bright cap on the Volume control (Bright switch)
# Bright default: ...
# For authentic tone: turn up the Master volume, use Drive for volume and gain
# [http://www.budda.com/resources/Twinmaster_manual.pdf Original manual]
# [http://www.budda.com Budda website]
# [http://en.wikipedia.org/wiki/Budda_Amplification Wikipedia]
# Cliff talking about the G1 model: "I did the Buttery model by ear. I listened to some clips of Buddas (Matchbox 20, remember them?) and tweaked the model until I thought it sounded like one. Screwed around a little with the tube bias points until it had the right balance of harmonics and called it a day

==Boutique 1 / 2==

[[File:Matchless Chieftain.png|150px]]

''Based on: Matchless Chieftain, a medium-gain amp, thick, yet crisp, with a fair amount of power amp breakup. 2: same amp with a boost for more gain and high-frequency emphasis''
# Details:
# Original speaker(s): Alnico Blue, G12H30s
# Stock cabinet suggestion: 2x12 Boutique, Alnico Blue's, G12H30s
# Original controls: Volume, Master, Bass, Treble, Brilliance (HiCut)
# Bright default: On
# [http://www.matchlessamplifiers.com/manuals/Clubman-Chieftain-manual.pdf Original manual]
# [http://en.wikipedia.org/wiki/Matchless_Amplifiers Wikipedia]
# Based on a Vox circuit
# Crank the Master volume

==Cameron Med / High==

[[file:Cameron_CCV.png|150px]]

''Based on: Cameron CCV100, what its creator Mark Cameron calls “one pissed off amp". High: Another of the "hot-rodded tones" of the CCV''
# Details: n/a
# Original speaker(s): n/a
# Stock cabinet suggestion: 4x12 with G12H30s
# Original controls: ...
# Bright default: Off
# The Cameron High sim has the Saturation parameter engaged
# This model is currently based on schematics only. [http://forum.fractalaudio.com/axe-fx-ii-discussion/41433-axe-fx-ii-firmware-version-2-00-up-4.html#post555020 Source]

==SV Bass==

[[File:Ampeg_SVT.png|150px]]

''Based on: Ampeg SVT, a bass head used for decades by famous bassists the world over''
# Details: Super Vacuum Tube bass amp, 300W
# Original speaker(s): 8x10
# Stock cabinet suggestion: 8x10
# Original controls: ...
# Bright default: ...
# [http://www.ampeg.com Ampeg website]

==Tube Pre==

[[file:Tube Pre.png|150px]]

''A completely neutral, low-gain tube pre useful for “warming up” various sources''
# Details: added in firmware 1.02
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: n/a
# Bright default: ...

==FAS Brown==

[[File:FAS BROWN.png|150px]]

From the Standard/Ultra manual: "Based on a modified British style head with plenty of gain and lots of mids and highs. This type captures the sound of Eddie’s early work. Crank the Master and bring the drive up until you reach sonic nirvana"
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: ...
# Original controls: n/a
# Bright default: ...
# Added in firmware 1.05

==FAS Big Hair==

[[File:FAS BIG HAIR.png|150px]]

From the Standard/Ultra manual: "Spandex, studded wrist bands, pyrotechnics and your Axe-Fx are all you'll need to relive the 80's metal scene. This custom type has a unique voicing and tone-stack that emphasizes mid frequencies without getting muddy. Now plug in and shred!"
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: ...
# Original controls: n/a
# Bright default: ...
# Added in firmware 1.05

==Solo X99 Lead==

[[File:Soldano_X99.png|150px]]

''Based on: the lead channel of a Soldano/Caswell midi-motorized Soldano X99 preamp, ''
# Details:
# Original speaker(s): n/a
# Stock cabinet suggestion: n/a
# Original controls: ...
# Bright default: On
# [http://www.soldano.com Soldano website]
# [http://en.wikipedia.org/wiki/Soldano Wikipedia]

==Recto Orn Mdrn==

[[file:Mesa_Dual_Rectifier.png|150px]]

''Based on the Modern channel of a new Dual Rectifier with the voicing in the Modern position''
# Details: 100W
# Original speaker(s): 4x12 V30
# Stock cabinet suggestion: 4x12 Recto V30 (RW), 4x12 Recto V30 (OH), 4x12 Cali
# Original controls: Gain, Master, Bass, Middle, Treble, Presence
# Bright default: On
# [http://www.mesaboogie.com/manuals/2chRecto.pdf Original manual]
# [http://www.mesaboogie.com Mesa website]
# [http://en.wikipedia.org/wiki/Mesa_Boogie Wikipedia]
# Keep Master volume low (3.50), use Drive to add gain
# Cliff: "None of the Recto models in the Axe-Fx have the post tone-stack bass boost. If you want to replicate the behavior of a Single Rectifier you need to put an 11 dB bass boost after the preamp model. The Axe-Fx models are based on the Dual Rectifier modes with the bass boost switch off. Single Rectifiers engage the bass boost switch automatically in channel 2" (use a PEQ or low shelf Filter after the Amp block to boost bass at around 120Hz)
# Damping on the Recto Red defaults to zero (no negative feedback). The Presence control on the real amp is not a regular Presence control. This is why there's no virtual Presence control for this amp on the Axe-Fx II [http://forum.fractalaudio.com/reviews/37857-axe-fx-2-amps-sims-review-4.html#post517841 Source]

[[category:Presets and effects]]
[[category:Amplifier FX blocks]]