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		<title>AlbertA: Created page with '===I/O Configuration===  Press the I/O button to access the I/O configuration menus. These menus allow you to configure the audio, MIDI and pedals of the Axe-Fx.  '''Mode Configu…'</title>
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		<updated>2009-11-18T21:56:56Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;===I/O Configuration===  Press the I/O button to access the I/O configuration menus. These menus allow you to configure the audio, MIDI and pedals of the Axe-Fx.  &amp;#039;&amp;#039;&amp;#039;Mode Configu…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;===I/O Configuration===&lt;br /&gt;
&lt;br /&gt;
Press the I/O button to access the I/O configuration menus. These menus allow you&lt;br /&gt;
to configure the audio, MIDI and pedals of the Axe-Fx.&lt;br /&gt;
&lt;br /&gt;
'''Mode Configuration'''&lt;br /&gt;
&lt;br /&gt;
The first page of the I/O menu configures the primary input source. Setting the INPUT&lt;br /&gt;
SOURCE to ANALOG FRONT or ANALOG REAR configures the unit to slave all clocks to&lt;br /&gt;
the internal 48 kHz word clock. Setting to DIGITAL selects the DIGITAL input as the&lt;br /&gt;
main input and slaves all clocks to this bit stream.&lt;br /&gt;
The Axe-Fx can only run at 48 kHz. If you connect a digital source to the unit be&lt;br /&gt;
sure that its sample rate is 48 kHz.&lt;br /&gt;
Set the INPUT SOURCE to ANALOG FRONT when using the front-panel input. This input&lt;br /&gt;
is conditioned to provide optimum noise performance for use with an electric guitar.&lt;br /&gt;
Set the INPUT SOURCE to ANALOG REAR when using the rear-panel input. This input is&lt;br /&gt;
a generic line-level input and works with any line-level source.&lt;br /&gt;
&lt;br /&gt;
'''Audio Configuration'''&lt;br /&gt;
&lt;br /&gt;
The next page of the I/O menu configures the inputs to the Axe-Fx. Select the&lt;br /&gt;
desired mode for each of the inputs as follows:&lt;br /&gt;
LEFT ONLY - Use for monophonic input sources. For INPUT 1 use the front panel&lt;br /&gt;
INSTR jack or the rear panel INPUT1 - LEFT / MONO jack (set INPUT SOURCE as&lt;br /&gt;
described above). For INPUT 2 use the rear panel INPUT2 - LEFT / MONO jack.&lt;br /&gt;
In this mode the left input signal is copied to the right channel.&lt;br /&gt;
L+R SUM - Use when you wish to sum two sources using the LEFT and RIGHT input&lt;br /&gt;
jacks.&lt;br /&gt;
STEREO - Select this if your input source is stereo.&lt;br /&gt;
&lt;br /&gt;
'''MIDI Configuration'''&lt;br /&gt;
&lt;br /&gt;
The MIDI page configures the MIDI parameters and preset mapping of the Axe-Fx.&lt;br /&gt;
The Axe-Fx contains memory for 384 presets. From a MIDI standpoint these&lt;br /&gt;
presets are arranged in 3 banks of 128 each. To recall presets above 127 your MIDI&lt;br /&gt;
device must be capable of transmitting a MIDI Bank Select Coarse controller&lt;br /&gt;
message (controller #0). The value of this message selects the bank (0 - 2).&lt;br /&gt;
Subsequent MIDI Program Change messages access programs from the selected&lt;br /&gt;
bank.&lt;br /&gt;
MIDI CHANNEL - Selects the MIDI channel to which the Axe-Fx will respond. If set to&lt;br /&gt;
OMNI the Axe-Fx will respond to MIDI messages on all channels.&lt;br /&gt;
PROG CHANGE - When set to ON the Axe-Fx will respond to MIDI Program Change&lt;br /&gt;
messages. When set to OFF it will ignore them.&lt;br /&gt;
&lt;br /&gt;
MAPPING MODE - When set to OFF the Axe-Fx will recall the preset given in the&lt;br /&gt;
Program Change message. When set to CUSTOM you can set up a custom map&lt;br /&gt;
where an incoming number is mapped to a desired preset&lt;br /&gt;
MAP FROM - Sets the input MIDI Program Change number that is mapped.&lt;br /&gt;
MAP TO - The actual preset that is recalled when the MAP FROM number is received.&lt;br /&gt;
NOTE: Mapping is only supported within Bank A (presets 0 - 127).&lt;br /&gt;
SYSEX ID - Sets the System Exclusive ID of the unit.&lt;br /&gt;
&lt;br /&gt;
'''Control Configuration'''&lt;br /&gt;
&lt;br /&gt;
The CTRL page configures the external control capabilities of the Axe-Fx. Each item&lt;br /&gt;
in the list can be controlled by either of the pedals or by a MIDI continuous&lt;br /&gt;
controller. To set up the control for an item simply turn the value dial to select the&lt;br /&gt;
MIDI continuous controller number (or desired pedal) that will control that item. The&lt;br /&gt;
Axe-Fx has a “learn” feature that allows it to detect the controller. Simply select the&lt;br /&gt;
desired item to control and press ENTER. Now move the controller and the Axe-Fx&lt;br /&gt;
will learn the controller number.&lt;br /&gt;
&lt;br /&gt;
*Example&lt;br /&gt;
To set the main output volume to be controlled by Pedal1 select OUT1 VOLUME with the navigation buttons. Then turn the value dial to select&lt;br /&gt;
PEDAL1. Alternatively press ENTER and then move your pedal connected to&lt;br /&gt;
the PEDAL1 jack until the Axe-Fx learns the source.&lt;br /&gt;
&lt;br /&gt;
In the list there are eight external controllers labeled EXTERNAL 1, EXTERNAL 2, etc.&lt;br /&gt;
These are the external sources that can be attached to controllable parameters.&lt;br /&gt;
The actual source can be either of the PEDAL inputs or any MIDI continuos&lt;br /&gt;
controller.&lt;br /&gt;
&lt;br /&gt;
*Example&lt;br /&gt;
Manual control of effects like Wah requires an external controller to be&lt;br /&gt;
attached to the Wah’s CTRL knob. In this example we’ll assume an&lt;br /&gt;
expression pedal is connected to the PEDAL 2 input jack. The first step is&lt;br /&gt;
to assign PEDAL 2 to an external controller. In this case we’ll use EXTERNAL&lt;br /&gt;
1. To do this select EXTERNAL 1 with the navigation buttons and turn the value&lt;br /&gt;
dial until PEDAL 2 is displayed (or use the Auto-Learn function). Now when&lt;br /&gt;
you attach a modifier to the Wah’s CTRL knob simply select EXTRN 1 as the&lt;br /&gt;
control source.&lt;br /&gt;
&lt;br /&gt;
In this example we could have used any of the eight external controllers or any&lt;br /&gt;
MIDI continuous controller. The main point to understand here is that there are&lt;br /&gt;
eight logical external control sources. Each source is assigned to a physical source&lt;br /&gt;
via the CTRL menu page. This source can be the PEDAL inputs or a MIDI continuos&lt;br /&gt;
controller. The logical source is then attached to an effects parameter (via the&lt;br /&gt;
MODIFIER menu, see the Controllers and Modifiers chapter).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
GLOBAL BYPASS - The Global Bypass controller is a special type of bypass control.&lt;br /&gt;
Whenever the Axe-Fx receives a Global Bypass controller message it toggles the&lt;br /&gt;
state of any effects that were bypassed in the current preset. For example, if a&lt;br /&gt;
preset has a Wah in it and that preset is saved with the Wah in a bypassed state&lt;br /&gt;
the Global Bypass message would un-bypass it. This controller can be used as a&lt;br /&gt;
universal master bypass control that toggles the bypassed blocks for each preset.&lt;br /&gt;
Normally you would have to remember what effect is bypassed in a preset and then&lt;br /&gt;
send the appropriate controller for that effect. With the Global Bypass, however,&lt;br /&gt;
you can use a single controller to toggle effects for each preset on and off. For&lt;br /&gt;
some presets you may have a Drive block that you wish to toggle on|off to switch&lt;br /&gt;
between rhythm and lead work. For others you may have a Wah or Flanger or&lt;br /&gt;
whatever that you wish to toggle. So instead of having to use a different controller&lt;br /&gt;
for each preset you can simplify and just use one.&lt;br /&gt;
&lt;br /&gt;
When a preset is recalled the effects are in the bypass state that they were stored&lt;br /&gt;
in. Any that are bypassed may then by activated using either their individual bypass&lt;br /&gt;
controllers or all may be activated by using the Global Bypass.&lt;br /&gt;
EFFECT BYPASS - Each effect in the Axe-Fx can be toggled in and out of bypass&lt;br /&gt;
using a MIDI continuous controller. Following the Global Bypass item are the&lt;br /&gt;
individual bypass controllers. Simply set the value to the desired controller number&lt;br /&gt;
(or pedal number).&lt;br /&gt;
&lt;br /&gt;
*Example&lt;br /&gt;
To control the bypass state of Flanger 1 use the navigation buttons to select&lt;br /&gt;
FLANGER 1 BYP. Then turn the value knob (or press ENTER to&lt;br /&gt;
automatically learn) to select the desired controller number. In this example&lt;br /&gt;
we’ll use CC# 12. Now whenever the Axe-Fx receives a CC# 12 message&lt;br /&gt;
the bypass state of Flanger 1 will be set to the value of the controller.&lt;br /&gt;
Note that the Axe-Fx uses negative logic for the bypass state. A controller value of&lt;br /&gt;
zero bypasses the effect and non-zero the effect is active. So if the controller value&lt;br /&gt;
equals zero, effect off, controller value greater than zero, effect on.&lt;br /&gt;
Pedal Configuration&lt;br /&gt;
&lt;br /&gt;
The PEDAL page configures the pedals. The pedals can be used for parameter&lt;br /&gt;
control, volume control, effect bypass, preset switching and other purposes. When&lt;br /&gt;
used for preset switching the Axe-Fx can change presets without the use of a MIDI&lt;br /&gt;
controller.&lt;br /&gt;
&lt;br /&gt;
The two pedal jacks on the back of the Axe-Fx support continuous, momentary or&lt;br /&gt;
latching pedals. Continuous pedals are normally used for real-time continuous&lt;br /&gt;
control of effect or global parameters (i.e. volume). The other types are normally&lt;br /&gt;
used for bypass control or preset switching. It is important to understand how the&lt;br /&gt;
various pedal modes operate to use them to the ultimate capability.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To use the pedal for switching operations such as bypass or preset change be sure&lt;br /&gt;
to set the pedal type to match the type of footswitch. Momentary footswitches close&lt;br /&gt;
a contact while the pedal is depressed. They typically do not &amp;quot;click&amp;quot; when pressed.&lt;br /&gt;
Latching footswitches alternate between contacts closed and opened each time&lt;br /&gt;
the switch is depressed, they usually click.&lt;br /&gt;
Internally the Axe-Fx stores a state for the pedal. For momentary footswitches&lt;br /&gt;
depressing the switch toggles the internal state between 0 and 1. When set to&lt;br /&gt;
latching the state of the contacts sets the internal state: contacts closed = 0,&lt;br /&gt;
contacts open = 1.&lt;br /&gt;
&lt;br /&gt;
Footswitches are normally used to control an effects bypass state or for preset&lt;br /&gt;
increment/decrement. Of course one can still assign a footswitch as an external&lt;br /&gt;
controller but the &amp;quot;value&amp;quot; from the switch will be either 0 or 1. This may be used, for&lt;br /&gt;
example, to change the rate of a Rotary simulator between two speeds, when the&lt;br /&gt;
controller is at value 0 the rate would be slow and when at 1 the rate would be fast.&lt;br /&gt;
This would be setup using a modifier on the Rotary simulator rate control.&lt;br /&gt;
When using a footswitch to control preset recall, a change of state causes a preset&lt;br /&gt;
change. For example, if a momentary footswitch is connected depressing the&lt;br /&gt;
switch toggles the internal state. This in turn would increment/decrement the&lt;br /&gt;
current preset if configured as such. However, if a latching footswitch were&lt;br /&gt;
connected but the type is incorrectly set to momentary then the preset would only&lt;br /&gt;
change every other time the pedal was depressed as it would interpret the first&lt;br /&gt;
press as the pedal being depressed and the second press as the pedal being&lt;br /&gt;
released.&lt;br /&gt;
&lt;br /&gt;
If the pedal type is set to continuous it CANNOT be used to control bypass or preset&lt;br /&gt;
change. This prevents unwanted behavior in the event the I/O setup is not exact.&lt;br /&gt;
Pedal Setup Parameters&lt;br /&gt;
PEDAL1 TYPE - Chooses the type of pedal: continuous, momentary or latching.&lt;br /&gt;
PEDAL2 TYPE - Chooses the type of pedal: continuous, momentary or latching.&lt;br /&gt;
PRESET INCR - Chooses which pedal to use to increment the preset. When the&lt;br /&gt;
selected pedal is depressed the next preset will be recalled.&lt;br /&gt;
PRESET DECR - Chooses which pedal to use to decrement the preset.&lt;br /&gt;
PRESET START/END - When using a footswitch to control preset increment/decrement&lt;br /&gt;
the preset recalled will range between these values, wrapping around at the limits.&lt;br /&gt;
For example if you wish to use a single footswitch to change presets you could plug&lt;br /&gt;
it into PEDAL 2 and set PRESET INCR to PEDAL2. Each time you press the footswitch&lt;br /&gt;
the preset will increment by one until the PRESET END value is exceed in which case&lt;br /&gt;
it will jump to the PRESET START value. If you wish to cycle through presets 10&lt;br /&gt;
through 14 you would set PRESET START to 10 and PRESET END to 14.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
PEDAL1 CAL - To calibrate a continuos pedal connected to PEDAL 1 press ENTER&lt;br /&gt;
and move the pedal through its full range several times. Press ENTER again when&lt;br /&gt;
finished.&lt;br /&gt;
&lt;br /&gt;
PEDAL2 CAL - To calibrate a continuos pedal connected to PEDAL 2 press ENTER&lt;br /&gt;
and move the pedal through its full range several times. Press ENTER again when&lt;br /&gt;
finished.&lt;/div&gt;</summary>
		<author><name>AlbertA</name></author>
		
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