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	<id>https://wiki.fractalaudio.com/gen1/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Tube+Head</id>
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	<updated>2026-04-08T19:43:36Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=553</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=553"/>
		<updated>2007-08-05T18:48:38Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The '''Shure SM58®''' unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement,&lt;br /&gt;
and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath &amp;quot;pop&amp;quot; noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently,&lt;br /&gt;
outdoors or indoors.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Type: Dynamic (moving coil)&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency Response: 50 to 15,000 Hz &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz Open Circuit Voltage): -54.5 dBV/Pa (1.85 mV) 1 Pa = 94 dB SPL &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Impedance: Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector: Three-pin professional audio connector (male XLR type) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver, spherical steel mesh grille&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 298 grams (10.5 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The '''Shure Beta 87A''' is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Supercardioid &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Output Impedance: Rated at 150 ohms (100 ohms actual +/- 20%) &lt;br /&gt;
Recommended minimum load impedance: 800 ohms &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz) &lt;br /&gt;
Open Circuit Voltage -52.5 dBV/Pa (2 mV) &lt;br /&gt;
(1 Pa = 94 dB SPL) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Clipping Level (at 1,000 Hz) &lt;br /&gt;
1000 ohm Load: -6 dBV (0.5 V) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Maximum SPL (at 1,000 Hz) &lt;br /&gt;
140.5 dB (0.25% THD, 1000 ohm load) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Self-Noise &lt;br /&gt;
(equivalent sound pressure level; measured with true rms voltmeter) &lt;br /&gt;
23.5 dB typical, A-weighted &lt;br /&gt;
25.5 dB typical, weighted per DIN 45 405 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Dynamic Range &lt;br /&gt;
117 dB (maximum SPL to A-weighted noise level) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Signal-to-Noise Ratio &lt;br /&gt;
70.5 dB at 94 dB SPL (IEC 651) &lt;br /&gt;
(S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Power Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3 &lt;br /&gt;
Current Drain: 1.0 to 1.2 mA &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector Three-pin (XLR) professional audio &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Aluminum construction with blue metallic finish, and hardened steel grille with nickel satin chrome plating &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 207 grams (7.6 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=552</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=552"/>
		<updated>2007-08-05T18:48:07Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The '''Shure SM58®''' unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement,&lt;br /&gt;
and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath &amp;quot;pop&amp;quot; noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently,&lt;br /&gt;
outdoors or indoors.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Type: Dynamic (moving coil)&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency Response: 50 to 15,000 Hz &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz Open Circuit Voltage): -54.5 dBV/Pa (1.85 mV) 1 Pa = 94 dB SPL &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Impedance: Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector: Three-pin professional audio connector (male XLR type) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver, spherical steel mesh grille&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 298 grams (10.5 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The '''Shure Beta 87A''' is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Supercardioid &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Output Impedance: Rated at 150 ohms (100 ohms actual +/- 20%) &lt;br /&gt;
Recommended minimum load impedance: 800 ohms &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz) &lt;br /&gt;
Open Circuit Voltage -52.5 dBV/Pa (2 mV) &lt;br /&gt;
(1 Pa = 94 dB SPL) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Clipping Level (at 1,000 Hz) &lt;br /&gt;
1000 ohm Load: -6 dBV (0.5 V) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Maximum SPL (at 1,000 Hz) &lt;br /&gt;
140.5 dB (0.25% THD, 1000 ohm load) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Self-Noise &lt;br /&gt;
(equivalent sound pressure level; measured with true rms voltmeter) &lt;br /&gt;
23.5 dB typical, A-weighted &lt;br /&gt;
25.5 dB typical, weighted per DIN 45 405 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Dynamic Range &lt;br /&gt;
117 dB (maximum SPL to A-weighted noise level) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Signal-to-Noise Ratio &lt;br /&gt;
70.5 dB at 94 dB SPL (IEC 651) &lt;br /&gt;
(S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Power Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3 &lt;br /&gt;
Current Drain: 1.0 to 1.2 mA &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector Three-pin (XLR) professional audio &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Aluminum construction with blue metallic finish, and hardened steel grille with nickel satin chrome plating &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 207 grams (7.6 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=551</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=551"/>
		<updated>2007-08-05T18:44:03Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The '''Shure Beta 87A''' is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Supercardioid &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Output Impedance: Rated at 150 ohms (100 ohms actual +/- 20%) &lt;br /&gt;
Recommended minimum load impedance: 800 ohms &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz) &lt;br /&gt;
Open Circuit Voltage -52.5 dBV/Pa (2 mV) &lt;br /&gt;
(1 Pa = 94 dB SPL) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Clipping Level (at 1,000 Hz) &lt;br /&gt;
1000 ohm Load: -6 dBV (0.5 V) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Maximum SPL (at 1,000 Hz) &lt;br /&gt;
140.5 dB (0.25% THD, 1000 ohm load) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Self-Noise &lt;br /&gt;
(equivalent sound pressure level; measured with true rms voltmeter) &lt;br /&gt;
23.5 dB typical, A-weighted &lt;br /&gt;
25.5 dB typical, weighted per DIN 45 405 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Dynamic Range &lt;br /&gt;
117 dB (maximum SPL to A-weighted noise level) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Signal-to-Noise Ratio &lt;br /&gt;
70.5 dB at 94 dB SPL (IEC 651) &lt;br /&gt;
(S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Power Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3 &lt;br /&gt;
Current Drain: 1.0 to 1.2 mA &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector Three-pin (XLR) professional audio &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Aluminum construction with blue metallic finish, and hardened steel grille with nickel satin chrome plating &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 207 grams (7.6 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=550</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=550"/>
		<updated>2007-08-05T18:43:40Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern: Supercardioid &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Output Impedance: Rated at 150 ohms (100 ohms actual +/- 20%) &lt;br /&gt;
Recommended minimum load impedance: 800 ohms &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz) &lt;br /&gt;
Open Circuit Voltage -52.5 dBV/Pa (2 mV) &lt;br /&gt;
(1 Pa = 94 dB SPL) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Clipping Level (at 1,000 Hz) &lt;br /&gt;
1000 ohm Load: -6 dBV (0.5 V) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Maximum SPL (at 1,000 Hz) &lt;br /&gt;
140.5 dB (0.25% THD, 1000 ohm load) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Self-Noise &lt;br /&gt;
(equivalent sound pressure level; measured with true rms voltmeter) &lt;br /&gt;
23.5 dB typical, A-weighted &lt;br /&gt;
25.5 dB typical, weighted per DIN 45 405 &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Dynamic Range &lt;br /&gt;
117 dB (maximum SPL to A-weighted noise level) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Signal-to-Noise Ratio &lt;br /&gt;
70.5 dB at 94 dB SPL (IEC 651) &lt;br /&gt;
(S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.) &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Power Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3 &lt;br /&gt;
Current Drain: 1.0 to 1.2 mA &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector Three-pin (XLR) professional audio &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Case: Aluminum construction with blue metallic finish, and hardened steel grille with nickel satin chrome plating &lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight: 207 grams (7.6 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=549</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=549"/>
		<updated>2007-08-05T18:41:43Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polar Pattern &lt;br /&gt;
Supercardioid &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Output Impedance &lt;br /&gt;
Rated at 150 ohms (100 ohms actual +/- 20%) &lt;br /&gt;
Recommended minimum load impedance: 800 ohms &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity (at 1,000 Hz) &lt;br /&gt;
Open Circuit Voltage -52.5 dBV/Pa (2 mV) &lt;br /&gt;
(1 Pa = 94 dB SPL) &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Clipping Level (at 1,000 Hz) &lt;br /&gt;
1000 ohm Load: -6 dBV (0.5 V) &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Maximum SPL (at 1,000 Hz) &lt;br /&gt;
140.5 dB (0.25% THD, 1000 ohm load) &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Self-Noise &lt;br /&gt;
(equivalent sound pressure level; measured with true rms voltmeter) &lt;br /&gt;
23.5 dB typical, A-weighted &lt;br /&gt;
25.5 dB typical, weighted per DIN 45 405 &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Dynamic Range &lt;br /&gt;
117 dB (maximum SPL to A-weighted noise level) &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Signal-to-Noise Ratio &lt;br /&gt;
70.5 dB at 94 dB SPL (IEC 651) &lt;br /&gt;
(S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.) &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Polarity &lt;br /&gt;
Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Power &lt;br /&gt;
Phantom Supply Requirement: 11 to 52 Vdc, positive at both pins 2 and 3 &lt;br /&gt;
Current Drain: 1.0 to 1.2 mA &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Connector &lt;br /&gt;
Three-pin (XLR) professional audio &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Case &lt;br /&gt;
Aluminum construction with blue metallic finish, and hardened steel grille with nickel satin chrome plating &lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight &lt;br /&gt;
207 grams (7.6 oz) &lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=548</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=548"/>
		<updated>2007-08-05T18:37:11Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Dynamic&amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 80 - 15,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.4 mV/Pa&amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 150 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 7.38 x 1.78 x 0.75&amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 8 oz&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=547</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=547"/>
		<updated>2007-08-05T18:34:06Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;'''Electro-Voice Model RE16 DYN''' &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=546</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=546"/>
		<updated>2007-08-05T18:33:19Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Electro-Voice Model RE16 DYN &amp;lt;BR&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=545</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=545"/>
		<updated>2007-08-05T18:32:31Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;Electro-Voice Model RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=544</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=544"/>
		<updated>2007-08-05T18:31:24Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;Electro-Voice Model RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=543</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=543"/>
		<updated>2007-08-05T18:29:35Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;Electro-Voice Model RE16 DYN &amp;lt;br&amp;gt;&lt;br /&gt;
Description&lt;br /&gt;
The Electro-Voice Model RE16 is a Variable-D® dynamic supercardioid micro­phone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits hand-held and outdoor use without “P-popping” or excessive wind noise.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Utilizing the Variable-D® design, the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A super-cardioid, the RE16 provides its greatest rejection at 150 degrees off axis. Typical cardioids provide greatest rejection in the horizontal plane when the microphone is tilted In its most natural position –30 degrees from horizontal as on a boom or floor stand.&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
An easily operated “bass-tilt” switch corrects spectrum balance for boom use and other longer reach situations. A “hum-buck” coil and screw-machined steel outer casing provide 25 dB of hum rejection. Hum pickup level is –125 dBm (re: .001 gauss field).&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive non-metallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extremes of atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. Finish is non-reflecting fawn beige micomatte.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=542</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=542"/>
		<updated>2007-08-05T18:26:19Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;'''Sennheiser e609 Silver''' &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=541</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=541"/>
		<updated>2007-08-05T18:25:36Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 '''Neumann U87''' users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=540</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=540"/>
		<updated>2007-08-05T18:24:35Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The '''Sennheiser MD 421''' is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=539</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=539"/>
		<updated>2007-08-05T18:23:43Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the '''Shure SM57''' It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Frequently_Asked_Questions&amp;diff=538</id>
		<title>Frequently Asked Questions</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Frequently_Asked_Questions&amp;diff=538"/>
		<updated>2007-08-03T23:37:43Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: /* What mics does the Axe-Fx simulate? */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Axe-Fx Features==&lt;br /&gt;
===What amps does the Axe-Fx simulate?===&lt;br /&gt;
See the [[List of amp simulations]]&lt;br /&gt;
&lt;br /&gt;
===What mics does the Axe-Fx simulate?===&lt;br /&gt;
See the [[Description of Mic Models]]&lt;br /&gt;
&lt;br /&gt;
===What drive pedals does the Axe-Fx simulate?===&lt;br /&gt;
See the [[Description of drive models]]&lt;br /&gt;
&lt;br /&gt;
===What effects does the Axe-Fx offer?===&lt;br /&gt;
See the [[Feature comparison]]&lt;br /&gt;
&lt;br /&gt;
===How does the Spillover work on the Axe-Fx?===&lt;br /&gt;
See [[Spillover]]&lt;br /&gt;
&lt;br /&gt;
==Axe-Fx Technical Questions==&lt;br /&gt;
&lt;br /&gt;
===Will the Axe-Fx work in both Europe and the United States?===&lt;br /&gt;
Yes - the Axe has universal power input, 100-240VAC, 50-60Hz.&lt;br /&gt;
===What is the processing latency of the Axe-Fx?===&lt;br /&gt;
The processing latency is constant and very short. That was a design goal. It is around 600 microseconds IIRC. That's equivalent to being only 8 inches further away from the speakers. &lt;br /&gt;
One thing many manufacturers do is use fairly large block sizes to keep function overhead from wasting clock cycles. The block size in the Axe-Fx is small which wastes some clock cycles but keeps latency down. &lt;br /&gt;
&lt;br /&gt;
The total latency is around 1 ms. There is 600us processing latency plus an additonal 400us of converter latency. If you use the loop you get another 400 us due to another codec in the chain.&lt;br /&gt;
&lt;br /&gt;
===What is the patch change time for the Axe-Fx?===&lt;br /&gt;
Preset lag is 25-30 ms with Spill of and 15 ms with Spill on.&lt;br /&gt;
&lt;br /&gt;
===What is the backup battery for the Axe-Fx?===&lt;br /&gt;
Standard CR2450 lithium battery.&lt;br /&gt;
&lt;br /&gt;
===Do the output knobs on the front have any influence on the level of the digital out?===&lt;br /&gt;
No&lt;br /&gt;
&lt;br /&gt;
===What is the difference in processor speed and memory between Ultra and Standard?===&lt;br /&gt;
20% faster. 6x the memory.&lt;br /&gt;
&lt;br /&gt;
==Firmware Questions==&lt;br /&gt;
===How do you update the firmware?===&lt;br /&gt;
See [[Firmware install notes]]&lt;br /&gt;
===Where can I get the latest firmware?===&lt;br /&gt;
&amp;quot;Due to hacking attempts firmware is now available on a request basis only. If you'd like to install the newest firmware please send an email to support@fractalaudio.com with your name and we'll send you the information on how to download.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
===What are the differences in firmware revisions?===&lt;br /&gt;
See [[Firmware history]]&lt;br /&gt;
&lt;br /&gt;
==Operational Questions==&lt;br /&gt;
===How do I upload or download patches to the axe-fx===&lt;br /&gt;
Use the [http://axechange.net/editorbeta.aspx Axe-Fx editor] or &amp;lt;BR /&amp;gt;&lt;br /&gt;
See [[How to download/upload patches]]&lt;br /&gt;
&lt;br /&gt;
===Is there anyway to fast forward through presets using the dial?===&lt;br /&gt;
&lt;br /&gt;
Yes, turning the dial quickly will fast-forward thru the presets. Turning it slowly you will feel the knob click for each preset change. The key is to not spin it too fast. If you spin the knob too quickly the dial switches will bounce and reject the data. Maintain an even rotation rate and the &amp;quot;acceleration&amp;quot; will engage and it will fast-forward.&lt;br /&gt;
&lt;br /&gt;
==Fractal Audio Questions==&lt;br /&gt;
===Who is Cliff Chase?===&lt;br /&gt;
See [http://www.musicgearsource.com/fractal.html Cliff Chase interview]&lt;br /&gt;
&lt;br /&gt;
[[Category:FAQ]]&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Frequently_Asked_Questions&amp;diff=537</id>
		<title>Frequently Asked Questions</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Frequently_Asked_Questions&amp;diff=537"/>
		<updated>2007-08-03T23:36:54Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: /* Axe-Fx Features */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Axe-Fx Features==&lt;br /&gt;
===What amps does the Axe-Fx simulate?===&lt;br /&gt;
See the [[List of amp simulations]]&lt;br /&gt;
&lt;br /&gt;
===What mics does the Axe-Fx simulate?===&lt;br /&gt;
See the [[List of amp simulations]]&lt;br /&gt;
&lt;br /&gt;
===What drive pedals does the Axe-Fx simulate?===&lt;br /&gt;
See the [[Description of drive models]]&lt;br /&gt;
&lt;br /&gt;
===What effects does the Axe-Fx offer?===&lt;br /&gt;
See the [[Feature comparison]]&lt;br /&gt;
&lt;br /&gt;
===How does the Spillover work on the Axe-Fx?===&lt;br /&gt;
See [[Spillover]]&lt;br /&gt;
&lt;br /&gt;
==Axe-Fx Technical Questions==&lt;br /&gt;
&lt;br /&gt;
===Will the Axe-Fx work in both Europe and the United States?===&lt;br /&gt;
Yes - the Axe has universal power input, 100-240VAC, 50-60Hz.&lt;br /&gt;
===What is the processing latency of the Axe-Fx?===&lt;br /&gt;
The processing latency is constant and very short. That was a design goal. It is around 600 microseconds IIRC. That's equivalent to being only 8 inches further away from the speakers. &lt;br /&gt;
One thing many manufacturers do is use fairly large block sizes to keep function overhead from wasting clock cycles. The block size in the Axe-Fx is small which wastes some clock cycles but keeps latency down. &lt;br /&gt;
&lt;br /&gt;
The total latency is around 1 ms. There is 600us processing latency plus an additonal 400us of converter latency. If you use the loop you get another 400 us due to another codec in the chain.&lt;br /&gt;
&lt;br /&gt;
===What is the patch change time for the Axe-Fx?===&lt;br /&gt;
Preset lag is 25-30 ms with Spill of and 15 ms with Spill on.&lt;br /&gt;
&lt;br /&gt;
===What is the backup battery for the Axe-Fx?===&lt;br /&gt;
Standard CR2450 lithium battery.&lt;br /&gt;
&lt;br /&gt;
===Do the output knobs on the front have any influence on the level of the digital out?===&lt;br /&gt;
No&lt;br /&gt;
&lt;br /&gt;
===What is the difference in processor speed and memory between Ultra and Standard?===&lt;br /&gt;
20% faster. 6x the memory.&lt;br /&gt;
&lt;br /&gt;
==Firmware Questions==&lt;br /&gt;
===How do you update the firmware?===&lt;br /&gt;
See [[Firmware install notes]]&lt;br /&gt;
===Where can I get the latest firmware?===&lt;br /&gt;
&amp;quot;Due to hacking attempts firmware is now available on a request basis only. If you'd like to install the newest firmware please send an email to support@fractalaudio.com with your name and we'll send you the information on how to download.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
===What are the differences in firmware revisions?===&lt;br /&gt;
See [[Firmware history]]&lt;br /&gt;
&lt;br /&gt;
==Operational Questions==&lt;br /&gt;
===How do I upload or download patches to the axe-fx===&lt;br /&gt;
Use the [http://axechange.net/editorbeta.aspx Axe-Fx editor] or &amp;lt;BR /&amp;gt;&lt;br /&gt;
See [[How to download/upload patches]]&lt;br /&gt;
&lt;br /&gt;
===Is there anyway to fast forward through presets using the dial?===&lt;br /&gt;
&lt;br /&gt;
Yes, turning the dial quickly will fast-forward thru the presets. Turning it slowly you will feel the knob click for each preset change. The key is to not spin it too fast. If you spin the knob too quickly the dial switches will bounce and reject the data. Maintain an even rotation rate and the &amp;quot;acceleration&amp;quot; will engage and it will fast-forward.&lt;br /&gt;
&lt;br /&gt;
==Fractal Audio Questions==&lt;br /&gt;
===Who is Cliff Chase?===&lt;br /&gt;
See [http://www.musicgearsource.com/fractal.html Cliff Chase interview]&lt;br /&gt;
&lt;br /&gt;
[[Category:FAQ]]&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=536</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=536"/>
		<updated>2007-08-03T23:35:56Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
The  studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=535</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=535"/>
		<updated>2007-08-03T23:34:12Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;Technical Info &amp;lt;BR&amp;gt;Type: Dynamic &amp;lt;BR&amp;gt;Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;grille and a stainless   steel screen. &amp;lt;BR&amp;gt;Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
Features &amp;lt;BR&amp;gt;&lt;br /&gt;
Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=534</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=534"/>
		<updated>2007-08-03T23:33:04Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
&amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=533</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=533"/>
		<updated>2007-08-03T23:32:27Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=532</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=532"/>
		<updated>2007-08-03T23:32:04Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;194&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;669&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=531</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=531"/>
		<updated>2007-08-03T23:30:35Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;BR&amp;gt;&lt;br /&gt;
By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=530</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=530"/>
		<updated>2007-08-03T23:29:02Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;879&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;210&amp;quot;&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;879&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=529</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=529"/>
		<updated>2007-08-03T23:26:22Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;882&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;274&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;592&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td valign=&amp;quot;top&amp;quot;&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;lt;p&amp;gt;What can you say about the Shure SM57 It is a tool found in the workbench of   every sound engineer, both for live and studio applications. There's simply no   question: it's a &amp;quot;must-have&amp;quot; mic. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      The SM57 is a cardiod (unidirectional)   dynamic microphone with a contoured frequency response of 40 to 15,000 Hz,   perfect for clean reproduction of vocals and instruments. But the SM57 is most   renowned in the music industry as the standard microphone of choice for snare   drums and guitar amplifiers. Go to any stage or studio and you're likely to find   SM57s pointing at the amps and snare. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      By the way, the '57 has been   proudly standing on the podium of the US President for over 30 years, so you can   add patriotism to its outstanding attributes! This mic is also known to take a   beating and come back for more, so tell your roadie Rocco to have a ball! Its   outstanding performance, legendary reliability, and diversity of application   make this &amp;quot;workhorse&amp;quot; the choice of performers, producers, and sound engineers   the world over. &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Type: Dynamic &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency Response:   40 to 15,000 Hz (see Figure 2) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Polar Pattern: Unidirectional (cardioid),   rotationally symmetrical about &amp;lt;BR&amp;gt;&lt;br /&gt;
        microphone axis, uniform with frequency 3-pin   professional audio connector (male XLR type) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Case: Dark gray,   enamel-painted, die-cast steel with a polycarbonate &amp;lt;BR&amp;gt;&lt;br /&gt;
        grille and a stainless   steel screen. &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions: 32 x 157 x 23mm (1-1/4 x 6-3/16 x 29/32 in.) &amp;lt;BR&amp;gt;&lt;br /&gt;
        Swivel Adapter: Positive-action, break-resistant, adjustable through   180&amp;amp;amp;#65533;, &amp;lt;BR&amp;gt;&lt;br /&gt;
        with standard 5/8 in.-27 thread &amp;lt;BR&amp;gt;&lt;br /&gt;
        Net Weight (without   cable): 284 g (10 oz.) &amp;lt;BR&amp;gt;&lt;br /&gt;
    Furnished Accessories: Swivel Adapter, Storage   Bag&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td valign=&amp;quot;top&amp;quot;&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;lt;p&amp;gt;The MD 421 is one of the most recognized microphones in the world. Its excellent   sound qualities enable it to cope with the most diverse recording conditions and   broadcasting applications. The 5-position bass control enhances its &amp;quot;all-round&amp;quot;   qualities. &amp;lt;BR&amp;gt;&lt;br /&gt;
        &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features &amp;lt;BR&amp;gt;&lt;br /&gt;
      Rugged professional microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      5-position bass roll-off switch &amp;lt;BR&amp;gt;&lt;br /&gt;
      Effective feedback rejection &amp;lt;BR&amp;gt;&lt;br /&gt;
      Clear sound reproduction &amp;lt;BR&amp;gt;&lt;br /&gt;
      Easy handling due to pronounced   directivity &amp;lt;BR&amp;gt;&lt;br /&gt;
      Includes microphone clamp for 3/8 in. thread &amp;lt;/p&amp;gt;&lt;br /&gt;
      &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
        Technical   Info &amp;lt;BR&amp;gt;&lt;br /&gt;
        Pick-up pattern: cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
        Frequency response: 30 - 17,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
        Sensitivity: (free field, no load) (1 kHz) 2 mV/Pa +/- 3 dB &amp;lt;BR&amp;gt;&lt;br /&gt;
        Nominal impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Min. terminating impedance: 200 ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
        Dimensions in mm: 215 x 46 x 49 &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight: approx. 385 g&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td valign=&amp;quot;top&amp;quot;&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;Over 50,000 U87 users can't be wrong, this microphone is the professional   standard and sets the mark by which all others are measured. The U 87 will   celebrate its 40th birthday in 2007 and is still going strong. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      The U 87   is probably the best-known and most widely used Neumann studio microphone. It is   equipped with a large dual-diaphragm capsule with 3 directional patterns:   omnidirectional, cardioid, and figure-8. These are selectable with a switch   below the headgrille. A 10 dB attenuation switch, located on the rear, enables   the microphone to handle sound pressure levels up to 127 dB without distortion.   Furthermore, the low frequency response can be reduced to compensate for   proximity effect. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Variable large diaphragm microphone &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pressure-gradient transducer with double membrane capsule &amp;lt;BR&amp;gt;&lt;br /&gt;
      The   studio microphone classic &amp;lt;BR&amp;gt;&lt;br /&gt;
      3 directional characteristics: omni, cardioid,   figure-8 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable low frequency roll-off &amp;lt;BR&amp;gt;&lt;br /&gt;
      Switchable 10 dB   pre-attenuation &amp;lt;BR&amp;gt;&lt;br /&gt;
      Ideal as main and as support microphone in the most   differing recording situations &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Applications &amp;lt;BR&amp;gt;&lt;br /&gt;
    The U 87 Ai condenser   microphone is a large diaphragm microphone with 3 polar patterns and a unique   frequency and transient response characteristic.&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td valign=&amp;quot;top&amp;quot;&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;lt;p&amp;gt;e609 Silver &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;The e609 Silver is based on the legendary MD 409 microphone. Able to withstand   high SPLs without distorting, the e609 Silver's flat-profile capsule allows   extremely close miking of guitar cabinets and precise drum miking, particularly   toms. The e609 Silver's super-cardioid design improves isolation while its   increased output and wider frequency response improves performance. Its sound   inlet basket, made of refined steel, is distinguished by a unique silver address   side. &amp;lt;BR&amp;gt;&lt;br /&gt;
      &amp;lt;BR&amp;gt;&lt;br /&gt;
      Features: &amp;lt;BR&amp;gt;&lt;br /&gt;
      Metal construction -- rugged and reliable &amp;lt;BR&amp;gt;&lt;br /&gt;
      Super-cardioid pick-up pattern provides isolation from other on-stage   signals &amp;lt;BR&amp;gt;&lt;br /&gt;
      Hum compensating coil reduces electrical interference &amp;lt;BR&amp;gt;&lt;br /&gt;
      Neodynum ferrous magnet with boron keeps mic stable regardless of   climate &amp;lt;/p&amp;gt;&lt;br /&gt;
    &amp;lt;p&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
      Technical Info &amp;lt;BR&amp;gt;&lt;br /&gt;
      Pick-up pattern: Super-cardioid &amp;lt;BR&amp;gt;&lt;br /&gt;
      Frequency   response: 40 - 18,000 Hz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Sensitivity: 1.5 mV/Pa at 1 kHz, nominal &amp;lt;BR&amp;gt;&lt;br /&gt;
      Nominal impedance: 350 Ohms &amp;lt;BR&amp;gt;&lt;br /&gt;
      Minimum terminating impedance: 1 k &amp;lt;BR&amp;gt;&lt;br /&gt;
      Dimensions in inches: 2.17 x 1.34 x 5.28 &amp;lt;BR&amp;gt;&lt;br /&gt;
      Weight: 6.43oz &amp;lt;BR&amp;gt;&lt;br /&gt;
      Contact Pressure: 2.5 N &amp;lt;BR&amp;gt;&lt;br /&gt;
    Weight (without cable): 9.2 oz&amp;lt;/p&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=528</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=528"/>
		<updated>2007-08-03T23:21:10Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;table width=&amp;quot;427&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;168&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Axe-FX Mic Type &amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td width=&amp;quot;243&amp;quot;&amp;gt;&amp;lt;strong&amp;gt;Description&amp;lt;/strong&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=527</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=527"/>
		<updated>2007-08-03T23:19:38Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&lt;br /&gt;
&amp;lt;table width=&amp;quot;200&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;57 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;58 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;421 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;87A COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;U87 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;E609 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;RE16 DYN &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=526</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=526"/>
		<updated>2007-08-03T23:17:16Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellpadding=&amp;quot;20&amp;quot; cellspacing=&amp;quot;0&amp;quot; colspan=&amp;quot;2&amp;quot; !&lt;br /&gt;
!Axe-Fx [[Mic]] type !Description |- |Rat Fuzz |ProCo Rat |} &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
67 COND&lt;br /&gt;
57 DYN&lt;br /&gt;
58 DYN&lt;br /&gt;
421 DYN&lt;br /&gt;
87A COND&lt;br /&gt;
U87 COND&lt;br /&gt;
E609 DYN&lt;br /&gt;
RE16 DYN&lt;br /&gt;
&amp;lt;table width=&amp;quot;200&amp;quot; border=&amp;quot;1&amp;quot;&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;67 COND &amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
  &amp;lt;tr&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
    &amp;lt;td&amp;gt;&amp;amp;nbsp;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=525</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=525"/>
		<updated>2007-08-03T23:16:10Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellpadding=&amp;quot;20&amp;quot; cellspacing=&amp;quot;0&amp;quot; colspan=&amp;quot;2&amp;quot; !&lt;br /&gt;
!Axe-Fx [[Mic]] type !Description |- |Rat Fuzz |ProCo Rat |} &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
67 COND&lt;br /&gt;
57 DYN&lt;br /&gt;
58 DYN&lt;br /&gt;
421 DYN&lt;br /&gt;
87A COND&lt;br /&gt;
U87 COND&lt;br /&gt;
E609 DYN&lt;br /&gt;
RE16 DYN&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=524</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=524"/>
		<updated>2007-08-03T23:15:31Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellpadding=&amp;quot;20&amp;quot; cellspacing=&amp;quot;0&amp;quot; colspan=&amp;quot;2&amp;quot; !&lt;br /&gt;
!Axe-Fx [[Mic]] type !Description |- |Rat Fuzz |ProCo Rat |} &lt;br /&gt;
67 COND&lt;br /&gt;
57 DYN&lt;br /&gt;
58 DYN&lt;br /&gt;
421 DYN&lt;br /&gt;
87A COND&lt;br /&gt;
U87 COND&lt;br /&gt;
E609 DYN&lt;br /&gt;
RE16 DYN&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=523</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=523"/>
		<updated>2007-08-03T23:13:34Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following Mic Models are available in the Axe FX&lt;br /&gt;
&lt;br /&gt;
67 COND&lt;br /&gt;
57 DYN&lt;br /&gt;
58 DYN&lt;br /&gt;
421 DYN&lt;br /&gt;
87A COND&lt;br /&gt;
U87 COND&lt;br /&gt;
E609 DYN&lt;br /&gt;
RE16 DYN&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=522</id>
		<title>Description of Mic Models</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Description_of_Mic_Models&amp;diff=522"/>
		<updated>2007-08-03T23:10:46Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: Description of Mic Models&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| border=&amp;quot;1&amp;quot; cellpadding=&amp;quot;20&amp;quot; cellspacing=&amp;quot;0&amp;quot; colspan=&amp;quot;2&amp;quot; !Axe-Fx [[drive]] type !Description |- |Rat Fuzz |ProCo Rat |- |Pi Fuzz |Electro-Harmonix Big Muff Pi |- |Tube OD |Chandler Tube Driver |- |Super OD |Custom model. A fairly neutral overdrive |- |Treb Boost |Dallas Rangemaster |- |Mid Boost |Custom |- |Tube Dist |Ibanez Tubescreamer TS-9 |- |Fat Dist |Custom. Similar to PI but with more top end |- |Cust Dist |Based on Popular TS-9 mods |- |Oct Dist |Tycobrahae Octavia |- |Super Dist |Boss SD-1 |}&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
	<entry>
		<id>https://wiki.fractalaudio.com/gen1/index.php?title=Help:Editing&amp;diff=521</id>
		<title>Help:Editing</title>
		<link rel="alternate" type="text/html" href="https://wiki.fractalaudio.com/gen1/index.php?title=Help:Editing&amp;diff=521"/>
		<updated>2007-08-03T23:08:37Z</updated>

		<summary type="html">&lt;p&gt;Tube Head: New page: Description of Mic Models&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Description of Mic Models&lt;/div&gt;</summary>
		<author><name>Tube Head</name></author>
		
	</entry>
</feed>